Manchester Pride has revealed its 2025 line-up and headliners ahead of the city’s huge LGBTQ+ celebration.
Set to take place, a usual, over the August bank holiday weekend, this year’s live entertainment features headline slots for Olly Alexander, Leigh-Anne, and Billy Porter.
The line-up is packed with LGBTQ+ icons and allies once again as summer’s event calendar heats up.
This year’s Manchester Pride festival will take place between Friday 22 and Monday 25 August, culminating in the candlelit vigil at Sackville Gardens.
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Topping the bill this year is Brit Award winner and Years and Years frontman Olly Alexander, along with multi-platinum pop star Leigh-Anne, of Little Mix fame, and Hollywood superstar Billy Porter.
Also announced by Manchester Pride today are special guests including Tulisa, Big Freedia, Sonique and Louisa Johnson, Jodie Harsh, and multi-award winning cabaret artist, Danny Beard with The Danny Beard Show.
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Manchester Pride has also worked with community collectives to commission a number of immersive shows, including House of MCR, which will bring together dance, singing, lip-syncing and fashion.
Kulture Cabaret will be a celebration of queer South Asian and Middle Eastern performers, and Queenz: Drag me to the disco will feature during the bank holiday celebrations.
Bongo’s Bingo will kick off the Manchester Pride celebrations each day.
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This is all part of the first-ever line-up for the brand new Mardi Gras event, which will take place on the Saturday and Sunday and has an ambition to better represent marginalised communities such as trans, non-binary, and queer local talent.
The Gay Village Party will be back in Manchester Pride’s spiritual home from Friday 22 to Monday 25 August, featuring Samantha Mumba, B*Witched and Sister Sledge featuring Kathy Sledge – with more still to be announced.
These performances will be across two stages, the Alan Turing stage and the Indoor Arena, alongside a funfair, market stalls, and pop-up food vendors, plus Ginny Lemon’s Dog Show.
Mark Fletcher, CEO at Manchester Pride, said: “Manchester Pride is the city’s celebration of LGBTQ+ life and culture and each year we’re challenged to respond to the diverse needs of our communities.
“Working closely with LGBTQ+ groups and collectives from Greater Manchester we’ve been able to respond to the needs of our communities in presenting a queer focussed, intentional line up of performers who will elevate and lend their support to the rich bed of LGBTQ+ performers that this city has to offer.
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“With the introduction of the new Mardi Gras event we needed to make sure that we stayed true to what Pride is about in this city.
“Our communities were clear that they wanted to see LGBTQ+ performers front and centre and we’re thrilled to announce a line up which serves.
“With so many stages available across the two live music based events we’re confident that there’s something for everyone; whether that be multi platinum selling pop artists, drag queen royalty or ballroom fierceness that you can expect to see at the special House of MCR Show.”
Manchester Pride 2025 line-up
Friday 22 August
Gay Village Party
Samantha Mumba
Saturday 23 August
Mardi Gras
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Leigh-Anne // Billy Porter
Special Guest: Big Freedia
Gok Wan // Sonique // Booty Luv // Joshua James // Bestley
The Danny Beard Show // Dean Mccullough’s Pop Machine // Bongo’s Bingo
Queenz: Drag Me To The Disco // Black Pride Mcr // Runway X Banksie
Tame Impala at Co-op Live, Manchester – lasers, lights, and a bit of a hangover
Daisy Jackson
The coolest man in the southern hemisphere has finally made his way back up north, for his first Manchester gig in a decade.
That cool man in question is Tame Impala, the music project of what-the-hell-can’t-he-play multi-instrumentalist Kevin Parker.
Sure, last year’s single release ‘Dracula’, and then its remix re-release with K-pop megastar Jennie, may have propelled Tame Impala up towards the top of the UK singles chart for the first time, but he’s got almost two decades-worth of music to dig through beyond that too.
It’s a hefty discography and it leads to a setlist that seems to almost peak about six times.
‘How could it possibly get better than this?’ we seem to ask as he plays The Moment, Elephant, Dracula, and Let It Happen pretty early on – but better it does indeed get.
It doesn’t seem to matter whether he’s up on the main space-ship-esque stage surrounded by lasers and lights, or sat on the floor of the B Stage playing around with a keyboard, Tame Impala has an irresistible, enchanting charisma. A lot more charisma that you’d expect from a man called Kevin.
Early on, he confesses that he’s quite severely hungover from last night’s show, where he had Dua Lipa (he wrote and produced her Radical Optimism album) as a surprise guest.
But you can see the hangover clear from his eyes in real time as 23,500 Mancs scream in his face. Which might not sound like a likely hangover cure, but who am I to argue with the evidence in front of me?
Although Kevin writes, produces, and records his music solo, he’s got half a dozen musicians up on the main stage with him, which looks like a convoluted space ship that fires confetti out of its thrusters (FOUR TIMES!).
With revolving lights, dancing lasers, and a metal grid base spewing out dry ice, it’s really one hell of a production.
It’s a light show designed to give us all a glimpse of his synesthesia (meaning he sees colours when he hears music (Billie Eilish has it too)) – essentially, if you couldn’t hear a thing and could only see the stage, you can still tell exactly what song is playing.
Still, when he saunters straight through the crowd to his smaller stage to mix tracks solo – no lasers, just a few lamps – flopping down onto a tangle of wires like a mad magpie building himself a nest, it’s a chance to remember this guy’s composing prowess.
A lot of the songs performed tonight are almost orchestral in their complexity, so that the whole show merges into one thundering, bewitching night of dancing and being blasted in the face by confetti.
It’s genius.
So can you not leave it another decade before you come back, Kevin?
Kahiki Soundhouse – the new Mint Lounge site is living up to the old name and its live music legacy
Danny Jones
If you went out in town back in the day (pretty much any time from the late 90s to the 2010s), or indeed have sampled a Funkdemia over the past couple of decades, chances are you tried or at least heard of Mint Lounge – but did you know it’s been replaced by a new kid on the block, Kahiki?
Kahiki Soundhouse, to give it its full name, is the new live music venue bar that has opened up the old basement space on Oldham Street in the Northern Quarter.
In truth, it’s now more of a classic lounge than ever before.
The large open-plan floor, which used to be filled with people standing/two-stepping inside a fairly barebones club room with no air conditioning, has now been traded up for a stylish space lined with plush padded seats, classy low-lit tables perfect to share a glass or two over, and lots of new features.
Perhaps the biggest change is that the old soundbooth/stage area that used to be way at the back has now been swapped for a central 360° podium that changes up each night.
It really is the star of the all-week-round Kahiki show, if you ask us.
This also means that no matter where you are in the main venue (there are other rooms, but we’ll get to that), be it tucked in a booth to the side, at the bar, or even ‘behind’ whoever’s playing, you’ll have a virtually unobstructed view of what’s happening from noon until night.
Seriously, thanks to their already jam-packed schedule, the reviews aren’t just off to a great start only a few days in, but people have been turning up in the early evening and staying well into the early hours of the next day.
They’ve got duelling pianos, live bandaoke, acoustic nights and straightforward DJ sets for those who still fancy a taste of the previous vibe.
Kahiki’s maiden Manchester city centre venue definitely harks back to the good times had in the Mint Lounge days, but the team, who possess decades of experience between them, have combined a retro feel almost more akin to 1960s speakeasies, cocktails and evening venues.
It’s no secret that clubbing and the UK nightlife scene have changed quite a bit since the pandemic, but these guys look to have found that perfect blend of more relaxed seating, along with plenty of room to get up and boogie; there’s even a raised mini-stage/dance cage for your main character moments.
Better still, if you do want something a little bit away from the crowds of punters that are continuing to make this one of the liveliest new additions to NQ, they also have adjustable karaoke rooms where bi-folding doors can make room for up to 50 of you and your lot to party in privacy.
Let’s just say the spirit of the Lounge is alive and well in the Soundhouse.
Just one corner of KahikiYour podium awaitsOne of the smaller karaoke rooms
Daisy Jackson -
14th March 2025 
