Finally, summer is here, the sun is actually shining fairly consistently, the pints, gigs and festivals are flowing like the Irwell and, as always, Manchester music is looking great on all fronts.
If this is your first time jumping on this monthly series, first of all, welcome and secondly, the premise is pretty simple: we spotlight all the best Manchester artists coming out of 0161, be they a new up-and-coming star, an unsung creative, or someone who is finally breaking through into more people’s playlists.
Better still, we cover things from all across the local scene and you’re in for a treat this time as we’ve got lots of genres in the mix because we’re nothing if not eclectic.
So, let’s not waste any more time chatting on – here are the five Manchester-based music artists we’ve been listening to throughout July.
The best new music coming out of Greater Manchester this month
1. manta
First up on our list this month is lesser-known solo artist and producer Manta but, trust us, his status as a well-kept secret won’t last much longer; this guy is blowing all over social media and TikTok, especially. Born in Japan, raised in Skipton and now based in 0161, he’s leading the rise of ‘bedroom pop’.
The independent alt-pop singer-songwriter will strike a chord with anyone who enjoys the likes of Dominic Fike, Dijon, Easy Life, Kenny Beats, Matt Champion and Mk.Gee, also stunning viewers with the behind-the-scenes of his creative low-budget videos and his mix of indie, hip-hop, neo-soul and more.
Manta doesn’t have a song as catchy as ‘wishful thinking’ (see below), but his first song ‘Dream World’ from back in 2021 is still his most streamed song, and understandably so, but we also love ‘Clementine’ – plus, with just two EPs to get through, you can catch up on his discography before he blows up.
Next up is a name we’ve shown a lot of love for some time now and after seeing him live twice, we can confirm Seb Lowe and co. gives us the exact kind of energy you expect from any young artist/band looking to set themselves apart from the ever-saturated Manc music crowd.
Specialising not only in a unique blend of alt and punk-infused indie rock, the Oldham-born musician has all the poetic sociopolitical swagger of a modern Billy Bragg, only with more shades of John Cooper Clarke if he was on fast-forward, and all the aggression of ‘insert modern post-punk act here’.
As much as there are a lot of layers sonically – perhaps most notably the violin from Kate Couriel – he often shines most when it’s just him, his acoustic guitar and some emphatic world play front and centre. ‘Terms and Conditions’ is essential listening, ‘Kill him (he’s a Socialist)’ sums up his flare perfectly, and new single ‘5168 Days’ feels like a snapshot of the zeitgeist that you simply have to hear.
On to a much smoother sound on the ears, the R’n’B duo made up of twin sisters Hope and Millie Katana may have been born in Kenya but they were brought up right here in Manchester and have helped bring that culture right through to their music, earning the first-ever Mayor’s Artist of the Month last year.
From the East African influences laced throughout their drumbeats, the irresistible soul in their voices that saw them chosen by the one and only Janelle Monáe for her three-night residency at Aviva Studios, to the sheer style they exert in their fashion and stage presence, they’re the complete package.
Their 2021 sophomore album Resurgence may very be one of the chillest things you’ll ever listen to and we could genuinely recommend every track off it but, for the sake of variety, we’ll go with ‘Summer Never Dies’, ‘Can’t Stop It’ and ‘Smile’ – all incredible songs and equally good entry points.
There are some obvious comparisons to draw with the likes of Little Simz in the rapping, only with much more Northern familiarity, but there are flavours of fellow Brits R.A.E. and LayFullStop, American contemporaries like Lexa Gates in moments and even Misha B in certain singing sections.
With that distinct UK style of delivery, 24-year-old Manchester MC Meduulla regularly switches up the flow no matter how vibey and effortlessly laid-back the melody itself is, making for probably one of our favourites not just in the homegrown hip-hop space but among the female artists coming out of the city full stop.
Her song with Sakara entitled ‘Silly’ sounds like SZA meets PinkPantheress with a touch of modern afrobeats, the version of ‘Night Trip’ with angelic harmonies from Manc vocalist Prima always hits our ear right, but you simply have to start with ‘Mish Muulla’. We also can’t get enough of her whole visual aesthetic – exhibit A:
Btw there will be a free drinks tab so don’t be late n bring a date x https://t.co/8GzM5IGWYM
And in one of those moments we always love, our fifth and final pick for rising Manchester artists we’ve been listening to this month, we stumbled across local hip-hop collective and production crew The Mouse Outfit simply through hearing their tune with Meduulla, ‘Limbo’ – one of their many collaborators.
One of her best-loved tracks to date, it’s just the top of the iceberg when it comes to this lot, who have been rather quietly putting out some of the best, most nostalgic and varied beats on the scene since 2011. We put these guys in the category of once you hear them you can’t help but deep dive.
You could literally chime with any one of their musical multitudes that might tickle your brain just right. We won’t pretend to be complete experts as relatively new fans, but we’d kick off with ‘Step Steadier’, then the jazz-heavy ‘Know My Face’ before trying ‘Feeling High’, featuring two more Manchester-based artists in king of the underground, KinKai, and Lisbon-born rising star IAMDDB.
They can give you garage flavours like this one minute and then something completely different the next – and that’s why we love them.
We hope you get these into your rotation soon and feel free to thank us later, as always.
Of course, we urge you to go back through previous editions if you’re looking to spice up your go-to artists even more and we’ll even last month’s down below for sake of ease.
US rising star Reneé Rapp announces huge Manchester arena gig as part of European tour
Emily Sergeant
Reneé Rapp has just announced a European leg to her upcoming tour, and she’ll be stopping off in Manchester for a huge arena gig.
In just a few short years, Reneé Rapp has become a star… and her star is only rising higher.
At just 25-years-old, the critically-acclaimed musical theatre and TV actress has pivoted to become an undeniable pop sensation and film star – and an iconic figure in interviews too… which isn’t a job, but it should be – after landing her breakout role as Regina George in the Mean Girls musical on Broadway back in 2019.
Even though she chose to reprise her role as Regina George in the 2024 movie adaptation of the Mean Girls musical, since 2022, Rapp has largely turned her attention to her solo music career.
Reneé Rapp will be performing at Manchester’s AO Arena next March / Credit: Supplied
2022 saw Rapp release her debut EP, Everything to Everyone, before she then went on the channel her raw talent and authentic voice even further, and release her first full-length studio album Snow Angel in 2023.
Both 2024 and 2025 have been big musical years for Rapp too – so much so that she has now amassed more than 1.4 billion streams and counting across her entire discography.
An already-successful 2025 is about to become even more successful, as Rapp’s second album, Bite Me, is expected to be released on 1 August, and she’s also heading out on a highly anticipated US tour from late September through to late October.
Following on from her US tour, Rapp has today announced that she’ll be heading across the pond to Europe in the new year, and will be making her way over to Manchester to take to the iconic AO Arena stage in March 2026.
Amsterdam, Berlin, and Paris are just some of the other cities Rapp will be visiting before Manchester, ahead of closing out the tour at London’s Wembley Arena.
Reneé Rapp will be playing a huge gig at the AO Arena in Manchester on Wednesday 18 March 2026 as part of the ‘Bite Me Tour’, and tickets officially go on sale next week – with both pre-sales and general sale available.
The Three+ presale will begin on Wednesday 30 July at 10am, and the AO Arena presale will start on Thursday 31 July, again at 10am, before general sale launches on Friday 1 August at 10am.
Oasis are clearly doing something very deliberate for the as-yet-unconfirmed Live ’25 reunion album
Danny Jones
We’ve still not emotionally recovered from Oasis’ five homecoming nights in Manchester, and after seeing that the band just released a live recording of ‘Cigarettes & Alcohol’ from Heaton Park, it’s taken us right back to Friday, 11 July, and we can’t stop thinking about a Live ’25 album.
In fact, while the live record of the reunion world hasn’t been confirmed just yet, we’re becoming increasingly convinced that this is exactly what fans are going to get – and following the second Live ’25 concert capture dropping this week, we’re almost certain we know what they’re doing.
And if so, you can consider the vinyl of the ‘Oasis Live ’25‘ LP already in the basket.
Many of you might have already thought the same thing, but for anyone it hasn’t yet clicked for, let us explain; we got the live taping of ‘Slide Away’ from the Principality Stadium in Cardiff to start with, i.e. the first stop on the world tour. Here’s a snippet of how it sounds:
Have we listened to it pretty much non-stop ever since? Yes, but concentrate, that’s not the point we’re getting at; we think Oasis are doing something very specific for their almost inevitable Live ’25 album.
Up next was the aforementioned ‘Cigs and Alcohol’, performed and recorded on home turf right here in 0161, and released in honour of their magnificent Manc comeback.
More accurately, the live version of the song is plucked from their unforgettable opening evening at Heaton Park, as opposed to any of the other five dates.
Can you see where we’re going with this yet?…
With their place of birth having waited more than a decade and a half to hear the first few iconic chords that signal the start of the timeless Oasis classic and a pure rock and roll blowout, you can literally hear the energy from the crowd in your ears.
If you haven’t heard it dozens of times already, take a listen for yourselves and feel free to Poznań wherever you happen to be reading this:
That first Poznań for #OasisManchester hit like a chuffing freight train. 🔥
Upon checking the date of the Cardiff recording of ‘Slide Away’ was taken from, we noticed that they had also chosen the inaugural night of the entire Live ’25 tour, i.e. their very first live show in 16 years.
While we’re aware an official Oasis reunion tour album is technically still TBC, if you see a third live track released after the first of their SEVEN shows in the capital get underway this Friday (25 July), you can pretty much bank on the special live release being all but nailed on.
So, not only are we getting an Oasis Live ’25 reunion documentary from the man behind Peaky Blinders, but it looks like they’ll be providing fans with a virtual tour and a chance to experience/relive the gigs aurally, with each of the 23 tracks on the setlist being pulled from a different city on the world tour.
Now, while this isn’t an entirely unheard of idea in the world of live albums, that’s not all.
Better still, if our suspicions are correct and the next drop is taken from night one of Oasis Live ’25 in London (bonus points if you can guess which tune they go for), then the entire thing will capture the sonics and atmosphere at its best: propped up by the utter euphoria of a dream finally being realised.
We’re sure they could pull the audio at any part of the set, from any old date, and it would sound great, but nothing is like the palpable ecstasy you could quite literally hear on the opening nights in Cardiff, Manchester and, no doubt, Wembley. Having said that, the final farewell was pretty biblical too.
Put simply, isolate any night of the world tour and there’ll be something unique in the master.
Die-hards have been waiting what feels like a lifetime to finally see their favourite band in the flesh again; actually, like many of us here in Greater Manchester and indeed all over the world, some were simply too young to experience the Britpop craze and ‘Oasis Mania’ the first time around.
They obviously have a huge following not just in the UK and Ireland, but all over: the US, Japan, across South East Asia and throughout most of South America – you only have to watch clips or even hear Noel Gallagher talk about Buenos Aires to not how ‘mad fer it’ they are over there.
For a lot of fans, this IS their 1990s moment, and even those who sadly didn’t manage to get tickets have a chance to almost feel like they were there.
One thing’s for sure: if/when the Oasis Live ’25 album arrives, that Manchester buzz will take some beating in the unofficial contest to see who loves the legendary British rock band the most.