After pop-punk mega group Fall Out Boy announced they were once again hitting the road for their latestlap of the Earth and its best arenas, fans scrambled for tickets to catch another glimpse of the band that once took up prime real estate on their iTunes playlists.
In support of their eighth studio album, So Much (For) Stardust, the band from a sleepy suburb north of Chicago embarked on a tour that has already taken them across North America and Europe, before heading off to South East Asia and Australia at the end of this year.
Thankfully, one of those stops was at Manchester’s very own AO Arena…
Having sold over nine million albums and counting, the American rock icons know a thing or two about how to sell out an arena, so as we entered the concourse the droves of early-arriving fans sheathed in black merchandise and brightly coloured hair comes as no surprise.
Fall Out Boy opened their AO Arena show with a bang. (Credit: The Manc Audio)
With Sunday pints at the ready, a sudden darkness triggers deafening screams from the congregation of both first-timers and day-oners who’ve waited five long years to sing their favourite emo anthems with the guys who first put them together.
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In a blaze of pyro and smoke, the foursome burst onto the stage with the energy of four teenagers after a wholesale crate of Red Bull, lifting the roof off the arena with their iconic, deafening sound. It’s like they haven’t aged a day.
Blatantly ignoring fire safety protocols, bassist Pete Wentz had strapped a flame thrower to the neck of his guitar and was sending plumes of fire into the sky at every possible opportunity.
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It doesn’t take long to pull out the big guns — no, not the aforementioned fiery guitar of death, but the hits we’ve come to know and love the band for over nearly two decades.
Never gets old.
Riveting performances of ‘Sugar, We’re Going Down’ and ‘Uma Thurman’ set the tempo early on in the show, with the raw harmony of the crowd taking over virtually every chorus they’ve practised in their cars over and over again.
Lighting up their 11th appearance in Manchester, the band continued to dig into the archives of their storied discography, giving fans both in the stands and fans in the mosh pits a mix of the big radio hits and some of the lesser-known tracks which separate the hardcore from everyone else.
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The set felt like a miniature Tomorrowland, with winking trees, oversized starfish, talking moons; a giant Doberman and even a mystic eight-ball looming high in the sky which Wentz used to determine which song would be next on the hit list — whether genuinely random or completely scripted, it was cool.
Frontman Patrick Stump then took a moment mid-set to give fans a piano rendition of everyone’s favourite power ballad, ‘Don’t Stop Believin”, which left some fans feeling like they were stuck in some Glee-based alternative reality or the final episode of The Sopranos (if you know, you know).
Fall Out Boy gave Mancs a bit of every flavour on Sunday night.
They even made time for a bit of magic, as Pete disappeared behind a black sheet and reappeared in the middle of the crowd to give floor-dwelling fans a close-up masterclass on bass, much to the delight of everyone in his immediate vicinity and those on his route back to the stage. These boys like pageantry.
Closing out an epic show, the guys go back to their roots with some classic Fall Out Boy, performing band favourite, ‘Saturday’, from their debut album, Take This to Your Grave.
It was an incredible way to end the weekend and, from the fans, a warm welcome back on a cold October evening. If only the clocks had gone back mid-performance, we could have gotten one more hour of Fall Out Boy smashing the AO Arena. Guess you can’t have it all — either way, what a show.
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‘Til next time, thanks for the memories. For instance, any excuse to relive the pleasure of seeing them at that very last-minute surprise Band on the Wall gig earlier this year too:
Stereophonics lead singer Kelly Jones has graciously revealed to music fans that new Gallagher tunes could be on the way, as he confirmed that Noel has been back in the studio and working on new material.
The big question is, has Liam been in there with him?…
Broken rather nonchalantly in an interview with NME, Jones didn’t so much let the news slip as much as he seemingly just casually dropped it into conversation, mentioning that he bumped into the older Gallagher brother recently.
As he puts it – frustratingly briefly, might we add (sorry, fanaticism will do that to you) – the Oasis icon and High Flying Birds frontman has been doing some songwriting, but the details were scarce.
The 50-year-old ‘Phonics frontman, who was discussing the release of their 13th studio album as well as his own solo project last year, was asked his thoughts on the legendary Britpop band’s upcoming reunion shows and the impact they had on his own career.
“Funnily enough, I found some old pictures of me and Noel rehearsing when he used to have a studio down in Windsor recently, just before we toured America”, said Jones. “We were having a laugh about them and I asked him what he’d been up to and he said he’d been doing some writing in the studio.
The unmistakable Welsh vocalist went on to add: “I’m assuming he’s doing some writing for either his stuff or if they’re [Oasis] gonna bring out a couple songs, I don’t know.”
It seems the pair are still more than friendly, though he gave little away about his relationship with Liam Gallagher; the two British rock groups did share somewhat of a rivalry in the 90s and 2000s, with Stereophonics making no secret of Oasis inspiring their own music.
Describing the band in their heyday, Jones described the period “kind of chaotic and mayhem but it was all very joyous”, insisting that things are very different nowadays but that he is not the less excited than a whole new generations of fans are going to be able to see them live for the first time
As for whether he and his bandmates will be able to find the time, he revealed in a subsequent chat live on Radio X that their own tour clashes may mean they’ll miss out on the Live ’25 tour experience.
Further reflecting on the age of streaming, content overload and what some would argue is an overabundance of media, Kelly said of art and music in particular that “people need it now more than they’ve needed it in a long time.”
We don’t know whether or not Noel’s return to songwriting is for the next High Flying Birds record or whether the rumours are true and new Oasis music really is on the way.
As much as we love his solo stuff, PLEASE let it be the latter.
We do know that the siblings are said to be getting on swimmingly so far and even spent some of the Easter break together, according to LG himself. Here’s hoping they were throwing around ideas for another instant hit.
Time to roll back the years as old-school indie favourite The Pigeon Detectives are coming back to Manchester for a special show at one of the most stunning venues in the city.
We swear, if we could find our old iPod, their tracks would still be all over it.
Coming back to another part of the North that always showed them plenty of love, The Pigeon Detectives will be playing a special ‘The Best of Tour’ in line with their latest record, Still Not Sorry.
The Manc gig comes as the Yorkshire lads announced just six UK headline sets to support the album release, but let’s be honest, they were never going to skip 0161, were they?
UK TOUR! NEW RECORD! On Sale Friday 2nd May, but get pre-sale NOW when you buy a best of record (with 3 new tracks) or t-shirt from here: https://t.co/a1q44LYbD6 see you in Autumn! pic.twitter.com/HWA9ITS9Ii
— The Pigeon Detectives (@pigeonsofficial) April 25, 2025
With only half a dozen domestic dates confirmed so far, including the likes of Manchester, a homecoming night in Leeds and up in Glasgow, this really does feel like a return that long-standing fans won’t want to miss.
The new LP, which is a greatest hits compilation featuring the very best tracks from their discography that stretches over two decades, drops next month and we’re very ready to pump some adolescent nostalgia into our ears.
And best of all, they’ll be playing all the cult favourite Pigeon Detectives tracks at the simply stunning New Century Hall, marking just their second visit to the venue.
Boasting the food and beer hall downstairs as the ideal pre-gig location, not to mention a sprung dancefloor and those iconic, mesmerising lights, it’s a nigh on perfect space for live music.
We’re not exaggerating when we say we’ve had some of our best gigs in recent memory here.
Speaking in a lengthier statement on social media, the boys from Rothwell wrote: “If a band is lucky (and hardworking, and fairly decent at what they do!) there comes a time in their career when they realise that the journey they started as mates messing about on guitars has culminated in a hefty bunch of songs that people actually care about and connect with!
“At this point, the only logical next step is to take a breath, reflect back through the archives and assemble a ‘Best Of’ album. We’ve reached that point, Pigeon Heads!”
They describe the project as a collection of songs and memories that chart their career from their humble beginnings in Leeds to their “adventures around the globe”, where they have been fortunate enough to “some of the biggest stages on the planet.”
“As a band it’s always felt like we had to do things the hard way, even with an amazing set of supportive fans”, they go on to add, “but we just kept on writing songs, kept on playing gigs and kept on being The Pigeon Detectives. Us against the world. We weren’t sorry then, and we’re Still Not Sorry now!”
Maybe it’s our age showing but those last few lines alone have got us feeling all teary-eyed.
The Manc Audio -
30th October 2023 
