After pop-punk mega group Fall Out Boy announced they were once again hitting the road for their latestlap of the Earth and its best arenas, fans scrambled for tickets to catch another glimpse of the band that once took up prime real estate on their iTunes playlists.
In support of their eighth studio album, So Much (For) Stardust, the band from a sleepy suburb north of Chicago embarked on a tour that has already taken them across North America and Europe, before heading off to South East Asia and Australia at the end of this year.
Thankfully, one of those stops was at Manchester’s very own AO Arena…
Having sold over nine million albums and counting, the American rock icons know a thing or two about how to sell out an arena, so as we entered the concourse the droves of early-arriving fans sheathed in black merchandise and brightly coloured hair comes as no surprise.
Fall Out Boy opened their AO Arena show with a bang. (Credit: The Manc Audio)
With Sunday pints at the ready, a sudden darkness triggers deafening screams from the congregation of both first-timers and day-oners who’ve waited five long years to sing their favourite emo anthems with the guys who first put them together.
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In a blaze of pyro and smoke, the foursome burst onto the stage with the energy of four teenagers after a wholesale crate of Red Bull, lifting the roof off the arena with their iconic, deafening sound. It’s like they haven’t aged a day.
Blatantly ignoring fire safety protocols, bassist Pete Wentz had strapped a flame thrower to the neck of his guitar and was sending plumes of fire into the sky at every possible opportunity.
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It doesn’t take long to pull out the big guns — no, not the aforementioned fiery guitar of death, but the hits we’ve come to know and love the band for over nearly two decades.
Never gets old.
Riveting performances of ‘Sugar, We’re Going Down’ and ‘Uma Thurman’ set the tempo early on in the show, with the raw harmony of the crowd taking over virtually every chorus they’ve practised in their cars over and over again.
Lighting up their 11th appearance in Manchester, the band continued to dig into the archives of their storied discography, giving fans both in the stands and fans in the mosh pits a mix of the big radio hits and some of the lesser-known tracks which separate the hardcore from everyone else.
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The set felt like a miniature Tomorrowland, with winking trees, oversized starfish, talking moons; a giant Doberman and even a mystic eight-ball looming high in the sky which Wentz used to determine which song would be next on the hit list — whether genuinely random or completely scripted, it was cool.
Frontman Patrick Stump then took a moment mid-set to give fans a piano rendition of everyone’s favourite power ballad, ‘Don’t Stop Believin”, which left some fans feeling like they were stuck in some Glee-based alternative reality or the final episode of The Sopranos (if you know, you know).
Fall Out Boy gave Mancs a bit of every flavour on Sunday night.
They even made time for a bit of magic, as Pete disappeared behind a black sheet and reappeared in the middle of the crowd to give floor-dwelling fans a close-up masterclass on bass, much to the delight of everyone in his immediate vicinity and those on his route back to the stage. These boys like pageantry.
Closing out an epic show, the guys go back to their roots with some classic Fall Out Boy, performing band favourite, ‘Saturday’, from their debut album, Take This to Your Grave.
It was an incredible way to end the weekend and, from the fans, a warm welcome back on a cold October evening. If only the clocks had gone back mid-performance, we could have gotten one more hour of Fall Out Boy smashing the AO Arena. Guess you can’t have it all — either way, what a show.
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‘Til next time, thanks for the memories. For instance, any excuse to relive the pleasure of seeing them at that very last-minute surprise Band on the Wall gig earlier this year too:
Harry Styles announced as latest performer at the 2026 BRIT Awards
Danny Jones
Yes, in what is set to be his Co-op Live debut (yes, the venue he’s literally invested in), Harry Styles has been confirmed as the latest blockbuster performer at this year’s BRITs.
The lineup for the 2026 BRIT Awards was already pretty stacked, but this just takes the cake.
Not long after FINALLY announcing his fourth album, Kiss All the Time. Disco, Occasionally and releasing the new lead single, ‘Aperture’, the Cheshire-born singer-songwriter is coming to the Co-op Live arena for the very first time as part of the ceremony’s live music lineup.
Absolute scenes. Screaming, crying, throwing up.
we've got news… Harry's coming home 💋🪩@Harry_Styles will be making his live TV performance debut of music from his new album 'Kiss All The Time. Disco, Occasionally.' at The BRIT Awards 2026
Watch the performance live Saturday 28th February on ITV1 & ITVX in the UK and on… pic.twitter.com/Aax3lV03xM
The 31-year-old former One Direction member turned solo artist and global megastar recently revealed a raft of live shows this coming May (and there’s been plenty of discussion surrounding ticket prices), but he’s sadly overlooked Manchester for now.
However, anyone who already secured a seat at the first-ever BRITs here in Manchester will no doubt be doing cartwheels now following the announcement.
As if that wasn’t a mega enough name, he will be joining the likes of the wonderful, already award-winning and fellow multi-time nominee, Olivia Dean.
As quite literally two of the biggest musicians on the planet right now, we couldn’t pick a better roster if we dreamed it up ourselves.
Speaking of Ms Dean, she is also one of several acts confirmed to be playing a series of intimate acts across the country – and her’s is right here in Manchester.
You can see the full lineup of gigs HERE – all we’ll say is that there’s some seriously big hitters playing very small capacity venues on this list.
What a great few weeks for music, eh?
Taking place on Sunday, 28 February, public tickets for the show unfortunately sold out some time ago for what will also be his first-ever live musical TV performance.
Perhaps his booking is at least partly why we haven’t got a standalone Harry Styles Manchester gig on the ‘Together, Together’ tour, but we’re still keeping everything crossed that he’ll announce a second leg of shows here in the UK.
You’d think he’d fancy properly headlining the gaff he helped pay for, or maybe a return to the Etihad Stadium across the way, right?
Find the complete shortlist of nominees, as well as the rest of the live music lineup for the 2026 BRITs ceremony here in Manchester, down below; and if you see on screen trying to clutch at Harry’s ankles, we’re sure you’ll understand…
Featured Images — Leticia Moraes (via Flickr)/Press shots (supplied)
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Sounds From The Other City releases 2026 lineup with 100+ acts playing on 17 stages across Salford
Emily Sergeant
More than 100 exciting artists are set to perform on 17 stages dotted across Salford this spring.
In case you hadn’t heard, 2026 is the year Salford is celebrating 100 years since it was first declared its own city, and to celebrate such a monumental occasion, the popular Sounds From The Other City (SFTOC) festival has now released its full lineup ahead of its return on the early May Bank Holiday weekend.
Salford’s long-running independent festival of new music is known for its genre-spanning showcase of new artists from across the UK and beyond.
This year’s festival is curated by some of the most exciting promoters, record labels, radio stations, magazines, and tastemakers in the North.
Music lovers will get the chance to see artists in a wide range of independent venues and unconventional spaces across the city – with 17 stages around Chapel Street and The Crescent, from pubs and churches, to concert halls and galleries.
Artists announced today include the uncategorisable masked provocateur Lynks, South African ‘future ghetto funk’ trailblazer Moonchild Sanelly, Manchester-based artist jasmine.4.t, who has recently been named BBC 6 Music Artist of the Year 2025.
Other artists to look out for include Grey Lantern, FaT OuT, ambient pop artist Pollyfromthedirt, genre-straddling South London six-piece, Blue Bendy, South London trio ashnymph, and Manchester quartet Pyncher.
The Sounds From The Other City festival has released its 2026 lineup / Credit: Breige Cobane (Supplied)
One of the undeniable highlights of the lineup is that the spiritual home of the festival, Islington Mill, will be programmed day and night by the legendary Band on the Wall, multi-award-winning Reform Radio, Manchester’s infamous queer day-rave BENT, and the LGBTQ+ POC collective Swagga, with performances from Sorvina, Renee Stormz, and Chimpo.
“This year, we’re shining a spotlight on Salford’s independent venues and the selectors in the North who shape our programme,” commented Emma Thompson, Co-Director of From The Other, as the lineup was announced this week.
“Giving these organisations the space to showcase the artists they champion is vital, not just for discovering emerging talent, but to recognise how important these spaces are for our scene.”
Sounds From The Other City 2026 takes place on Sunday 3 May, and tickets go on sale this week – with Early Bird ticket access available to mailing list subscribers from tomorrow (Thursday 29 January) and the remaining tickets going on general sale from Friday 30 January.
Prices remain unchanged from 2025 with tiers at £30/35/40/45, and you can get tickets when they go live here.