It’s been 21 long years since Cheryl, Kimberley, Nadine, Nicola and Sarah won over the nation on Popstars: The Rivals, and whilst it’s been ten years since Girls Aloud last performed as a group, that’s all set to change in 2024…
The arena anniversary tour will honour founding bandmate and Mancunian Sarah Harding who sadly passed away in 2021.
The tour will “celebrate Sarah […] the band […] and the fact that we can still do this 21 years later” says Cheryl Tweedy.
The 15-date ‘Girls Aloud Show’ will begin in Dublin in May 2024, finishing in Liverpool six weeks later and includes two nights in Manchester at the AO Arena.
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No doubt these will be emotional nights for the whole band and Girls Aloud fans alike, as this was the city that Sarah Harding called home.
Before finding fame on talent show Popstars: The Rivals in 2002, the popstar was a former Hazel Grove High School pupil who studied hair and beauty at Stockport College and she worked on the promotions team for two nightclubs in The Grand Central Leisure Park in Stockport, as well as waitressing at Pizza Hut.
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Kimberley said: “Over the last year, we’ve felt this outpouring of love – obviously towards Sarah, but actually towards all of us as a group. And I guess it’s ignited something in all of us again. It feels like something has changed and it does feel like the right time to celebrate Sarah and the 20-year anniversary that we didn’t celebrate at the time.”
Cheryl says: “We all started talking about the possibility of doing something to celebrate Girls Aloud’s 20-year anniversary a few years ago. The anniversary seemed like an obvious thing that we would celebrate. But when Sarah fell ill all priorities changed.
“She passed away a year before the anniversary and it just didn’t feel right, it felt too soon. But now, I think there is an energy that does makes it feel right.
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“It’s the right time to celebrate Sarah, it’s the right time to celebrate the band and the right time to celebrate the fact we can still do this 21 years later. That’s a big honour in lots of ways.”
Entitled ‘The Girls Aloud Show’, the band have confirmed the tour will not feature any new music, but will instead “be a celebration of Girls Aloud’s rich back catalogue and all the ground-breaking success they have achieved as a band.”
‘The Girls Aloud Show’ 2024 arena tour dates
Saturday 18 May – 3Arena Dublin
Monday 20 May – SSE Arena Belfast
Thursday 23 May – Manchester AO Arena
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Friday 24 May – Manchester AO Arena
Monday 27 May – Cardiff Utilita Arena
Friday 31 May – Newcastle Utilita Arena
Saturday 1 June – Newcastle Utilita Arena
Tuesday 4 June – Aberdeen P&J Live
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Saturday 8 June – Glasgow OVO Hydro
Wednesday 12 June – Nottingham Motorpoint Arena
Saturday 15 June – Leeds First Direct Arena
Tuesday 18 June – Birmingham Resorts World Arena
Saturday 22 June – London The O2
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Sunday 23 June – London The O2
Saturday 29 June – Liverpool M&S Bank Arena
Nadine: “Girls Aloud are a band that made such a huge impact on people’s lives. We grew up with the band, but so did so many other people. So for us not to do something again feels like such a shame and a waste. We want to have that moment with fans where we can all enjoy it together.”
Tickets go on sale on Wednesday 29 November from 9am, with the general on sale Friday 1 December at 9am, all via the Girls Aloud website.
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Oasis promoters drop biggest Knebworth hint yet after securing license around key date
Danny Jones
Not that we’re the type to get carried away, but we’ll confess that our curiosity, interest and general levels of anticipation have been piqued, as Oasis’ main promoters have recently renewed the license to host events at the infamous Knebworth.
My word, is this it? Like the reunion, is it ACTUALLY going to happen?…
We’re sure the raw, uncontrollable excitement will come should it be fully confirmed, but for now, all we know is that our colleagues in music media, SJM Concerts, have renewed the land in and around Knebworth Park and House for live entertainment once again.
Moreover, the company have also done so on a rather fitting date decades on from the original and legendary outdoor gigs.
As can be found on the planning application section of the North Hertfordshire Council website – the county in which the storied Britpop gigs took place – a fresh license to hold new events.
If/when the announcement happens, the already granted permission will allow for a capacity of up to 125,000 and a curfew of 3am.
We know the original Knebworth shows were beyond iconic, but let’s say this would be nailed on to be nothing short of absolutely box office.
Besides having also helped promote Oasis’ colossal Live ’25 reunion tour last summer, it’s also worth noting that they secured said license just over a week before the 30th anniversary of the pair of nights back in 1996: 10-11 August, to be specific.
The licence is said to have come into effect this past Saturday (1 Aug) and is believed to be indefinite.
What added even more fuel to the fire of these well-established rumours over the past year was when Baroness Sharon Taylor of Stevenage told the House of Lords the band would be playing FIVE whole nights at Knebworth in the future, before later clarifying that she was speaking in “hypothetical terms.”
All that being said, it’s fair to say we’ll be keeping a very keen eye on socials over the next few days, in particular, just in case.
The Manc has reached out to SJM for an official comment (surprise, surprise), but we are yet to receive a response regarding the matter.
Your silence speaks volumes, just saying.
This coming Monday, 10 August 2026, will mark the official 30th anniversary of Oasis at Knebworth 1996, and with the likes of ‘Wonderwall’ seeing a chart resurgence as the go-to England anthem at this year’s World Cup, we’re choosing to be optimistic. What about you?
Blossoms deliver most rock and roll performance in years as Declan McKenna joins them on stage
Danny Jones
Last night, we were fortunate enough to be there in the flesh not only to see Blossoms play a special anniversary show in Manchester, but to witness Declan McKenna join them on stage.
A tiny part of us was wondering if we’d see Rick Astley roll out into the venue, but let’s just say we’ll absolutely take this.
Celebrating a decade to the day since the release of the self-titled debut LP – yes, we feel old, too – Blossoms announced the one-off intimate show at The Deaf Institute, a venue they hadn’t played in 12 whole years (good lord…), and it served as much more than a night of nostalgia.
But we’ll admit, the highlight was almost certainly seeing the ‘Brazil’ and ‘British Bombs’ singer join Tom Ogden, Charlie Salt, Josh Dewhurst, Myles Kellock and Joe Donovan on stage for their smallest gig since god knows when.
We’ve gotten somewhat used to seeing the Enfield-born solo artist popping up at random venues across the country and even performing DJ sets at local pubs.
If you haven’t seen that Kylie Minogue clip before, you really need to…
However, we don’t think anyone in the crowd was expecting this cameo, let alone hearing them perform a co-written track off the new record live in front of the audience for the very first time.
As if all of this wasn’t already a bit bonkers and left-field, the song in question, entitled ‘Additional Driver’, was self-admittedly so surprising in SO many ways that Tom felt he needed to explain the full story behind it and why Declan shouted “shoulda got the 192” before they started playing.
Yes, in some kind of Greater Mancunian fever dream, we’ve finally got artists writing lyrics about the region’s most infamous bus route that we’re sure most, if not all of you, can relate to.
But it wasn’t just this moment that had us debating in our heads, ‘are they the best Manc or maybe in Northern band full stop going right now?’, it was seeing them slip so seamlessly back into the more straight-down-the-line indie rock from their first chapter of studio material that did it.
Everyone knows and loves the biggest bangers from that inaugural outing: ‘Getaway’, ‘Charlemagne’, ‘At Most a Kiss’, ‘Honey Sweet’, etc.; but it’s hard to forget just how quintessentially rock and roll tunes like ‘Blow Rose’, ‘Cut Me and I’ll Bleed’, ‘Texia’ and even some of the other deep cuts/early releases are.
Don’t get us wrong, we love how much the dressing up (musically and quite literally) they’ve done over the years as their production, creativity and experimentation has increased, but it’s always hard to beat that feeling you get when finding an artist’s first album – especially one as good as Blossoms‘.
In fairness, listening back to ‘Deep Grass’ all these years later, we’ll still remember how spacey, psychedelic and downright different that intro felt back in the day; it now feels like a fitting end to that maiden outing and the perfect jumping-off point for what has been a real sonic exploration ever since.
For a lad born in SK2 and lucky enough to have seen these lads right from the start, stuff like this will never not feel surreal to me.
Long live ‘Blossoms from Stockport‘, and roll on Songs From The Wedding Cake this October.
Sophie Smith -
22nd November 2023 
