The UK government are finally set to install a price cap on re-sale tickets for touts and open an official consultation on the growing trend of dynamic pricing.
If you’ve bought a ticket to a live music show over the past year or so, you’ll have noticed that ticket prices in general are on the up – particularly if purchased from a reseller, in which case you might have paid through the nose for the privilege.
Not only does ticket touting remain a prevailing problem in the industry, with tonnes of tickets for big shows, especially, being snapped up in bulk or by bots and listed for re-sale before you’ve even added them to your basket, but the advent of this new dynamic pricing lark has made things even harder.
You only have to look at the controversy and chaos surrounding Oasis’ reunion tour, which ultimately saw some fans paying significant amounts more for practically the same ticket just a few days later in what many dubbed as ‘fraud’ and even ’emotional blackmail’.
Justin Timberlake at Co-op Live Manchester was one of countless gigs where ticket prices fluctuated. (Credit: The Manc Group)
Tackling resellers head-on
Knowing full well that people will go to extreme lengths to try and see the musicians and artists they love so dearly – in some cases being backed into a corner as the final figure displayed on the screen when they checkout suddenly jumps up – the modern ticketing industry is severely broken.
With all that in mind, the government are now looking to enact more stringent measures on resellers, by announcing a new price cap on tickets put back up for sale which is set to be introduced (hopefully) in the very near future.
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Targeting sites infamous for inflating re-sale costs such as Viagogo, StubHub and others, the bill published on Friday, 10 January proposes a price cap of face value plus 10-30% but no more, with an obvious aim to keep that number as low as possible.
According to the current figures, touts reportedly cost music fans alone more than £145 million in extra re-sale fees when purchasing tickets every year – a frankly ridiculous sum. There will always be tickets ending up on re-sale sites, that’s unavoidable, but a price cap could seriously improve the situation.
The Manc music legends themselves claim they had little control over the situation.
Down with dynamic pricing
Labour, who were voted into power back in July, are also set to try and combat dynamic prices, which essentially sees gigs and events set people back more or less depending on how the popular ticket sales have been up to that point, market trends and general demand. An initial review was called for last year.
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Put simply, the more people want to attend a gig, platforms like Ticketmaster feel they are able to jack up their margins even after the initial price point has been established. The European Commission has been investigating these methods since September 2024.
Although it is still unclear as to the exact time scale of when these changes will come in, Labour MP Chris Bryant told NME that although they are still in the early stages, it is “now just a matter of how the government takes action.” And that’s where you come in.
The consultation is also crucially public, with the calling for people to submit their evidence on current pricing practices and continue engaging in the discussion throughout the progress. New Year’s Resolution: let’s curb ticket touts as much as we possibly can.
A ‘disco for grown ups’ party is coming to Manchester this year
Thomas Melia
A disco party for ‘grown ups’, centred around 70s, 80s and 90s music, is making its way to Manchester this year.
The wildly popular Discos for Grown Ups will be heading to town in May, encouraging some serious boogie action with its playlist of soul, disco, pop and dancefloor from across the decades.
The night out has been created for those who feel ‘too old to go clubbing, but still love to dance’, with people your own age, and with a sensibly early finish time.
When the night is still young but you might not be, you can let loose under a light and laser show featuring the fabulous Discos for Grown Ups stage dancers.
Whether you’re a ‘Material Girl’ who craves the spotlight or or a shy dancer who comes out of their shell after catching a case of ‘Night Fever’, this night will be spoiling you with its array of tracks.
Credit: Supplied
Discos for Grown Ups was founded by Simon Stanford after discovering there was nowhere for a ‘grown up’ to go that played the music he loved.
Simon Stanford from Discos for Grown Ups says: “We are really looking forward to bringing our Discos for Grown Ups 70’s 80’s 90’s Disco Party back to the O2 Ritz Manchester this year.
“Our first show was an incredible night of dancing and sold out very quickly, so we can’t wait to bring our full production with dancers, lights and lasers back – it’s going to be another amazing night of boogie!”
Expect a night of fun-filled dancefloor bangers spanning three golden decades of music.Credit: Supplied
Self Esteem drops new single along with huge UK tour full of double headers
Danny Jones
Rising Northern star Self Esteem has just dropped the new single from her forthcoming new album along with a bunch of big new UK tour dates, including two nights right here in Manchester.
The singer-songwriter, also known simply as Rebecca Lucy Taylor, has seen her popularity skyrocket in the last few of years, winning BBC Music’s Introducing ‘Artist of the Year Award’ back in 2021 and being nominated for the Mercury Prize less than 12 months later.
Fast forward to 2025 and not only has she recieved plenty of critical acclaim for her first two records but her live presence on stage has also been heavily praised and now the 38-year-old is gearing up for her next album cycle.
Announcing her latest single, ‘If Not Now, It’s Soon’, which has quickly selected as BBC Radio 1’s ‘Hottest Record’, the new track has also dropped along with 14 major UK tour dates, with a string double headers in multiple cities.
Born and bred in Rotherham but with strong ties to nearby Sheffield, her journey began as one half of folk pop duo Slow Club. They formed back in 2006 but split in 2017 as both she and bandmate Charles Watson parted ways to pursue their respective solo projects.
Set to release her third studio LP A Complicated Woman on 25 April, these latest tour dates are some of the biggest she’ll have ever played – including a massive Yorkshire homecoming gig at the Utilita Arena which will be a momentous show for our friends The Sheff to make the most of.
Discussing the new project, Taylor says: “Personally, you have to wait and one day you’ll get somewhere less painful. But the world will hopefully get somewhere less painful too. It’s about hope, perseverance and patience.”
As for those who’ve been lucky enough to get an premature listen of the album in full, the early reviews are looking seriosuly strong.
Described by The Guardian as “her best yet”, it features the likes of Nadine Shah, Moonchild Sanelly and Sue Tompkins from Life Without Buildings; Meatball and even Lancashire actor, Julie Hesmondhalgh, best known for playing Hayley Cropper in Coronation Street. Now that’s what we call a feature.
Self Esteem comes for a two massive nights at Manchester Academy on Saturday and Sunday, 27-28 September later this year.
Her previous raft of dates for A Complicated Woman Live – an ambitious quasi-theatrical experience of the album in person and on stage at The Duke of York’s in London – sold out in a flash, and you can expect plenty of that same production value when it comes to her upcoming concerts.
Fans get an exclusive pre-sale code for all UK and Ireland dates by pre-odering the album before 1pm GMT on Tuesday, 25 March 2025, and as for general admission, you’ll have to join the queue like the rest of us when they go live (still TBC).
In the meantime, you can join us in being as obsessed with her other recent release as we are:
Danny Jones -
10th January 2025 
