The UK government are finally set to install a price cap on re-sale tickets for touts and open an official consultation on the growing trend of dynamic pricing.
If you’ve bought a ticket to a live music show over the past year or so, you’ll have noticed that ticket prices in general are on the up – particularly if purchased from a reseller, in which case you might have paid through the nose for the privilege.
Not only does ticket touting remain a prevailing problem in the industry, with tonnes of tickets for big shows, especially, being snapped up in bulk or by bots and listed for re-sale before you’ve even added them to your basket, but the advent of this new dynamic pricing lark has made things even harder.
You only have to look at the controversy and chaos surrounding Oasis’ reunion tour, which ultimately saw some fans paying significant amounts more for practically the same ticket just a few days later in what many dubbed as ‘fraud’ and even ’emotional blackmail’.
Justin Timberlake at Co-op Live Manchester was one of countless gigs where ticket prices fluctuated. (Credit: The Manc Group)
Tackling resellers head-on
Knowing full well that people will go to extreme lengths to try and see the musicians and artists they love so dearly – in some cases being backed into a corner as the final figure displayed on the screen when they checkout suddenly jumps up – the modern ticketing industry is severely broken.
With all that in mind, the government are now looking to enact more stringent measures on resellers, by announcing a new price cap on tickets put back up for sale which is set to be introduced (hopefully) in the very near future.
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Targeting sites infamous for inflating re-sale costs such as Viagogo, StubHub and others, the bill published on Friday, 10 January proposes a price cap of face value plus 10-30% but no more, with an obvious aim to keep that number as low as possible.
According to the current figures, touts reportedly cost music fans alone more than £145 million in extra re-sale fees when purchasing tickets every year – a frankly ridiculous sum. There will always be tickets ending up on re-sale sites, that’s unavoidable, but a price cap could seriously improve the situation.
The Manc music legends themselves claim they had little control over the situation.
Down with dynamic pricing
Labour, who were voted into power back in July, are also set to try and combat dynamic prices, which essentially sees gigs and events set people back more or less depending on how the popular ticket sales have been up to that point, market trends and general demand. An initial review was called for last year.
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Put simply, the more people want to attend a gig, platforms like Ticketmaster feel they are able to jack up their margins even after the initial price point has been established. The European Commission has been investigating these methods since September 2024.
Although it is still unclear as to the exact time scale of when these changes will come in, Labour MP Chris Bryant told NME that although they are still in the early stages, it is “now just a matter of how the government takes action.” And that’s where you come in.
The consultation is also crucially public, with the calling for people to submit their evidence on current pricing practices and continue engaging in the discussion throughout the progress. New Year’s Resolution: let’s curb ticket touts as much as we possibly can.
Sankeys nightclub is returning to Manchester
Danny Jones
It’s officially happening: iconic local club Sankeys is coming back to Manchester city centre almost a decade on from its gutting closure.
The iconic ‘Sankey’s Soap’ nightlife space – which started out over in Ancoats during the mid-’90s – enjoyed numerous stints during its time in the clubbing world, as well as opening multiple partnered venues in the country and even overseas.
Now, approaching nine years after the shutdown, Sankeys is returning to Manchester in the new year, and Mancs are currently losing their minds.
Whether you are one of those who ‘remember it when’, or someone who sadly missed out on the halcyon days in the old Beehive Mill, we assure you that everyone is in agreement that this is nothing short of massive news…
First teasing the comeback back in July, as our city and the world at large were gripped by ‘Britpop Mania’ 2.0, the largely dormant Instagram account posted: “This week Manchester, and the UK, has been blessed with a homecoming of our very own, Oasis.
“We think Manchester deserves another homecoming… Definitely, maybe?”
The North West corners of the internet and veteran revellers alike were understandably quick to get excited by the potential revival, but nothing else had been said for months – until now.
Confirmed on Tuesday, 25 November, the infamous and storied nightclub’s social media team began by writing, simply: “The Legend Returns” and beckoning “a new era for Sankeys”.
It is still unclear as to where exactly the new and improved club(s) will be, but we do know that the events will be in the city centre. However, we do know we’ll be getting a familiar matrix grid installation as part of the design once again.
They will also be enforcing a strict new no-phones policy, which has become increasingly popular across the scene, thanks to the likes of Amber’s right here in Manchester.
Sankeys first opened in Manchester as "Sankeys Soap" in June 1994.[3] It was so called due to its residence inside Beehive Mill, Ancoats, which once was used to manufacture soap. The basement of the mill was transformed into a club and live music venue#pub#historypic.twitter.com/cnM6Nt23uZ
Sankeys may have remained an active promoter in the days since the building on the corner of Radium and Jersey Street (M4 6JG) closed – going on to become an unsuspecting office development – this will be the first event of the aforementioned next chapter in a flagship venue.
Promising a limited capacity of no more than 500 people, Sankeys is set to make its landmark return on
“We will only be open one night a week on Saturday. There will be no VIP or phones allowed on the dancefloor — everyone is a VIP. People need to stop taking pictures and start dancing to the beat.”
Hordes of clubbers, ravers, students and more are already signing up for early access and general admission tickets for the first two nights on Friday and Saturday, 30-31 January 2026 go on sale at 9am this Friday (28 Nov).
Get ready to grab yours HERE and party like it’s, well, 1994, 2017 – take your pick.
Review | ‘Hopefully!’, you get lucky enough to see the spectacle that is Loyle Carner live
The Manc
The O2 Victoria Warehouse in Manchester has this week played host to Benjamin Gerard Coyle-Larner this week, a.k.a. Loyle Carner, as he serenaded adoring listeners with his captivating lyrics, spine-tingling bass and drumlines, as well as his ever-laid-back warmth and charisma.
His stage name is the only spoonerism you’ll ever find in this man’s craft, as every syllable is as intentional and well-placed as the last.
Accompanied by an incredibly talented band and golden production, the night lends itself to a thought-provoking performance that leaves you wanting more. Consider me listening to nothing but this setlist for the foreseeable.
As the rumble of eager, loyal/Loyle – take your pick – listeners awaited his arrival, you could sense what this artist and his poetic music mean to people.
We've seen @LoyleCarner twice this week. We might even go again tonight – yes, he really is that good. 🎤
Opening with ‘in my mind’, just like that, you saw the crowd suddenly holding each other’s hands whilst comfortably sitting in the palm of Carner’s.
Let’s not forget his brilliant band, either, who all got their time in the spotlight and wowed as a collective.
Carner and the crowd definitely gave them the recognition they deserved, with piano solos throwing a blanket of respectful silence and tentative listening over the whole audience.
Loyle’s well-loved and special lyrics were echoed throughout the venue from start to finish.
He insisted (and not for the first time) that there’s “something special about playing in Manchester” – and we couldn’t agree more.
Carner’s vulnerability onstage opens a glowing portal for his listeners to do so as well. He encourages feeling. And as an audience, this is extremely clear in the room. It was a sea of warm embraces, agreeing heads and ignited eyes.
Loyle Carner was just as good on night two at Victoria Warehouse as he was on the first. (Credit: Audio North)
As the setlist crept towards the end, the crowd were not ready to say goodbye as the customary chants of ‘one more song!’ bounced off the Victoria Warehouse walls.
We were then blessed with a solo Loyle, who shared a typically creative and reflective spoken-word Carner special with us.
Without any demand, the crowd fell sweetly silent and absorbed his every word. A poet, pure and simple.
The 31-year-old rapper and wordsmith plays one more night at the venue to round off his mini residency tonight (Tuesday, 25 November 2025); you can try and grab last-minute tickets HERE.
Danny Jones -
10th January 2025 
