A Manchester city centre nightclub is set to host a fundraising memorial gig in honour of local DJ, Noxxic, who sadly died in a traffic collision late last year.
The aspiring drum and bass artist was cycling along Albion Way near the roundabout linking the M602 and A57 Regent Road when he collided with the HGV. Despite the best efforts of paramedics and emergency at the scene, he was pronounced dead at the scene.
Mourned not only by his family and countless friends but also by the Manchester music scene and local clubbing community at large, Kable Club on New Wakefield Street is now set to host a memorial night for charity as a tribute to the talent “gone far too soon”.
Set up with the help of friend, collaborator and DnB peer, Max Clarke, the fundraising memorial night is taking place this month and will aim to not only honour Lewis and the Simpson family but also remember and celebrate his life the way he would have wanted: with music and a good time.
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The Warrington-based artist and producer, who goes by ‘Clarkey‘, regularly played b2b sets with the 25-year-old over the years, including charity livestream performances to raise money for the homeless during the festive period. Noxxic was also a proud and well-known mental health advocate.
As well as the likes of Hedex, Sota and J Bookey paying tribute online following the tragedy, Clarkey and Noxxic’s ‘Blckhry – Bite’ remix was played on BBC Radio 1’s Drum & Bass Show with Charlie T, as well as ‘Tribute Get Lit Mix’ including all of his tunes featuring n 1Xtra’s Rave Show.
Manchester-based promoters, music label and all-round D’n’B brand, Hit & Run, said: “Really is such a shock to hear about the tragic and untimely passing of Lew Simpson aka Noxxic.”
The post continues: “He was a near-permanent fixture at the night and across the scene in the city – he lived and breathed D&B and his passion and dedication not just for production and DJing but also the community of this city is something [we] truly admired about the man.”
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“He’d made such great strides in his career these last few years so seems so very unfair that he’s been taken from us at such a young age – he had so much more to give.
So many people we know and care about will be hurting too too much right now – I know you will all make him proud and honour his legacy and friendship. Such very sad news.”
Clarkey himself shared a touching video of the pair playing together to rapturous applause:
Writing a lengthy statement underneath the charity event page on Skiddle, Clarkey wrote: “On 17 January, we come together to celebrate the life, passion, and legacy of Lew Simpson, known to many as Noxxic, a true champion of the jump-up drum and bass community.
“With a heart that beat for the wicked sounds of the genre he loved so deeply, Lew was more than just a fan; he was an advocate, a believer and an inspiration to everyone who shared his love for the music. This historic night in Manchester promises to be an unforgettable tribute to Noxxic, featuring a lineup of monumental talent.
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“From the legends who have defined jump-up over the past few years to the rising stars pushing it to even new boundaries, each artist on the bill represents everything Lew cherished about this incredibly unifying genre.
“Together, we’ll create a night that embodies the energy, spirit and passion he brought to the scene. This night is about more than music, it’s about making a difference to people’s lives like Lew strived to do. All proceeds from this event will go to Mind, a charity dedicated to mental health support, advocacy, and awareness.
“As a serious champion for mental health, Lew’s commitment to the well-being of others continues through this deeply meaningful cause. Come witness jump-up drum and bass in its purest form, as we honour Noxxic with the kind of night he could only have dreamed about: one filled with love, community and some of the finest music.”
Kable aren’t the only ones who have helped pay tribute with a club night in his name either, with London outfit North Base also dedicated their ‘& Friends’ show to the much-loved artist this past December.
Noxxic was a real up-and-comer on the scene.Manc DJs Kormz and Clarkey with Noxxic (right).Credit: Noxxic/Clarkey (via Facebook)
As mentioned, the proceeds from the show will go towards Mind (a charity close to Lewis’ heart) and are priced at just £11.25 including the booking fee. Alternatively, fans who can’t make the date can still make a total Noxxic donation of £6 to help do their bit.
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With the lineup for the memorial gig night now out – not to mention two special guests still yet to be announced – Clarkey, Kormz, North Base and many more will be giving fans a lively albeit emotional night to remember.
Clarkey signed off by simply adding, “Let’s come together to celebrate his life and legacy in the most fitting way possible!”
You can grab your tickets HERE. Rest in peace, Noxxic.
Oasis promoters drop biggest Knebworth hint yet after securing license around key date
Danny Jones
Not that we’re the type to get carried away, but we’ll confess that our curiosity, interest and general levels of anticipation have been piqued, as Oasis’ main promoters have recently renewed the license to host events at the infamous Knebworth.
My word, is this it? Like the reunion, is it ACTUALLY going to happen?…
We’re sure the raw, uncontrollable excitement will come should it be fully confirmed, but for now, all we know is that our colleagues in music media, SJM Concerts, have renewed the land in and around Knebworth Park and House for live entertainment once again.
Moreover, the company have also done so on a rather fitting date decades on from the original and legendary outdoor gigs.
As can be found on the planning application section of the North Hertfordshire Council website – the county in which the storied Britpop gigs took place – a fresh license to hold new events.
If/when the announcement happens, the already granted permission will allow for a capacity of up to 125,000 and a curfew of 3am.
We know the original Knebworth shows were beyond iconic, but let’s say this would be nailed on to be nothing short of absolutely box office.
Besides having also helped promote Oasis’ colossal Live ’25 reunion tour last summer, it’s also worth noting that they secured said license just over a week before the 30th anniversary of the pair of nights back in 1996: 10-11 August, to be specific.
The licence is said to have come into effect this past Saturday (1 Aug) and is believed to be indefinite.
What added even more fuel to the fire of these well-established rumours over the past year was when Baroness Sharon Taylor of Stevenage told the House of Lords the band would be playing FIVE whole nights at Knebworth in the future, before later clarifying that she was speaking in “hypothetical terms.”
All that being said, it’s fair to say we’ll be keeping a very keen eye on socials over the next few days, in particular, just in case.
The Manc has reached out to SJM for an official comment (surprise, surprise), but we are yet to receive a response regarding the matter.
Your silence speaks volumes, just saying.
This coming Monday, 10 August 2026, will mark the official 30th anniversary of Oasis at Knebworth 1996, and with the likes of ‘Wonderwall’ seeing a chart resurgence as the go-to England anthem at this year’s World Cup, we’re choosing to be optimistic. What about you?
Blossoms deliver most rock and roll performance in years as Declan McKenna joins them on stage
Danny Jones
Last night, we were fortunate enough to be there in the flesh not only to see Blossoms play a special anniversary show in Manchester, but to witness Declan McKenna join them on stage.
A tiny part of us was wondering if we’d see Rick Astley roll out into the venue, but let’s just say we’ll absolutely take this.
Celebrating a decade to the day since the release of the self-titled debut LP – yes, we feel old, too – Blossoms announced the one-off intimate show at The Deaf Institute, a venue they hadn’t played in 12 whole years (good lord…), and it served as much more than a night of nostalgia.
But we’ll admit, the highlight was almost certainly seeing the ‘Brazil’ and ‘British Bombs’ singer join Tom Ogden, Charlie Salt, Josh Dewhurst, Myles Kellock and Joe Donovan on stage for their smallest gig since god knows when.
We’ve gotten somewhat used to seeing the Enfield-born solo artist popping up at random venues across the country and even performing DJ sets at local pubs.
If you haven’t seen that Kylie Minogue clip before, you really need to…
However, we don’t think anyone in the crowd was expecting this cameo, let alone hearing them perform a co-written track off the new record live in front of the audience for the very first time.
As if all of this wasn’t already a bit bonkers and left-field, the song in question, entitled ‘Additional Driver’, was self-admittedly so surprising in SO many ways that Tom felt he needed to explain the full story behind it and why Declan shouted “shoulda got the 192” before they started playing.
Yes, in some kind of Greater Mancunian fever dream, we’ve finally got artists writing lyrics about the region’s most infamous bus route that we’re sure most, if not all of you, can relate to.
But it wasn’t just this moment that had us debating in our heads, ‘are they the best Manc or maybe in Northern band full stop going right now?’, it was seeing them slip so seamlessly back into the more straight-down-the-line indie rock from their first chapter of studio material that did it.
Everyone knows and loves the biggest bangers from that inaugural outing: ‘Getaway’, ‘Charlemagne’, ‘At Most a Kiss’, ‘Honey Sweet’, etc.; but it’s hard to forget just how quintessentially rock and roll tunes like ‘Blow Rose’, ‘Cut Me and I’ll Bleed’, ‘Texia’ and even some of the other deep cuts/early releases are.
Don’t get us wrong, we love how much the dressing up (musically and quite literally) they’ve done over the years as their production, creativity and experimentation has increased, but it’s always hard to beat that feeling you get when finding an artist’s first album – especially one as good as Blossoms‘.
In fairness, listening back to ‘Deep Grass’ all these years later, we’ll still remember how spacey, psychedelic and downright different that intro felt back in the day; it now feels like a fitting end to that maiden outing and the perfect jumping-off point for what has been a real sonic exploration ever since.
For a lad born in SK2 and lucky enough to have seen these lads right from the start, stuff like this will never not feel surreal to me.
Long live ‘Blossoms from Stockport‘, and roll on Songs From The Wedding Cake this October.
Danny Jones -
7th January 2025 
