The UK government are finally set to install a price cap on re-sale tickets for touts and open an official consultation on the growing trend of dynamic pricing.
If you’ve bought a ticket to a live music show over the past year or so, you’ll have noticed that ticket prices in general are on the up – particularly if purchased from a reseller, in which case you might have paid through the nose for the privilege.
Not only does ticket touting remain a prevailing problem in the industry, with tonnes of tickets for big shows, especially, being snapped up in bulk or by bots and listed for re-sale before you’ve even added them to your basket, but the advent of this new dynamic pricing lark has made things even harder.
You only have to look at the controversy and chaos surrounding Oasis’ reunion tour, which ultimately saw some fans paying significant amounts more for practically the same ticket just a few days later in what many dubbed as ‘fraud’ and even ’emotional blackmail’.
Justin Timberlake at Co-op Live Manchester was one of countless gigs where ticket prices fluctuated. (Credit: The Manc Group)
Tackling resellers head-on
Knowing full well that people will go to extreme lengths to try and see the musicians and artists they love so dearly – in some cases being backed into a corner as the final figure displayed on the screen when they checkout suddenly jumps up – the modern ticketing industry is severely broken.
With all that in mind, the government are now looking to enact more stringent measures on resellers, by announcing a new price cap on tickets put back up for sale which is set to be introduced (hopefully) in the very near future.
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Targeting sites infamous for inflating re-sale costs such as Viagogo, StubHub and others, the bill published on Friday, 10 January proposes a price cap of face value plus 10-30% but no more, with an obvious aim to keep that number as low as possible.
According to the current figures, touts reportedly cost music fans alone more than £145 million in extra re-sale fees when purchasing tickets every year – a frankly ridiculous sum. There will always be tickets ending up on re-sale sites, that’s unavoidable, but a price cap could seriously improve the situation.
The Manc music legends themselves claim they had little control over the situation.
Down with dynamic pricing
Labour, who were voted into power back in July, are also set to try and combat dynamic prices, which essentially sees gigs and events set people back more or less depending on how the popular ticket sales have been up to that point, market trends and general demand. An initial review was called for last year.
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Put simply, the more people want to attend a gig, platforms like Ticketmaster feel they are able to jack up their margins even after the initial price point has been established. The European Commission has been investigating these methods since September 2024.
Although it is still unclear as to the exact time scale of when these changes will come in, Labour MP Chris Bryant told NME that although they are still in the early stages, it is “now just a matter of how the government takes action.” And that’s where you come in.
The consultation is also crucially public, with the calling for people to submit their evidence on current pricing practices and continue engaging in the discussion throughout the progress. New Year’s Resolution: let’s curb ticket touts as much as we possibly can.
Manchester’s very own Interplanetary Criminal announces major headline Warehouse Project show
Daisy Jackson
Interplanetary Criminal will play a major headline show this autumn, taking the stage at Warehouse Project in his hometown.
Manchester’s very own rising star producer, who has been a driving force behind the global resurgence of UK garage, will play his biggest headline show to date.
Interplanetary Criminal will be joined by a huge line-up that includes ANZ, Joy Orbison, Jyoty, HAAi, and more.
He’ll be returning to his home city for a Warehouse Project gig on Saturday 10 October – his only Manchester appearance of the year.
As well as taking over the illustrious Depot Mayfield, including Depot, Concourse and Archive stages, there’ll be a special WHP Records takeover at the iconic Star & Garter pub too.
Manchester’s very own Interplanetary Criminal announces major headline Warehouse Project show
The line-up has been curated by Interplanetary Criminal himself and spans house, garage, techno and beyond, with a series of surprise B2Bs in the works too.
There’ll be key names on the bill like ANZ, Joy Orbison, Jyoty, DJ Seinfeld, HAAi and Skin On Skin, alongside a deep roster of emerging and established talent.
Pre-sale tickets for Interplanetary Criminal at Warehouse Project in Manchester go on sale from 10am on Thursday 30 April, priced at £35 plus booking fees – you can sign up HERE.
General sale is from 10am on Friday 1 May.
Interplanetary Criminal at Warehouse Project A-Z line-up
All-girl K-pop powerhouse aespa book MASSIVE Manchester arena show
Danny Jones
All-girl K-pop group, ‘aespa’, are coming to Manchester for some of their largest performances to date as part of a new global tour.
If you know anything about the K-pop scene, you’ll know that most acts are even bigger than you could ever imagine.
Manchester has gained a steady supply of gigs from artists within the genre over the past year or so, and now aespa are the latest to book the AO Arena for a headline show.
Rest assured, these tickets will fly…
aespa SYNK : COMPLæXITY
Catch the LIVE TOUR in Manchester at @AOArena on Thu 14th January 2027!
Register by [Wed 29 Apr at 6AM PT / 8PM CT / 9AM ET] for access to the artist presale: https://t.co/JuWFFMCE8Q
Dubbed the ‘SYNK : Complæxity World Tour’, this follows on from their last live iteration, ‘æXIS LINE’ shows, which began back in August 2025 and, technically, have only just ended this April.
As per an official press release, “Produced by Live Nation, the tour will bring aespa’s acclaimed live production and immersive performance experience to arenas across Asia, North America, Latin America, the UK, and Europe.”
There are actually just two shows in the entirety of Britain (the other being down in the capital), and Manchester has the good fortune of kicking off not only being the first of both, but the inaugural date of the entire European leg.
Consider us honoured.
Made up of a talented quartet – Karina, Giselle, Winter, and Ningning, the rising South Korean stars – this female-led phenomenon is arguably one of the fastest rising acts in the world of K-pop.
Having now been to a couple of these shows for ourselves, we’re starting to understand that these artists might have some of the most passionate followings on the planet.
Kicking off the latest run of performances back in their home country’s capital of Seoul, they’ll hit multiple continents before wrapping things up in Paris.
aespa EU tour dates 2027
14 January – AO Arena, Manchester
16 Jan – London
19 Jan – Amsterdam
22 Jan – Stockholm
24 Jan – Copenhagen
26 Jan – Berlin
29 Jan – Milan
31 Jan – Barcelona
2 February – Paris
If you’re a fan or are interested in throwing your hat in the ring for a first K-pop gig experience, you can register by signing up for their exclusive pre-sale window.
As for general admission, tickets to see aespa at the AO Arena in Manchester will go live at 3pm on Wednesday, 6 May; you can get ready to grab yours HERE.