The UK government are finally set to install a price cap on re-sale tickets for touts and open an official consultation on the growing trend of dynamic pricing.
If you’ve bought a ticket to a live music show over the past year or so, you’ll have noticed that ticket prices in general are on the up – particularly if purchased from a reseller, in which case you might have paid through the nose for the privilege.
Not only does ticket touting remain a prevailing problem in the industry, with tonnes of tickets for big shows, especially, being snapped up in bulk or by bots and listed for re-sale before you’ve even added them to your basket, but the advent of this new dynamic pricing lark has made things even harder.
You only have to look at the controversy and chaos surrounding Oasis’ reunion tour, which ultimately saw some fans paying significant amounts more for practically the same ticket just a few days later in what many dubbed as ‘fraud’ and even ’emotional blackmail’.
Justin Timberlake at Co-op Live Manchester was one of countless gigs where ticket prices fluctuated. (Credit: The Manc Group)
Tackling resellers head-on
Knowing full well that people will go to extreme lengths to try and see the musicians and artists they love so dearly – in some cases being backed into a corner as the final figure displayed on the screen when they checkout suddenly jumps up – the modern ticketing industry is severely broken.
With all that in mind, the government are now looking to enact more stringent measures on resellers, by announcing a new price cap on tickets put back up for sale which is set to be introduced (hopefully) in the very near future.
ADVERTISEMENT
Targeting sites infamous for inflating re-sale costs such as Viagogo, StubHub and others, the bill published on Friday, 10 January proposes a price cap of face value plus 10-30% but no more, with an obvious aim to keep that number as low as possible.
According to the current figures, touts reportedly cost music fans alone more than £145 million in extra re-sale fees when purchasing tickets every year – a frankly ridiculous sum. There will always be tickets ending up on re-sale sites, that’s unavoidable, but a price cap could seriously improve the situation.
The Manc music legends themselves claim they had little control over the situation.
Down with dynamic pricing
Labour, who were voted into power back in July, are also set to try and combat dynamic prices, which essentially sees gigs and events set people back more or less depending on how the popular ticket sales have been up to that point, market trends and general demand. An initial review was called for last year.
ADVERTISEMENT
Put simply, the more people want to attend a gig, platforms like Ticketmaster feel they are able to jack up their margins even after the initial price point has been established. The European Commission has been investigating these methods since September 2024.
Although it is still unclear as to the exact time scale of when these changes will come in, Labour MP Chris Bryant told NME that although they are still in the early stages, it is “now just a matter of how the government takes action.” And that’s where you come in.
The consultation is also crucially public, with the calling for people to submit their evidence on current pricing practices and continue engaging in the discussion throughout the progress. New Year’s Resolution: let’s curb ticket touts as much as we possibly can.
Watch Johnny Marr join Franz Ferdinand on stage in Manchester for a Smiths classic
Danny Jones
Franz Ferdinand are the latest act to play Aviva Studios as part of the ongoing Amazon series here in Manchester and were joined by a local music legend during the performance: none other than the mighty Johnny Marr.
Amazon Music UK’s ‘City Sessions’ has already seen the likes of Bastille and Ella Henderson kick off the programme of live performances at Aviva Studios, home of Factory International, and this past weekend saw the alternative indie veterans become the third.
Better yet, the Manchester crowd got to see one of their hometown heroes as well, as the former Smiths guitarist turned lyricist and solo artist joined the Glaswegians on stage for a spell.
A ‘Bigmouth Strikes Again’ cover by Franz Ferdinand featuring Johnny Marr himself was on absolutely no one’s bingo card for 2025 but we’re very happy we’ve lived to see this cameo.
The 61-year-old musician still has all the effortless swagger he always did and although anyone would struggle to match the same distinct vocal style as Morrissey, lead singer Alex Kapranos did a great job.
Reacting to the clips shared online, the excitement in the room was clearly palpable, with one person writing, “I let out the biggest scream” and another adding, “The crossover I didn’t know I needed!”
A third wrote: “I’d like to see them do an album together like the magnificent FFS album” – referring to the standalone collaboration record created by the Franz Ferdinand and Sparks supergroup in 2015.
Local social media and marketing company, Altrincham HQ, also shared footage of the two artists colliding to perform the Franz fan favourite ‘Do You Want To’, with Marr playing lead throughout.
— Altrincham HQ – Social Media Marketing in Manc (@altrinchamhq) January 18, 2025
The entire performance was livestreamed on Amazon’s Twitch channel as part of the City Sessions series, so you can back and watch the full thing, but it’s fair to say this was the highlight.
It was only back in September that we saw the re-release of Johnny Marr’s only solo album with The Healers, Boomslang, but we’re glad to see the Manc icon is still finding plenty of opportunities to get on stage and do what he does best.
As for whether we’ll see more live performances of The Smiths tunes in the near future, Morrissey recently said that Marr now has full rights to all of their music and could feasibly tour with someone as lead should he wish.
However, the latter was quick to deny the controversial frontman’s claims and insisted that he had simply refused to sign an important document. His response also detailed previous talks about a potential reunion, though the chances of it ever happening now looked slimmer than ever.
An unmissable Whitney Houston tribute event is returning to Greater Manchester
Thomas Melia
A much-adored and cherished Whitney Houston tribute show is returning to Greater Manchester later this year for not one but two different shows, each channelling the charisma and energy of the pop legend.
To celebrate the 10th anniversary of the phenomenal theatre production, ‘Queen of the Night’, the show is visiting a multitude of stages and venues all across the UK.
0161 had to receive at least one date on this tour, partly due to being the music capital of the North and also due to the fact that this is a city many fans of the 80s diva will forever hold close to their hearts.
Houston played her final ever concert performance of her career here in this very city back in 2010, taking up residence in AO Arena for two nights of world-renowned ballads and mesmerising live vocals.
This tribute show is set to include some of the diva’s biggest and much-loved hits like ‘I Will Always Love You’, ‘How Will I Know’ and ‘The Greatest Love of All’, the audience is sure to be singing along.
Adenike Adewale is taking on the role of the American R’n’B Pop singer and is no stranger to the stage or TV, featuring on The Voice in 2021 where she sang a Whitney classic, making it to the semi-finals.
Fast forward to 1 June and the tour returns to Greater Manchester and legendary city centre space, Bridgewater Hall: an incredible room more than fit for renditions of the powerhouse vocalist.
A pair of stunning venues, two stunning shows and one incomparable voice.
It’s not only our lovely region the Queen of the Night experience will be visiting; our friends over at The Hoot have plenty of nearby opportunities to sing along too, with Yorkshire dates in Hull, Halifax, Harrogate and Bradford to name a few.
I’m definitely saving all my love for when this show visits us later this year in March, and after I buy out the front row for all my friends I’ll certainly relate to the smash 1993 single ‘I Have Nothing’.
Tickets are on sale already now – you can grab yours HERE.
Danny Jones -
10th January 2025 
