The worst possible news for festival fans arrived quickly this year. Just 21 days in.
Fresh optimism had filled the air at the turn of 2021 – with the worst year for live music finally behind us and hope for better times ahead.
But on the third week of January, the red hot excitement for the rejuvenation of the gig scene was doused with a bucket of freezing cold water – as Michael and Emily Eavis’ announced that Glastonbury Festival would be cancelled for a second successive year.
The ‘new chapter’ for the events industry had gotten off to a dreadful start.
Still, some music industry personnel urged people to take the news with a pinch of salt.
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Glastonbury, by all accounts, is a different beast to many UK festivals – and there were arguments that festival season could still go ahead if the government offered its support.
That remains to be seen, and there are still hopes that some events could proceed during sunnier (in every sense of the word) days.
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But in the meantime, smaller local events are beginning to go bump.
Sounds From The Other City
Sounds From The Other City – the hyperlocal music festival that sprawls right across Salford’s Greengate and Blackfriars areas – confirmed this week that it would also be suspending its 2021 edition.
The beloved May Bank Holiday event has been a fixture of festival season and firm underground favourite for 16 years – championing local promoters, celebrating Salford, and providing a platform for innovative artists to showcase their talents.
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The likes of Barney Artist, James Ferraro, Marina, Alt-J, Slowthai, GoGo Penguin, Black Midi and IAMDDB have all appeared on the SFOTC bill since 2005 – with the previous seven editions of the festival completely selling out.
But, after pulling the highly-anticipated fifteenth party last spring, organisers have now taken the “painful” decision to cancel 2021, too. Four months before it was due to take place.
SFOTC 2021 may be regarded as an unfortunate victim of circumstance in that it simply arrived too early in the festival calendar – with events in late summer still hopeful of a return (Parklife, for example, has moved its ordinary dates back by three months to buy themselves more time).
But with no confirmed lockdown exit roadmap coming until at least February 22, there’s no guarantee (or even likelihood) that tight restrictions on mass gatherings will be lifted in spring. The process of putting social distancing arrangements in place for the 23 venues within the festival – all of which are different sizes – has also proven completely unfeasible on a DIY budget.
Gambling on 2021 was a risk that SFOTC organisers decided they simply could “not afford” to take. But the major driving factor in culling the fest was a realisation it would be “impossible to recreate the true, sweat drenched, hands-on, DIY spirit” that made it so popular.
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Sounds From The Other City
Rivca Burns, Creative Director for Sounds from the Other City, said: “We always want to do something we’re super proud of.
‘Sounds’ has always been an opportunity for artists/promoters to let loose – we give them the stage and they put on whatever they’re passionate about.
“We realised that restrictions and limitations this time were too complicated and it would completely take away the enjoyment.”
But Sounds From The Other City isn’t dead yet. Not by a long shot.
The festival is already making hopeful plans for a return next year – but it’ll need the help of its supporters to do so.
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Organisers have officially launched the SFTOC Lifeline appeal – inviting music fans to make a contribution to help keep the festival afloat.
A brand new newsletter publication, The SoundsTown Gazette, is also being published to update the community on progress, as well as featuring interviews, listings and offers from artists, promoters and partners.
Rivca stated: “The festival has always been this lean machine – and all the donations that come in will be used to pay the freelancers and people who make it possible.
“We recognise we’re not the only ones who are in this boat. There are some shocking figures across the industry. But it’s so good to see communities coming together to help one another.
“We’re hoping to use this time to make ourselves stronger as a business.”
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Sounds From The Other City
SFOTC has always been operated on a shoestring – run entirely on volunteers, freelancers and goodwill.
The festival was born out of two local siblings’ innate desire to prove that Salford – ie the ‘other’ city in Greater Manchester – was as musically eclectic and exciting as its famous neighbour.
The very definition of a grassroots event, SFOTC has kept its core aim intact during its 16 years of existence: Celebrate what’s happening on the doorstep and invite the community to come and join in.
The fanbase (which has ballooned from dozens to hundreds since 2005) has been the lifeblood of the festival since the beginning. But more so now than ever.
Support is flooding in for SFOTC – and thanks to music fans, it might just have a fighting chance.
“If just 250 people donated a tenner, that would go a long way to helping us stay alive,” Riva explained.
“Then hopefully we can prepare for the future.”
The heart of this little Salford festival is still beating yet. Music fans are doing their best to make sure of it.
Learn more about the Lifeline Appeal and what you can do to help save Sounds From The Other City by visiting the official website.
Audio
Sankeys nightclub is returning to Manchester
Danny Jones
It’s officially happening: iconic local club Sankeys is coming back to Manchester city centre almost a decade on from its gutting closure.
The iconic ‘Sankey’s Soap’ nightlife space – which started out over in Ancoats during the mid-’90s – enjoyed numerous stints during its time in the clubbing world, as well as opening multiple partnered venues in the country and even overseas.
Now, approaching nine years after the shutdown, Sankeys is returning to Manchester in the new year, and Mancs are currently losing their minds.
Whether you are one of those who ‘remember it when’, or someone who sadly missed out on the halcyon days in the old Beehive Mill, we assure you that everyone is in agreement that this is nothing short of massive news…
First teasing the comeback back in July, as our city and the world at large were gripped by ‘Britpop Mania’ 2.0, the largely dormant Instagram account posted: “This week Manchester, and the UK, has been blessed with a homecoming of our very own, Oasis.
“We think Manchester deserves another homecoming… Definitely, maybe?”
The North West corners of the internet and veteran revellers alike were understandably quick to get excited by the potential revival, but nothing else had been said for months – until now.
Confirmed on Tuesday, 25 November, the infamous and storied nightclub’s social media team began by writing, simply: “The Legend Returns” and beckoning “a new era for Sankeys”.
It is still unclear as to where exactly the new and improved club(s) will be, but we do know that the events will be in the city centre. However, we do know we’ll be getting a familiar matrix grid installation as part of the design once again.
They will also be enforcing a strict new no-phones policy, which has become increasingly popular across the scene, thanks to the likes of Amber’s right here in Manchester.
Sankeys first opened in Manchester as "Sankeys Soap" in June 1994.[3] It was so called due to its residence inside Beehive Mill, Ancoats, which once was used to manufacture soap. The basement of the mill was transformed into a club and live music venue#pub#historypic.twitter.com/cnM6Nt23uZ
Sankeys may have remained an active promoter in the days since the building on the corner of Radium and Jersey Street (M4 6JG) closed – going on to become an unsuspecting office development – this will be the first event of the aforementioned next chapter in a flagship venue.
Promising a limited capacity of no more than 500 people, Sankeys is set to make its landmark return on
“We will only be open one night a week on Saturday. There will be no VIP or phones allowed on the dancefloor — everyone is a VIP. People need to stop taking pictures and start dancing to the beat.”
Hordes of clubbers, ravers, students and more are already signing up for early access and general admission tickets for the first two nights on Friday and Saturday, 30-31 January 2026 go on sale at 9am this Friday (28 Nov).
Get ready to grab yours HERE and party like it’s, well, 1994, 2017 – take your pick.
Review | ‘Hopefully!’, you get lucky enough to see the spectacle that is Loyle Carner live
The Manc
The O2 Victoria Warehouse in Manchester has this week played host to Benjamin Gerard Coyle-Larner this week, a.k.a. Loyle Carner, as he serenaded adoring listeners with his captivating lyrics, spine-tingling bass and drumlines, as well as his ever-laid-back warmth and charisma.
His stage name is the only spoonerism you’ll ever find in this man’s craft, as every syllable is as intentional and well-placed as the last.
Accompanied by an incredibly talented band and golden production, the night lends itself to a thought-provoking performance that leaves you wanting more. Consider me listening to nothing but this setlist for the foreseeable.
As the rumble of eager, loyal/Loyle – take your pick – listeners awaited his arrival, you could sense what this artist and his poetic music mean to people.
We've seen @LoyleCarner twice this week. We might even go again tonight – yes, he really is that good. 🎤
Opening with ‘in my mind’, just like that, you saw the crowd suddenly holding each other’s hands whilst comfortably sitting in the palm of Carner’s.
Let’s not forget his brilliant band, either, who all got their time in the spotlight and wowed as a collective.
Carner and the crowd definitely gave them the recognition they deserved, with piano solos throwing a blanket of respectful silence and tentative listening over the whole audience.
Loyle’s well-loved and special lyrics were echoed throughout the venue from start to finish.
He insisted (and not for the first time) that there’s “something special about playing in Manchester” – and we couldn’t agree more.
Carner’s vulnerability onstage opens a glowing portal for his listeners to do so as well. He encourages feeling. And as an audience, this is extremely clear in the room. It was a sea of warm embraces, agreeing heads and ignited eyes.
Loyle Carner was just as good on night two at Victoria Warehouse as he was on the first. (Credit: Audio North)
As the setlist crept towards the end, the crowd were not ready to say goodbye as the customary chants of ‘one more song!’ bounced off the Victoria Warehouse walls.
We were then blessed with a solo Loyle, who shared a typically creative and reflective spoken-word Carner special with us.
Without any demand, the crowd fell sweetly silent and absorbed his every word. A poet, pure and simple.
The 31-year-old rapper and wordsmith plays one more night at the venue to round off his mini residency tonight (Tuesday, 25 November 2025); you can try and grab last-minute tickets HERE.
The Manc -
29th January 2021 
