The worst possible news for festival fans arrived quickly this year. Just 21 days in.
Fresh optimism had filled the air at the turn of 2021 – with the worst year for live music finally behind us and hope for better times ahead.
But on the third week of January, the red hot excitement for the rejuvenation of the gig scene was doused with a bucket of freezing cold water – as Michael and Emily Eavis’ announced that Glastonbury Festival would be cancelled for a second successive year.
The ‘new chapter’ for the events industry had gotten off to a dreadful start.
Still, some music industry personnel urged people to take the news with a pinch of salt.
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Glastonbury, by all accounts, is a different beast to many UK festivals – and there were arguments that festival season could still go ahead if the government offered its support.
That remains to be seen, and there are still hopes that some events could proceed during sunnier (in every sense of the word) days.
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But in the meantime, smaller local events are beginning to go bump.
Sounds From The Other City
Sounds From The Other City – the hyperlocal music festival that sprawls right across Salford’s Greengate and Blackfriars areas – confirmed this week that it would also be suspending its 2021 edition.
The beloved May Bank Holiday event has been a fixture of festival season and firm underground favourite for 16 years – championing local promoters, celebrating Salford, and providing a platform for innovative artists to showcase their talents.
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The likes of Barney Artist, James Ferraro, Marina, Alt-J, Slowthai, GoGo Penguin, Black Midi and IAMDDB have all appeared on the SFOTC bill since 2005 – with the previous seven editions of the festival completely selling out.
But, after pulling the highly-anticipated fifteenth party last spring, organisers have now taken the “painful” decision to cancel 2021, too. Four months before it was due to take place.
SFOTC 2021 may be regarded as an unfortunate victim of circumstance in that it simply arrived too early in the festival calendar – with events in late summer still hopeful of a return (Parklife, for example, has moved its ordinary dates back by three months to buy themselves more time).
But with no confirmed lockdown exit roadmap coming until at least February 22, there’s no guarantee (or even likelihood) that tight restrictions on mass gatherings will be lifted in spring. The process of putting social distancing arrangements in place for the 23 venues within the festival – all of which are different sizes – has also proven completely unfeasible on a DIY budget.
Gambling on 2021 was a risk that SFOTC organisers decided they simply could “not afford” to take. But the major driving factor in culling the fest was a realisation it would be “impossible to recreate the true, sweat drenched, hands-on, DIY spirit” that made it so popular.
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Sounds From The Other City
Rivca Burns, Creative Director for Sounds from the Other City, said: “We always want to do something we’re super proud of.
‘Sounds’ has always been an opportunity for artists/promoters to let loose – we give them the stage and they put on whatever they’re passionate about.
“We realised that restrictions and limitations this time were too complicated and it would completely take away the enjoyment.”
But Sounds From The Other City isn’t dead yet. Not by a long shot.
The festival is already making hopeful plans for a return next year – but it’ll need the help of its supporters to do so.
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Organisers have officially launched the SFTOC Lifeline appeal – inviting music fans to make a contribution to help keep the festival afloat.
A brand new newsletter publication, The SoundsTown Gazette, is also being published to update the community on progress, as well as featuring interviews, listings and offers from artists, promoters and partners.
Rivca stated: “The festival has always been this lean machine – and all the donations that come in will be used to pay the freelancers and people who make it possible.
“We recognise we’re not the only ones who are in this boat. There are some shocking figures across the industry. But it’s so good to see communities coming together to help one another.
“We’re hoping to use this time to make ourselves stronger as a business.”
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Sounds From The Other City
SFOTC has always been operated on a shoestring – run entirely on volunteers, freelancers and goodwill.
The festival was born out of two local siblings’ innate desire to prove that Salford – ie the ‘other’ city in Greater Manchester – was as musically eclectic and exciting as its famous neighbour.
The very definition of a grassroots event, SFOTC has kept its core aim intact during its 16 years of existence: Celebrate what’s happening on the doorstep and invite the community to come and join in.
The fanbase (which has ballooned from dozens to hundreds since 2005) has been the lifeblood of the festival since the beginning. But more so now than ever.
Support is flooding in for SFOTC – and thanks to music fans, it might just have a fighting chance.
“If just 250 people donated a tenner, that would go a long way to helping us stay alive,” Riva explained.
“Then hopefully we can prepare for the future.”
The heart of this little Salford festival is still beating yet. Music fans are doing their best to make sure of it.
Learn more about the Lifeline Appeal and what you can do to help save Sounds From The Other City by visiting the official website.
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Placebo are returning to Manchester with a special re-worked album tour for their 30th anniversary
Danny Jones
Placebo are coming back to Manchester city centre for a very special anniversary show celebrating their seminal debut album, which will be re-worked 30 years on from its release.
The beloved British alt-rock band, which first broke onto the indie, post-glam and pseudo-goth scene back in the mid-1990s, haven’t played here since November 2022, so it’s fair to say fans have been waiting for a return.
Last time out, they played the AO Arena, but this year they’ll be making a maiden visit to one of Europe’s biggest indoor entertainment venues.
Announcing the ‘RE:CREATED‘ re-release of their debut album and the accompanying anniversary tour this week, tickets are set to go on sale very soon.
Confirming just a handful of UK shows this December following a more extensive European run in autumn and winter 2026, they are the latest big rock name to book Co-op Live.
Placebo’s self-titled debut album, RE:CREATED
As mentioned, Placebo RE:CREATED features “powerful reworked and embellished versions of all ten tracks from the original album”, as well as two new bonus tracks.
The group say that these new songs are sort of like an ‘amplification’ of what made their inaugural studio outing such a success in the first place.
Speaking in an official statement, they said: “We think of this record as a director’s cut. We haven’t recreated it from scratch. We went back to the original master tapes and brought 30 years of playing these songs live back into the record.
“This project was about finally finishing the record, dragging it into the 21st century sonically, while preserving the integrity and the spirit of the original. It’s not about improving it; there’s nothing wrong with it – it’s about completing it.”
Signing off and getting tails up ahead of the tour, they added: “It’s a celebration of where we began, and a meeting point between who we were then and who we are now; a way of honouring that innocence, while letting the songs exist with the scale, confidence, and energy of the band we’ve become”.
JUST ANNOUNCED: Placebo: 30th Anniversary Tour Playing songs from ‘Placebo’ & ‘Without You I’m Nothing' Friday 4 December https://t.co/qwOm3NNGQH @coopuk members get first in line for tickets. Co-op Member Presale: 09:00 Wednesday 25 March General Sale: 09:00 Friday 27 March pic.twitter.com/MO72ui1ntW
It remains to be seen who, if anyone, will be supporting them for the limited run of domestic shows, but it has been revealed that they will also be playing some fan favourite songs from their sophomore LP, Without You I’m Nothing. You can see the rest of the gigs here in Britain and Ireland down below:
Placebo UK tour dates 2026
2 – Dublin, Ireland – 3 Arena 4th – Manchester, UK – Co-op Live Arena 5th – London, UK – OVO Arena Wembley 7th – Cardiff, UK – Utilita Arena
For those looking to secure early access, you can do so by pre-ordering the album (which drops on 19 June), with the pre-sale window opening at 9am on 24 March.
As for general admission, they will be available from the same time the following Friday, 27 March.
You can get ready to grab your tickets to see Placebo at Co-op Live in Manchester for their 30th anniversary gig right HERE.
They’re not the only big rock name that first back in the 90s set for a big Manc arena show this year.
Featured Images — Press shots (supplied via SJM Concerts)
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Review | What we made of Country 2 Country 2026, and why Manchester should be very excited
Danny Jones
Excuse me, but it looks like we might have a new favourite festival on the cards: Country 2 Country – and it’s very rare we gig in London and enjoy ourselves anyway near as much as we do up North, but now we’re already dreaming of just how good C2C Manchester could be.
In fact, scratch that, we know it is.
Billed as Europe’s biggest country music festival, there really isn’t anything quite like it here. Yes, there’s Buckle & Boots Festival closer to home, but there’s nothing in the folk and country world on this kind of massive scale, unless you go all the way to see the actual CMA Fest over in the US.
London’s also been lucky enough to host some very big names at BST Hyde Park too, but this fully-fledged arena weekender, complete with an outdoor festival hub, town square, trading post, a barn full of line-dancers, and SO much more, celebrates every single part of that culture.
By day, the aim is to make a little country town, complete with shops, food, drink and music aplenty. (Credit: Audio North)
But… We think the North can do it better.
So too did some of the acts and punters as well, by the way; we spoke to several people on-site who’d made the trip from all over because it was closer than Glasgow, Belfast or Berlin.
Up-and-coming British country rock artist, Bronnie – who was literally hours away from a move across the pond to pursue her dreams of living the cowgirl turned music artist experience down in the Southern states – said simply: “There’s always this feeling like there’s more fun to be had up North”
Moreover, the friends she’s already made over in America’s ‘Music City’, she says, have claimed that “the vibes are just better”, apparently. Not to sound too biased, but we obviously couldn’t agree more.
However, with the news that C2C is coming to Manchester city centre and Northern England for the very first time, people are already hopping mad at the idea of a Manc debut.
That’s to say that what The O2 in London isn’t special and will always be to most punters, we just know full well that our particular region is going to take to this new annual event like a duck to water.
A lot of the people we spoke to kept repeating the same: that working class connection, simple but relatable imagery, the pure poetry you’ll find not only in Nashville but creative cousins like Manchester.
The Broadway strip in Austin may be the spiritual home of this kind of music, but we Greater Mancunians lay claim to plenty of genres and some of the biggest artistic traditions ourselves.
With that in mind, we are convinced we’re going to leave a lasting impression when our inaugural Country 2 Country Festival comes to the AO Arena next year.
Our line dancing might leave a little to be desired, but we’ve got a whole year to work on it, not to mention plenty of time to dive even further into the UK’s growing country music obsession.
You can see more pictures from our 2026 C2C gallery down below.
Country fashion was everywhereThe official CMA Spotlight Stage was one of the bestNo one shyed away from a partyKruse Brothers were one of our favourite from the weekendAlana Springsteen was incredibleAnd by the evening, it’s a proper hedonist hoedown… (Credit: The Manc)
The Manc -
29th January 2021 
