The worst possible news for festival fans arrived quickly this year. Just 21 days in.
Fresh optimism had filled the air at the turn of 2021 – with the worst year for live music finally behind us and hope for better times ahead.
But on the third week of January, the red hot excitement for the rejuvenation of the gig scene was doused with a bucket of freezing cold water – as Michael and Emily Eavis’ announced that Glastonbury Festival would be cancelled for a second successive year.
The ‘new chapter’ for the events industry had gotten off to a dreadful start.
Still, some music industry personnel urged people to take the news with a pinch of salt.
Glastonbury, by all accounts, is a different beast to many UK festivals – and there were arguments that festival season could still go ahead if the government offered its support.
That remains to be seen, and there are still hopes that some events could proceed during sunnier (in every sense of the word) days.
But in the meantime, smaller local events are beginning to go bump.
Sounds From The Other City
Sounds From The Other City – the hyperlocal music festival that sprawls right across Salford’s Greengate and Blackfriars areas – confirmed this week that it would also be suspending its 2021 edition.
The beloved May Bank Holiday event has been a fixture of festival season and firm underground favourite for 16 years – championing local promoters, celebrating Salford, and providing a platform for innovative artists to showcase their talents.
The likes of Barney Artist, James Ferraro, Marina, Alt-J, Slowthai, GoGo Penguin, Black Midi and IAMDDB have all appeared on the SFOTC bill since 2005 – with the previous seven editions of the festival completely selling out.
But, after pulling the highly-anticipated fifteenth party last spring, organisers have now taken the “painful” decision to cancel 2021, too. Four months before it was due to take place.
SFOTC 2021 may be regarded as an unfortunate victim of circumstance in that it simply arrived too early in the festival calendar – with events in late summer still hopeful of a return (Parklife, for example, has moved its ordinary dates back by three months to buy themselves more time).
But with no confirmed lockdown exit roadmap coming until at least February 22, there’s no guarantee (or even likelihood) that tight restrictions on mass gatherings will be lifted in spring. The process of putting social distancing arrangements in place for the 23 venues within the festival – all of which are different sizes – has also proven completely unfeasible on a DIY budget.
Gambling on 2021 was a risk that SFOTC organisers decided they simply could “not afford” to take. But the major driving factor in culling the fest was a realisation it would be “impossible to recreate the true, sweat drenched, hands-on, DIY spirit” that made it so popular.
Sounds From The Other City
Rivca Burns, Creative Director for Sounds from the Other City, said: “We always want to do something we’re super proud of.
‘Sounds’ has always been an opportunity for artists/promoters to let loose – we give them the stage and they put on whatever they’re passionate about.
“We realised that restrictions and limitations this time were too complicated and it would completely take away the enjoyment.”
But Sounds From The Other City isn’t dead yet. Not by a long shot.
The festival is already making hopeful plans for a return next year – but it’ll need the help of its supporters to do so.
Organisers have officially launched the SFTOC Lifeline appeal – inviting music fans to make a contribution to help keep the festival afloat.
A brand new newsletter publication, The SoundsTown Gazette, is also being published to update the community on progress, as well as featuring interviews, listings and offers from artists, promoters and partners.
Rivca stated: “The festival has always been this lean machine – and all the donations that come in will be used to pay the freelancers and people who make it possible.
“We recognise we’re not the only ones who are in this boat. There are some shocking figures across the industry. But it’s so good to see communities coming together to help one another.
“We’re hoping to use this time to make ourselves stronger as a business.”
Sounds From The Other City
SFOTC has always been operated on a shoestring – run entirely on volunteers, freelancers and goodwill.
The festival was born out of two local siblings’ innate desire to prove that Salford – ie the ‘other’ city in Greater Manchester – was as musically eclectic and exciting as its famous neighbour.
The very definition of a grassroots event, SFOTC has kept its core aim intact during its 16 years of existence: Celebrate what’s happening on the doorstep and invite the community to come and join in.
The fanbase (which has ballooned from dozens to hundreds since 2005) has been the lifeblood of the festival since the beginning. But more so now than ever.
Support is flooding in for SFOTC – and thanks to music fans, it might just have a fighting chance.
“If just 250 people donated a tenner, that would go a long way to helping us stay alive,” Riva explained.
“Then hopefully we can prepare for the future.”
The heart of this little Salford festival is still beating yet. Music fans are doing their best to make sure of it.
Learn more about the Lifeline Appeal and what you can do to help save Sounds From The Other City by visiting the official website.
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Gorillaz announce huge Manchester arena gig on upcoming UK and Ireland tour
Daisy Jackson
Gorillaz are well and truly back, and they’ve announced a huge Manchester gig on the upcoming The Mountain Tour.
The legendary band, created by musician Damon Albarn and artist Jamie Hewlett, will be performing at the Co-op Live arena next spring.
Gorillaz is a virtual band made up of singer 2D, bassist Murdoc Niccals, drummer Russel Hobbs and Japanese guitar prodigy Noodle.
The huge tour announcement comes along with the announcement of their new album, The Mountain, which features a whole myriad of collaborations including Johnny Marr, IDLES’ Joe Talbot and Dennis Hopper.
It’s their ninth studio album and promises to be a ‘playlist for a party on the border between this world and whatever happens next, exploring the journey of life and the thrill of existence’.
The Gorillaz The Mountain Tour will visit arenas across the UK and Ireland next Spring, with support from Trueno, and follows the sold-out 5-star House of Kong exhibition and four triumphant performances at Copper Box Arena.
Manchester will get the new Gorillaz tour first, with the band kicking things off at Co-op Live on 21 March before heading to cities including Leeds, Cardiff, Nottingham, and Liverpool.
The BRIT and Grammy-winning virtual band formed following a collision of mishaps, meetings and pure luck to blow up a pre-digital world.
The album will officially release on 20 March 2026.
General on sale begins at 11am on Friday 19 September HERE.
Gorillaz’ ‘The Mountain Tour’ dates in full
MARCH 21 – Co-op Live, Manchester 22 – BP Pulse Live, Birmingham 24 – OVO Hydro, Glasgow (support from Trueno) 25 – First Direct Arena, Leeds 27 – Utilitia Arena, Cardiff (support from Trueno) 28 – Motorpoint Arena, Nottingham (support from Trueno) 29 – M&S Bank Arena, Liverpool (support from Trueno) 31 – SSE Arena, Belfast
APRIL 1 – 3Arena, Dublin (support from Trueno)
JUNE 20 – Tottenham Hotspur Stadium, London (support from Sparks and Trueno)
Featured image: Press image
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The adopted Manc indie pop star with that we’re backing to win the Mercury Prize this year
Danny Jones
The 2025 Mercury Music Prize shortlist is officially out, and we’re proud to say that the North has been well represented once again this time around, with multiple names from the top end of the nation featured among the nominees – including an adopted Manchester-based rising star.
You know what, cratch that: she might as well be a Manc music queen at this point, if you ask.
We may be heavily biased here, but with indie and alt-pop artist CMAT making her way onto the Mercury Music Prize award shortlist this year, our vote is practically already cast.
If you haven’t listened to CMAT yet, then you’re seriously missing out, and following the release of her latest LP, Euro-Country, at the end of August, it’s little surprise she’s earned the Mercury nod.
She may be Irish-born, but the ‘Dubyone Diana’ truly started to make a name for herself in Manchester, and you’re damn right we’re taking her as one of our own.
Moving to 0161 as a teenager with her old band, Bad Sea, she was just 17 when she got here; now 29 and making fairly different music to the kind she did as part of the previous duo, she’s grown massively in popularity over the last few years – and she’s done a lot of it from right here in Greater Manchester.
From playing the city centre music venue circuit to stunning crowds at the likes of Kendal Calling and Glastonbury Festival, she’s come a long way in a relatively short amount of time.
Come on, if this isn’t award-winning energy, then we don’t know what is…
We welcome her to keep leaning into country music as much as she wants.
There’s another reason we want CMAT to win the Mercury Prize
It isn’t just because we’re somewhat biased local fans that we’re putting our money on her winning the 2025 Mercury Prize: she nearly already did this time last year for her sophomore outing, Crazymad, For Me, having released three impressive studio albums in less than 36 months.
“As she was reading it, I had this weird flip in my stomach, that I didn’t want to win the Mercury Prize for THAT record, because I had a feeling I could make something better.
“Two days later, I started to make EURO-COUNTRY. The Mercury Prize put a bottle rocket up my bum, to try and do something a bit more cutting edge and experimental and intense, if that makes sense.”
She signed off by adding, “I didn’t necessarily expect to be nominated again as a result, but I am very happy to have been.” We had a feeling she would, to be honest, hence why she was among our artists of the month – not even a fortnight before the shortlist was announced, no less.
Unsurprisingly, the likes of Fontaines D.C. and Sam Fender are also on there after a standout 12 months for both artists, but we’re sticking with CMAT for our 2025 Mercury Prize winner. After all, surely she can’t miss out two years in a row?
The Manc -
29th January 2021 
