Manchester’s annual flagship music festival Parklife has today announced “a new date to dance” as it sets out plans to return in 2021.
Parklife 2020 – the eleventh edition of the event which was due to take place at Heaton Park in June, starring the likes of Tyler, The Creator, Lewis Capaldi, Khalid, Robyn, Anderson .Paak and dozens more – was sadly cancelled in toward the end of March due to the coronavirus (COVID-19) pandemic.
But organisers vowed the event would be back “stronger than ever” in 2021.
After urging all festival-goers to “stay safe and remain positive”, Parklife originally set a return to action on 12th & 13th June 2021 at the point of cancellation, but it was confirmed later that these dates would stand to be pushed back even further into the year.
A message shared via the Parklife website and social platforms this afternoon providing an update on the plans to return for 2021 reads: “We wanted to update you all on the latest plan for Parklife 2021. With all the good recent news, we’re now looking ahead to 2021, and a return to the fields and good times we all love.
“It’s a party 2 years in the making that we all deserve.
ADVERTISEMENT
It’s why with that in mind that we have decided to move next year’s festival to the new dates of 11th-12th September, so we can be sure of the good times coming. A huge lineup is almost ready, that we can’t wait to show you in January.
“Trust us when we say it’s going to be worth the wait.”
We can’t wait to celebrate a show two years in the making.
Things are feeling good right now and to ensure we get to dance together in 2021 we have decided to move the dates to 11th & 12th September 2021.
Keep your eyes glued to the Parklife website here for lineup announcements coming in 2021, and be sure to stay up to date with Parklife on Facebook, Twitter and Instagram.
Audio
Yungblud channels a bit of magic that’d make Ozzy proud on huge headline night in Manchester
Danny Jones
A darkened arena erupts into life as Yungblud storms the AO Arena main stage for his biggest Manchester show to date.
He flickers across the giant screens, projected against a curtain that stretches the full width of the AO Arena. Then that unmistakable Doncaster drawl cuts through the noise, urging the audience to make some noise (even more of it), and they oblige – gladly.
When the lights come up, a barrage of lights flickers, pyrotechnics explode, and chaos ensues. Manchester crowds are no strangers to Yungblud; he’s a livewire performer with seemingly endless energy, a proclivity for raw emotion, and a fiercely loyal fanbase: the self-proclaimed ‘Black Hearts Club’.
Dressed in a grungy pair of Chrome Hearts leather trousers, a leopard-print waistcoat and sunglasses so thick he could look directly at the sun with no issues, he tears straight into the opening track (Hello Heaven, Hello) with barely a second to breathe.
He then pauses – hands extended to the crowd, a cheeky grin – and bang: confetti fills the room.
If previous Manchester shows hinted at his stamina, this one confirms it. The scale may be bigger, but the intensity hasn’t dipped. The floor quickly becomes a sea of movement, with mosh pits swelling and collapsing in waves, sending bodies ricocheting across the arena.
It’s the kind of gig where you’re never quite safe from getting drenched either – water cups are less for drinking and more for launching, with sprays arcing out over the front rows like some kind of punk rock baptism of fire. So many flames.
The audience was on the ball; at one point, Yungblud’s comb was hurled into the crowd. Showgoers in the area tussled over the item for a minute before returning to the mayhem unfolding around them.
Part conductor, part chaos agent, part mic-wielding cowboy, he commands the room with ease. The mic stand, placed in front of him between each song by the production team, is repeatedly cast to the back of the stage, and he flails the mic above his head on more than one occasion – always catching it again before it can strike anyone else. It’s reckless, but never careless.
Because beneath the sweat and noise, there’s something more deliberate at play. His speeches on identity, equality, belonging and mental health feel less like interludes and more like the backbone of the entire night.
This isn’t just performance: it’s a space he’s actively shaping, one where thousands feel seen. Towards the back end of the set, he invites the whole crowd to look left and right and tell each other how much they f***ing love one another.
Tracks like ‘Loner’, ‘Lowlife’ and ‘Zombie’ land with particular weight, their messages amplified by a crowd that knows every word. At one point, the lights swing out over the audience, and for a moment the focus shifts – not just to the performer, but to the community he’s built.
With a touching tribute to the late, great Ozzy Osbourne, Yungblud is visibly emotional, with tears in his eyes for his dearly departed friend. And if the ringing in my ears is anything to go by, I’m pretty sure Ozzy heard it and was looking down with pride.
If you haven’t guessed by now, Yungblud knows how to command a room, but things definitely took a turn when he invited a member of the crowd on stage.
Holding a poster that read something along the lines of “I can play guitar”, she was brought up and proceeded to absolutely bring the house down, performing alongside him for a song. Daisy, hats off – you absolutely SMASHED it.
Congratulations are in order as well to the happy couple who got engaged at the gig. We really hope your first dance is to a Yungblud track.
Even in a venue of this size, he moves like he’s trying to outpace it; sprinting, leaping, barely standing still long enough to catch a breath. It’s hard not to feel like this is still just a stepping stone. Because if he can command a room like this with such force, it’s not a stretch to imagine Yungblud scaling even bigger stages before long.
Loud, relentless and emotionally charged, this wasn’t just a gig, it was a statement – a place to escape the struggles of day-to-day life and bolster an ever-growing community built on all the right things: acceptance, harmony, and just a little bit of chaos. In short, he’s welcome back anytime.
Manic Street Preachers and Suede announce second co-headline tour, including huge Manc gig
Danny Jones
Beloved British bands Manic Street Preachers and Suede have announced another co-headline UK tour, booking a number of big gigs, including a massive Manchester date.
The two seasoned UK rock artists are teaming up for a huge run of live shows, booking nine arena performances so far. Time to do it all over again.
Each of the groups released their latest albums last year, with both now in double figures when it comes to studio LPs, and while each has taken their most recent records on the road at least in part, the pair will be playing tracks from both – as well as a fair few of the hits – at Co-op Live later this year.
Confirming the joint headline tour on Friday, 24 April, Manics and Suede fans alike will be absolutely lapping up the prospect of this special partnership.
JUST ANNOUNCED: Manic Street Preachers and Suede Saturday 31 October
Marking the biggest collaboration for both legendary bands.https://t.co/tNwdT7TxPZ@coopuk members get first in line for tickets. Co-op Member Presale: 09:30 Weds 29 April General Sale: 09:30 Fri 1 May pic.twitter.com/lqnqahls5D
Revealing the plans in a social media post, the Co-op wrote: “Two of the UK’s most pioneering and celebrated bands, Manic Street Preachers and Suede, have come together for a co-headline tour…
As the Welsh rock icons and the long-standing 1990s favourites from the London scene have more than 75 years of experience between them, with both outfits forming in the mid to late 80s.
The venue goes on to dub this “the biggest collaboration to date for both legendary bands and offers a unique opportunity to experience their renowned live performances.”
With Suede reaching their 10th album cycle this past September with Antidepressants, it’ll be one of the largest rooms they’ve ever played.
As for the Preachers, the 15th Manics record dropped back in February of 2025; this was also the first outing from bassist and lyricist Nicky Wire on vocals across the project.
The Blackwood act last played our city at the Apollo last May; however, the duo also famously co-headlined Castlefield Bowl together for the first time at Sounds of the City ’24; now they’re returning for a Co-op debut to do it all over again.
It remains to be seen whether they will announce more domestic dates this coming winter, but given this is such an exclusive one-off crossover, we wouldn’t be surprised if you see extra November slots added for the likes of London and Manchester.
Make no mistake, we expect tickets for this one to fly out the door.
If you want to go along, the official Co-op Member Presale will go live at 9:30am next Wednesday, 29 April, and fans can also sign up to the bands’ respective mailing lists for more early access opportunities.
General admission will be available from the same time on the following Friday (1 May); you can get ready to grab yours right HERE.
They’re not the only homegrown veterans heading back out across the country this winter either…
Emily Sergeant -
7th December 2020 
