On Thursday evening, we finally got to see Hazlett in a small, tightly-packed room here in Manchester and have maybe never heard so many people sing so expertly quietly so as not to even remotely dullen the stunning voice of this rising solo artist.
For anyone who isn’t aware of Hazlett, he’s an Australian singer-songwriter who has been gradually growing in popularity over the last couple of years, but his journey to where he is dates back much further than that.
Noticing a few familiar faces in the crowd from his last visit to the city for a performance at The Deaf Institute just over a year ago – one we sadly missed and have been kicking ourselves ever since – he acknowledged that many may already know his story, but it’s nevertheless worth sharing with the class.
After self-deprecating (how oh-so British) about gigging in pubs when he was younger, and being told to stick to covers rather than try any of his own material, he moved to Sweden in 2019 and fell in love with not only a much more seasonal European but winter, specifically. No wonder he looked at home here.
Here’s our review of Hazlett at Manchester Academy 3, 4/12/2025. (Credit: Audio North)
Kicking off with one of his best-known tracks, ‘Please Don’t Be’, it immediately struck us how full and mournful it all felt in the flesh – arguably even more so than the studio version we’ve been playing in our headphones since 2023.
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The atmospheric but not over-produced engineering is an aspect we’ve always admired about Hazlett‘s discography, and we were so relieved it came across on the night, with the Brisbane-born ex-pat crediting his talented live band with helping bring that same sound to life on stage.
It’s a regular trapping, we’ve found, when it comes to acoustic-led music; that instinct, perhaps, for an artist and/or a producer to use seemingly as many of the tools at their disposal as possible just because they’re available to them.
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Sadly, this easy pitfall often ends up taking away from what makes those tunes so beautiful to begin with – but not in this case.
The rising solo star seemed to have an expert command not only of his vocals, but the second mic that added those subtle and yet stirring layers, and built those moving, almost ethereal effects on top of the words themselves.
Honestly, we were literally in awe of him just whistling…
Admittedly, it’s hard to put a finger on what exactly made this such a special show, but we think it is THAT same appreciation and embrace of colder months and how it’s inspired his music.
Just bear with us for a minute, it’ll make sense soon.
He actually said it was one of the things he loves the most about people in this country, and this specific part of the world, as well as other parts of Europe, such as his now beloved Sweden, where he says he found his creative spark.
It’s that feeling of the weather and the mood it brings so intensely that he says it helped him write ‘Bones Shake’, which was fittingly chilling as he played it to the spellbound, would-be choir, and could hear the soft sibilance of people gently repeating those S-sounds back to him.
There’s a genuine sense of being able to chart the slight sorrow in the passing of time through the seasons, and while some may not be afforded that same feeling from the sun-soaked shores of his homeland, it’s a concept he’s really run with – especially on his most recent LP.
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Simply titled, last night you said you missed me, it’s almost something he kind of tried to resist, confessing that he wrote and finished the album in the space of about a month, fearing that it couldn’t be good enough/ready purely because it came together so quickly.
Given that two specific tracks from this record made a lady standing with us well up and eventually shed several tears (you know who you are), we’d say he absolutely nailed it.
Our only minor gripe was not getting to hear ‘Tell Me What You Dream About’. (Credit: The Manc)
He did joke that his set is filled with nothing but “a bunch of sad and depressing songs” and had a laugh at the idea of people being “dragged along” without any real idea of who he is or the kind of stuff he makes, but having now witnessed him play live, we can assure you it’s much more than that.
Bloom Mountain was an emotional, magical debut that found us in a particular place and time in our lives that we’ll always appreciate, but hearing him knit it together with his newest material confirmed to us that his music has to be more than listened to – it has to be felt.
Like the changing of the seasons. Like the winter. Like the cold.
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We unfortunately didn’t manage to make it in time to watch the support act, Hans Williams, but judging by the reaction from the audience who did get in there early enough, the authentic but inventive stylings of the Americana, folk and soul-infused indie-pop artist, he definitely won over plenty of new fans.
As Mitchell Hazlett Lewis, to use his full name, he’s had our hearts since the very start and will continue to do so for however long he keeps bringing his relatable lyricism, delicate but impressive guitar-picking and gentle charm to Manchester.
Please check out his tour dates and see him the next time he’s in town. You can guarantee you’ll find
Please enjoy the song from his latest album that he says his mum likes best.
The nominees for the Critics’ Choice award at the 2026 BRITs in Manchester have been revealed
Danny Jones
With the upcoming BRITs ceremony coming to Manchester, we’re more all over the nominations than ever, especially now that the Critics’ Choice nominees for 2026 have been confirmed.
2023 was the annual Chanel ‘Metiers D’Art’ show, 2024 was the MTV EMAs, and next summer will see the BRITs; gosh, Manchester really is in vogue, isn’t it?
Commenting on the nomination, he told the BRITs: “Ya beauty! Tapadh leibh [‘thank you’ in Gaelic] for recognising my work for this award, you legends! Even though I’m Scottish and Irish before I’m British, I appreciate the BRITs critics for this recognition.
“I really care about and believe in this music, and it makes my world brighter every time it reaches someone else. Hopefully, this nomination means some more beautiful people might find something in this wee album. ‘Mon the gays!”
Rose Gray
Next up in the nods is London’s Rose Gray – a solo star who has developed a cult following thanks to songs like ‘ATTENTION!’, ‘Wet & Wild’, ‘Angel of Satisfaction’ and more.
Also the long-time partner and childhood sweetheart of Babygirl, Iron Claw and The King’s Man actor, Harris Dickinson, Gray has been riding a particular wave of popularity over the past year or so, especially after the release of her A Little Louder, Please (Deluxe) double album this past October.
She said in a statement: “I’m so excited for this nomination! This moment feels like a special reminder of how far this journey has carried me and what a crazy year it’s been. One year ago, I was manifesting so hard for my album to travel, to find its people, to really get its light. And it did. Releasing this record has genuinely changed my life…”
Lastly, in at number three is the 20-year-old singer-songwriter, Sienna Spiro, whose soulful voice sounds like one with much more life experience and years of emotion under its belt; it’s no wonder that she’s resonated with multiple generations, let alone been recognised by the panel.
With big theatrical ballads like ‘Die On This Hill’, ‘You Stole The Show’, as well as heavily-streamed songs like ‘MAYBE.’, ‘BACK TO BLONDE’ and more in her impressive and fast-growing discography, we know she’ll go far even if she doesn’t win – you can bank on that.
She added: “So beyond honoured and grateful to be nominated for this year’s Critics’ Choice BRIT Award! To think I started releasing music last year, I would never have expected this at all. Thank you so much!”
Having looked again at the list of people who’ve been both shortlisted and those who have gone on to win it, trust us, you’ll want to be paying attention to this one…
For context:
Past BRITs Critics’ Choice / Rising Star winners and nominees
2008 – Adele (Duffy, Foals)
2009 – Florence + The Machine (Little Boots, White Lies)
2010 – Ellie Goulding (Delphic, Marina and the Diamonds)
2011 – Jessie J (James Blake, The Vaccines)
2012 – Emeli Sandé (Michael Kiwanuka, Maverick Sabre)
So yeah, it’s fair to say that anyone even in the running for this accolade tends to go on to do even more bigger and better things than they already have.
Tickets to be at the 2026 BRIT Awards at Co-op Live in person for whoever picks up the Critics’ Choice gong, as well as all the other categories, are live now.
Featured Images — Audio North/Press shots (supplied)
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The biggest rock band on Earth is coming to Manchester, with hundreds of musicians on stage
Daisy Jackson
Rockin’1000 will be heading to Manchester next spring, with the biggest rock band on Earth performing timeless anthems.
And when we say it’s the biggest rock band on Earth, we’re not being sensationalist – there’ll be 300 musicians performing together.
Guitarists, bassists, drummers, keyboardists, singers, and even an orchestral section will all play together for a rock concert on a scale the UK has never seen before.
The AO Arena is set to host Rockin’1000 in March next year – and musicians of all skill levels are being invited to apply to perform.
There are more than 100,000 musicians as part of the band worldwide, and if you’d like to be one of them before the show arrives in Manchester you can register HERE.
Rockin’1000 began in 2015 with a viral performance of 1,000 musicians playing a Foo Fighters song in Cesena in Italy.
Since then, it’s grown into a worldwide community of musicians and has sold more than 300,00 tickets to large-scale and ambitious rock concerts in 20 different countries.
Rockin’1000 will come to the AO Arena in Manchester
Despite being one of Europe’s largest venues, the indoor nature of the AO Arena means that the number of performers will be reduced to 300, who will fill the floor of the arena.
Fabio Zaffagnini, Founder of Rockin’1000 said “The UK’s music culture is unrivalled, and Manchester is one of the world’s great music cities.
“Bringing 1,000 musicians together under one roof creates a powerful emotional connection for everyone involved, on stage and in the crowd.
“We cannot wait to share this experience with UK fans.”
Rockin’1000 will be at the AO Arena in Manchester on Saturday 7 March, with 300 musicians performing together at once.
Tickets will go on sale from 10am on Friday 5 December HERE.
Danny Jones -
5th December 2025 
