Nearly 1000 people who work in the live music industry in Manchester participated in a socially-distanced silent march through the city centre today.
The march formed part of the #WeMakeEvents – RED ALERT Day of Action nationwide event.
The #WeMakeEvents campaign – which has been organised by PLASA – is to raise awareness of the UK’s one million highly-skilled live music industry professionals, all of whom have had little to no work for the past four months amid the coronavirus (COVID-19) pandemic, and with little likelihood of the industry restarting until Spring 2021.
The live music sector includes a huge supply chain of workers in areas ranging from production, audio, lighting and video, to logistics, planning, transportation, and some of the world’s leading technology manufacturers.
#WeMakeEvents is calling on the UK government to “throw us a line”.
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As stated on the PLASA website, without additional government support for the supply chain, the UK is not only “in danger of losing its global position as a world leader in world class events”, but “all of our incredible creatives and technicians could lose their livelihoods for good”.
Manchester is a city synonymous with music and the industry needs our help.
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We support the 100,000+ professionals in #Manchester who make our city one of the top destinations in Europe for live music and events.
You should support them too. Their jobs could be lost without intervention. #WeMakeEvents
#WeMakeEvents is calling for “meaningful support from the government until the industry is allowed to operate in a way that is not limited by social distancing policies”.
This includes three main objectives:
1. Grants – not loans – made available to businesses in the events supply chain.
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2. Furlough scheme extended until the industry is back to work.
3. Extension of the self-employment scheme – tailored towards the live music industry.
#WeMakeEvents Great scenes in Manchester. First industry to stop, last to return! More support is needed from the government until live music and events are able to start up again #letmusiclivepic.twitter.com/izny27imai
There has been a substantial amount of support seen for the #WeMakeEvents campaign within the wider music industry and across social media this week.
Many famous and well-respected names in the Manchester music scene have publicly expressed their support.
Sacha Lord – Night Time Economy Adviser for Greater Manchester and co-creater of Parklife Festival, The Warehouse Project and United We Stream GM – said that work by many crucial events staff goes “unseen by the public”.
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This morning I will be marching (socially distanced and wearing my mask!) to support the freelancers, event and festival staff who have been simply forgotten. Nearly 114,000 people need urgent financial support now #WeMakeEventspic.twitter.com/JterGW7Cn1
Speaking to BBC Radio Manchester this morning, he said: “From my own experience with Parklife, there are about 4,500 people working on that,”
“The stages don’t erect by themselves, the Portaloos don’t arrive by themselves, the fences, the arenas, the lighting techs, it is a vast swathe of freelancers that work behind the scenes, and sadly they have been forgotten.”
Mr Lord was also seen present at the city centre March today as well.
Without major immediate support from the Government, the entire live events sector supply chain is at risk of collapse. Red Alert is a campaign to raise public and media awareness in support of the live events sector #WeMakeEventspic.twitter.com/IX3YdLtvvp
#WeMakeEvents is an initiative looking for a solution to the devastating crisis that the live music industry is facing. Concerts have been organised in the past to help people all around the world – right now, it’s those who arranged and worked at those events who need help
Yes, performers, artists, speakers. But also venues, lighting/sound engineers, photographers, event planners, bar & catering teams, security, tent & stage hire, booking agents, festival teams etc etc. So many of us with little or no support. #WeMakeEvents I’ll see you there. pic.twitter.com/iIGvRVYwzL
Today the #WeMakeEvents RED ALERT Campaign calls on the government to support the live events industry before we lose the talent and expertise that is the envy of the world.#WeMakeEvents
Buildings across Manchester and the UK are also set to light up red this evening in support of the live music industry and as part of the #LightItInRed campaign.
Over 500 buildings throughout the country are said to be registered to take part.
CALL TO ACTION!
We are calling again for companies and venues to light up red on the 11th of August 2020.
With many other activities also happening throughout the day, we want YOU involved!
You can find out more information and show your support for the #WeMakeEvents campaign here.
Audio
Ticket touting officially banned to protect fans from rip-offs
Daisy Jackson
The government has officially banned ticket touting, making it illegal for tickets to be resold at inflated prices.
The new measures will destroy the operating model of ticket touts, who snap up tickets for theatre, sport and live music, then sell them on the secondary value for far more than their face value.
Oftentimes, touts use automated bots to buy large volumes of tickets at once, taking them away from real fans.
The government says it’s caused misery for millions of fans and damaged the live events industry.
But now, the practice is being banned, with the government making it illegal to sell tickets above face value (plus unavoidable fees like service charges).
Resale platforms will also have their service fees capped, and they’ll have a legal duty to monitor and enforce compliance with the price cap.
Individuals will also be banned from reselling more tickets than they were entitled to buy in the initial ticket sale.
Culture secretary Lisa Nandy said: “For too long, ticket touts have ripped off fans, using bots to snap up batches of tickets and resell them at sky-high prices. They’ve become a shadow industry on resale sites, acting without consequence.
“This government is putting fans first. Our new proposals will shut down the touts’ racket and make world-class music, comedy, theatre and sport affordable for everyone.”
Business Secretary Peter Kyle added: “The UK is home to a brilliant range of music, entertainers and sporting stars – but when fans are shut out – it only benefits the touts. That’s why we’re taking these bold measures to smash their model to pieces and make sure more fans can enjoy their favourite stars at a fair price.”
Dan Smith, lead singer of Bastille – who have been part of the campaign against ticket touting – said: “It’s such great news that the government has stepped up and introduced a price cap on resale tickets – something I’ve been campaigning for alongside O2 and the FanFair Alliance for a long time.
“It’s a good step towards protecting music fans from being ripped off and will allow more genuine fans to see their favourite artists perform at face value prices. I am welcoming a world where there are no more resellers snapping up all of the tickets and massively inflating their prices.”
According to analysis by the CMA, typical mark-ups on secondary market tickets exceed 50%, whilst investigations by Trading Standards has uncovered evidence of tickets being resold for up to six times their original cost.
It’s believed these new measures against ticket touts could save fans around £112 million annually, freeing up around 900,000 more tickets from the primary ticket sellers each year.
The use of strategies like dynamic pricing has also been a major source of frustration for fans – such as the method used during the Oasis reunion on-sale – and new rules mean that fans must be given 24 hours notice of tiered pricing, plus provide clearer price information during online queues.
Industry voices who have weight in today include Mumford & Sons, who said that touts have ‘taken advantage of the good will and passion of music fans for many years’; Ed Sheeran’s manager Stuart Camp, who said the announcement is ‘long overdue’; and Coldplay manager Phil Harvey, who added that the legislation will be ‘a game-changer’.
India’s most beloved singer Shreya Ghoshal announces Manchester arena gig
Daisy Jackson
Shreya Ghoshal, one of India’s most celebrated singers, will be performing in Manchester next spring as part of a new UK tour.
The star will be heading out on a global run of dates on The Unstoppable Tour, performing to fans in three arenas in the UK.
She has announced a huge arena show in Manchester at the AO Arena, as well as gigs in Birmingham and London.
As well as dates in the UK, Shreya will perform across Europe, Asia, Middle East, Australia, South Africa and North America.
Shreya Ghoshal will take audiences on a journey that spans from her soulful beginnings to her global stardom.
She has been an enduring force in Indian music for more than two decades, and The Unstoppable Tour will prove exactly why.
There’ll be a setlist of her most iconic hits, like ‘Dola Re Dola’, ‘Teri Meri’, ‘Deewani Mastani’, and ‘Sun Raha Hai’, as well as new music that reflects her evolving artistry.
She first became known after winning the TV singing competition Sa Re Ga Ma Pa, going on to win a National Film Award at just 18 years old with Devdas.
Shreya has more than 12 billion streams on Spotify and 42 million monthly listeners, and ranked as the number one artist on Spotify last year in India.
Shreya Ghoshal said: “I am looking forward to bringing The Unstoppable Tour to the UK! When I dreamed of The Unstoppable Tour, I wanted to create something that feels alive, something that connects heartbeats across the world.
“This tour is deeply personal to me, it’s a reflection of every note, every story, and every emotion that has shaped my journey so far.
“It’s a celebration of the people, memories, and moments that are so special. For me, that’s what makes it truly unstoppable.”
Shreya Ghoshal will perform at the AO Arena in Manchester on 10 April 2026, with general sale tickets live from 10am on Friday 28 November HERE.
Emily Sergeant -
11th August 2020 
