Nearly 1000 people who work in the live music industry in Manchester participated in a socially-distanced silent march through the city centre today.
The march formed part of the #WeMakeEvents – RED ALERT Day of Action nationwide event.
The #WeMakeEvents campaign – which has been organised by PLASA – is to raise awareness of the UK’s one million highly-skilled live music industry professionals, all of whom have had little to no work for the past four months amid the coronavirus (COVID-19) pandemic, and with little likelihood of the industry restarting until Spring 2021.
The live music sector includes a huge supply chain of workers in areas ranging from production, audio, lighting and video, to logistics, planning, transportation, and some of the world’s leading technology manufacturers.
#WeMakeEvents is calling on the UK government to “throw us a line”.
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As stated on the PLASA website, without additional government support for the supply chain, the UK is not only “in danger of losing its global position as a world leader in world class events”, but “all of our incredible creatives and technicians could lose their livelihoods for good”.
Manchester is a city synonymous with music and the industry needs our help.
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We support the 100,000+ professionals in #Manchester who make our city one of the top destinations in Europe for live music and events.
You should support them too. Their jobs could be lost without intervention. #WeMakeEvents
#WeMakeEvents is calling for “meaningful support from the government until the industry is allowed to operate in a way that is not limited by social distancing policies”.
This includes three main objectives:
1. Grants – not loans – made available to businesses in the events supply chain.
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2. Furlough scheme extended until the industry is back to work.
3. Extension of the self-employment scheme – tailored towards the live music industry.
— Hits Radio News | Manchester (@hitsmcrnews) August 11, 2020
#WeMakeEvents Great scenes in Manchester. First industry to stop, last to return! More support is needed from the government until live music and events are able to start up again #letmusiclivepic.twitter.com/izny27imai
— Hits Radio News | Manchester (@hitsmcrnews) August 11, 2020
There has been a substantial amount of support seen for the #WeMakeEvents campaign within the wider music industry and across social media this week.
Many famous and well-respected names in the Manchester music scene have publicly expressed their support.
Sacha Lord – Night Time Economy Adviser for Greater Manchester and co-creater of Parklife Festival, The Warehouse Project and United We Stream GM – said that work by many crucial events staff goes “unseen by the public”.
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This morning I will be marching (socially distanced and wearing my mask!) to support the freelancers, event and festival staff who have been simply forgotten. Nearly 114,000 people need urgent financial support now #WeMakeEventspic.twitter.com/JterGW7Cn1
Speaking to BBC Radio Manchester this morning, he said: “From my own experience with Parklife, there are about 4,500 people working on that,”
“The stages don’t erect by themselves, the Portaloos don’t arrive by themselves, the fences, the arenas, the lighting techs, it is a vast swathe of freelancers that work behind the scenes, and sadly they have been forgotten.”
Mr Lord was also seen present at the city centre March today as well.
Without major immediate support from the Government, the entire live events sector supply chain is at risk of collapse. Red Alert is a campaign to raise public and media awareness in support of the live events sector #WeMakeEventspic.twitter.com/IX3YdLtvvp
#WeMakeEvents is an initiative looking for a solution to the devastating crisis that the live music industry is facing. Concerts have been organised in the past to help people all around the world – right now, it’s those who arranged and worked at those events who need help
Yes, performers, artists, speakers. But also venues, lighting/sound engineers, photographers, event planners, bar & catering teams, security, tent & stage hire, booking agents, festival teams etc etc. So many of us with little or no support. #WeMakeEvents I’ll see you there. pic.twitter.com/iIGvRVYwzL
Today the #WeMakeEvents RED ALERT Campaign calls on the government to support the live events industry before we lose the talent and expertise that is the envy of the world.#WeMakeEvents
Buildings across Manchester and the UK are also set to light up red this evening in support of the live music industry and as part of the #LightItInRed campaign.
Over 500 buildings throughout the country are said to be registered to take part.
CALL TO ACTION!
We are calling again for companies and venues to light up red on the 11th of August 2020.
With many other activities also happening throughout the day, we want YOU involved!
You can find out more information and show your support for the #WeMakeEvents campaign here.
Audio
Alison Moyet has announced a huge European tour, including multiple Northern dates in the UK
Danny Jones
Seasoned British singer-songwriter and pop legend Alison Moyet is coming back to Manchester and more after announcing an extensive run of 2026 EU, UK and IE tour dates.
No rest for the wickedly talented and long adored.
Alison Moyet last visited Manchester in February last year, playing the stunning Bridgewater Hall in support of her latest album, Key, the 10th studio LP of her solo career.
However, now the 64-year-old artist and music veteran is set to play songs from her eighth record, the minutes, as well astracks from her days with Yazoo and more across Europe.
NEW: @alisonmoyet is headed on tour! Playing songs of Yazoo, including cuts from the minutes & Other, with a date at #O2ApolloManchester Fri 16 Oct.
— O2 Apollo Manchester (@O2ApolloManc) March 9, 2026
Moyet (real name Geneviève Alison Jane Ballard) formed Yazoo with ex-Depeche Mode member Vince Clarke in 1981, releasing two albums and becoming one of the most influential British groups of the time.
While clashes on multiple fronts saw the synth-pop duo ultimately break up in ’83, a handful of Yazoo hits like ‘Only You’, ‘Don’t Go’ and ‘Situation’ have continued to crop up in the Basildon-born artists over the years.
Once nicknamed ‘Alf’ as a youth – the same title she gave to her seminal debut album, released the year after the split – the young ‘tomboy’, turned teen punk, then synth, soul and pop act has experimented with everything from electronica to printmaking.
Put simply, she remains just as much of a creative force today as she was back then.
2025 saw her first full headline tour in eight years, playing shows not just here and over in Ireland, but across the mainland continent, Australia and New Zealand.
This current calendar will also see her touring with fellow 80s icons The Human League and Soft Cell on their ‘The Generations Tour’ in the summer – but by the autumn, she’ll be rolling back the years and working through her own back catalogue.
As you can see, as well as coming to Manchester’s O2 Apollo, other dates to see Alison Moyet live in the North this October include the Empire Theatre in Liverpool, Sheffield‘s City Hall, Buxton, Blackpool and several others.
Speaking on the upcoming tour, Alison said: “Many years touring the same pool of songs, and I am keen for a palate refresher.
“Specifying which years I will be fishing from, too, I think, is a grand way to serve potluck for specific tastes. No bones…” Ever the wordsmith.
The domestic pre-sale window here opens at 10am this coming Wednesday, 11 March, with general admission tickets going live at the same time the following Friday (13 Mar); you can get ready to grab yours right HERE.
Oh, and if you were wondering how her live performances sound these days, look no further than her recent Isle of Wight slot.
Featured Images — Publicity picture (supplied)/Hinnerk Rümenapf (via Wikimedia Commons)
Audio
A special The Smiths reissue was cancelled due to a dispute between Morrissey and Johnny Marr
Danny Jones
According to some new information, a special reissue of The Smiths’ debut album was reportedly abandoned due to disagreements between Morrissey and Johnny Marr.
Since the Gallagher brothers have buried the hatchet, guess someone’s got to keep the Manchester music feuding alive.
Yes, as per a high-profile source from Rough Trade, ‘Moz’ and Marr couldn’t settle on one key issue which would have seen the self-titled first Smiths LP re-released for their label and indie record store’s 50th anniversary.
Speaking on the German music podcast, Vinyl &…, one of Rough Trade’s European bosses revealed that aside from not exactly being chummy these days, the band’s two most famous members couldn’t agree on what the album artwork would be.
Whack on English subtitles to see what was said.
Yes, that really was the main sticking point, apparently.
Curt Keplin, who is the managing director for Rough Trade’s EU presence, said that The Smiths were a big part of their golden jubilee/half-century celebrations.
Sadly, The Smiths’ inaugural outing then had to be pulled from the plans at the last minute, with the ‘Smooth Operator’ herself, Sade, taking their place.
Initially set to fly the flag for the 1984 retrospective, Keplin said: “Actually, The Smiths were supposed to be included, but Johnny Marr and Morrissey couldn’t agree on how the packaging should look. So, things remain relatively difficult between those two.”
‘Difficult’ is probably putting it mildly, with Morrissey having long since accused his former bandmate, lead guitarist and co-songwriter turned solo artist, of controlling key rights that could see him tour as The Smiths without him.
He went on to add: “You first have to find an artist who is basically open to it and thinks it’s great and then gives us the rights – or rather, the label then says, ‘Ok, this is now being repressed in a different colour, in new packaging’, and so on and so forth.”
The anniversary stuff first began being compiled last summer, with 2026 being the start of a year-long schedule of limited edition vinyl releases and more – but unfortunately, The Smiths aren’t looking like they’ll be part of it.
While it may seem slightly petty to some, more than anything, it’s probably just symptomatic of the simmering resentment between the two that still remains.
However, fans of either or both have still been treated to Morrissey‘s latest and divisive drop, Make-Up Is a Lie, and Johnny Marr will be coming back to town for a massive homecoming gig at Castlefield Bowl.