Legendary Greater Mancunians James are currently back out on the road and delighting fans as per, especially with their ever-energetic lead singer, Tim Booth, doing his thingboth up on stage and out in the audience too.
But did you know that Bradford-born Booth claims to be the only person who is actually insured to crowd surf in the entire UK?
Well, neither did we until this week.
Playing another pair of massive shows at Halifax’s unbelievable amphitheatre, The Piece Hall, following their two sell-out shows at the amphitheatre back in 2023, the Yorkshireman spoke to Chris Hawkins about how the whole thing came about – and how he earned himself this unique title.
You heard it here 👀
@wearejames 's Tim Booth is the only person in Britain insured to crowd surf 🏄♂️⚡
Joined by bandmate and founding member Jim Glennie for a lengthy interview, Booth was asked just how “high-risk” his infamous crowdsurfing is these days, explaining that although he does “choose [his] moments, there’s little more thinking that goes into it than making sure they don’t have their phones up.
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Not because of filming concerns or anything like that, mind you, simply because catching him one-handed wouldn’t be safe enough.
The BBC Radio 6 DJ and presenter then asked if being “insured to crowd surf” is a possibility, at which point he singer-songwriter and actor revealed, “I’m the only person in Britain insured to crowd surf.”
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While we’re sure some international acts take out some kind of policy to protect themselves when interacting with the crowd, the liability usually falls on the venue – unless you’re Tim Booth, apparently.
Hence why he can do stuff like without almost any hesitation:
As you can see, the frenetic frontman is still jumping up and down as he always has; even at 65 years old, he’s not afraid to get amongst it and bring their party vibes to their gigs.
He goes on to add that despite a company threatening to remove that particular clause around five years ago, he said that after seeing some of his performance in person, they joked that it was more like the crowd was merely ‘passing him around.’
When we spoke to bassist Jim ourselves earlier this year, he said of his long-time friend: “He’s not as young as he used to be, none of us are, but it’s what he does and he loves it – we’re still amazed by his energy to this day.”
You only have to look at his antics over the years for it to click that interacting with the crowd in this way is something he’s always done, and given his special and seemingly unprecedented protection, we imagine he won’t stop until his body physically won’t let him.
Tim Booth crowd surfing at Athen’s Ejekt Festival back in 2016.…and at Franklin Music Hall in Philadelphia just last year.Christos Gaifyllias/Jim Powers (screenshots via YouTube)
In terms of all-out performers who leave everything up there on the stage, Booth may just be up there with one of the most underrated this country has ever produced.
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And we’re not just saying that because he’s a Northerner and Manc adoptee, though the group’s much-loved local status does grant them bonus points.
We certainly enjoyed seeing them at Neighbourhood Weekender this year and, much like Tim himself, we have no intention of sitting down to see a James gig.
Ticketmaster agrees to change ticketing procedures following Oasis dynamic pricing controversy
Emily Sergeant
Ticketmaster has agreed to change its ticketing procedures following the ‘dynamic pricing’ controversy over Oasis reunion tour tickets.
After a lengthy investigation, the Competition and Markets Authority (CMA) has secured formal commitments from Ticketmaster, known as ‘undertakings’, to make sure fans have the information they need when they spend their hard-earned cash to see the artists they love.
The leading ticketing platform will now be required to make it clear to fans what they will get for their money, and give more information about different ticket prices.
These undertakings require Ticketmaster to tell fans 24-hours in advance if a tiered pricing, or dynamic pricing, system is being used, and provide more information about ticket prices during online queues, helping fans anticipate how much they might have to pay.
Ticketmaster will also now have to ensure that tickets are described accurately, and do not give the impression that one ticket is ‘better’ than another when that is not the case.
We’ve secured undertakings from #Ticketmaster to provide customers with more pricing information + make sure ticket descriptions are clear.
And finally, the ticketing platform will have to provide regular reports to the CMA to show how it has implemented the undertakings.
As mentioned, the CMA investigation comes following widespread concerns about the Oasis Live ’25 tickets sale.
Two areas were identified as needing investigating following the sale.
The first being that Ticketmaster did not tell fans waiting in lengthy queues that standing tickets were being sold at two different prices, and that prices would jump as soon as the cheap tickets sold out.
The second being that Ticketmaster sold some ‘platinum’ tickets at almost 2.5 times the price of ‘standard’ tickets, and all without sufficient explanation that these offered no additional benefits over some ‘standard’ tickets in the same areas of the venue.
Ticketmaster has agreed to change its ticketing procedures following the Oasis dynamic pricing controversy / Credit: The Manc Group
“Fans who spend their hard-earned money to see artists they love deserve to see clear, accurate information upfront,” explained Sarah Cardell, who is the Chief Executive of the CMA.
“We can’t ensure every fan gets a ticket for events as popular as the Oasis tour, but we can help ensure that next time an event like this comes along, fans have the information they need, when they need it – and the changes we’ve secured will give fans more information about prices and clear descriptions of exactly what they are getting for their money.
“If Ticketmaster fails to deliver on these changes, we won’t hesitate to take further action.”
Featured Image – Simon Emmett (Press Picture)
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Tame Impala announces massive Manchester gig on new tour
Clementine Hall
Tame Impala is heading out on a huge arena tour, with a massive gig right here in Manchester.
Oh Kevin, it really is great to have you back.
In just a few weeks on Friday 17 October, Tame Impala (Kevin Parker) will release his fifth studio album titled ‘Deadbeat’.
And today, he’s announced a major European and UK tour to go alongside it.
The dates kick off in Porto, Portugal on Saturday 4 April and wrap in Dublin, Ireland on Wednesday 13 of May.
He’ll be stopping off in Manchester near the end of the tour, bringing his synth sounds to the Co-op Live Arena on Friday 8 May.
Image: Publicity Picture
As well as a show at the Co-op Live in Manchester, Tame Impala will perform in London, Birmingham and Glasgow.
Kevin Parker has emerged as one of the most influential voices of the last decade, renowned for carving out a distinct sound all of his own and transcending genre-bending sonic landscapes.
Playing every instrument and acting as writer, producer, mixer and engineer on his projects, it’s not hard to see why he’s been nominated for four GRAMMY awards with one win for his collaboration with Justice on 2024’s “Neverender.” In his home country of Australia, he’s racked up an impressive 13 ARIA Awards and 27 Nominations.
Artist pre-sale begins Wednesday 1 October at 9am BST with the general on-sale taking place on Friday 3 October at 9am BST and you can buy yours HERE.
Tame Impala Deadbeat Tour 2026:
4th Apr – Super Bock Arena – Pavilhão Rosa Mota – Porto, Portugal
5th Apr – MEO Arena – Lisbon, Portugal
7th Apr – Movistar Arena – Madrid, Spain
8th Apr – Palau Sant Jordi – Barcelona, Spain
10th Apr – LDLC Arena – Lyon, France
12th Apr – Inalpi Arena – Turin, Italy
13th Apr – Unipol Arena – Bologna, Italy
14th Apr – Hallenstadion – Zurich, Switzerland
16th Apr – Olympiahalle – Munich, Germany
18th Apr – PreZero Arena – Gliwice, Poland
20th Apr – O2 Arena – Prague, Czechia
23rd Apr – Barclays Arena – Hamburg, Germany
25th Apr – Royal Arena – Copenhagen, Denmark
26th Apr – Avicii Arena – Stockholm, Sweden
27th Apr – Unity Arena – Oslo, Norway
29th Apr – Uber Arena – Berlin, Germany
30th Apr – Festhalle – Frankfurt, Germany
1st May – PSD Bank Dome – Dusseldorf, Germany
3rd May – Accor Arena – Paris, France
4th May – Ziggo Dome – Amsterdam, Netherlands
5th May – AFAS Dome – Antwerp, Belgium
7th May – The O2 – London, United Kingdom
8th May – Co-op Live Arena – Manchester, United Kingdom
9th May – Utilita Arena Birmingham – Birmingham, United Kingdom
Danny Jones -
12th June 2025 
