We enjoyed another night at Castlefield Bowl on Thursday evening and Sounds of the City 2024 continues to impress, as the almighty Jungle took to the stage for one of the smoothest all-round performances we’ve seen in a long time.
The modern dance icons have been flying the flag for the disco renaissance over the past decade and, pound for pound, have become one of Britain’s very best live acts.
The coolest customers within a 20-mile radius, Jungle did have an opening DJ set to help warm the crowd up a little but, to be honest, it’s not like they needed it. The Bowl was read.
ADVERTISEMENT
From the moment we heard that instantly recognisable and ever-so-unique synthy and almost kazoo-ey intro to ‘Busy Earnin”, the funk was very much in full swing and it quickly became apparent that those in attendance were going to dance all night long until the very last note. And that’s exactly what they did.
That might sound pretty standard for a gig, but to actually get that many people properly grooving non-stop for more than two hours on a muggy Thursday night in Manchester, when most people are still knackered from the celebrations from the footy, is quite the statement.
ADVERTISEMENT
And we’re not just talking casual two-stepping: one of the things that we loved the most about this show was how many people fully threw themselves into the pure disco of it all. Us Mancs can dance, trust us; we spotted Aljaž from Strictly in the crowd and he looked impressed too.
Pretty sure we saw a 10 scorecard go up and one point, hard to say…
Jungle got a very warm welcome as they walked out into Castlefield Bowl (Credit: The Manc Audio)
But seriously though, the set was bop after bop, be it long-standing favourites ‘Time’, ‘The Heat’, ‘Heavy California’ and ‘Happy Man’, or other radio hits like ‘Romeo’, ‘Keep Moving’ and, of course, Volcano bangers such as ‘Us Against the World’ and ‘Candle Flame’.
ADVERTISEMENT
And yes, we did get to see a few people pull out the ‘Back on 74’ dance and yes, it was wonderful.
Honestly, the list goes on and on when it comes to these lot and one of the highest compliments we can pay the dance music collective is that they also managed to bring some of those album tracks that we’ve never been as fussed about to life on the stage in a way that we now can’t get them out of our heads.
If that isn’t the hallmark of a good live band then when we don’t know what it is. We also don’t think you’ll find many live acts where the whole team and touring crew of musicians feel just as big a part of the core group as its frontmen.
The main duo might be the geniuses that are Josh Lloyd-Watson and Tom McFarland but where they excel is in spotlighting all of these various individual performers in moments and celebrating the ensemble – something that has always been at the heart of dance music as a genre.
Petition to make orange the official colour of Jungle and all good disco music? Just feels right, doesn’t it?
We might not have been able to get tickets for Glasto (literally the one act we would have been fighting through the crowds to see) but, for now, we’ll happily relish having seen Jungle on our home turf and simply watching as they turned Castlefield Bowl into a dancefloor.
With the Manics and Suede, as well as Hacienda Classical still set to play this weekend, we’ve got a couple more days to sign off this year’s festival in the best style possible.
DJ at centre of Parklife cancellations speaks out over ‘unsafe’ crowds
Daisy Jackson
A rising DJ whose set was cancelled due to ‘safety concerns’ at Parklife festival has now spoken out on his side of events.
Josh Baker is a popular Manchester-born DJ who was set to perform on the brand-new Matinee stage on the Sunday night of the local music festival.
He had the second-highest billing of the day, followed by Chris Stussy as headliner of that particular stage.
But despite being booked onto one of the festival’s smaller stages, Josh Baker’s popularity quickly saw the space becoming overcrowded.
Videos shared on TikTok show fans clambering over the safety barriers that Parklife security had installed as a queue system, desperate to get inside for Josh’s set.
The young talent has now spoken out again about the incident, saying he could see from his vantage point it ‘quickly became unsafe’.
Josh Baker said that ‘the organisers made the right call’ despite the show ‘meaning a lot’ to him.
He detailed that he has been going to Parklife since the age of 16, and playing such a big slot in the festival ‘felt like a proper full-circle moment’.
He added that he’s been looking into doing free follow-up shows, but has been unable to find a venue that would hold ‘anywhere near the amount of people who were trying to get in to see me play’.
Josh wrote on Instagram: “I’m honestly so sorry to everyone who didn’t get to see the set. It was completely out of my hands, but that doesn’t make it hurt any less. Just know I’ve felt every bit of frustration with you.”
He then said he’s planning ‘something ridiculous’ for his Creamfields appearance to make it up to fans.
Josh Baker said in his full statement on Parklife: “I’ve taken a few days to process what happened at Parklife last weekend, and I wanted to share a few words.
“This one was always going to mean a lot. Growing up in Manchester, I’ve been going to Parklife since I was 16, so to be booked for such a big slot felt like a proper full-circle moment. But just as I stepped on stage, the music had to be cut. When I came on there were too many people trying to get into the arena and it quickly became unsafe, and therefore the stage had to be closed for the rest of the day.
“It’s gutting, but I want to be clear – the organisers made the right call. Safety has to come before everything. After seeing a few of the videos from the crowd, I’m just relieved the situation did not escalate and everyone remained safe.
“Still, it’s hard to explain how much it hurt not being able to play. I know so many of you were excited for that set and it honestly blew me away seeing that many people turning up.
“Over the last few days, I’ve been trying to figure out how to make it right. I looked into doing a free follow-up show in Manchester, but the reality is, there are no suitable or possible venues which would hold anywhere near the amount of people who were trying to get in to see me play.
“The last thing I’d want is to announce something and end up disappointing even more people who couldn’t get tickets. After a lot of conversations and digging behind the scenes, we’ve had to accept that there’s no realistic way to do something that feels fair right now.
“I’m honestly so sorry to everyone who didn’t get to see the set. It was completely out of my hands, but that doesn’t make it hurt any less. Just know I’ve felt every bit of frustration with you.
“I really hope to see loads of you at Creamfields because I’m already planning something ridiculous to try and make this up to you in some way.”
Legendary funk and soul act Kool and the Gang are finally coming back to Manchester
Danny Jones
In case you hadn’t heard already, iconic funk, soul, and R’n’B artist Kool and the Gang are finally coming back to Manchester after far too long away from our musical city for a massive arena gig later this year.
Coming back to 0161 ‘For One Night Only’, the award-winning US supergroup and industry giants are set to make their first appearance here in over 15 years.
With a rich back catalogue and a career spanning six decades, not to mention multiple genres including funk, soul, disco, jazz (how they first began as an ensemble) and more, it’s only fitting they be given the top billing at the one and only AO Arena.
After Manc fans have had to wait for long, this is sure to be a night of ‘Summertime Madness’.
Though they need no real introduction if you know your music history, specifically African-American and Black music culture, Kool and the Gang are arguably one of the most influential acts to ever make it.
Having performed together longer than other R’n’B outfit on the planet, stood as one of the most sampled artists of all time and released a staggering 34 studio albums to date, they’re nothing short of foundational.
While, sadly, there is only founding member Robert ‘Kool’ Bell left from the original lineup formed back in 1964, the various iterations of the surviving live band have captured that same effortless cool, charisma, and effortless control of a crowd on the road that made the OG Gang such a toue de force.
As well as touring with everyone from Elton John and the Dave Matthews Band to The Roots and even a 50-city tour alongside equally legendary rock group, Van Halen, they have no shortage of accolades to their name.
How does two Grammys, seven American Music Awards (AMAs), a BET Soul Train Lifetime Achievement Award; a star on the Hollywood Walk of Fame and a place in the 2024 Rock & Roll Hall of Fame; 25 Top Ten R&B hits, nine top ten hits in the pop charts, as well as 31 gold and platinum albums, strike you?
— Melodies & Masterpieces (@SVG__Collection) May 27, 2025
Best known for beloved tracks like ‘Celebration’, ‘Get Down On It’, ‘Cherish’ and ‘Jungle Boogie’, just to name a very small few (again, their discography is huge), you’ve most likely heard their songs or at least one of their serially sampled beats more times than its possible to count.
Yep, if there’s anyone that deserves the ‘icon’ moniker, it’s these lot.
Kool and the Gang come to the AO Arena in Manchester next month on Friday, 11 July and will have fellow British soul counterparts, The Real Thing, who looked to mirror their success throughout the ’70s, along for the ride.
General admission tickets are already on sale as we speak – you can grab yours HERE.
Danny Jones -
12th July 2024 
