This past weekend, The Manc Audio had the honour of going along to one of the North West’s biggest and, for our money, one of the UK’s best festivals in Kendal Calling 2023 and boy did we have an ace time — so, naturally, we wanted to put together a little review.
Spoilers: it was really, REALLY good. To quote the organisers themselves, “There was something very special in the air this year”. They weren’t wrong — you could feel it.
Nestled in a little valley behind the lush treelines of Lowther Deer Park near Penrith and the Lake District, Kendal Calling music and arts festival returned for 2023 quite literally bigger and better than ever, boasting a sellout crowd of 40,000 and some of the best names the weekend has ever hosted.
Started way back in 2006 with less than a thousand people attending, Kendal Calling has not only become Cumbria’s largest festival but a Great British favourite and after going along for the first time, it didn’t take us long to figure out why.
One of the most live music scenic settings you could hope for
Us busy Manc worker bees were still bustling away on Thursday, so we unfortunately couldn’t make it along to see the handful of artists who played the opening night but, luckily, we had a few friends who all went along to confirm it was just as wonderful as it looked.
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With the likes of Scouting for Girls, Gengahr and Black Honey getting things started before the legendary Nile Rodgers & Chic polished off a class first night, the hordes of gig-goers began trickling into the site and by the time we arrived on Friday, the party was in full swing.
As we battled our way up the big hill from our parking spot to the festival entrance (bring a trolley, guys — don’t be muppets like us), we got a second wind when we heard Example playing through the forest and raced to pitch our tent, crack that first tin and start enjoying ourselves.
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But even before we made it to where the music was, we couldn’t help but take in the gorgeous Cumbrian countryside dappled with every colour imaginable — and that was just people’s bucket hats. Seriously though, seeing the sea of tents, flags flying high, music lovers sharing booze and tunes and just generally having a good time was a real antidote after a long week.
Credit: Abbie JenningsCredit: George HarrisonCredit: Tom Martin
The Northerners showing everyone how it’s done
By the time we got into the festival proper, we couldn’t have asked for better timing and a warmer welcome than the wonderful sound of Wigan‘s very own, The Lathums, serenading the packed-out main stage. Dreamland stuff.
That felt like the case throughout the festival, in fact; every hour or so it felt like we were treated to either a Manc band or a nearby North West favourite on one of the nine stages. The crowd felt like it was largely comprised of people from the North too, which gave the whole weekend an added layer of familiarity.
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Be it the Happy Mondays, The Lottery Winners, Mel C or Reverend and the Makers, up-and-coming Manc artist Phoebe Green, the Kaiser Chiefs, Circa Waves or the one and only Rick Astley, just to name a few, there were countless Northern acts to enjoy and it came as no surprise that they smashed their slots harder than anyone.
It was only fitting that probably the biggest moment of the weekend came when the Mayor of Greater Manchester himself, Andy Burnham, surprised everyone on stage by introducing Blossoms for the headline set, celebrating the North and Stockport, specifically, on Saturday night.
Come rain or shine, the British festival spirit was unshakeable
Much to our delight, the sun was shining as well; in fact, we were treated to plenty of it throughout the weekend considering the forecast we were facing on the drive up, and you know what Brits are like when the sun is and they’ve had a beer or two.
Yes, the wind and rain eventually came and made it feel like a proper UK festival — people rushing around after flying tent pegs and trying not to slip on the increasingly muddy walk from the campsite to the arena simply becoming part of the routine — but it was genuinely all part of the fun.
As our new mates from Leigh said during their dynamite set on the main stage, “We don’t mind a bit of rain do we!?”. We didn’t, not one bit, especially when the lineup was stacked with so much talent.
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Putting our regional bias aside, some of our top picks would have to be post-punk outfit DEADLETTER, who were simply insane (we still have the bruises to prove it), the mighty Frank Turner — who joined The Lottery Winners on the main stage in a truly unforgettable moment — The Hunna and, of course, Kasabian because their Friday headline set was absolutely dynamite.
Kendal Calling after dark was quite the experience…
And then came the late-night DJ sets, after parties and all-round craziness that ensued after the headliners finished their respective slots at 11pm, which we’re pretty sure we’ll never be able to fully put into words, so that should give you enough of a hint.
One thing we loved about Kendal Calling 2023 so much was how mixed the crowd was, with people of all different ages and cultural backgrounds turning up to enjoy the festivities. There were so many young families there having the time of their lives and what a way to introduce kids to the festival scene.
However, if you didn’t have little ones to put to bed and fancied staying up until the early hours in a forest lit by neon, multi-coloured lanterns and, or raving in a tent to one of the most unique electronic sets we’ve ever heard by DJ Yoda, you could — it was all there for you.
There was even an acoustic guitarist called Matthew One Man recreating club classics with an acoustic guitar and loop pedal whilst a truly indescribable musical theatre company called the Rimski’s Yard performed around him and some bloke with a big afro shoved a firework up his arse. Yes, of course, we have video evidence:
The truth is, we probably didn’t even scratch the surface when it came to experiencing everything this festival had to offer but based on what we did get to see during our time at Kendal Calling 2023 left a huge impression and we know what we’ll be doing again this time next year.
Unknown Mortal Orchestra at the Albert Hall Manchester – groovy, hazy and effortlessly cool
Clementine Hall
Unknown Mortal Orchestra at the Albert Hall proved exactly why they’ve built such a cult following over the past decade.
Formed in 2010 by frontman Ruban Nielson, the band first broke through with their scrappy, lo-fi self-titled debut and since then, they’ve become known for their signature blend of psychedelic rock, funk, and warped pop.
I first saw the band back in 2023 at Glastonbury, and yes sorry I am one of those annoying people that bring it up all the time.
They’re the perfect band to close your eyes, sway your head and tap your foot to – and that’s exactly what the crowd were doing in unison last night at the Albert Hall.
Image: The Manc Group
From the second they stepped on stage, there was no rush – just that signature hazy groove met with enough stage lights to sink a ship.
You could barely see them on stage, but that made it even cooler. And you can only imagine how gorgeous the Albert Hall looked with hundreds of spotlights in different colours whizzing all over it.
Early tracks simmered and pulled us in before the band stretched out into crowd pleasers like ‘Multi-Love’ and ‘Hunnybee’. What an absolute tune by the way.
Image: The Manc Group
There wasn’t much crowd interaction but, again, there didn’t need to be. They let the music do the talking and by treating us to some of the most epic guitar solos we’ve ever heard (no, seriously), we’ll forgive them for not talking to us.
Each song melted into each other as the band oozed effortless charm and talent throughout the almost two hour set, which is no mean feat.
Of course, a sea of phones shot up for ‘So Good at Being in Trouble‘, their most popular track which prompted a harmonious audience singalong. Not very harmonious by me, admittedly.
It was a fantastic ending that left the audience feeling united by the laidback brilliance of Unknown Mortal Orchestra, and I hope they don’t leave it too long to come back this time.
Review | Leon Thomas at Manchester Academy – ‘Mutts Don’t Heel’ but this gig healed me
Thomas Melia
American singer-songwriter Leon Thomas visited Manchester Academy last night, performing hits from his deluxe album to a sold-out crowd of more than 2,600.
One year after an exclusive London MUTT Live date, Mr Thomas returns to the UK with the ‘MUTTS DON’T HEEL’ Tour, venturing to five cities, including the music capital of the North: Manchester.
The night started off just how it should’ve done with ‘HEEL’, as the audience were welcomed by the drum-loop and a chill atmosphere from the start.
Now, it wouldn’t be a Leon Thomas gig without at least one Ty Dolla $ign collaboration making the setlist, and there’s plenty to choose from with a new one dropping just over a month ago, ‘miss u 2’.
Leon Thomas performing hits at Manchester Academy (Credit: Audio North)
The funk-influenced musician opted for ‘FAR FETCHED’, and the audience was in the palm of his hand. No matter which of the four link-ups he chose, it was always going to go down well – Manchester never disappoints.
Leon didn’t even have to ask the crowd to bring more energy; they already matched him. When he sings, “For someone who don’t ask for favours, I’ve done way too many favours”, on ‘PARTY FAVORS’, he really meant it.
Last year, Leon Thomas dropped PHOLKS, a project which saw him exploring old-school funk and soul sounds even further and ‘Just How You Are’ had even the shyest dancer pulling out a little two step.
This isn’t the only hit that sent the crowd into a frenzy; ‘Baccarat’ and its impressive psychedelic guitar solo had jaws literally falling to the floor at Manchester Academy.
His songs might not be dramatic or extravagant, but they don’t need to be. Leon’s artistry prevails when he’s softly singing, and you’re still able to detect each instrument.
Leon Thomas brought the MUTTS DON’T HEEL Tour to Manchester Academy (Credit: The Manc)
‘Breaking Point’ is an easy-listening soul track that had all 2,600 Leon Thomas fans in our feelings as we realised we were coming to the end of a phenomenal concert.
And of course, ‘Mutt’ – his biggest single to date: a bouncy and swag-filled number that sticks in your head for weeks on end – sounded even better when backed by a live band as I discovered last night.
There was some insane musicality, distinct bangers and impeccable live arrangements that elevated the original studio recordings. Maybe ‘Mutts Don’t Heel’, but Leon Thomas definitely healed me.
He wasn’t the only cool cat playing last night either:
Danny Jones -
31st July 2023 
