This past weekend, The Manc Audio had the honour of going along to one of the North West’s biggest and, for our money, one of the UK’s best festivals in Kendal Calling 2023 and boy did we have an ace time — so, naturally, we wanted to put together a little review.
Spoilers: it was really, REALLY good. To quote the organisers themselves, “There was something very special in the air this year”. They weren’t wrong — you could feel it.
Nestled in a little valley behind the lush treelines of Lowther Deer Park near Penrith and the Lake District, Kendal Calling music and arts festival returned for 2023 quite literally bigger and better than ever, boasting a sellout crowd of 40,000 and some of the best names the weekend has ever hosted.
Started way back in 2006 with less than a thousand people attending, Kendal Calling has not only become Cumbria’s largest festival but a Great British favourite and after going along for the first time, it didn’t take us long to figure out why.
One of the most live music scenic settings you could hope for
Us busy Manc worker bees were still bustling away on Thursday, so we unfortunately couldn’t make it along to see the handful of artists who played the opening night but, luckily, we had a few friends who all went along to confirm it was just as wonderful as it looked.
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With the likes of Scouting for Girls, Gengahr and Black Honey getting things started before the legendary Nile Rodgers & Chic polished off a class first night, the hordes of gig-goers began trickling into the site and by the time we arrived on Friday, the party was in full swing.
As we battled our way up the big hill from our parking spot to the festival entrance (bring a trolley, guys — don’t be muppets like us), we got a second wind when we heard Example playing through the forest and raced to pitch our tent, crack that first tin and start enjoying ourselves.
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But even before we made it to where the music was, we couldn’t help but take in the gorgeous Cumbrian countryside dappled with every colour imaginable — and that was just people’s bucket hats. Seriously though, seeing the sea of tents, flags flying high, music lovers sharing booze and tunes and just generally having a good time was a real antidote after a long week.
Credit: Abbie JenningsCredit: George HarrisonCredit: Tom Martin
The Northerners showing everyone how it’s done
By the time we got into the festival proper, we couldn’t have asked for better timing and a warmer welcome than the wonderful sound of Wigan‘s very own, The Lathums, serenading the packed-out main stage. Dreamland stuff.
That felt like the case throughout the festival, in fact; every hour or so it felt like we were treated to either a Manc band or a nearby North West favourite on one of the nine stages. The crowd felt like it was largely comprised of people from the North too, which gave the whole weekend an added layer of familiarity.
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Be it the Happy Mondays, The Lottery Winners, Mel C or Reverend and the Makers, up-and-coming Manc artist Phoebe Green, the Kaiser Chiefs, Circa Waves or the one and only Rick Astley, just to name a few, there were countless Northern acts to enjoy and it came as no surprise that they smashed their slots harder than anyone.
It was only fitting that probably the biggest moment of the weekend came when the Mayor of Greater Manchester himself, Andy Burnham, surprised everyone on stage by introducing Blossoms for the headline set, celebrating the North and Stockport, specifically, on Saturday night.
Come rain or shine, the British festival spirit was unshakeable
Much to our delight, the sun was shining as well; in fact, we were treated to plenty of it throughout the weekend considering the forecast we were facing on the drive up, and you know what Brits are like when the sun is and they’ve had a beer or two.
Yes, the wind and rain eventually came and made it feel like a proper UK festival — people rushing around after flying tent pegs and trying not to slip on the increasingly muddy walk from the campsite to the arena simply becoming part of the routine — but it was genuinely all part of the fun.
As our new mates from Leigh said during their dynamite set on the main stage, “We don’t mind a bit of rain do we!?”. We didn’t, not one bit, especially when the lineup was stacked with so much talent.
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Putting our regional bias aside, some of our top picks would have to be post-punk outfit DEADLETTER, who were simply insane (we still have the bruises to prove it), the mighty Frank Turner — who joined The Lottery Winners on the main stage in a truly unforgettable moment — The Hunna and, of course, Kasabian because their Friday headline set was absolutely dynamite.
Kendal Calling after dark was quite the experience…
And then came the late-night DJ sets, after parties and all-round craziness that ensued after the headliners finished their respective slots at 11pm, which we’re pretty sure we’ll never be able to fully put into words, so that should give you enough of a hint.
One thing we loved about Kendal Calling 2023 so much was how mixed the crowd was, with people of all different ages and cultural backgrounds turning up to enjoy the festivities. There were so many young families there having the time of their lives and what a way to introduce kids to the festival scene.
However, if you didn’t have little ones to put to bed and fancied staying up until the early hours in a forest lit by neon, multi-coloured lanterns and, or raving in a tent to one of the most unique electronic sets we’ve ever heard by DJ Yoda, you could — it was all there for you.
There was even an acoustic guitarist called Matthew One Man recreating club classics with an acoustic guitar and loop pedal whilst a truly indescribable musical theatre company called the Rimski’s Yard performed around him and some bloke with a big afro shoved a firework up his arse. Yes, of course, we have video evidence:
The truth is, we probably didn’t even scratch the surface when it came to experiencing everything this festival had to offer but based on what we did get to see during our time at Kendal Calling 2023 left a huge impression and we know what we’ll be doing again this time next year.
A ‘disco for grown ups’ party is coming to Manchester this year
Thomas Melia
A disco party for ‘grown ups’, centred around 70s, 80s and 90s music, is making its way to Manchester this year.
The wildly popular Discos for Grown Ups will be heading to town in May, encouraging some serious boogie action with its playlist of soul, disco, pop and dancefloor from across the decades.
The night out has been created for those who feel ‘too old to go clubbing, but still love to dance’, with people your own age, and with a sensibly early finish time.
When the night is still young but you might not be, you can let loose under a light and laser show featuring the fabulous Discos for Grown Ups stage dancers.
Whether you’re a ‘Material Girl’ who craves the spotlight or or a shy dancer who comes out of their shell after catching a case of ‘Night Fever’, this night will be spoiling you with its array of tracks.
Credit: Supplied
Discos for Grown Ups was founded by Simon Stanford after discovering there was nowhere for a ‘grown up’ to go that played the music he loved.
Simon Stanford from Discos for Grown Ups says: “We are really looking forward to bringing our Discos for Grown Ups 70’s 80’s 90’s Disco Party back to the O2 Ritz Manchester this year.
“Our first show was an incredible night of dancing and sold out very quickly, so we can’t wait to bring our full production with dancers, lights and lasers back – it’s going to be another amazing night of boogie!”
Expect a night of fun-filled dancefloor bangers spanning three golden decades of music.Credit: Supplied
Self Esteem drops new single along with huge UK tour full of double headers
Danny Jones
Rising Northern star Self Esteem has just dropped the new single from her forthcoming new album along with a bunch of big new UK tour dates, including two nights right here in Manchester.
The singer-songwriter, also known simply as Rebecca Lucy Taylor, has seen her popularity skyrocket in the last few of years, winning BBC Music’s Introducing ‘Artist of the Year Award’ back in 2021 and being nominated for the Mercury Prize less than 12 months later.
Fast forward to 2025 and not only has she recieved plenty of critical acclaim for her first two records but her live presence on stage has also been heavily praised and now the 38-year-old is gearing up for her next album cycle.
Announcing her latest single, ‘If Not Now, It’s Soon’, which has quickly selected as BBC Radio 1’s ‘Hottest Record’, the new track has also dropped along with 14 major UK tour dates, with a string double headers in multiple cities.
Born and bred in Rotherham but with strong ties to nearby Sheffield, her journey began as one half of folk pop duo Slow Club. They formed back in 2006 but split in 2017 as both she and bandmate Charles Watson parted ways to pursue their respective solo projects.
Set to release her third studio LP A Complicated Woman on 25 April, these latest tour dates are some of the biggest she’ll have ever played – including a massive Yorkshire homecoming gig at the Utilita Arena which will be a momentous show for our friends The Sheff to make the most of.
Discussing the new project, Taylor says: “Personally, you have to wait and one day you’ll get somewhere less painful. But the world will hopefully get somewhere less painful too. It’s about hope, perseverance and patience.”
As for those who’ve been lucky enough to get an premature listen of the album in full, the early reviews are looking seriosuly strong.
Described by The Guardian as “her best yet”, it features the likes of Nadine Shah, Moonchild Sanelly and Sue Tompkins from Life Without Buildings; Meatball and even Lancashire actor, Julie Hesmondhalgh, best known for playing Hayley Cropper in Coronation Street. Now that’s what we call a feature.
Self Esteem comes for a two massive nights at Manchester Academy on Saturday and Sunday, 27-28 September later this year.
Her previous raft of dates for A Complicated Woman Live – an ambitious quasi-theatrical experience of the album in person and on stage at The Duke of York’s in London – sold out in a flash, and you can expect plenty of that same production value when it comes to her upcoming concerts.
Fans get an exclusive pre-sale code for all UK and Ireland dates by pre-odering the album before 1pm GMT on Tuesday, 25 March 2025, and as for general admission, you’ll have to join the queue like the rest of us when they go live (still TBC).
In the meantime, you can join us in being as obsessed with her other recent release as we are: