This past weekend, The Manc Audio had the honour of going along to one of the North West’s biggest and, for our money, one of the UK’s best festivals in Kendal Calling 2023 and boy did we have an ace time — so, naturally, we wanted to put together a little review.
Spoilers: it was really, REALLY good. To quote the organisers themselves, “There was something very special in the air this year”. They weren’t wrong — you could feel it.
Nestled in a little valley behind the lush treelines of Lowther Deer Park near Penrith and the Lake District, Kendal Calling music and arts festival returned for 2023 quite literally bigger and better than ever, boasting a sellout crowd of 40,000 and some of the best names the weekend has ever hosted.
Started way back in 2006 with less than a thousand people attending, Kendal Calling has not only become Cumbria’s largest festival but a Great British favourite and after going along for the first time, it didn’t take us long to figure out why.
One of the most live music scenic settings you could hope for
Us busy Manc worker bees were still bustling away on Thursday, so we unfortunately couldn’t make it along to see the handful of artists who played the opening night but, luckily, we had a few friends who all went along to confirm it was just as wonderful as it looked.
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With the likes of Scouting for Girls, Gengahr and Black Honey getting things started before the legendary Nile Rodgers & Chic polished off a class first night, the hordes of gig-goers began trickling into the site and by the time we arrived on Friday, the party was in full swing.
As we battled our way up the big hill from our parking spot to the festival entrance (bring a trolley, guys — don’t be muppets like us), we got a second wind when we heard Example playing through the forest and raced to pitch our tent, crack that first tin and start enjoying ourselves.
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But even before we made it to where the music was, we couldn’t help but take in the gorgeous Cumbrian countryside dappled with every colour imaginable — and that was just people’s bucket hats. Seriously though, seeing the sea of tents, flags flying high, music lovers sharing booze and tunes and just generally having a good time was a real antidote after a long week.
Credit: Abbie JenningsCredit: George HarrisonCredit: Tom Martin
The Northerners showing everyone how it’s done
By the time we got into the festival proper, we couldn’t have asked for better timing and a warmer welcome than the wonderful sound of Wigan‘s very own, The Lathums, serenading the packed-out main stage. Dreamland stuff.
That felt like the case throughout the festival, in fact; every hour or so it felt like we were treated to either a Manc band or a nearby North West favourite on one of the nine stages. The crowd felt like it was largely comprised of people from the North too, which gave the whole weekend an added layer of familiarity.
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Be it the Happy Mondays, The Lottery Winners, Mel C or Reverend and the Makers, up-and-coming Manc artist Phoebe Green, the Kaiser Chiefs, Circa Waves or the one and only Rick Astley, just to name a few, there were countless Northern acts to enjoy and it came as no surprise that they smashed their slots harder than anyone.
It was only fitting that probably the biggest moment of the weekend came when the Mayor of Greater Manchester himself, Andy Burnham, surprised everyone on stage by introducing Blossoms for the headline set, celebrating the North and Stockport, specifically, on Saturday night.
Come rain or shine, the British festival spirit was unshakeable
Much to our delight, the sun was shining as well; in fact, we were treated to plenty of it throughout the weekend considering the forecast we were facing on the drive up, and you know what Brits are like when the sun is and they’ve had a beer or two.
Yes, the wind and rain eventually came and made it feel like a proper UK festival — people rushing around after flying tent pegs and trying not to slip on the increasingly muddy walk from the campsite to the arena simply becoming part of the routine — but it was genuinely all part of the fun.
As our new mates from Leigh said during their dynamite set on the main stage, “We don’t mind a bit of rain do we!?”. We didn’t, not one bit, especially when the lineup was stacked with so much talent.
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Putting our regional bias aside, some of our top picks would have to be post-punk outfit DEADLETTER, who were simply insane (we still have the bruises to prove it), the mighty Frank Turner — who joined The Lottery Winners on the main stage in a truly unforgettable moment — The Hunna and, of course, Kasabian because their Friday headline set was absolutely dynamite.
Kendal Calling after dark was quite the experience…
And then came the late-night DJ sets, after parties and all-round craziness that ensued after the headliners finished their respective slots at 11pm, which we’re pretty sure we’ll never be able to fully put into words, so that should give you enough of a hint.
One thing we loved about Kendal Calling 2023 so much was how mixed the crowd was, with people of all different ages and cultural backgrounds turning up to enjoy the festivities. There were so many young families there having the time of their lives and what a way to introduce kids to the festival scene.
However, if you didn’t have little ones to put to bed and fancied staying up until the early hours in a forest lit by neon, multi-coloured lanterns and, or raving in a tent to one of the most unique electronic sets we’ve ever heard by DJ Yoda, you could — it was all there for you.
There was even an acoustic guitarist called Matthew One Man recreating club classics with an acoustic guitar and loop pedal whilst a truly indescribable musical theatre company called the Rimski’s Yard performed around him and some bloke with a big afro shoved a firework up his arse. Yes, of course, we have video evidence:
The truth is, we probably didn’t even scratch the surface when it came to experiencing everything this festival had to offer but based on what we did get to see during our time at Kendal Calling 2023 left a huge impression and we know what we’ll be doing again this time next year.
Audio North’s Artist of the Month – Aaron Dinning | June 2026
Thomas Melia
Aaron Dinning is an indie-pop act whose songs span the highs and lows of relationships, and now he’s Audio North’s latest Artist of the Month.
Born in County Durham, studied in Leeds, and now the curator of a live music events organisation based in Manchester, Dinning sure knows a thing about northern music.
With hits to his name already like ’24’, ‘Look Who’s Holding The Gun Now!’, this queer musician is gearing up to release a deluxe edition of his sophomore EP Boys Become Men.
If his name feels familiar to you, that’s because it probably is, as Aaron Dinning has performed at a multitude of venues across the north – including Feel Good Club, Popup Bikes, and The Proud Place.
Now, Dinning chats to Audio North about his upbringing and music journey, as he accepts the title of Artist of the Month for June.
An interview with Aaron Dinning – Audio North’s Artist of the Month | June 2026
Aaron Dinning is making his mark in the Manchester music scene with his indie-pop tracks / Credit: Press Shots via Emily Atherton (Supplied)
You were born in County Durham and now live in Manchester. How have those two places shaped you as an artist?
I think there’s such a contrast in the environment of those two places. Durham was so formative for me growing up, back then I didn’t have the autonomy to vocalise it but now I see Chester-Le-Street specifically as such a ‘small town mindset’ kind of place.
If I stayed at home, I would never be the artist I am today. That’s not to say that growing up somewhere like that isn’t just as important as the place which makes you feel accepted. You can’t have such a strong desire for one without a disdain for the other.
What does being a northern musician mean to you?
I think being northern, to me, just means breaking the mould and showing that if I can do it, anybody can. It means building my career on my own terms, it’s taught me to unapologetically be myself, on and off stage.
I always say that I want to write the songs I needed when I grew up because there was nobody like me from the North. Sometimes it still feels like I’m the only one too.
To me, if I can write a song, or put on a performance that resonates with a 15-year-old kid who’s still figuring out who they are or who they love, that’s the most fulfilling thing that can come from sharing my art.
This Northern talent is from Country Durham, studied in Leeds and is now based in Manchester / Credit: Press Shots via Jack Garrod (Supplied)
The music industry can feel very London-centric at times. Have you found being based in the North to be an advantage or a challenge?
It’s a bit of both really. Yes, London is where the majority of the big names in music are, but in my mind, I always compare it to that scene in Baby Reindeer when the guy says ‘You find yourself a background artist in a cast of millions’ (niche).
I like that the industry isn’t as saturated as London up here, but I can see that changing in years to come. The North has always been where it’s at and truly where all these major labels should be looking for who’s up next because you might just find a gem like me waiting to be found.
Is there a northern artist who made you think, “If they can do it, so can I”?
Definitely Sam Fender. I know it’s a bit of a cliche nowadays, but I absolutely love him and he’s what I think of when it comes to a classic northern success story.
I’ve seen him six times and the last time at St James’ Park was a completely different calibre of show to when I saw him at Boiler Room in 2019 and paid fifteen quid for the ticket.
Me and him are completely different, but I imagine we had a similar sort of upbringing in the terms of characters we knew growing up in rougher areas. I feel like he cracked the mainstream so well with his first album and he’s only gotten better since. I’d want my first album to have the same kind of critical acclaim as his.
Dinning fuses his sexuality throughout his music, being an openly queer pop musician / Credit: Press Shots via Tom Hargreaves (Supplied)
What made Manchester feel like the right place for the next chapter of your career?
I recorded my entire EP here whilst I was still living in Leeds with Toby Ollis Brownstone from the beginning of 2024. That year and a half which I spent travelling back and forth in Manchester made me love the city and loathe commuting.
I knew I wanted to move to Manchester when I got invited to play the Queer as F*ck open mic on Valentine’s Day in 2025. That was the first show I played accompanying myself on the guitar, I agreed to play three hours before doors and completely fumbled my way through the set.
The feeling of the room was like nothing I’d experienced before, to come to a show in another city I had never played in and feel so welcomed, at home and accepted by a room full of likeminded people, felt like a feeling I could only replicate in Manchester.
Has living in Manchester changed your songwriting at all?
Generally speaking, I’ve been playing guitar a lot more since moving here. I feel like there’s a naive fresh start that comes along with moving to new places and feeling like your life’s going to drastically change.
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Becoming the Producer of SoFar Manchester helped me feel integrated and I’ve met so many cool people doing that job while spotlight my friends who are artists and bring them to the city that I fell in love with – It’s all very full circle.
I’ve brought Romy Taylor, Caitlin Doran, Sophie Green, and GRACEY over to play SoFar events and they’re all equally amazing creatives who are based in Leeds, like I once was.
The ’24’ singer has played gigs in unusual Manchester city centre locations like Popup Bikes in Ancoats / Credit: Credit: Press Shots via Emily Atherton (Supplied)
What do you think Manchester does better than anywhere else when it comes to music?
I think Manchester is such a hot pot of different styles and genres. I think the thing it does best is spotlight LGBTQ+ artists. Not just in music, but drag is somewhere I look to when I think of performance, and the queens in the village are truly a sign of resilience and individuality.
I’ve had more shows just for being queer in Manchester than anywhere else I’ve lived, there’s so many freelance creatives, charities and gig promoters who are looking out for LGBTQ+ artists to celebrate, even making entire lineups out of us.
Featured Images – The Manc Group/Press Shots (supplied)
Audio
Neighbourhood Festival’s return to the city centre is looking great with after revealing second wave
Danny Jones
Neighbourhood Festival’s city centre all-dayer is returning to Manchester for 2026 after a year off, and with the second wave of the lineup having just dropped, it’s looking very promising.
Following teasers over the past month or so, it didn’t take long for us to figure out that NBHD Festival was coming back, especially with the Weekender in Warrington having taken a similar hiatus in 2024.
However, when festivals like these take time out, it can be easy to worry whether or not they’ll lose momentum or come back stronger.
Judging by this follow-up batch of acts alone, there’s no doubt NBHD Fest ’26 will be another cracker.
As you can see, as well as the fast-rising grungey alternative and garage rock quartet, KEO, being announced as one of the first big hitters on the list, there are some other familiar names on the lineup.
Especially for us Mancs.
With both Bolton and Altrincham youngsters, Florentenes and The Guest List, both joining the roster, as well as the likes of Bury-born ‘rockabilly’ revivalist Elliot James Reay also featuring on there, there’s a good deal of local talent to be enjoyed as always.
That goes for the regional delegation in general, too, with the likes of Jos River heading back up this way from her base in London, and Leeds’ fittingly named indie four-piece, The North, also booking a slot.
We’ll admit there are plenty of bands and artists coming up from the capital for the all-day festival, but at least they know where the UK’s real home of music is.
For instance, we’re buzzing to see the Red Rum Club boys returning to the NBHD stage once again – they never disappoint, and there are so many other guaranteed top performers on the bill. And that was just this year’s Weekener…
It’s worth reminding, once again, that since its inception in 2016 (yes, it really has been a decade now), Neighbourhood Fest has continued to serve as a proper launchpad for the next wave of superstars, not just here in the North West but across the country.
We still remember seeing the likes of Sam Fender, Holly Humberstone, Declan McKenna, Mahalia, The Lathums and more – some for the very first time – on these city centre stages, and it’s crazy to see how big some of them have gone on to become.
Set to take over some of Manchester’s most iconic venues along the Oxford Road Corridor once again, this is, without a doubt, one of the best dates for independents on the annual live music calendar.
Hosting a total of 11 stages on Saturday, 17 October, for a full day of live music, tickets for this year’s Neighbourhood Festival are on sale now right HERE.
And if you’ve already sorted yours, why not read our review of NBHD Weekender ’26 down below to get you in the mood for the next two editions.
Danny Jones -
31st July 2023 
