That’s just about as good as it gets for a Manc; not to go over the top right from the off but Liam Gallagher’s first night at the Co-op Live arena is comfortably up there with one of the best gigs we’ve ever been to.
We could end the review right there and we’re sure you’d understand (we don’t think it needs explaining why seeing Definitely Maybe played live in full to a home crowd all these years later is so special) but we’re going to carry on anyway.
We also could spend time bigging up the supports and how great they were, which is entirely true – there’s also a lot of understandable excitement about Liam’s son Gene Gallagher and the opening warm-up act, Villanelle – but, honestly, we just want to relive last night.
First things first, it’s probably fair to start off by saying that regardless of the palava when it first opened or rather struggled to, Co-op Live is quite a sight to behold.
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There are plenty of people who have taken aim at the ‘big black box’ now sitting right next to Manchester City’s stadium and the wider Etihad Campus, but once you see it in the evening, lit up with its digital hoardings and especially in the bowl itself, it’s pretty impressive, it has to be said.
Obviously, the location felt fitting for such a massive Blue and LG made sure to have his beloved football club represented on stage, however, it more just highlighted how this man could fill a room of pretty much any size.
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As we waited for his arrival whilst the roadies rolled back the years (quite literally) and recreated the Definitely Maybe album cover for the set, you couldn’t help but be blown away by the scale of everything as roughly 23,5000 people poured in to celebrate Oasis‘ timeless debut album 30 years on.
People were jumping to rock classics and cheering a clock ticking backwards before the gig had even started. (Credit: The Manc Audio)
And that’s what it was: a pure celebration. From the moment he kicked the arena into gear with ‘Rock ‘N’ Roll Star’, the place barely stopped bouncing except for the likes of ‘Whatever’ and ‘Half The World Away’, as they were too busy being a choir in those moments.
He even dedicated the latter to its original singer and his big brother Noel, as well as tackling the likes of ‘D’Yer Wanna Be a Spaceman?’ and ‘Lock All The Doors’, which the older Gallagher already dug out of the archives with High Flying Birds – though it was interesting to see how the two versions differed.
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We will always be envious of those who were there at the very start; for the likes of the Knebworth and Maine Road gigs, as we can only imagine how nuts the atmosphere must have been at the very height of Britpop, but if this is the closest we ever come to recreating that we will absolutely take it.
Getting to hear those “cheeky” B-sides from that seminal record was a treat too, mainly because as was often the case with Oasis, they were just as popular as the official tracklist and not a single lyric was missed. Manchester hasn’t even come to moving past its best-ever band and probably never will.
Liam Gallagher celebrated everything we know and love about rock and roll on his first night at Co-op Live. (Credit: The MancGroup)
What made this gig even more staggering is that we’d just seen Foo Fighters light up the Emirates Old Trafford on Thursday and knew they were playing again at the same time we were all doing our best ‘sunshyiiiiiine’, but there wasn’t a single part of us wondering which was the better gig. Sorry, Dave.
Is the local bias taking a good chunk of the wheel here? Absolutely. Do we care one bit? Not even a little.
We’ve seen Liam play his own stuff and some old favourites before; we’ve seen Noel fill Wythenshawe Park and play as many Oasis tracks as he likes, but nothing comes close to seeing the album that started it all being played in Manchester at its newest and biggest venue.
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Liam said that he wanted to “put this arena on the map” before he kicked into ‘Cigarettes & Alcohol’ and he didn’t just do that, he blew the roof off the place. And that’s an expensive bloody roof…
Not exaggerating when we say Liam Gallagher at Co-op Live Night One felt like a cultural moment for Manchester. (Credit: The Manc)
What’s more, the 51-year-old proved two things: this is exactly why he’s one of the greatest frontmen of all time, even if his voice isn’t quite as crisp as it once was (it’s still one of the most distinct on the planet), and that Oasis are still the best thing since sliced bread. The bee’s knees. The absolute b*****ks.
We’re not going to start arguing over where they fit among the greatest of all time – we know even Liam Gallagher himself would say, ‘Don’t talk daft, it’s The Beatles’ and so on – but we’re not sure we’ll ever be able to describe just how much Oasis are intrinsically part of what makes Manchester what it is.
Banging on about a reunion year after year feels pretty useless as we know it would take some extraordinary circumstances for it to happen, but all we’ll say is that at this point Noel is just missing out on playing some of the best shows you could ever hope for.
That being said, watching Liam Gallagher give Co-op Live its biggest gig yet was a privilege and until they both kiss and makeup to give the fans what they want, we’re here for these nostalgic nights and you best believe we’ll be going to the (What’s The Story) Morning Glory? anniversary tour if it happens too.
Tame Impala at Co-op Live, Manchester – lasers, lights, and a bit of a hangover
Daisy Jackson
The coolest man in the southern hemisphere has finally made his way back up north, for his first Manchester gig in a decade.
That cool man in question is Tame Impala, the music project of what-the-hell-can’t-he-play multi-instrumentalist Kevin Parker.
Sure, last year’s single release ‘Dracula’, and then its remix re-release with K-pop megastar Jennie, may have propelled Tame Impala up towards the top of the UK singles chart for the first time, but he’s got almost two decades-worth of music to dig through beyond that too.
It’s a hefty discography and it leads to a setlist that seems to almost peak about six times.
‘How could it possibly get better than this?’ we seem to ask as he plays The Moment, Elephant, Dracula, and Let It Happen pretty early on – but better it does indeed get.
It doesn’t seem to matter whether he’s up on the main space-ship-esque stage surrounded by lasers and lights, or sat on the floor of the B Stage playing around with a keyboard, Tame Impala has an irresistible, enchanting charisma. A lot more charisma that you’d expect from a man called Kevin.
Early on, he confesses that he’s quite severely hungover from last night’s show, where he had Dua Lipa (he wrote and produced her Radical Optimism album) as a surprise guest.
But you can see the hangover clear from his eyes in real time as 23,500 Mancs scream in his face. Which might not sound like a likely hangover cure, but who am I to argue with the evidence in front of me?
Although Kevin writes, produces, and records his music solo, he’s got half a dozen musicians up on the main stage with him, which looks like a convoluted space ship that fires confetti out of its thrusters (FOUR TIMES!).
With revolving lights, dancing lasers, and a metal grid base spewing out dry ice, it’s really one hell of a production.
It’s a light show designed to give us all a glimpse of his synesthesia (meaning he sees colours when he hears music (Billie Eilish has it too)) – essentially, if you couldn’t hear a thing and could only see the stage, you can still tell exactly what song is playing.
Still, when he saunters straight through the crowd to his smaller stage to mix tracks solo – no lasers, just a few lamps – flopping down onto a tangle of wires like a mad magpie building himself a nest, it’s a chance to remember this guy’s composing prowess.
A lot of the songs performed tonight are almost orchestral in their complexity, so that the whole show merges into one thundering, bewitching night of dancing and being blasted in the face by confetti.
It’s genius.
So can you not leave it another decade before you come back, Kevin?
Kahiki Soundhouse – the new Mint Lounge site is living up to the old name and its live music legacy
Danny Jones
If you went out in town back in the day (pretty much any time from the late 90s to the 2010s), or indeed have sampled a Funkdemia over the past couple of decades, chances are you tried or at least heard of Mint Lounge – but did you know it’s been replaced by a new kid on the block, Kahiki?
Kahiki Soundhouse, to give it its full name, is the new live music venue bar that has opened up the old basement space on Oldham Street in the Northern Quarter.
In truth, it’s now more of a classic lounge than ever before.
The large open-plan floor, which used to be filled with people standing/two-stepping inside a fairly barebones club room with no air conditioning, has now been traded up for a stylish space lined with plush padded seats, classy low-lit tables perfect to share a glass or two over, and lots of new features.
Perhaps the biggest change is that the old soundbooth/stage area that used to be way at the back has now been swapped for a central 360° podium that changes up each night.
It really is the star of the all-week-round Kahiki show, if you ask us.
This also means that no matter where you are in the main venue (there are other rooms, but we’ll get to that), be it tucked in a booth to the side, at the bar, or even ‘behind’ whoever’s playing, you’ll have a virtually unobstructed view of what’s happening from noon until night.
Seriously, thanks to their already jam-packed schedule, the reviews aren’t just off to a great start only a few days in, but people have been turning up in the early evening and staying well into the early hours of the next day.
They’ve got duelling pianos, live bandaoke, acoustic nights and straightforward DJ sets for those who still fancy a taste of the previous vibe.
Kahiki’s maiden Manchester city centre venue definitely harks back to the good times had in the Mint Lounge days, but the team, who possess decades of experience between them, have combined a retro feel almost more akin to 1960s speakeasies, cocktails and evening venues.
It’s no secret that clubbing and the UK nightlife scene have changed quite a bit since the pandemic, but these guys look to have found that perfect blend of more relaxed seating, along with plenty of room to get up and boogie; there’s even a raised mini-stage/dance cage for your main character moments.
Better still, if you do want something a little bit away from the crowds of punters that are continuing to make this one of the liveliest new additions to NQ, they also have adjustable karaoke rooms where bi-folding doors can make room for up to 50 of you and your lot to party in privacy.
Let’s just say the spirit of the Lounge is alive and well in the Soundhouse.
Just one corner of KahikiYour podium awaitsOne of the smaller karaoke rooms
Danny Jones -
16th June 2024 
