Oasis frontman Liam Gallagher has responded to the recent SNL sketch about the band’s reunion and, like virtually everyone else on the planet, he struggled to find it funny.
Put it this way, his reaction was much more short and sweet than most people’s.
In case you missed it, the legendary US comedy sketch show Saturday Night Live (more commonly known as SNL) recently tried to hop on the bandwagon of the worldwide Oasis buzz following the announcement of their comeback.
With no exaggeration, it’s one of the biggest pieces of news not only in music but that the entertainment industry has seen in a long while so, naturally, the long-standing satirical comedy show felt like they had to comment on it. We just kind of wish they hadn’t…
There is a very good chance that this Oasis skit from SNL is the worst thing you will see today, perhaps this week and quite possibly ever. It is grim.
The Saturday Night Live Oasis sketch is bafflingly and embarrassingly bad. I implore you not to watch it, as I did, thinking people were exaggerating its awfulness. Forget the lack of any humour, what were those accents? Essex?
Let us caveat this by assuring you that there have been plenty of genuinely great SNL sketches down the decades and there’s a reason the series has been going for nearly half a century – this just sadly isn’t one of them. Brace yourselves.
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Panned by both native and British viewers alike, the attempt to tap into the excitement and poke fun at the ever-amusing Gallagher brothers wasn’t just a swing and miss, it was a complete strike-out as the Yanks would say.
As just one of countless people put it on social media: “Don’t even know where to start with this. Legitimately one of the worst skits I’ve ever seen. Even worse than that Sydney Sweeney dog cheerleader one they did, and that’s saying something.” Seriously, people hate it.
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Despite the fact that there’s always been a rich vein of comedy around Oasis – be it the Burnage boys’ perpetual squabbling and unwavering egos, the caricatured look plus the almost overly performative Mancunian persona of the band and their fans – they couldn’t tap into it any of it convincingly at all.
Naturally, Liam Gallagher himself obviously saw the sketch, which has now been dubbed “excruciating”, “beyond cringe” and perhaps “one of the worst ever” online, and when asked his opinion replied in typically dismissive LG fashion:
Put in the nicest way possible, the whole thing just feels like a skit written by someone who clearly isn’t much of a fan and has very little real knowledge of Oasis whatsoever, but who also fundamentally has no real grasp of any real British culture, let alone anything to do with Manchester.
Nevertheless, the Oasis reunion has seemingly brought joy to most of us here in the UK and indeed many other countries around the world including the US, as Manchester’s most famous sons have also sold out all over their North American tour dates despite never quite making it quite as big there.
You can watch all three minutes and 27 seconds of the now infamous Oasis SNL sketch down below but we will warn you now, as good as some of their skits have been over the years this one is genuinely like pulling teeth…
Featured Images — SNL (via YouTube)/Stefan Branding (via Wikimedia Commons)
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Blossoms at O2 Ritz Manchester – five-night hometown residency is already a triumph
Daisy Jackson
Blossoms are a band who were born and forged here in Greater Manchester, and now they’re back retracing their steps with a five-night residency across the venues that launched them into the big leagues.
Their star has risen all the way to arena level and headline shows at Wythenshawe Park at this point, especially here in their hometown, so the chance to see them back in these cosy-ish little venues is special, and a little bizarre.
For night two of their landmark sold-out gig series, it was the turn of the O2 Ritz, that sweaty spot off Oxford Road where the floor bounces downstairs and you stick to the carpets upstairs.
Poetically, the first time I ever saw Blossoms was in this very room in 2016, when they had the mid-afternoon slot at Neighbourhood festival and the queue to get in went all the way back to St Peter’s Square.
Since those days, Blossoms have come a long, long way, and their live show has evolved and matured from five lads thrashing on their instruments to this well-oiled, hip-swaying, flares-wearing, chart-topping machine.
There’s even choreography now – how fancy!
A stand-out moment from the show is actually a song from their new, fifth studio album Gary, which is still barely eight weeks old.
A spoof recording of legendary Manchester indie club 42s rings out, then all five band members abandon their stations, slinging keytars and marching drums around their necks so that they can dance together in front of neon signs.
Blossoms promised more disco with this album and they bloody meant it. It’s not just the flares and the blow-dries and the moustaches (though those do help) – it’s in the funk and groove that’s gradually crept into their music exponentially with each album release.
This is still indie rock but it’s the most danceable of its genre. Good luck keeping your shoulders from wiggling and jiggling in here. Good luck keeping that grin off your face.
And Gary is one of the most unexpectedly fun albums to be released in the last year – the fact they called it Gary, named after a giant fibreglass garden centre Gorilla, should’ve been our clue. It could border on silly were it not such a masterpiece.
It seems like the only thing Blossoms are trying to prove is that you can be wildly successful without taking yourself too seriously. They just seem like a group who want to have a good time and it’s totally infectious.
Case in point – when each band member is introduced, keyboardist Myles Kellock plays the riff of Satisfaction by Benny Benassi and The Biz. Unexpected.
Blossoms also clearly give a sh*t about their live shows and graft at it – I’ve seen these guys an awful lot and it’s because their tour dates are plentiful and consistently worth the ticket price.
This is definitely the biggest era of their career so far, but have they peaked? Not even close.
The Warehouse Project reveals return to Rotterdam for massive overseas event
Danny Jones
The Warehouse Project has confirmed it will be returning to Rotterdam in 2025 for a second time, its fourth overseas event.
After debuting abroad in 2023 with an action-packed few days in the city of Rotterdam – whose art scene, music culture and even canal network bears lots of similarities to Manchester – Warehouse Project is coming back for more.
There’s just over a month left of the 2024 WHP calendar; you’d think they’d be getting ready to wind down and enjoy the Christmas breather, but not so: the organisers are already planning what is set to be one of their biggest and best long weekends to date.
Set to take place over the early May bank holiday, the Dutch port city will once again play host to one of Manchester’s legendary club nights.
The second biggest city in the Netherlands behind Amsterdam, the next edition of Warehouse’s international series is set to return to Rotterdam RDM – a warehouse space very reminiscent of both Depot Mayfield and their original home at Victoria Warehouse.
WHP x RDM II is already being billed as an “unforgettable weekend” and if any of this year’s mainline events here in Manchester are anything to go by, they’re bound to live up to that promise.
There’s also a full FAQ page for anyone looking to find out more information regarding Rotterdam, the venue itself, travel and more.
As well as revealing the dates (2-4 May 2025), the organisers have already teased a good chunk of the lineup, with the likes of Chris Stussy, Peach, Four Tet b2b with Sammy Virji, salute and many more already confirmed.
With a slew of incredible acts, multiple afterparties on boats and other local venues, as well as plenty of opportunity to see the rest of Holland’s ‘Manhattan on the Maas’, this is going to be SO good.
We were lucky enough to have been sent to sample their inaugural Rotterdam date back in April of 2023 and, we have to say, it was an absolute blast.
Take it from us, if you’re considering being a part of this next event you won’t regret and we’ll be putting together an extensive guide to help you feel prepared for raving overseas. Registration for early access is already live, so sign up fast if you want to give yourself the best chance of being there.
Limited presale and accommodation packages will be available to those who have applied at 9am on Monday, 2 December (UK customers only). General admission tickets will go live from 9am n Tuesday, 3 December sale for UK and Dutch customers starts Tuesday 3rd December at 9am GMT/10am CET.
Rotterdam 2025 will be here before you know it, so take a boots-on-the-ground at what an international Warehouse Project date looks like down below: