Oasis frontman Liam Gallagher has responded to the recent SNL sketch about the band’s reunion and, like virtually everyone else on the planet, he struggled to find it funny.
Put it this way, his reaction was much more short and sweet than most people’s.
In case you missed it, the legendary US comedy sketch show Saturday Night Live (more commonly known as SNL) recently tried to hop on the bandwagon of the worldwide Oasis buzz following the announcement of their comeback.
With no exaggeration, it’s one of the biggest pieces of news not only in music but that the entertainment industry has seen in a long while so, naturally, the long-standing satirical comedy show felt like they had to comment on it. We just kind of wish they hadn’t…
There is a very good chance that this Oasis skit from SNL is the worst thing you will see today, perhaps this week and quite possibly ever. It is grim.
The Saturday Night Live Oasis sketch is bafflingly and embarrassingly bad. I implore you not to watch it, as I did, thinking people were exaggerating its awfulness. Forget the lack of any humour, what were those accents? Essex?
Let us caveat this by assuring you that there have been plenty of genuinely great SNL sketches down the decades and there’s a reason the series has been going for nearly half a century – this just sadly isn’t one of them. Brace yourselves.
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Panned by both native and British viewers alike, the attempt to tap into the excitement and poke fun at the ever-amusing Gallagher brothers wasn’t just a swing and miss, it was a complete strike-out as the Yanks would say.
As just one of countless people put it on social media: “Don’t even know where to start with this. Legitimately one of the worst skits I’ve ever seen. Even worse than that Sydney Sweeney dog cheerleader one they did, and that’s saying something.” Seriously, people hate it.
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Despite the fact that there’s always been a rich vein of comedy around Oasis – be it the Burnage boys’ perpetual squabbling and unwavering egos, the caricatured look plus the almost overly performative Mancunian persona of the band and their fans – they couldn’t tap into it any of it convincingly at all.
Naturally, Liam Gallagher himself obviously saw the sketch, which has now been dubbed “excruciating”, “beyond cringe” and perhaps “one of the worst ever” online, and when asked his opinion replied in typically dismissive LG fashion:
Put in the nicest way possible, the whole thing just feels like a skit written by someone who clearly isn’t much of a fan and has very little real knowledge of Oasis whatsoever, but who also fundamentally has no real grasp of any real British culture, let alone anything to do with Manchester.
Nevertheless, the Oasis reunion has seemingly brought joy to most of us here in the UK and indeed many other countries around the world including the US, as Manchester’s most famous sons have also sold out all over their North American tour dates despite never quite making it quite as big there.
You can watch all three minutes and 27 seconds of the now infamous Oasis SNL sketch down below but we will warn you now, as good as some of their skits have been over the years this one is genuinely like pulling teeth…
Featured Images — SNL (via YouTube)/Stefan Branding (via Wikimedia Commons)
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Government to introduce price cap on ticket touts and launch consultation on dynamic pricing
Danny Jones
The UK government are finally set to install a price cap on re-sale tickets for touts and open an official consultation on the growing trend of dynamic pricing.
If you’ve bought a ticket to a live music show over the past year or so, you’ll have noticed that ticket prices in general are on the up – particularly if purchased from a reseller, in which case you might have paid through the nose for the privilege.
Not only does ticket touting remain a prevailing problem in the industry, with tonnes of tickets for big shows, especially, being snapped up in bulk or by bots and listed for re-sale before you’ve even added them to your basket, but the advent of this new dynamic pricing lark has made things even harder.
You only have to look at the controversy and chaos surrounding Oasis’ reunion tour, which ultimately saw some fans paying significant amounts more for practically the same ticket just a few days later in what many dubbed as ‘fraud’ and even ’emotional blackmail’.
Justin Timberlake at Co-op Live Manchester was one of countless gigs where ticket prices fluctuated. (Credit: The Manc Group)
Tackling resellers head-on
Knowing full well that people will go to extreme lengths to try and see the musicians and artists they love so dearly – in some cases being backed into a corner as the final figure displayed on the screen when they checkout suddenly jumps up – the modern ticketing industry is severely broken.
With all that in mind, the government are now looking to enact more stringent measures on resellers, by announcing a new price cap on tickets put back up for sale which is set to be introduced (hopefully) in the very near future.
Targeting sites infamous for inflating re-sale costs such as Viagogo, StubHub and others, the bill published on Friday, 10 January proposes a price cap of face value plus 10-30% but no more, with an obvious aim to keep that number as low as possible.
According to the current figures, touts reportedly cost music fans alone more than £145 million in extra re-sale fees when purchasing tickets every year – a frankly ridiculous sum. There will always be tickets ending up on re-sale sites, that’s unavoidable, but a price cap could seriously improve the situation.
The Manc music legends themselves claim they had little control over the situation.
Down with dynamic pricing
Labour, who were voted into power back in July, are also set to try and combat dynamic prices, which essentially sees gigs and events set people back more or less depending on how the popular ticket sales have been up to that point, market trends and general demand. An initial review was called for last year.
Put simply, the more people want to attend a gig, platforms like Ticketmaster feel they are able to jack up their margins even after the initial price point has been established. The European Commission has been investigating these methods since September 2024.
Although it is still unclear as to the exact time scale of when these changes will come in, Labour MP Chris Bryant told NME that although they are still in the early stages, it is “now just a matter of how the government takes action.” And that’s where you come in.
The consultation is also crucially public, with the calling for people to submit their evidence on current pricing practices and continue engaging in the discussion throughout the progress. New Year’s Resolution: let’s curb ticket touts as much as we possibly can.
The AO Arena is giving away FREE tickets for a year to celebrate 30 years in Manchester
Daisy Jackson
The AO Arena has announced it’s giving away free tickets for a year to celebrate its 30th anniversary in Manchester.
The iconic music venue has welcomed the biggest names in the world in its three decades, with millions of us making memories for life inside its huge space.
And now you could win VIP tickets for an entire year, simply for sharing those memories with the AO Arena.
Fans who submit their old photos, videos and tickets will be in with a chance to win tickets to all the shows coming up in 2025 – which already includes massive gigs like Kylie Minogue, Katy Perry and Busted vs McFly.
AO Arena wants to dig deep into ‘first gig’ nostalgia territory, using fan-submitted snaps to build a collection of Manchester memories.
Were you in the same room as Taylor Swift, did you party like it was 1999 (because it was) with Spice Girls, did you cry over the sight of Gary Barlow or cry laughing with Peter Kay?
Britney Spears and Beyonce are among the names who have performed at AO Arena in its 30 year history. Credit: Supplied
Whatever your AO Arena memories are, you can share them before the end of the month to be entered into the competition to win VIP tickets for the year.
One overall winner picked at random will get the ultimate VIP experience, including access to a premium suite and The Beautiful North, as well as access to The Mezz with panoramic views of the main stage.
The 30th birthday campaign has been inspired by Adele’s monumental When We Were Young performance at Glastonbury, and all these memories will be projected around the arena before every performance.
You can submit your footage and enter the competition via the AO Arena website HERE.
Danny Jones -
17th October 2024 
