Sounds of the City 2024 is now well and truly underway and with Loyle Carner next up at Castlefield Bowl, the party is stepping up another gear.
The British rapper, who has carved out a sizeable space for himself in the overlapping jazz-fuelled and neo-soul spaces, is one of the biggest hip-hop artists in the UK and genuinely might be one of the first names that comes to mind when we think of a chilled voice we love listening to.
Loyle Carner has fast become one of our favourite solo artists in recent years but it’s also worth reminding those who might be new to his music that the London-born lyricist has been at this for well over a decade now.
Now, over a year on from his big slot at BBC Radio 6 Music Festival 2023, the 29-year-old is on his way back to Manchester as the latest act at this year’s Sounds of the City and here’s everything you need to know if you’re going along.
For those of you looking for a last-minute Loyle ticket, you’re in luck because there are still a handful of general admission spots up for grabs.
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At £45 including fees, they’re pretty reasonably priced too, especially for such a big name and what has become a super popular city centre festival of late.
You can grab yours HERE but be quick about it or you’ll be rolling the dice on a reseller.
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Who is supporting Loyle Carner at Castlefield Bowl?
Another reason you can be happy with that ticket price is who you’re getting for the support act too, as opening up for Loyle will be fellow soul and hip hop connoisseurs Children of Zeus, who have a bit of legendary local status.
The Manc duo are both equally respected MCs, producers and beat-makers in their own right, so it’s no surprise their fellow contemporary gave them the nod for the show and it’ll be great to see them taking centre stage in front of a packed-out amphitheatre.
They also epitomise the smooth and RnB-inspired soulful sound that complements Carner’s sounds so well, so we’re keeping our fingers crossed for a live collab.
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Stage times for Sounds of the City 2024
For those who’ve never been, this is your wonderful venue for Manchester’s Sounds of the City festival (Credit: The Manc Audio)
Another thing a lot of people like about Sounds of the City is that the gigs tend to lean a little bit towards the earlier side of gigs, as doors open from 5:30pm and headliners don’t usually take the stage until between 8-9pm, though in Carner’s case, he is currently expected to wrap things up around 9:30pm.
This means you can look at around the 6-7pm mark for the warm-ups but, of course, these things are always subject to change so take that info with a pinch of salt and keep an eye out on socials.
We will update you on timings as we have more details.
Setlist
Now, while many of his recent gigs have been festival slots, so we can’t be too sure of what exactly to expect when it comes to his running order of tracks, you can expect plenty of tracks from his latest album hugo to be in the mix.
Also, thanks to the likes of ever-trusty Setlist.fm, we can at least give you a rough average estimate of what you might be listening to:
Castlefield Bowl (M3 4JR) is on Rice Street just down Liverpool Road which cuts off the main Deansgate strip in the city centre and you can enter Manchester’s much-loved outdoor amphitheatre via Duke or Castle Street.
It’s just a short walk from Deansgate train station or the Deansgate-Castlefield tram stop, where you’ll find regular trams running all over Greater Manchester.
If you’re driving there, Great Northern Warehouse’s (M3 4EE) car park, as well as two other NCPs near Bridgewater Hall and on Quay Street in Spinningfields.
Beyond The Music moves to MediaCity for the first-time ever
Danny Jones
Greater Manchester arts festival and conference Beyond The Music is back for 2026, but this time it will be heading to MediaCity for a Salford debut.
The long weekender is still a relative newcomer when it comes to the Manc events calendar, but it’s quickly gathered plenty of repute not just in the North West but within the industry as a whole.
Holding just its third edition later this year, Beyond The Music ’26 is set to be the most ambitious yet, spread across the three days and promising an impressive lineup both in terms of live performers, but also speakers, industry experts and wider activities.
With MediaCity and dock10 hosting their inaugural Beyond The Music, it’s another big win for the second city, with Sports Personality of the Year sticking over Salford way for the foreseeable future, along with other events like the Professional Footballers’ Association (PFA) Awards moving to the Quayside.
Much of the BBC’s World Cup coverage is also being hosted at their Salfordian studios and main Northern base this summer, too.
Given that so many big annual dates have now made the switch to central Manchester – the BRITs and the MOBOs, just to name two recent examples – you could say it only makes sense to spread things out across the surrounding boroughs and their equally rich heritage.
Not that you should need reminding, but Salford isn’t just part of the region: it’s a city all of its own right that boasts an immense amount of pride over what is nothing short of a sterling musical history.
As for the 2026 Beyond The Music programme, besides both the local artists and more international creatives than ever, there’ll be keynote conversations, industry showcases, and wider networking opportunities for anyone looking to immerse themselves deeper in this world.
You’ll have to wait a little while longer for a full live music lineup, but watch this space…
Mayor Andy Burnham and friends help launch Beyond the Music at MediaCityUK (Credit: Mark Waugh)
Sarah Pearson, Co-founder of Beyond The Music, said in an official statement: “Beyond The Music’s mission is to seize this moment, to come together and drive meaningful and lasting change in the music and content industry.
“It’s undeniable that the impact and importance of music and content are stronger than ever, but this is not reflected in their perceived value.
“The ethical and economic infrastructure of the music and content industries demands urgent attention and bold reform… It is our responsibility to protect creativity in order to ensure it doesn’t just survive but thrives. Things may feel difficult, but they are still possible.”
Mayor Burnham added: “Greater Manchester has always been at the forefront of cultural innovation, and Beyond The Music is a vital opportunity for the sector to come together and address the challenges and opportunities facing music and content creation…
“With its move to MediaCity and a bigger-than-ever programme, Beyond The Music is helping to cement our city region’s place at the centre of the creative economy.”
Taking place between 7-9 October 2026, you can register for early bird tickets right HERE. Roll on an even more extensive festival season than ever.
Unknown Mortal Orchestra at the Albert Hall Manchester – groovy, hazy and effortlessly cool
Clementine Hall
Unknown Mortal Orchestra at the Albert Hall proved exactly why they’ve built such a cult following over the past decade.
Formed in 2010 by frontman Ruban Nielson, the band first broke through with their scrappy, lo-fi self-titled debut and since then, they’ve become known for their signature blend of psychedelic rock, funk, and warped pop.
I first saw the band back in 2023 at Glastonbury, and yes sorry I am one of those annoying people that bring it up all the time.
They’re the perfect band to close your eyes, sway your head and tap your foot to – and that’s exactly what the crowd were doing in unison last night at the Albert Hall.
Image: The Manc Group
From the second they stepped on stage, there was no rush – just that signature hazy groove met with enough stage lights to sink a ship.
You could barely see them on stage, but that made it even cooler. And you can only imagine how gorgeous the Albert Hall looked with hundreds of spotlights in different colours whizzing all over it.
Early tracks simmered and pulled us in before the band stretched out into crowd pleasers like ‘Multi-Love’ and ‘Hunnybee’. What an absolute tune by the way.
Image: The Manc Group
There wasn’t much crowd interaction but, again, there didn’t need to be. They let the music do the talking and by treating us to some of the most epic guitar solos we’ve ever heard (no, seriously), we’ll forgive them for not talking to us.
Each song melted into each other as the band oozed effortless charm and talent throughout the almost two hour set, which is no mean feat.
Of course, a sea of phones shot up for ‘So Good at Being in Trouble‘, their most popular track which prompted a harmonious audience singalong. Not very harmonious by me, admittedly.
It was a fantastic ending that left the audience feeling united by the laidback brilliance of Unknown Mortal Orchestra, and I hope they don’t leave it too long to come back this time.
Danny Jones -
8th July 2024 
