Manchester’s existing arena, the AO Arena, has stepped in to host more concerts that have been postponed by Co-op Live, with yet another act being rescheduled too.
First it was announced earlier today that A Boogie Wit Da Hoodie would be moving to the AO Arena, and now Take That’s five-night run that was set for the Co-op Live this May has also had a venue change.
Their two June dates at the new arena are said to be unaffected.
The Co-op Live‘s official opening has been hit with several delays, with events like Peter Kay’s double bill, Olivia Rodrigo and The Black Keys all already postponed over the last week or so.
Issuing a statement after rescuing multiple Take That shows, AO Arena general manager Jen Mitchell, said: “It wouldn’t be a Take That tour without a stop-off in Manchester, so it’s great to welcome the band and their fans back to AO Arena for five nights, in the heart of this wonderful city.”
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The venue has naturally welcomed the sudden flood of extra names being added to its already strong lineup for 2024, doing its best to minimise inconvenience for gig-goers who have made travel arrangements, booked hotels etc.
As for the group themselves, they also responded to their tens of thousands of fans expecting to see them from this weekend onwards.
Confessing that they’ve had to make ‘the difficult decision’ to switch venues and although ‘it’s not one [they’ve taken lightly], they wanted to give fans as much notice as possible’, adding: “We thank you for your understanding and we’ll see you all soon”.
Meanwhile, Noughties favourites Keane have sadly had to shelve their Manchester show for the foreseeable following the venue’s continuing ‘technical issues’.
Announcing the news on their social pages on Thursday evening, they admitted that they were ‘absolutely gutted’ but that the decision was ‘entirely beyond our control’.
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We’re absolutely gutted not to be able to celebrate 20 Years of Hopes and Fears with you at the Co-Op Live on Sunday. This is due to ongoing technical issues at the venue and is entirely beyond our control.
Take That’s full statement reads: “Given the ongoing technical issues around the opening of Co-Op Live we have taken the difficult decision to move our May shows to the AO Arena where we have enjoyed many great nights over the years.
“This is not a decision we have taken lightly, but we wanted to give our fans as much notice as possible.
“We’re mindful many of you will already have travel and accommodation plans in place, so we have chosen this option to minimise inconvenience to as many people as possible. Our dates in June in Manchester remain unaffected.
“All bookings will be transferred to the new venue as below and, except for Wednesday 8th May, we are pleased to say that all the dates remain the same.”
Notably, the huge new venue by the Etihad Stadium had to turn away fans who were already queueing for A Boogie Wit Da Hoodie on Monday 1 May, after part of an air conditioning unit fell from the ceiling onto a (thankfully) empty arena floor.
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Question marks had already been hanging over whether some upcoming gigs would be able to go ahead and now it seems that they will be taking place – just not at the Co-op Live…
Manchester’s decades-old AO Arena, the largest indoor venue in the UK (until the Co-op Live opens), will be welcoming A Boogie Wit Da Hoodie and Take That instead.
It’s an interesting twist when so many people having been pitting the two venues against one another over the last weeks and months.
Unknown Mortal Orchestra at the Albert Hall Manchester – groovy, hazy and effortlessly cool
Clementine Hall
Unknown Mortal Orchestra at the Albert Hall proved exactly why they’ve built such a cult following over the past decade.
Formed in 2010 by frontman Ruban Nielson, the band first broke through with their scrappy, lo-fi self-titled debut and since then, they’ve become known for their signature blend of psychedelic rock, funk, and warped pop.
I first saw the band back in 2023 at Glastonbury, and yes sorry I am one of those annoying people that bring it up all the time.
They’re the perfect band to close your eyes, sway your head and tap your foot to – and that’s exactly what the crowd were doing in unison last night at the Albert Hall.
Image: The Manc Group
From the second they stepped on stage, there was no rush – just that signature hazy groove met with enough stage lights to sink a ship.
You could barely see them on stage, but that made it even cooler. And you can only imagine how gorgeous the Albert Hall looked with hundreds of spotlights in different colours whizzing all over it.
Early tracks simmered and pulled us in before the band stretched out into crowd pleasers like ‘Multi-Love’ and ‘Hunnybee’. What an absolute tune by the way.
Image: The Manc Group
There wasn’t much crowd interaction but, again, there didn’t need to be. They let the music do the talking and by treating us to some of the most epic guitar solos we’ve ever heard (no, seriously), we’ll forgive them for not talking to us.
Each song melted into each other as the band oozed effortless charm and talent throughout the almost two hour set, which is no mean feat.
Of course, a sea of phones shot up for ‘So Good at Being in Trouble‘, their most popular track which prompted a harmonious audience singalong. Not very harmonious by me, admittedly.
It was a fantastic ending that left the audience feeling united by the laidback brilliance of Unknown Mortal Orchestra, and I hope they don’t leave it too long to come back this time.
Review | Leon Thomas at Manchester Academy – ‘Mutts Don’t Heel’ but this gig healed me
Thomas Melia
American singer-songwriter Leon Thomas visited Manchester Academy last night, performing hits from his deluxe album to a sold-out crowd of more than 2,600.
One year after an exclusive London MUTT Live date, Mr Thomas returns to the UK with the ‘MUTTS DON’T HEEL’ Tour, venturing to five cities, including the music capital of the North: Manchester.
The night started off just how it should’ve done with ‘HEEL’, as the audience were welcomed by the drum-loop and a chill atmosphere from the start.
Now, it wouldn’t be a Leon Thomas gig without at least one Ty Dolla $ign collaboration making the setlist, and there’s plenty to choose from with a new one dropping just over a month ago, ‘miss u 2’.
Leon Thomas performing hits at Manchester Academy (Credit: Audio North)
The funk-influenced musician opted for ‘FAR FETCHED’, and the audience was in the palm of his hand. No matter which of the four link-ups he chose, it was always going to go down well – Manchester never disappoints.
Leon didn’t even have to ask the crowd to bring more energy; they already matched him. When he sings, “For someone who don’t ask for favours, I’ve done way too many favours”, on ‘PARTY FAVORS’, he really meant it.
Last year, Leon Thomas dropped PHOLKS, a project which saw him exploring old-school funk and soul sounds even further and ‘Just How You Are’ had even the shyest dancer pulling out a little two step.
This isn’t the only hit that sent the crowd into a frenzy; ‘Baccarat’ and its impressive psychedelic guitar solo had jaws literally falling to the floor at Manchester Academy.
His songs might not be dramatic or extravagant, but they don’t need to be. Leon’s artistry prevails when he’s softly singing, and you’re still able to detect each instrument.
Leon Thomas brought the MUTTS DON’T HEEL Tour to Manchester Academy (Credit: The Manc)
‘Breaking Point’ is an easy-listening soul track that had all 2,600 Leon Thomas fans in our feelings as we realised we were coming to the end of a phenomenal concert.
And of course, ‘Mutt’ – his biggest single to date: a bouncy and swag-filled number that sticks in your head for weeks on end – sounded even better when backed by a live band as I discovered last night.
There was some insane musicality, distinct bangers and impeccable live arrangements that elevated the original studio recordings. Maybe ‘Mutts Don’t Heel’, but Leon Thomas definitely healed me.
He wasn’t the only cool cat playing last night either:
Daisy Jackson -
2nd May 2024 
