Festivals are unreal places, aren’t they? Not just for the music, the memories, and the 10am tinny from breakfast, but for the people you meet and the friendships you cement for life.
One person that can vouch for this is Harry James.
A few years back, Harry and his mates attended Houghton Festival. Lost in the hedonistic mood that a festival can so easily induce, they were inspired by the non-gimmicky simplicity of the weekend.
They realised the key was to strip things back and focus on the music and the atmosphere.
The same night, they cooked up the concept for a brand-new Manchester club night, bred from a pure passion for music and the community of people it brings together.
Harry DJing at the very first Partial event held at The Whisky Jar in November 2019.
They spent the best part of a year nailing it all down before launching at The Whisky Jar at the back end of 2019. With a clear ethos for the brand, they directed their attention into nailing the simple things first. And in doing so, they’ve created something worthy of our attention.
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“We put a lot of care and thought into the environment that we’re creating for people to dance in,” Harry told The Manc Audio.
“We make sure the venue, the décor, and the overall atmosphere are the kind of settings where people can really let loose and enjoy big tunes from top DJs on a quality system.”
Now – after what’s felt like forever – we can actually contemplate the idea of clubbing again.
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We’re finally able to sample some Partial party action later this month. The third Partial instalment will take place in the Progress Centre courtyard on 31 July. They’ve got Youandewan and The Ghost spinning tunes between 2pm until 11pm.
“Our upcoming bookings Youandewan and The Ghost seem to have all carved their own corner into the scene in Berlin and the UK,” said Harry.
“We love the sound and style that these guys are pushing. So, we feel very lucky to have them play at our first few events. It’ll be exciting to see how the sound of Partial evolves and develops over time.”
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German Youandewan has – in his words – forged his own “tender brand of deep house”. He’s also released tracks on Butter Side Up before now, a UK label which is owned by Harry’s friend. So, he makes an ideal booking for the comeback occasion.
British but Berlin-based duo The Ghost have been mates since they were 10-years-old. Both of them went on to Leeds University where they threw some legendary student parties in their time.
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On relocating to Berlin, they began DJing together under the alias The Ghost. Within just a couple of years, they’ve undoubtedly become ones to watch. Not only for their sound, but for launching Berlin’s first mobile record store, built from a vintage camper van, as well as starting Ghost Records.
This will be the pair’s first time in Manchester for quite a while. So, the Partial boys are buzzing to welcome their groove-fuelled house back to the city.
On the day, they’ll have the best sound system set up, too, courtesy of Neuron Pro Audio who will be supplying a next level Danley Sound Lab system.
“This next event is a step up for us in terms of capacity and production value,” said Harry.
“The Progress Centre is a venue we’ve had our eye on for a while now. So, it’s something we really look forward to bringing to life. But all will be revealed on July 31.”
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Tickets are still available, but they’re on final release. Get yours booked here.
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Featured image: @stillsfromraz/IG
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The Strokes at Co-op Live, Manchester – actually very hard to explain
Daisy Jackson
Manchester has waited a long, long time for this – The Strokes back on stage in our city.
I’ve been a fan of the band for as long as I can remember, but have never managed to catch them live, partly because they’ve left it TWENTY YEARS between shows here.
But back they are, with an enormous gig at the Co-op Live on their Reality Awaits tour.
The Strokes are known as one of the most solid indie bands of the 2000s, going triple platinum with their debut album Is This It and releasing massive anthems like Last Nite, Reptilia, and Someday.
They’re also known as a bit of an unpredictable live act – some will say they’re one of the best on the circuit, others will say they’re disappointing, and it really can depend on the night.
What they’re not known for is their audience interaction, so when frontman Julian Casablancas tries to have a bit of a chat with the audience, we all sort of stare blankly back at him. He’s speaking to us? What do we do?
“Wow, tough crowd,” he says, which is the first time I’ve ever heard anyone describe a Manchester audience as tough.
Then he turns back to drummer Fabrizio Moretti and says: “This is f*cking hideous, let’s play some songs.”
The setlist seems to get a shake-up every couple of shows, which is a nice surprise for us – and apparently also Julian, who regularly pops over to ask his bandmates what’s up next.
It doesn’t really matter that he’s not done his homework, because the second that drum kicks in, along with the impeccable guitar work of Schiltz, Fraiture and Hammond Jr., he snaps into action.
It’s impressive that their songs still have such singalong quality when Casablancas enunciates like a man with a dislocated jaw. For certain songs he’s so incoherent that if you weren’t a fan you’d walk in this room and wonder what the f*ck was going on.
But then, that’s sort of why us The Strokes fans love them so much. There’s a calamitous beauty to the work they put out and it’s so fun to belt out some words, even if they’re not the right ones.
I was hoping that seeing it live would sell that divisive new album, Reality Awaits, to me, but it didn’t. It’s too autotuney, too languid, and too often the victim of everyone’s toilet breaks.
Their earlier tracks still land best in a live setting, especially Reptilia, an absolute juggernaut in their back catalogue.
Rollercoaster set and tricky crowd interactions aside, we all had a great time – I’m just not sure I could say the same about Julian Casablancas.
Sam Fender describes his own ticket prices as ‘b*llocks’ and demands change for fans
Daisy Jackson
Sam Fender has kicked off about ticket prices for his own tour, ahead of his huge stadium summer next year.
The Geordie star announced his Proper Massive stadium tour last week, which will visit some of the UK’s biggest venues including The O2 in London, Etihad Stadium in Manchester, and St James’ Park in his home city of Newcastle.
But after ticket prices for the tour were announced, Sam Fender surprised us all by joining in with a moan about how expensive they were.
He described the ticketing strategy for his tour as ‘b*llocks’ and said he was ‘not happy’ with ticket prices.
And proving just how much sway an artist can have on ticket prices, Sam Fender then demanded that things be redone.
Sam first appeared in the comments on Gavin Davis’ Instagram account, which frequently shares tour leaks and ticket prices.
There, he wrote: “I’m not happy with these prices, they’re getting changed. It got inflated well more than I’d had in mind, it should only be inflated in relation to the cost of putting the show on.
“The standing will not be split as well, I had no idea about it. I have no idea how this was normalised in gigs.
“It’s bollocks and it won’t be happening on this tour.”
Then later, on his own Instagram stories, Sam Fender posted: “I’ve managed to get Front Standing tickets removed from the UK stadium tour. Whoever buys a standing ticket gets as much chance as anyone to be at the front.
“No more £120 standing tickets either.
“Costs are astronomical compared to two years ago, I can’t control the venue and ticketing fees, that’s a sad reality of today’s industry.
“This is gonna be the biggest and best show we’ve ever put on. Can’t wait to see everyone on the road next summer!”
The ticket prices for the Proper Massive tour are now confirmed by Sam Fender himself as being £85 for GA standing, and £55/£75/£95 for seats.
Hannah Starkie -
19th July 2021 
