Sometimes, life loves to throw a great big curveball at you. 2020 was that curveball.
But even after the most shambolic year in recent history, it hasn’t silenced our city’s music.
Now more than ever it’s important to take care of ourselves and each other. Musicians are finding their own ways of addressing mental health issues within the strained music industry.
When DJ and producer Liam Hyphen learnt that a close friend had taken his own life during lockdown last year, he wanted to pay tribute in the only way he knew how – through music. “This is for him, and everyone else we’ve lost,” Liam told Audio.
Dormancy is a project born out of grief, pain and loss – and the end result is a product of Liam’s resilience and determination.
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But his inspiration for the project was not only the loss of his friend, but actually the loss of his own path over the past year.
Knowing he needed to make some changes, he invested in some new music and photography equipment to embark on a new venture. He hoped it would inspire and enable him to express himself – and it did.
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“It came from a place of anger initially. I was getting sick and tired of feeling like I didn’t deserve a place within the music community in Manchester,” he told us.
“Everyone seems to have a team or group of people around them, but I mainly do it all on my own. Whenever I play a gig, nine times out of 10 I’m rocking up on my own. I’m in the studio on my own. I enjoy it, but it makes things that extra bit difficult.
“So, I decided right, I’m gonna finish this [project] and prove to myself that I can do it. Then came the idea of not just doing it for myself, but for everyone else that is struggling in Manchester. All the bartenders, the photographers, the DJs, the chefs, the waiting staff – everyone who makes it tick.”
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Liam Hyphen/Instagram
Unaware of the scale of task ahead, Liam went on to produce the track. But along with it, a fitting video that pays tribute to Manchester’s hospitality and music heritage, which he says took a painstakingly long time to get right. Ever the perfectionist, it seems!
“There were lots of trips around Manchester during daily exercise collecting clips of as many places as possible – and then loads more when I remembered somewhere I’d missed. Which happened a lot.
“Then came the editing – oh my god. I didn’t have a clue where to start. Originally, I just stuck them all together. Then figured out that I could place them to fit with the music and just kept learning and finding other ways to make it look like it wasn’t done by someone on their phone.
“I’m really happy with how it’s turned out because of how much effort and love has gone into it. But I know in the production world it’s actually very basic. Big respect to videographers and filmmakers.
Liam Hyphen/Instagram
The track itself takes inspiration from Manchester’s acid house era, fused with breaks and hard-hitting drums. Liam wanted to create something versatile – something for the clubs as well as easy-listening. He’s done just that by producing something with such an atmospheric vibe.
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Liam knows everyone will interpret the track differently, but that’s the beauty of music. “I imagine it’ll mean something different to everyone. Manchester is a city full of great culture and connects people from all different backgrounds,” he said.
“The hospitality and nightlife industry bring those people together and it is incredibly important. For me, it reminds me of all those people. It doesn’t matter who you are. That’s what makes Manchester so great – no judgement.”
Liam Hyphen/Instagram
Liam hopes Dormancy will raise a bit of money in the process. A percentage of the sales will be going to So Let’s Talk, a mental health charity who are supporting people within Manchester’s nightlife and hospitality industry.
“Paddy, who runs it, is doing amazing things and I wish there was more I could do. If anyone reading this is struggling, please reach out to them, or someone, or anyone. You’re not alone.”
This isn’t the first time Liam has had a crack at lifting Manchester’s spirits. A few months back, he drove around the streets of city centre on an open top bus, together with some other top-name DJs and blasted tunes.
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Now that Dormancy is ready for release, Liam looks back on the “emotional journey” and admits he’s bloody knackered after it all.
But he does reckon that Dormancy is the first record he’s actually finished. It just shows that good things come with determination and passion – and they’re always worth the work. There’s nothing like that sense of achievement, is there?
It’s a wholesome story and Liam should be proud of himself. By the sounds of it, he needs a nap now, though.
Dormancy is out on 6 February, check it out! You can also listen to his Manc Mixtapes episode here.
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Interview | Chatting with Tim Burgess before he chats to Mancunians on their doorstep
Danny Jones
In case you hadn’t heard, local music legend Tim Burgess is coming back to the AO Arena right here in Manchester this February for another intimate evening following the success of his last visit.
Set to include not only an interview but live stripped-back performances as well as Q&A, it’s your chance to see one of our region’s most famous musical sons up close and personal.
Returning for a candid and eye-opening sitdown with local DJ and radio host and Northern music champion, Chris Hawkins, it’s sure to be a special night.
Before posting up in The Mezz (which you can still grab tickets for), we had the honour of interviewing Salford’s very own Tim Burgess ourselves. Here’s what he had to say ahead of the event…
So you’ve returned to the AO again for another intimate gig. What do you love most about these smaller, conversational evenings compared to traditional gigs?
“Live events just have a connection with an audience that no remote link, AI or recording could ever match. From arriving and running through a soundcheck, meeting the arena team and catching up with Chris Hawkins, it all builds up to when the audience comes in.
“Chris and I don’t plan what he’s going to ask, so it’s all on the spot – nothing’s recorded, so you never know what might get said.
“Chris is a fantastic interviewer, and I get to meet everyone over the merch table at the end; I don’t get that at a Charlatans show – they are brilliant, and the tour we did in December was a brilliant experience for all of us.
“Maybe I prefer my bandmates being there when it comes to playing the songs, but it’s a chance for an audience to hear them in a way that they probably haven’t heard them before.
For anyone who hasn’t been to a Q&A-Sides show before, how would you describe the experience?
It’s a brilliantly informal night out – the chance to hear some of the stories behind the songs and 35 years’ worth of recording and touring adventures – plus a few songs with me and a guitar, and maybe a harmonica involved too.
“I’ve chatted to lots of people after the shows, and they always say it was a fantastic insight and that they loved the songs – then I realise they’re talking to me and they’d probably just say that anyway.”
Are there any particular songs that really shine in this stripped-back setting?
“You get to hear them as many of them were written. Particularly, the songs that Mark [Collins] and I came up with – it would usually just be me singing and him with an acoustic guitar, so it’s back to how they originally sounded.
“I’ve got quite a back catalogue of songs I’ve learned, so I’ll maybe keep them a bit secret. Suffice to say, there will be a few Charlatans’ classics, absolutely.”
When you look back on your career so far, are there any moments that feel especially meaningful to share in a setting like this?
“Our audience has grown up with us – lots were teenagers when we started, and I was in my early twenties. We’ve shared moments of grief, triumph, elation and tragedy – it’s just that ours were done in the cauldron of touring and recording with sometimes the eyes of the world on us.
“At times, it’s not been easy, but life will have been tough for our fans too. Chris is brilliant at making it seem like it’s just the two of us, and nothing is off limits – then you might say something funny and two hundred people laugh, and you snap back to realising it’s not the two of us talking in a pub.”
You’ve met and worked with so many iconic artists – are there any stories that always get a great reaction when you tell them live?
“I suppose there are some fairly iconic times – lots of people in the audience would have been at Knebworth when we played there with Oasis. Our situation was made all the more poignant as Rob Collins had died shortly before the show, and we weren’t even sure if we would play.
“It was a real existential moment for us – then there are funny stories of doing Top Of The Pops with a dressing room opposite The Smurfs. A lot has happened in those three and a half decades…
Being a Salford lad yourself, what do you think it is that makes a Manchester crowd so special?
I’m biased, but up until the band started, all my greatest moments happened in and around Manchester, and I was part of that crowd, whether watching [Man] United, seeing a band or losing yourself on the dancefloor of a club.
There’s a sense of feeling at home – there’s a BIG, beautiful world out there, and maybe we won’t tell the Midlands contingent in The Charlatans, but Manchester is always a homecoming for us.
Once again, if you fancy grabbing a last-minute ticket for ‘Tim Burgess – Live and In Conversation’ on Sunday, 8 February, there are still a few available.
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The show starts from 7pm, and you can secure your seat right HERE.
Printworks set to host a FREE music festival headlined by local music veterans
Danny Jones
You heard us right, Printworks is expanding its wide-ranging calendar of entertainment and leisure in 2026 with its very own completely free music festival here in Manchester.
Better still, it’s set to be headlined by some cult favourites.
The one-off event will debut next month to celebrate the arrival of the 2026 BRIT Awards, with the annual ceremony and accompanying seven days of intimate live shows coming to the city of Manchester for the very first time.
Set to take place from Friday afternoon until Saturday evening, 27-28 February (4-10pm and 2-10, respectively), the open access weekender has been dubbed ‘Live and Loud’.
Judging by the lineup of artists announced for Printworks’ debut music festival, we have every faith it will live up to the name.
As well as Manchester DJ Matt Hydes kicking things off, followed by the likes of R’n’B soul artist, KingFast, resident Reform Radio MC Urbi will also be joining the lineup, as well as regional dance veteran, Gareth James, and an intimate set by Sabira Jade.
That’s just a small handful of those who signed up to play the inaugural Live & Loud 2025.
As for your headliners, we’re buzzing to confirm that local house legends K-Klass are topping the bill; they may be from Chester, but they’ve been based here for ages and are practically part of the cultural fabric at this point.
You can see the full Live and Loud lineup and Printworks artist spotlight down below:
Friday, 27 Feb, 2026
Tristan Walsh
2Vibe
Urbi
KingFast
Honey Bee Jazz Band
Matt Hydes
Sat, 28
K-Klass
Matt Walsh & Jay Murt
Sabira Jade
Gareth James
Kick Back Sundays
Jorge Martin
Guy Connor
Emma Ellis
Printworks general manager, Dan Davis, said in an official statement: “Manchester is renowned for its musical heritage, and we are excited to bring music to life here at Printworks.
“Live & Loud will place Manchester artists front and centre, with an eclectic line-up that is diverse in genre, background and generation – reflecting our commitment to championing a wide range of local and upcoming artistic talent for a must-attend weekend of live music.”
In case you missed it, this brand-new event also comes amid a raft of small-capacity fundraising shows across the country.
Colette Burroughs-Rose, Director at Genre Music, added: “Live & Loud is Manchester in full voice – familiar faces and new names coming together under one roof across two standout days.
“This is Genre Music’s home city, and we’re proud to be partnering with Printworks on a music programme that welcomes everyone: family-friendly by day, great for evenings with friends.
“Alongside curating a truly eclectic mix of the city’s incredible DJs and live acts, we’re also capturing the artists’ stories on film to help amplify their voices and creativity beyond the stage.”
With the BRIT Awards being hosted at the Co-op Live arena not just this Feb but until 2027 as well, here’s hoping this is just the inaugural ‘L&L Fest and we at least get a sophomore edition next year.
There’s plenty of other music festivals happening in Greater Manchester throughout the year, especially this summer.
Sounds From The Other City has released its 2026 lineup, and there's set to be more than 100 exciting acts playing on 17 stages across #Salford. 🎶🎸