Well, hello there; fancy seeing you all here – presume you’re waiting on another batch of new Manchester bands and artists you’ve not come across before?
Stupid question, of course you are. It’s the end of the month after all and that’s how we like to start the next one. Best foot forward and all that.
In case you happen to be new here, right about now is the time (as you’ve probably guessed from the title) that we round up five of the best musicians from in and around Greater Manchester that we’ve been listening to recently.
Let’s not muck about any longer, shall we?
Five Manchester bands and artists you should listen to
1. John Bramwell
His S-heavy voice cuts through so much this album in such a satisfying way.
First up on our list is John Bramwell, best known for his years with noughties alternative and indie band I Am Kloot, but he’s been enjoying his solo journey since 2016, and so have we. With his sophomore album released earlier this year, we finally found time to try it out – in a word: stunning.
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Hailing from Hyde, the former frontman and guitarist released his standalone debut in 2017, but even before that he released a passion project under the name ‘Johnny Dangerously’ way back in 1989 entitled, You, Me and the Alarm Clock, once called “the best British album you’ve never heard” by The Guardian.
Suffice it to say, the 60-year-old has been on a long and winding road to becoming a straight-up singer-songwriter for some time now and it’s great to hear where his sound has got to. There’s a real 1960s and ’70s feel to a lot of it; we’d start with the title track, ‘It’s Just You’, and ‘I Am The Sky’, which shows a real range to those vocal tones.
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2. Hollows
Second on our list of Manchester bands and artists for November is the alternative trio, Hollows, who after stumbling across a little while back we’ve now rediscovered following their release of their latest EP, Running With Scissors.
While it’s by no means heavy, they’re probably the most guitar-driven name on the list this month. We picked up bits of Placebo and even contemporary Smashing Pumpkins at times but, put most simply, they’re just a good rock band and we still think there’s a lack of those around these days.
Their newest stuff is undoubtedly their best but you’ve still got to start with ‘UV Lights’ in our opinion (simply because we did), but from there we’d encourage you’d move on to ‘History’ and ‘Talon’.
Shifting over to electronic for a spell, our next nod goes to rising DJ and producer Oldboy. Named after the cult-hit film, his sound certainly carries over plenty of inspiration from movies and TV – and not just because he samples Brad Bitt in Seven on one of his tracks.
Born in York before spending his uni days in Sheffield and eventually landing here in Manchester a few years ago, the rising Northern star – real name Max Carter – does garage, dub and house best but there’s lots of variety on show. He also has his own record label, Front Toward Enemy.
With a catalogue dating back to 2021 and a versatility spanning so many sub-genres, not to mention a truly great selection of instant earworm sampled, he can pretty much turn his hand to anything provided there’s bass and some distortion involved. ‘Grab Di Mic’ is his latest, ‘Find Da Cure’ is a great intro and his ‘Got Yo $’ rightly went viral on TikTok a while back. Give him a spin.
Amidst all these new Manchester bands and lesser-known artists, Oldboy’s live sets are a nice change of pace.
4. The Recreation
Penultimately, we’ll quite literally keep effing and blinding until you listen to the fantastic local five-piece that is The Recreation, who have quickly become a bit of an obsession of ours. They released their second LP this past May and the only thing we’ve been listening to the same amount is their first.
To be completely honest, we’ve only really chimed with the stuff from 2020 onwards, but let’s just say we really struggled to pick our favourite tracks from the Oldham lads because we genuinely love all of it so much. That being said, if you had to push for once from each album, we’d go ‘Summertime 35s’ from their debut and ‘Call Me Back Sugar’ from Love In.
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A really special shout-out also has to go to the extremely stripped-back spoken word track, ‘remember the future? interlude’, which delivers such matter-of-fact but surprisingly moving Northernisms that we really urge you to find a quiet corner in a dark room and just experience it. Big up The Rec.
couldn’t have done it without the wizardry of @thekaratesuit and a huge thanks to Ramin Bostan for providing the luscious trumpets you hear on track 6 ‘Kharhi’. Both amazing talents in their own right!
Last but not least are the whippersnappers of the bunch, local lads Montello who were recently got onto thanks to the Stanleys lads, who named this little four-piece one of the names helping fly the flag for the mini music hamlet of Wigan.
When we say young by the way, we’re talking no one much older than 17 in this promising little outfit but they’ve already got a style and a sound that gives the impression of a band that has been at this much longer than they have and there’s definitely some similarities to The Lathums, Stanleys and more.
It’s no-nonsense indie rock and you know we love a bit of that. Better production levels and even more confidence will come as they inevitably mature but, at the minute, they’ve got three tracks you have no excuse not to work through them all. The Wigan scene really is growing and we’re here for it.
They also happen to be playing our Audio North stage at Year’s End Festival next month, so we best see your there and listening to live!
And we’re sorry to say it but, once again, that’s all for another month.
We sincerely hope you give these fantastic Manchester-based bands and artists a go over the coming weeks and come back for more recommendations for our final edition of 2024 at the end of December.
Featured Images — Press Images (supplied/via Facebook)
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Nao at New Century, Manchester – A room full of 1,000 ‘Happy People’
Thomas Melia
Attending a Nao gig is worth waiting ‘Another Lifetime’ for… especially when she performs directly from the venue’s bar.
As someone who has followed this artist for quite a few years, finally getting to see her do what she does best on stage and not through a screen is immense.
Last time she stopped off in Manchester she graced Albert Hall,this time she’s opted for another historic venue, New Century.Nao clearly knows how to choose her venues wisely.
Recently, the Nottingham star released her album Jupiter. So recent in fact, that it only reached our ears two weeks ago. The Manchester crowd certainly did their homework, knowing every lyric off by heart.
The first taste of this LP skyrocketed into our ears in October when the singer-songwriter dropped ‘Wildflowers’, so it’s only fitting this marks the opening of this setlist.
This single’s accompanying music video saw her swarmed in a field of red-hue wild grass and it’s made its way to our vibrant city, decorating the Manchester stage.
Credit: The Manc Group
To follow this, she plays two tracks both taken from her other planetary project Saturn. ‘If You Ever’ is a great fire-starter ahead of a cracking night of live music.
It’s almost like someone flips a switch as the audience immediately understands the assignment, feeling every rhythm in their body, rapping The Lumineers name-dropping ‘Make It Out Alive’ verbatim.
Credit: The Manc Group
Four songs in and ‘Happy People’ gets a turn at exciting the crowd. This uplifting and guitar-plucking number is one you can’t help but move to and New Century proves just that.
Nao’s personality flutters over the wild grass adorning the stage and radiates into the flurry of fans. One of these fans has travelled all the way from Portugal and ‘Tommy’, the Manchester legend, who’s attended every city centre tour date, both of which Nao pointed out.
When the 37-year-old star sings her two Mura Masa produced bangers, that bouncy floor at New Century isn’t ready for what’s about to unfold.
Initiating the two-track ensemble the “Woa woa woa woa woa” filled, ‘Complicated’, excites and emits an electric energy, definitely helped by Nao’s necessary yet unexpected dance break.
Credit: The Manc Group
With the second anthemic instalment of the night ‘Firefly’, Nao sings, “Just say you’ll be my firefly” and with vocals this hypnotic, the crowd would do anything she asked of them.
An encore usually means giving a three minute rendition of your biggest hit. Well for Nao this isn’t enough. Instead she takes things one step further, climbing onto the venue’s bar for a stripped back version of ‘Another Lifetime’ and after those vocals my legs were liquid jelly.
Ending the night on even more of a high, Nao sings ‘Drive and Disconnect’ a standout in her discography and a much-loved track, proved by the fact she brings fans on stage to close the night with her.
Credit: The Manc Group
Don’t meet your idols, they say, but when your idol is even better live than on her studio recordings, it’s hard to stay away. Thank you Nao for blessing Manchester once again and me for the very first time.
Gracie Abrams at Co-op Live, Manchester – a night of raw emotion
Dec Kelly
Gracie Abrams’ ‘The Secret of Us’ tour is more than just a concert – it’s a raw, emotive journey through the heart of her music.
From the moment she steps onto the Co-op Live stage in Manchester, Gracie Abrams commands the room with an aura of vulnerability, wearing a shimmering silver sequined dress that mirrors her own luminous energy.
The simplicity of the stage setup – just her, her band, and a microphone – lets the music take centre stage, free from distractions.
The UK leg of the tour is a testament to Gracie’s growth as an artist. Each song feels like an intimate conversation, with Gracie sharing her innermost thoughts through poetic lyrics and hauntingly beautiful vocals.
In an era when pop music can feel superficial, Gracie’s authenticity stands out, making her more than just another pop star – she’s an artist with a story to tell.
As the crowd sings along, it’s impossible to ignore the sea of teenage girls, many of them wearing bows in their hair, all passionately shouting and singing along to lyrics about heartbreak and longing.
It’s as if the collective voice of the crowd is woven into Gracie’s own, amplifying the depth of each song’s emotion.
The connection between Gracie and her fans is palpable – her music serves as a soundtrack to their shared experiences, a bond that makes every lyric feel personal and every note resonate deep within.
Gracie’s candid performance style draws the audience in even further, as she opens up about her songwriting process and the emotions behind her music.
This transparency transforms the show from a performance into a shared experience. It feels less like you’re watching an artist perform and more like you’re navigating life’s highs and lows together.
Gracie Abrams at the Co-op Live in Manchester. Credit: The Manc Group
When she takes a seat at the piano for ‘I Gave You I Gave You’, the emotion in her voice is undeniable. The stripped-back setting only amplifies the intensity, making the moment feel incredibly intimate. The crowd is spellbound, feeling like they’re witnessing something deeply personal.
Gracie’s influences are clear, particularly from pop sensation Taylor Swift. Like Swift, Gracie has cultivated a deeply personal connection with her fans. During the show, she delighted the crowd by performing ‘Block Me Out’, a song she wrote years ago, offering a glimpse into her evolution as an artist.
Gracie also pays tribute to Taylor Swift by performing ‘Us’, a track on which Swift herself features.
This moment of homage sparks an intriguing question: has Taylor Swift become the “godmother” of this new wave of pop artists, like Gracie and Sabrina Carpenter? Whether by design or not, it’s undeniable that Taylor’s influence has shaped their artistry, leaving an indelible mark on the way they create and connect with their audiences.
One of the night’s highlights is Gracie’s connection with the audience. She FaceTimes a fan’s friend, Monica, during the show, adding a personal touch that makes the concert feel like an intimate gathering.
Her playful sense of humor shines through as she jokes with fans about bows, showcasing her warmth and relatability.
While the night is emotionally anchored by slower, melancholic tracks, a shift in tone could’ve provided a welcome break.
Nevertheless, Gracie’s ability to hold the audience’s attention with her heartfelt delivery is unmatched.
Her upbeat songs, like ‘That’s so true’ bring the crowd to life, but it’s the slower, introspective moments that truly define the night.
The tour had its challenges, with the cancellation of shows in Leeds and Nottingham, leaving some fans disappointed. However, Gracie and her team ensured the spirit of the tour remained intact.
In both cities, the opening act, Dora Jar, performed intimate gigs, giving fans a chance to experience something special. This thoughtful gesture reinforced the strong connection Gracie fosters with her audience.
Despite a few setbacks, it’s clear that Gracie Abrams and her team are fully dedicated to their craft.
Her authenticity, charm, and emotional depth make this tour an unforgettable experience – one that will resonate long after the final note fades.
With a passionate fan base and a future filled with promise, Gracie Abrams is an artist whose music will continue to speak to the soul for years to come.
Danny Jones -
29th November 2024 
