There’s not long to go until Parklife festival returns to Heaton Park, drawing tens of thousands of music fans to the fields.
This year’s event will be headlined by global talent including 50 Cent, Tyler the Creator, Megan Thee Stallion and Lewis Capaldi, as well as returning festival favourites Chase & Status.
Parklife has taken place at Heaton Park since 2013, when it outgrew its original home in Platt Fields Park.
The massive party is attended by some 80,000 people each day and is one of the biggest events in Manchester’s cultural calendar.
Here’s everything we know about this year’s Parklife so far.
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When is Parklife festival 2022?
Parklife festival. Credit: Parklife
Last year, Parklife had to shift to September because of the restrictions placed on the events industry.
But it’s business as usual this time around, and the festival’s back in its usual June position.
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Parklife 2022 will take place on 11 and 12 June.
There’s normally an extra gig on the main stage on the Friday night – previous years have seen the likes of New Order and Noel Gallagher perform – but nothing has been announced for 2022 yet.
In Da Club rapper 50 Cent will be performing in a UK festival exclusive, and Tyler, The Creator will make his long-awaited UK headline debut after Parklife’s 2020 edition was cancelled.
Music heavyweights Lewis Capaldi, Bicep (headlining The Valley for the first time) and Chase & Status (with their largest festival show yet) will all be taking to the stage.
Parklife’s line-up also includes Loyle Carner, Jamie xx, Arlo Parks, Folamour (Live), Headie One, Central Cee, Fred Again.. ArrDee, Caroline Polachek, Tom Misch and PinkPantheress.
DJ sets across the weekend will come from Four Tet, Eric Prydz, Peggy Gou, Carl Cox, Marco Carola, Camelphat, The Blessed Madonna, Andy C, DJ EZ, Sonny Fodera Annie Mac, Jayda G, Mall Grab, Ricardo Villalobos and many more.
You can see the full line-up and stage break downs here.
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Can you still get tickets for Parklife?
Parklife festival. Credit: Parklife
Tickets for Saturday – which is headlined by 50 Cent, Chase & Status and Jamie XX – have sold out.
But you can still grab tickets for the Sunday portion of the festival, with the last few on sale now.
Day tickets are priced at £84.50 plus booking fee for standard admission, or £109.50 for VIP.
You can also pick up the last few tickets for the whole weekend at £155 general admission or £199.50 for VIP.
This year’s VIP zone will be called the Luxury Lounge, with all sorts of luxuries to jazz up your festival experience.
As usual, you’ll get fast track through the queues, and access to an exclusive VIP area with luxury loos, a separate street food village, and The Smugglers Inn bar.
Very Important Parklife-goers also have their own DJs and special guests on a dance floor that’s separate from the rest of the festival site.
New this year is the ‘northern lights’, a light tunnel installation, plus VIP lockers and free phone charging points.
Parklife is even adding a ‘Cloud 9 VIP spa’.
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Where is Parklife and how do I get there?
Parklife festival will be back in 2022. Credit: Parklife
Parklife will be back in Heaton Park, to the north of Manchester, taking over a corner of the 600-acre park.
There’s a Metrolink stop right outside the park’s gates at Heaton Park, though most fesitval-goers will be directed home via Bowker Vale instead.
The festival also puts on shuttle buses to help people get back home safely.
This year, there’s a combined Travel Pass which you can use on either the Metrolink or the shuttle buses.
You can also try to book a taxi, but with 80,000 people pouring out of the festival site, things can get busy – and a lot of people end up walking back to town if it’s safe to do so.
Featured image: Parklife
Audio
Unknown Mortal Orchestra at the Albert Hall Manchester – groovy, hazy and effortlessly cool
Clementine Hall
Unknown Mortal Orchestra at the Albert Hall proved exactly why they’ve built such a cult following over the past decade.
Formed in 2010 by frontman Ruban Nielson, the band first broke through with their scrappy, lo-fi self-titled debut and since then, they’ve become known for their signature blend of psychedelic rock, funk, and warped pop.
I first saw the band back in 2023 at Glastonbury, and yes sorry I am one of those annoying people that bring it up all the time.
They’re the perfect band to close your eyes, sway your head and tap your foot to – and that’s exactly what the crowd were doing in unison last night at the Albert Hall.
Image: The Manc Group
From the second they stepped on stage, there was no rush – just that signature hazy groove met with enough stage lights to sink a ship.
You could barely see them on stage, but that made it even cooler. And you can only imagine how gorgeous the Albert Hall looked with hundreds of spotlights in different colours whizzing all over it.
Early tracks simmered and pulled us in before the band stretched out into crowd pleasers like ‘Multi-Love’ and ‘Hunnybee’. What an absolute tune by the way.
Image: The Manc Group
There wasn’t much crowd interaction but, again, there didn’t need to be. They let the music do the talking and by treating us to some of the most epic guitar solos we’ve ever heard (no, seriously), we’ll forgive them for not talking to us.
Each song melted into each other as the band oozed effortless charm and talent throughout the almost two hour set, which is no mean feat.
Of course, a sea of phones shot up for ‘So Good at Being in Trouble‘, their most popular track which prompted a harmonious audience singalong. Not very harmonious by me, admittedly.
It was a fantastic ending that left the audience feeling united by the laidback brilliance of Unknown Mortal Orchestra, and I hope they don’t leave it too long to come back this time.
Review | Leon Thomas at Manchester Academy – ‘Mutts Don’t Heel’ but this gig healed me
Thomas Melia
American singer-songwriter Leon Thomas visited Manchester Academy last night, performing hits from his deluxe album to a sold-out crowd of more than 2,600.
One year after an exclusive London MUTT Live date, Mr Thomas returns to the UK with the ‘MUTTS DON’T HEEL’ Tour, venturing to five cities, including the music capital of the North: Manchester.
The night started off just how it should’ve done with ‘HEEL’, as the audience were welcomed by the drum-loop and a chill atmosphere from the start.
Now, it wouldn’t be a Leon Thomas gig without at least one Ty Dolla $ign collaboration making the setlist, and there’s plenty to choose from with a new one dropping just over a month ago, ‘miss u 2’.
Leon Thomas performing hits at Manchester Academy (Credit: Audio North)
The funk-influenced musician opted for ‘FAR FETCHED’, and the audience was in the palm of his hand. No matter which of the four link-ups he chose, it was always going to go down well – Manchester never disappoints.
Leon didn’t even have to ask the crowd to bring more energy; they already matched him. When he sings, “For someone who don’t ask for favours, I’ve done way too many favours”, on ‘PARTY FAVORS’, he really meant it.
Last year, Leon Thomas dropped PHOLKS, a project which saw him exploring old-school funk and soul sounds even further and ‘Just How You Are’ had even the shyest dancer pulling out a little two step.
This isn’t the only hit that sent the crowd into a frenzy; ‘Baccarat’ and its impressive psychedelic guitar solo had jaws literally falling to the floor at Manchester Academy.
His songs might not be dramatic or extravagant, but they don’t need to be. Leon’s artistry prevails when he’s softly singing, and you’re still able to detect each instrument.
Leon Thomas brought the MUTTS DON’T HEEL Tour to Manchester Academy (Credit: The Manc)
‘Breaking Point’ is an easy-listening soul track that had all 2,600 Leon Thomas fans in our feelings as we realised we were coming to the end of a phenomenal concert.
And of course, ‘Mutt’ – his biggest single to date: a bouncy and swag-filled number that sticks in your head for weeks on end – sounded even better when backed by a live band as I discovered last night.
There was some insane musicality, distinct bangers and impeccable live arrangements that elevated the original studio recordings. Maybe ‘Mutts Don’t Heel’, but Leon Thomas definitely healed me.
He wasn’t the only cool cat playing last night either: