‘Pills ‘n’ Thrills and Bellyaches’: the Happy Mondays album that captured Madchester celebrates its 30th anniversary
Pills 'n' Thrills, released 30 years ago today, is regarded as the perfect soundtrack to the Madchester zeitgeist - a record that bottled the sound of a scene spreading across the world.
If you could journey back to 5 November 1990 and warn all those people buying copies of Happy Mondays’ third album that nightclubs wouldn’t exist in thirty years’ time.
Just picture it.
You’d send their bucket hats tumbling to the ground as they keeled over with laughter.
November ’90 was a time when the age of Madchester was at its zenith. The closure of nightclubs wouldn’t just sound absurd. It would seem impossible.
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Back then, it felt like the party was never going to stop.
Pills ‘n’ Thrills and Bellyaches – released 30 years ago today – is considered to be the definitive soundtrack to the Madchester zeitgeist; a record that bottled the sound of a scene spreading out from within the hazard-coloured walls of the Hacienda.
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Over the course of ten hedonistic dance tracks, the Happy Mondays take listeners on a vivid tour of that sodden-shirted, wild-eyed nocturnal world… a place where all the worries of the preceding week were zapped away by ecstasy and strobe lights on a Saturday night.
Three decades down the line, clubbing and gigging have been reduced from weekend adventures to distant memories. Right now, they’re a non-entity – and we don’t know when we’re going to get them back.
So, Pills ‘n’ Thrills’ 30th birthday arrives at the perfect time.
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The record is the closest thing we have to a time portal into Madchester. And on a day where the country enters another lockdown, a window into another world has never been more welcome.
At the turn of the 90s, Happy Mondays had come to represent the twisted, giddy faces of the rave movement sweeping the nation.
Fronted by local rascal Shaun Ryder – alongside bassist brother Paul, iconic percussionist Bez, drummer Gary Whelan, guitarist Mark Day, keyboard player Paul Davis, and vocalist Rowetta – the group were an instrumental and noisy cog in the Factory Records music machine.
By November, the band already had two studio releases (including Squirrel and G-Man Twenty Four Hour Party People Plastic Face Carnt Smile (White Out) and Bummed) under their belts and had headlined Glastonbury.
The hype for their third studio release, Pills ‘n’ Thrills, was huge; arriving when the entire planet was gawping at a city where everyone seemed to be dancing – even the inmates at Strangeways Prison.
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This was the crest of a wave; the peak of the high; the crescendo before the drop… and Pills ‘n’ Thrills captured it perfectly.
By this point, The Mondays were in a mood to push some boundaries, crank the volume and bust out some of their biggest shapes.
They drafted in Paul Oakenfold as a collaborator for the record – after the DJ had added a clean, crisp jangle and thumping bassline to their track ‘Hallelujah’ (remixing it into a more famous and popular version than the original).
Oakenfold’s production helped to steer the Mondays into sparkly electronic territory that made Pills ‘n’ Thrills such a perfect partner for the clubs – coinciding seamlessly with the rise of drug-fuelled euphoria across the region.
It’s been re-released, polished, and expanded in the years since, but the original version of Pills ‘n’ Thrills was made up of just a handful of tracks – all buoyed by delirious piano, joyful guitar, breathy maracas, nasally vocals and the distant sound of chopped-and-screwed classics (John Kongos, Change and LaBelle are all sampled).
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Slurring atop of each song are Ryder’s impudent lyrics – which echo the kind of conversation you might find in someone intoxicated to the point where their social filter has fallen away.
His verses are an arresting mixture of bullying boasts (“I’m here to harass you, I want your pills and your grass you”), puppyish enthusiasm for partying (“now that we live together we both get fucked up”), obnoxious jibes (“son, I’m 30, I only went with your mother ’cause she’s dirty”), and unintelligible nonsense (“hey rainmaker, come away from that man”).
43 minutes of kaleidoscopic mayhem, Pills ‘n’ Thrills is packed wall-to-wall with smash hits that still enjoy airplay today – including ‘Kinky Afro’, ‘Step On’, and ‘Loose Fit’. But another reason the record is so beloved is because of what it represents.
For many, Pills ‘n’ Thrills is the sound of when they were young, free and single – with flat stomachs, full heads of hair, hopes and dreams.
But that never lasts. And in hindsight, the record’s abrupt conclusion hinted at the comedown on the horizon.
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The closer, ‘Harmony’, brings things to a fitting screeching halt – sound like an authority figure had raided the studio and literally yanked the plug from the socket.
Madchester fell into decline soon after that.
Two years following the release of Pills ‘n’ Thrills, the host of the party, Factory Records, went bust.
The critical and commercial failure of The Mondays’ fourth record, Yes Please! shouldered a large portion of the blame – with the band apparently spending most of the recording process taking drugs instead of making music.
Without its major label and flagship group, Madchester had no vessel for its vibe. Within a few years, the Hacienda was gone, too.
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Still, the sound of the city enjoying its biggest ever party in November 1990 will always remain within reach. All you need to do is hit play on Pills ‘n’ Thrills.
When nightclubs and live gigs eventually return, we’ll have a big historic moment and new anniversary to celebrate.
But for now, it’s forgivable to yearn for those Happy-er Mondays.
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Liam Gallagher says what everyone’s thinking about SNL’s Oasis sketch dubbed ‘the worst skit ever’
Danny Jones
Oasis frontman Liam Gallagher has responded to the recent SNL sketch about the band’s reunion and, like virtually everyone else on the planet, he struggled to find it funny.
Put it this way, his reaction was much more short and sweet than most people’s.
In case you missed it, the legendary US comedy sketch show Saturday Night Live (more commonly known as SNL) recently tried to hop on the bandwagon of the worldwide Oasis buzz following the announcement of their comeback.
With no exaggeration, it’s one of the biggest pieces of news not only in music but that the entertainment industry has seen in a long while so, naturally, the long-standing satirical comedy show felt like they had to comment on it. We just kind of wish they hadn’t…
There is a very good chance that this Oasis skit from SNL is the worst thing you will see today, perhaps this week and quite possibly ever. It is grim.
The Saturday Night Live Oasis sketch is bafflingly and embarrassingly bad. I implore you not to watch it, as I did, thinking people were exaggerating its awfulness. Forget the lack of any humour, what were those accents? Essex?
Let us caveat this by assuring you that there have been plenty of genuinely great SNL sketches down the decades and there’s a reason the series has been going for nearly half a century – this just sadly isn’t one of them. Brace yourselves.
Panned by both native and British viewers alike, the attempt to tap into the excitement and poke fun at the ever-amusing Gallagher brothers wasn’t just a swing and miss, it was a complete strike-out as the Yanks would say.
As just one of countless people put it on social media: “Don’t even know where to start with this. Legitimately one of the worst skits I’ve ever seen. Even worse than that Sydney Sweeney dog cheerleader one they did, and that’s saying something.” Seriously, people hate it.
Despite the fact that there’s always been a rich vein of comedy around Oasis – be it the Burnage boys’ perpetual squabbling and unwavering egos, the caricatured look plus the almost overly performative Mancunian persona of the band and their fans – they couldn’t tap into it any of it convincingly at all.
Naturally, Liam Gallagher himself obviously saw the sketch, which has now been dubbed “excruciating”, “beyond cringe” and perhaps “one of the worst ever” online, and when asked his opinion replied in typically dismissive LG fashion:
Put in the nicest way possible, the whole thing just feels like a skit written by someone who clearly isn’t much of a fan and has very little real knowledge of Oasis whatsoever, but who also fundamentally has no real grasp of any real British culture, let alone anything to do with Manchester.
Nevertheless, the Oasis reunion has seemingly brought joy to most of us here in the UK and indeed many other countries around the world including the US, as Manchester’s most famous sons have also sold out all over their North American tour dates despite never quite making it quite as big there.
You can watch all three minutes and 27 seconds of the now infamous Oasis SNL sketch down below but we will warn you now, as good as some of their skits have been over the years this one is genuinely like pulling teeth…
Featured Images — SNL (via YouTube)/Stefan Branding (via Wikimedia Commons)
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PlayStation ‘The Concert’ is coming to Manchester’s Co-op Live next year
Danny Jones
Coming to Manchester and the rest of the world for the very first time, PlayStation™ ‘The Concert’ descends upon the Co-op Live in 2025.
The industry-leading entertainment venue is the largest of its kind in Europe and is already welcoming a whole host of incredible events in its first full calendar year, with countless gigs, the UFC, WWE Live and even Salford poet John Cooper Clarke set to play the arena.
But now Co-op Live is expanding its debut programme with even more variety, including Sony and PlayStation’s ‘The Concert’ World Tour, which will see live orchestras perform some of the platform’s most soundtracks in front of your very eyes.
Landing in Manchester next April, this is one of just six UK dates named as part of the landmark new show and whether you love gaming or simply enjoy a good movie/TV score, this one is for you.
Kicking off in Dublin, it does exactly what it says on the tin: each evening will see the music and soundscapes from some of the most iconic games ever made brought to life by fully-fledged live orchestras like never before.
Bolstered by a state-of-the-art sound system and the level of high-fidelity visuals gamers have come to expect from Sony Entertainment and generations of PlayStation titles, they’re promising a groundbreaking experience.
The first iteration of this live event came with an initial one-off event at the Royal Albert Hall back in 2018 and after growing concept and production value since then, PlayStation The Concert is now coming to over 200 different cities around the globe.
An innovative multi-screen design, combining advanced LED and projection technologies, will enhance the event and deliver the most iconic moments and imagery from these games. Coupled with surround sound, the show delivers breathtaking visual and audio depth, creating an immersive experience that will allow the audience to relive their gaming adventures like never before.
Set to deliver legendary scores from composers like Gustavo Santaolalla (The Last of Us), Joris De Man (Horizon), Ilan Eshkeri (Ghost of Tsushima), and Bear McCreary of the rebooted God of War franchise will reach new heights, offering fans a unique, deeply immersive live concert experience.
2025’s PlayStation The Concert world tour starts its British leg in Birmingham before arriving here in Manchester on 22 April.
General admission tickets for the tour go on live this Friday, 18 October at 3pm but, as per with events at this venue, Co-op Members can access pre-sale from today (Wed, 16 October).
VIP packages are also available. You can get ready to grab yours HERE.