‘Pills ‘n’ Thrills and Bellyaches’: the Happy Mondays album that captured Madchester celebrates its 30th anniversary
Pills 'n' Thrills, released 30 years ago today, is regarded as the perfect soundtrack to the Madchester zeitgeist - a record that bottled the sound of a scene spreading across the world.
If you could journey back to 5 November 1990 and warn all those people buying copies of Happy Mondays’ third album that nightclubs wouldn’t exist in thirty years’ time.
Just picture it.
You’d send their bucket hats tumbling to the ground as they keeled over with laughter.
November ’90 was a time when the age of Madchester was at its zenith. The closure of nightclubs wouldn’t just sound absurd. It would seem impossible.
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Back then, it felt like the party was never going to stop.
Pills ‘n’ Thrills and Bellyaches – released 30 years ago today – is considered to be the definitive soundtrack to the Madchester zeitgeist; a record that bottled the sound of a scene spreading out from within the hazard-coloured walls of the Hacienda.
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Over the course of ten hedonistic dance tracks, the Happy Mondays take listeners on a vivid tour of that sodden-shirted, wild-eyed nocturnal world… a place where all the worries of the preceding week were zapped away by ecstasy and strobe lights on a Saturday night.
Three decades down the line, clubbing and gigging have been reduced from weekend adventures to distant memories. Right now, they’re a non-entity – and we don’t know when we’re going to get them back.
So, Pills ‘n’ Thrills’ 30th birthday arrives at the perfect time.
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The record is the closest thing we have to a time portal into Madchester. And on a day where the country enters another lockdown, a window into another world has never been more welcome.
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At the turn of the 90s, Happy Mondays had come to represent the twisted, giddy faces of the rave movement sweeping the nation.
Fronted by local rascal Shaun Ryder – alongside bassist brother Paul, iconic percussionist Bez, drummer Gary Whelan, guitarist Mark Day, keyboard player Paul Davis, and vocalist Rowetta – the group were an instrumental and noisy cog in the Factory Records music machine.
By November, the band already had two studio releases (including Squirrel and G-Man Twenty Four Hour Party People Plastic Face Carnt Smile (White Out) and Bummed) under their belts and had headlined Glastonbury.
The hype for their third studio release, Pills ‘n’ Thrills, was huge; arriving when the entire planet was gawping at a city where everyone seemed to be dancing – even the inmates at Strangeways Prison.
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This was the crest of a wave; the peak of the high; the crescendo before the drop… and Pills ‘n’ Thrills captured it perfectly.
By this point, The Mondays were in a mood to push some boundaries, crank the volume and bust out some of their biggest shapes.
They drafted in Paul Oakenfold as a collaborator for the record – after the DJ had added a clean, crisp jangle and thumping bassline to their track ‘Hallelujah’ (remixing it into a more famous and popular version than the original).
Oakenfold’s production helped to steer the Mondays into sparkly electronic territory that made Pills ‘n’ Thrills such a perfect partner for the clubs – coinciding seamlessly with the rise of drug-fuelled euphoria across the region.
It’s been re-released, polished, and expanded in the years since, but the original version of Pills ‘n’ Thrills was made up of just a handful of tracks – all buoyed by delirious piano, joyful guitar, breathy maracas, nasally vocals and the distant sound of chopped-and-screwed classics (John Kongos, Change and LaBelle are all sampled).
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Slurring atop of each song are Ryder’s impudent lyrics – which echo the kind of conversation you might find in someone intoxicated to the point where their social filter has fallen away.
His verses are an arresting mixture of bullying boasts (“I’m here to harass you, I want your pills and your grass you”), puppyish enthusiasm for partying (“now that we live together we both get fucked up”), obnoxious jibes (“son, I’m 30, I only went with your mother ’cause she’s dirty”), and unintelligible nonsense (“hey rainmaker, come away from that man”).
43 minutes of kaleidoscopic mayhem, Pills ‘n’ Thrills is packed wall-to-wall with smash hits that still enjoy airplay today – including ‘Kinky Afro’, ‘Step On’, and ‘Loose Fit’. But another reason the record is so beloved is because of what it represents.
For many, Pills ‘n’ Thrills is the sound of when they were young, free and single – with flat stomachs, full heads of hair, hopes and dreams.
But that never lasts. And in hindsight, the record’s abrupt conclusion hinted at the comedown on the horizon.
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The closer, ‘Harmony’, brings things to a fitting screeching halt – sound like an authority figure had raided the studio and literally yanked the plug from the socket.
Madchester fell into decline soon after that.
Wikipedia
Two years following the release of Pills ‘n’ Thrills, the host of the party, Factory Records, went bust.
The critical and commercial failure of The Mondays’ fourth record, Yes Please! shouldered a large portion of the blame – with the band apparently spending most of the recording process taking drugs instead of making music.
Without its major label and flagship group, Madchester had no vessel for its vibe. Within a few years, the Hacienda was gone, too.
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Still, the sound of the city enjoying its biggest ever party in November 1990 will always remain within reach. All you need to do is hit play on Pills ‘n’ Thrills.
When nightclubs and live gigs eventually return, we’ll have a big historic moment and new anniversary to celebrate.
But for now, it’s forgivable to yearn for those Happy-er Mondays.
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From drone shows to free ice lollies – what went down at Parklife 2025
Daisy Jackson
It’s been a few days since Parklife 2025 wrapped up, and now that we’ve all caught up on sleep we’re looking back on some of the highlights you might’ve missed.
With such a stacked line-up of live music, it would be impossible to have seen everything – from that sizzling final set from Charli XCX to Morgan Seatree’s emotional hometown show, plus viral sensation Interplanetary Criminal filling Matinee and D.O.D. getting the whole Big Top dancing.
One moment that you couldn’t possibly have missed if you were on the ground at Parklife festival was a surprise drone show which dazzled overhead on Saturday night.
As rap legend 50 Cent wrapped up his huge headline set on The Valley stage, and The Hangar came alive to the sound of Pawsa, fans got an extra special treat way up in the skies.
Hundreds of drones came together in an impressive, illuminated aerial display, starting with a 10-second countdown that stopped festival-goers in their tracks.
The drones then flew in formation to create iconic shapes like a yellow JD Sports duffle bag, an adidas shoebox, and the shape of a slowly-rotating Climacool trainer – and what a trainer it is.
The adidas drone show on Saturday nightadidas handed out Climacool-branded lollies and slushies50 Cent on The Valley stageadidas handed out Climacool-branded lollies and slushies
That wasn’t the only bit of attention the Climacool footwear got at Parklife either – thankful fans were treated to free Climacool branded ice lollies and slushies on their way into the festival on Saturday.
As the sun beat down on Heaton Park (bar the odd brief downpour, classic Manchester), adidas and JD Sports arrived in an ice cream truck with the coolest drop at the festival.
There was a helping hand from social media sensation Yombo to hype up the crowd before the festival had even got started.
The Climacool has a textile lining and upper work, with a perforated midsole to allow airflow and keep your feet fresh – perfect for any city adventure (and pretty perfect for a day at Parklife, we discovered).
If the Climacool trainers have caught your eye – either in the sky, at the Climacool ice cream truck, or on social media – then the good news is you can now shop them for yourselves.
First Look: Fitzpatrick’s – Stockport’s new Irish Bar gets off to a stunning start
Danny Jones
Stockport has a brand new Irish bar as the growing Greater Manchester trend continues, with Fitzpatrick’s officially debuting to the public on Thursday, 19 June.
Taking over the former Bask site just outside the train station, Fitzpatrick’s is the borough’s answer to American sports bar meets an Irish pub and grill, with live music, a wide array of food and more.
We had the privilege of walking in on opening day, and the place was absolutely packed to the rafters from the off, and we didn’t even stay until the end. More fool us…
We had a grand auld time seeing @fitzstockport open their doors yesterday evening. ☘️
As you can see, it hasn’t taken them any time at all to get an atmosphere going; good weather on their inaugural day, but the free-flowing beer, classic pub food flying out of the kitchen, and musicians reeling off classic Irish folk music did most of the heavy lifting.
Plus, that beer garden and covered outdoor terrace area are pretty perfect in any weather, to be fair.
The scran on their maiden evening mainly consisted of pizza, chips and other easy-to-serve-up plates as they gradually ease into the first week or so of service, but with a full menu of burgers, pies, breakfasts and even Sunday roasts to come, we’re very excited to try the full gamut.
Regardless, the staff were pulling pints like pros, John himself had plenty of involvement greeting people and getting behind the bar, and the atmosphere was buzzing from minute one.
ln fact, that was arguably the best part about it all: there was that genuine feeling of a new community cornerstone being born, with the well-known Stopfordian reeling off names and recognising what seemed like almost every face that walked through the door.
You don’t get that everywhere.
A lay of the land at Fitzpatrick’s Stockport. (Credit: The Manc Eats)
Although this was their first proper day of trading, they had already gauged the kind of crowds they could expect by soft launching with friends and family last week.
That being said, as mentioned, there was a real tight-knit, community feel to the place, full of County kits, young families and older couples alike, all of whom seemed to be dovetailing together as if the pub had always been around.
SK is often dubbed one of those places where everyone kind of knows everyone, even despite how big the town is as a whole, and this definitely felt like proof of that perception.
Of course, there is some familiarity with the space having previously been Bask, but the location of the stage, a newly decked out bar and the large jumbo-tron style TV set-up for live sport in the centre of the room (providing prime viewing from virtually all angles) have made a big difference.
Based solely on the hordes of people that piled into the place the second the doors opened, we can’t wait to see what the gaff is like once it’s in so-called ‘full swing’. John and his team might just be on to something big here.
Speaking to The Manc, he said: “As a local lad, I wanted to put something into the space that reflects a lot of my history and culture. Music, food, sport and a great atmosphere are all things I love, so I wanted to reflect that in this gorgeous space.”
Open 4-11 from Tuesday to Thursday, 2pm until late on Fridays, and the same only from 1pm at weekends, we can imagine Stockport punters are about to be spending a lot of time in Fitzpatrick’s.
The Manc -
5th November 2020 
