A night like this – when Bastille took to the stage at the AO Arena – reminds you exactly why live music matters.
It felt like travelling back to our early teens – windows down, speakers up, yelling Bastille lyrics like our lives depended on it. That familiar rush came flooding back the moment we stepped into the legendary AO Arena.
And honestly, the whole experience, from securing tickets through AXS to walking into one of Manchester’s best venues, was seamless and stress-free, setting the tone perfectly for the night.
The band opened with a classic from their debut album Bad Blood. A single orange beam flickered across the stage, almost like a fire dancing in the dark, creating an intimate calm before the storm. Dan Smith’s slow, acoustic rendition of ‘Things We Lost in the Fire’ pulled the entire crowd into silence. It was raw, emotional, and the perfect way to kick off a night dedicated to the anthems that shaped a decade.
From there, the pace picked up. The show unfolded like a living scrapbook of Bastille’s 15 years of music, skipping through albums and eras with effortless precision. Every transition felt like rediscovering a memory of songs we’d forgotten we loved, songs we never stopped playing, and songs that hit harder live than they ever could through headphones. It was a rollercoaster of indie brilliance, nostalgia, and the kind of energy only Bastille can create.
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Credit: Bastille at the AO Arena in Manchester
One of the biggest highlights of the night was the VS. (Other People’s Heartache) segment. We genuinely don’t talk enough about what a masterpiece that project is. The band stripped back their setup as two DJ decks rolled out centre stage, transforming the arena into a full-blown Bastille club experience. It was unexpected, refreshing, and showed off the band’s ability to bend genres without ever losing their identity. The lighting, the bass, the crowd reaction everything came together to create a completely different vibe, proving just how dynamic and experimental Bastille can be.
And then came ‘Pompeii’ and ‘Happier’ , two songs that feel almost woven into modern music culture at this point. Hearing thousands of voices echo those choruses back at Dan Smith was genuinely spine-tingling. It’s moments like that when you realise how much Bastille’s music has grown, evolved, and connected with fans over the years. Their audience now spans generations, and you could feel that unity in the room of parents with teens, old fans, new fans, and everyone in between, all sharing the same unforgettable moment.
What also stood out was the atmosphere. There’s something special about AO Arena: the acoustics, the crowd energy, the lights that sweep across the entire venue. Every detail enhances the performance, making even the quietest moments feel grand and the biggest hits feel monumental.
And honestly, the whole experience was made so much easier by AXS. Keeping track of gigs, managing tickets, and discovering upcoming shows is all right there in the app. No stress, no scrambling, just tap, book, go. It’s the perfect way to make sure you’re always one step ahead and never miss out on seeing your favourite artists live.
Last night wasn’t just a concert, it was a reminder of why we fell in love with Bastille in the first place. A celebration of their past, a showcase of their growth, and a promise that they’re not done surprising us yet.
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And if this tour is anything to go by, your next best memory might be only one AXS tap away.
After All 2026 – the affordable grassroots music festival happening in Northern Quarter
Danny Jones
Grassroots music event After All Festival is returning to Manchester this weekend, with rising local artists and affordable tickets.
Now well over half a decade since it was founded, All All Fest takes place in the heart of the Northern Quarter, and this year they’re proving that their slow and steady approach to backing the best new up-and-coming bands at core intimate venues is more important than ever.
With plenty of previous acts having impressed in recent years, we’re looking forward to seeing how 2026 stacks up in comparison to its predecessors.
Increasingly prolific native group Dirty Laces are set to headline the whole thing, Manilla Times are locked in, and Bolton’s very own James Holt also stands out on the lineup, just to highlight a few.
As the festival continues to grow in size and popularity, they have obviously had to scale things up even further this year.
That being said, beloved live music spot and Manc institution, Band on the Wall, is among the chosen arts spaces for this latest iteration.
BoW will be offering up their 500-capacity main room to the organisers for the very first time, serving as the de facto main stage of After All Fest 2026.
Joining them will be the Rose and Monkey next door, as well as cult favourite pub, Gullivers on Oldham Street, who have a long history of supporting local musicians and the arts in general.
And would you look at that, now you’ve got all the stage splits and set times, too.
Labelled by Dead Records’ Rob Fiddaman as “one of the UK’s most exciting new music festivals”, homegrown DJing legend Dave Sweetmore has also described it as “unique in so many ways”, hailing it as a “brilliant event with a great atmosphere to discover new music.”
Having been ourselves on multiple occasions since its inception in 2019 – both as Audio North off-duty and as punters before then – we can’t recommend it highly enough.
The latest edition takes place at 12 noon onwards this Saturday until 2am on Sunday, 17 May, and while the cheapest early bird tickets (£16.50) are long gone, general admission tickets are still available, with prices starting from just £20. Grab yours HERE before they sell out.
It’s not the only live music event worth being a part of this month…
Global girl group Katseye add Manchester to huge new world tour
Daisy Jackson
Katseye have announced a major arena world tour for this year – and the global girl group are coming to Manchester for the first time.
The pop superstars will be performing at the Co-op Live as part of their WILDWORLD TOUR, which is taking them right across the UK, Europe and North America.
Katseye formed through The Debut: Dream Academy, which narrowed 120,000 applicants down to just six talented singers and dancers – though the group will be touring as a five-piece this time (Manon Bannerman has taken a hiatus from the band).
The Los Angeles-based global girl group, formed by HYBE and Geffen Records, merges K-pop dance training with Western pop sounds, with members hailing from across the U.S., Europe, Asia, and beyond.
The group is currently made up of Daniela Avanzini, Lara Raj, Megan Skiendiel, Sophia Laforteza, and Yoonchae Jeung.
Katseye have not yet released a full studio album but have achieved major commercial success with songs like Gabriella, Pinky Up, Gnarly, and Internet Girl.
The group have already performed a major slot at Coachella, as well as taking the stage at the GRAMMY Awards this year where they were also nominated for two awards (including Best New Artist).
Katseye will be releasing their third EP, WILD, this summer ahead of their world tour, which reaches Manchester in September.
Tickets will first be on sale via a Weverse Artist Presale from 11am on Wednesday 20 May, followed by the Katseye.World presale from 3pm.
Fans can also register for presale access by pre-ordering Katseye’s new EP WILD or by signing up – no purchase necessary.
General sale will begin at 3pm on Thursday 21 May HERE.
Katseye WILDWORLD Tour – UK and European dates
1 September – Dublin, Ireland – 3Arena
3 September – London, UK – The O2
6 September – Manchester, UK – Co-Op Live
9 September – Paris, France – Accor Arena
11 September – Amsterdam, Netherlands – Ziggo Dome
Dec Kelly -
16th November 2025 
