One of the summer’s biggest and best-loved music events is now well underway, with a roster of massive names performing at Sounds of the City.
Next up at Castlefield Bowl will be Sheffield Britpop legends Pulp on 4 July, performing in Manchester for the first time in two decades.
Fronted by Jarvis Cocker, the band’s massive hits include Common People, Disco 2000, and Sorted for E’s & Wizz.
With seven albums and some massive award wins – including a Mercury Music Prize and multiple NME Awards – it’s going to be a massive night for Pulp at Castlefield Bowl.
Their summer reunion tour is titled This is What We Do For an Encore.
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The stage is set canal-side in Castlefield, with other headline performances from Hozier, Blossoms and Bastille still to come.
Here’s everything you can expect if you’re heading down to see Pulp.
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Who’s supporting Pulp?
Pulp will be supported by British musician Baxter Dury at their Castlefield Bowl gig.
He has six studio albums and has recently, notably, collaborated with Fred Again on the single Baxter (These Are My Friends).
After his slot supporting Pulp, Baxter Dury will be back in Manchester in October for a headline gig at New Century.
The stage times have already been announced for Pulp, but are always subject to change.
5.30pm – Doors and DJ 7.45pm – Baxter Dury 9pm – Pulp 11pm – Curfew
Tickets
Tickets for Pulp are, sadly, totally sold out.
They were initially priced at £75.35 including booking fee.
If you’re desperate to go, keep an eye on resale sites but make sure you’re buying from a trustworthy seller so you don’t get ripped off.
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Weather forecast
Castlefield Bowl is an outdoor venue, with only a very small amount of cover by the amphitheatre seating.
The wet weather is set to mostly take a break for Pulp’s gig on Tuesday 4 July.
Temperatures are set to peak at 19 degrees, with a low of 14 degrees, according to the Met Office.
There’s a 50% chance of light rain at 8pm, but otherwise things are looking dry.
Expected setlist
A previous Sounds of the City gig at Castlefield Bowl. Credit: FAC51 The Hacienda
Pulp have already squeezed in another huge outdoor gig, at Finsbury Park in London.
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The below is the setlist they went for down south.
I Spy Disco 2000 Mis-Shapes Something Changed Pink Glove Weeds Weeds II (The Origin of the Species) F.E.E.L.I.N.G.C.A.L.L.E.D.L.O.V.E. Sorted for E’s & Wizz This Is Hardcore Do You Remember the First Time? Babies Sunrise Like a Friend Underwear Common People Encore: Razzmatazz
About Castlefield Bowl
Castlefield Bowl is an amphitheatre-style outdoor venue in the city centre.
Although all tickets are billed as unreserved standing, if you’re quick you can take a seat on the large concrete steps that curve around the stage.
Many people also take a perch up on the grassy banks at the back of the venue too.
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Castlefield Bowl is located at 101 Liverpool Road in the city centre.
The closest tram stop is Deansgate-Castlefield, which is only a six-minute walk away.
You can also walk it from the major train stations, or use the 101, 197, 255, 256, 41, 50 or X50 buses.
Tame Impala at Co-op Live, Manchester – lasers, lights, and a bit of a hangover
Daisy Jackson
The coolest man in the southern hemisphere has finally made his way back up north, for his first Manchester gig in a decade.
That cool man in question is Tame Impala, the music project of what-the-hell-can’t-he-play multi-instrumentalist Kevin Parker.
Sure, last year’s single release ‘Dracula’, and then its remix re-release with K-pop megastar Jennie, may have propelled Tame Impala up towards the top of the UK singles chart for the first time, but he’s got almost two decades-worth of music to dig through beyond that too.
It’s a hefty discography and it leads to a setlist that seems to almost peak about six times.
‘How could it possibly get better than this?’ we seem to ask as he plays The Moment, Elephant, Dracula, and Let It Happen pretty early on – but better it does indeed get.
It doesn’t seem to matter whether he’s up on the main space-ship-esque stage surrounded by lasers and lights, or sat on the floor of the B Stage playing around with a keyboard, Tame Impala has an irresistible, enchanting charisma. A lot more charisma that you’d expect from a man called Kevin.
Early on, he confesses that he’s quite severely hungover from last night’s show, where he had Dua Lipa (he wrote and produced her Radical Optimism album) as a surprise guest.
But you can see the hangover clear from his eyes in real time as 23,500 Mancs scream in his face. Which might not sound like a likely hangover cure, but who am I to argue with the evidence in front of me?
Although Kevin writes, produces, and records his music solo, he’s got half a dozen musicians up on the main stage with him, which looks like a convoluted space ship that fires confetti out of its thrusters (FOUR TIMES!).
With revolving lights, dancing lasers, and a metal grid base spewing out dry ice, it’s really one hell of a production.
It’s a light show designed to give us all a glimpse of his synesthesia (meaning he sees colours when he hears music (Billie Eilish has it too)) – essentially, if you couldn’t hear a thing and could only see the stage, you can still tell exactly what song is playing.
Still, when he saunters straight through the crowd to his smaller stage to mix tracks solo – no lasers, just a few lamps – flopping down onto a tangle of wires like a mad magpie building himself a nest, it’s a chance to remember this guy’s composing prowess.
A lot of the songs performed tonight are almost orchestral in their complexity, so that the whole show merges into one thundering, bewitching night of dancing and being blasted in the face by confetti.
It’s genius.
So can you not leave it another decade before you come back, Kevin?
Kahiki Soundhouse – the new Mint Lounge site is living up to the old name and its live music legacy
Danny Jones
If you went out in town back in the day (pretty much any time from the late 90s to the 2010s), or indeed have sampled a Funkdemia over the past couple of decades, chances are you tried or at least heard of Mint Lounge – but did you know it’s been replaced by a new kid on the block, Kahiki?
Kahiki Soundhouse, to give it its full name, is the new live music venue bar that has opened up the old basement space on Oldham Street in the Northern Quarter.
In truth, it’s now more of a classic lounge than ever before.
The large open-plan floor, which used to be filled with people standing/two-stepping inside a fairly barebones club room with no air conditioning, has now been traded up for a stylish space lined with plush padded seats, classy low-lit tables perfect to share a glass or two over, and lots of new features.
Perhaps the biggest change is that the old soundbooth/stage area that used to be way at the back has now been swapped for a central 360° podium that changes up each night.
It really is the star of the all-week-round Kahiki show, if you ask us.
This also means that no matter where you are in the main venue (there are other rooms, but we’ll get to that), be it tucked in a booth to the side, at the bar, or even ‘behind’ whoever’s playing, you’ll have a virtually unobstructed view of what’s happening from noon until night.
Seriously, thanks to their already jam-packed schedule, the reviews aren’t just off to a great start only a few days in, but people have been turning up in the early evening and staying well into the early hours of the next day.
They’ve got duelling pianos, live bandaoke, acoustic nights and straightforward DJ sets for those who still fancy a taste of the previous vibe.
Kahiki’s maiden Manchester city centre venue definitely harks back to the good times had in the Mint Lounge days, but the team, who possess decades of experience between them, have combined a retro feel almost more akin to 1960s speakeasies, cocktails and evening venues.
It’s no secret that clubbing and the UK nightlife scene have changed quite a bit since the pandemic, but these guys look to have found that perfect blend of more relaxed seating, along with plenty of room to get up and boogie; there’s even a raised mini-stage/dance cage for your main character moments.
Better still, if you do want something a little bit away from the crowds of punters that are continuing to make this one of the liveliest new additions to NQ, they also have adjustable karaoke rooms where bi-folding doors can make room for up to 50 of you and your lot to party in privacy.
Let’s just say the spirit of the Lounge is alive and well in the Soundhouse.
Just one corner of KahikiYour podium awaitsOne of the smaller karaoke rooms
Daisy Jackson -
3rd July 2023 
