The UK’s largest indoor techno experience is coming to Warehouse Project (WHP)in Manchester this autumn.
Promising huge headline sets from techno giants 999999999, Reinier Zonneveld and Vladimir Dubyshkin, the giant techno event will run for 12 hours across four separate stages at Depot Mayfield.
Returning to the city this autumn for its third edition, XXL will take place on Saturday 7 October from 5pm to 5am and is being hosted by WHP in partnership with Teletech and Lo-Fi.
Further DJ sets at the all-day and night party will come from the likes of Kobosil, I Hate Models, DJ Heartstring, KI/KI, blk., Nina Kraviz, Paula Temple b2b SNTS, Shlømo b2b Sara Landry, Adrián Mills, Azyr, Basswell, Billy Does, blk., Charlie Sparks, Cloudy, CLTX, DJ Hyperdrive, Faster Horses, HØLEIGH, Krl Mx, LESSSS, Lucia Lu, Mac Declos, Malugi, Nico Moreno b2b DYEN, OGUZ and more.
Image: WHP
Image: WHP
The news follows the announcement from Warehouse Project about its opening season parties as it gears up to return to its home at Depot Mayfield this September.
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Kicking things off on 15 September will be a special show from Australian house music DJ Sonny Fodera with friends, followed by a return of ground-breaking Repercussion Festival which marks the official opening of the new season on 16 September.
The day and night party will run across the entire expanse of Depot Mayfield, covering eight unique stages, including the intimate Star & Garter pub and an immense street party on neighbouring Temperance Street.
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For the first time, Repercussion will also extend onto the deserted train lines that sit upon the rooftop of the Depot, with two brand new spaces being brought to life: a rooftop takeover celebrating 25 years of Rush Hour and a cinema specially programmed by i-D magazine.
Repercussion’s vast line-up showcases dance music in all its forms. Bicep will be debuting their brand-new Chroma (AV/DJ Set) show at the event.
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Moderat also return to Manchester for their first live show in the city since 2016, and Kerri Chandler brings his super rare Reel-To-Reel set-up to Manchester for the very first time. Also in town are Jon Hopkins, TSHA (Live), Biig Piig and many more.
The following week on Saturday 23 September, the Worry About Henry x Metropolis sees the largest Drum & Bass event ever at Warehouse Project break out across the entire Mayfield complex, with over 100 artists from across the DnB spectrum, including Hybrid Minds, Wilkinson, Hedex, Bou and many more.
On Friday 29th September, long-time electronic party crew Kaluki returns for a special birthday show and label showcase. Jamie Jones, Joseph Capriati, Hot Since 82, Solardo, Chris Stussyand more lead the proceedings for this season opener.
As we embrace the Autumn season, Saturday 30 September, sees the seminal ‘Welcome to the Warehouse’ show return for a six-stage takeover with various influential artists.
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This year, Welcome to the Warehouse features the likes of Honey Dijon, The Blessed Madonna, Mall Grab, Job Jobse, Sherelle, Saoirse, and more revealed below.
Sam Kandel, Co-Founder of Warehouse Project said: “Before last year’s WHP run ended, we had already started on our plans for 2023.
“Now we can’t wait to get back into Depot Mayfield, where we are making significant production changes for this year, all to be revealed when we kick off in September.”
Music industry rallies around pub and music venue as it’s hit with ‘malicious’ noise complaints
Daisy Jackson
A much-loved pub and live music venue is struggling with a series of ‘malicious’ noise complaints, prompting a huge outpouring of support from music industry insiders.
The Golden Lion over in Todmorden is facing uncertainty amidst the complaints from ‘some random’.
Matthanee ‘Gig’ Nilavongse, who runs the venue and its live music offering, said he’s ‘had enough’ and believes The Golden Lion is being targeted, The Hoot reports.
It echoes a similar situation in Manchester city centre several years ago, when Night & Day Cafe faced closures based on noise complaints from a resident in a nearby flat.
Gig stressed that nothing in the venue – the sound system, sound proofing, or anything else in its set-up – has changed since the noise complaints started.
He also added that people have been travelling from across the UK and even further afield to attend its events, benefitting the wider community of businesses and local economy.
He added: “Bank holiday next weekend and I’II not tolerate the threat from anyone.”
Hundreds of people, including industry names like Sacha Lord, Luke Cowdrey, and Hot Chip’s Joe Goddard, have voiced their support for the grassroots venue.
Sacha Lord offered his help fighting the complaints, then added: “I’m sick to death of these NIMBYS who threaten businesses and jobs.”
Chelsea Teesdale, head of marketing for the Warehouse Project and Parklife, said: “Sorry you’re going through this. The golden lion means so much to many. I go to all kinds of gigs and venues, nothing is quite like the magic of your home.”
And Nite School Manchester wrote: “So sorry to hear you’re going through this. What you’ve built at The Golden Lion for the people of Tod (& far beyond!) is a guiding star to us Gig, and we’ll be doing everything we can to support you & the team.”
Following on from this heartwarming display of affection for the venue, Gig added: “Thank you for all supports near and far, you’re close to my heart.
“The show must go on, I’m not back down until the door is close.”
A masterclass in The Art of Loving: Olivia Dean brings two unforgettable nights to Co-op Live
Emily Johnson
Olivia Dean took over Co-op Live for not one, but two nights this weekend – and what she delivered felt like a full-circle celebration of The Art of Loving, her incredible sophomore album.
From the moment Olivia’s silhouette appeared behind the curtain on night two, opening with the album’s title track, it was clear this evening was going to be special.
With a sea of polka dots on arrival, it’s evident that the 27-year-old already has great influence when it comes to style with her fans, and you could spot anyone who was attending Olivia Dean around Manchester city centre immediately.
Despite performing to a crowd of over 20,000 people, the performance felt incredibly intimate, with interactions with the crowd through the evening, even pointing out a fan’s banner saying they had been a fan of Olivia since 2019, which she was humbly taken aback by.
Her voice carried effortlessly around the arena, somehow still managing to feel soft and personal, like she was singing directly to you.
No Dean show would be complete without her incredible outfits either, and last night we were truly spoilt, with two outfit changes throughout the evening, which split the night into three chapters.
Initially appearing in a black sequin number, before reappearing in the middle of the crowd in an all-white outfit, evocative of an angel – a moment that felt intimate even in a room that size.
Later, with disco balls lowered and the energy lifted, she returned in another glitzy look for the more upbeat tracks, including a crowd-pleasing cover of ‘Move On Up’. With her band behind her, the sound filled the arena beautifully.
Everyone was on their feet having a good time, but no one was having as much fun as the woman herself, Olivia Dean.
And that’s the thing with Miss Dean, no one at her gigs is having half as much fun as she is. She’s always smiling, always glowing.
Put simply, she’s a proper ray of sunshine on stage. Towards the end of the show, Olivia looked up at the crowd and stated, “It’s magic in here tonight, Manchester”, and we all believed her.
Looking around at the crowd, arms around each other, best friends, couples – it was hard not to feel the magic too.
Highlights included ‘UFO’ with a sea of lights, which in the moment gave the whole room goosebumps, and of course, the confetti cannon, which was the grand finale to an incredible evening.