The UK’s largest indoor techno experience is coming to Warehouse Project (WHP)in Manchester this autumn.
Promising huge headline sets from techno giants 999999999, Reinier Zonneveld and Vladimir Dubyshkin, the giant techno event will run for 12 hours across four separate stages at Depot Mayfield.
Returning to the city this autumn for its third edition, XXL will take place on Saturday 7 October from 5pm to 5am and is being hosted by WHP in partnership with Teletech and Lo-Fi.
Further DJ sets at the all-day and night party will come from the likes of Kobosil, I Hate Models, DJ Heartstring, KI/KI, blk., Nina Kraviz, Paula Temple b2b SNTS, Shlømo b2b Sara Landry, Adrián Mills, Azyr, Basswell, Billy Does, blk., Charlie Sparks, Cloudy, CLTX, DJ Hyperdrive, Faster Horses, HØLEIGH, Krl Mx, LESSSS, Lucia Lu, Mac Declos, Malugi, Nico Moreno b2b DYEN, OGUZ and more.
Image: WHP
Image: WHP
The news follows the announcement from Warehouse Project about its opening season parties as it gears up to return to its home at Depot Mayfield this September.
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Kicking things off on 15 September will be a special show from Australian house music DJ Sonny Fodera with friends, followed by a return of ground-breaking Repercussion Festival which marks the official opening of the new season on 16 September.
The day and night party will run across the entire expanse of Depot Mayfield, covering eight unique stages, including the intimate Star & Garter pub and an immense street party on neighbouring Temperance Street.
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For the first time, Repercussion will also extend onto the deserted train lines that sit upon the rooftop of the Depot, with two brand new spaces being brought to life: a rooftop takeover celebrating 25 years of Rush Hour and a cinema specially programmed by i-D magazine.
Repercussion’s vast line-up showcases dance music in all its forms. Bicep will be debuting their brand-new Chroma (AV/DJ Set) show at the event.
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Moderat also return to Manchester for their first live show in the city since 2016, and Kerri Chandler brings his super rare Reel-To-Reel set-up to Manchester for the very first time. Also in town are Jon Hopkins, TSHA (Live), Biig Piig and many more.
The following week on Saturday 23 September, the Worry About Henry x Metropolis sees the largest Drum & Bass event ever at Warehouse Project break out across the entire Mayfield complex, with over 100 artists from across the DnB spectrum, including Hybrid Minds, Wilkinson, Hedex, Bou and many more.
On Friday 29th September, long-time electronic party crew Kaluki returns for a special birthday show and label showcase. Jamie Jones, Joseph Capriati, Hot Since 82, Solardo, Chris Stussyand more lead the proceedings for this season opener.
As we embrace the Autumn season, Saturday 30 September, sees the seminal ‘Welcome to the Warehouse’ show return for a six-stage takeover with various influential artists.
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This year, Welcome to the Warehouse features the likes of Honey Dijon, The Blessed Madonna, Mall Grab, Job Jobse, Sherelle, Saoirse, and more revealed below.
Sam Kandel, Co-Founder of Warehouse Project said: “Before last year’s WHP run ended, we had already started on our plans for 2023.
“Now we can’t wait to get back into Depot Mayfield, where we are making significant production changes for this year, all to be revealed when we kick off in September.”
Oasis promoters drop biggest Knebworth hint yet after securing license around key date
Danny Jones
Not that we’re the type to get carried away, but we’ll confess that our curiosity, interest and general levels of anticipation have been piqued, as Oasis’ main promoters have recently renewed the license to host events at the infamous Knebworth.
My word, is this it? Like the reunion, is it ACTUALLY going to happen?…
We’re sure the raw, uncontrollable excitement will come should it be fully confirmed, but for now, all we know is that our colleagues in music media, SJM Concerts, have renewed the land in and around Knebworth Park and House for live entertainment once again.
Moreover, the company have also done so on a rather fitting date decades on from the original and legendary outdoor gigs.
As can be found on the planning application section of the North Hertfordshire Council website – the county in which the storied Britpop gigs took place – a fresh license to hold new events.
If/when the announcement happens, the already granted permission will allow for a capacity of up to 125,000 and a curfew of 3am.
We know the original Knebworth shows were beyond iconic, but let’s say this would be nailed on to be nothing short of absolutely box office.
Besides having also helped promote Oasis’ colossal Live ’25 reunion tour last summer, it’s also worth noting that they secured said license just over a week before the 30th anniversary of the pair of nights back in 1996: 10-11 August, to be specific.
The licence is said to have come into effect this past Saturday (1 Aug) and is believed to be indefinite.
What added even more fuel to the fire of these well-established rumours over the past year was when Baroness Sharon Taylor of Stevenage told the House of Lords the band would be playing FIVE whole nights at Knebworth in the future, before later clarifying that she was speaking in “hypothetical terms.”
All that being said, it’s fair to say we’ll be keeping a very keen eye on socials over the next few days, in particular, just in case.
The Manc has reached out to SJM for an official comment (surprise, surprise), but we are yet to receive a response regarding the matter.
Your silence speaks volumes, just saying.
This coming Monday, 10 August 2026, will mark the official 30th anniversary of Oasis at Knebworth 1996, and with the likes of ‘Wonderwall’ seeing a chart resurgence as the go-to England anthem at this year’s World Cup, we’re choosing to be optimistic. What about you?
Blossoms deliver most rock and roll performance in years as Declan McKenna joins them on stage
Danny Jones
Last night, we were fortunate enough to be there in the flesh not only to see Blossoms play a special anniversary show in Manchester, but to witness Declan McKenna join them on stage.
A tiny part of us was wondering if we’d see Rick Astley roll out into the venue, but let’s just say we’ll absolutely take this.
Celebrating a decade to the day since the release of the self-titled debut LP – yes, we feel old, too – Blossoms announced the one-off intimate show at The Deaf Institute, a venue they hadn’t played in 12 whole years (good lord…), and it served as much more than a night of nostalgia.
But we’ll admit, the highlight was almost certainly seeing the ‘Brazil’ and ‘British Bombs’ singer join Tom Ogden, Charlie Salt, Josh Dewhurst, Myles Kellock and Joe Donovan on stage for their smallest gig since god knows when.
We’ve gotten somewhat used to seeing the Enfield-born solo artist popping up at random venues across the country and even performing DJ sets at local pubs.
If you haven’t seen that Kylie Minogue clip before, you really need to…
However, we don’t think anyone in the crowd was expecting this cameo, let alone hearing them perform a co-written track off the new record live in front of the audience for the very first time.
As if all of this wasn’t already a bit bonkers and left-field, the song in question, entitled ‘Additional Driver’, was self-admittedly so surprising in SO many ways that Tom felt he needed to explain the full story behind it and why Declan shouted “shoulda got the 192” before they started playing.
Yes, in some kind of Greater Mancunian fever dream, we’ve finally got artists writing lyrics about the region’s most infamous bus route that we’re sure most, if not all of you, can relate to.
But it wasn’t just this moment that had us debating in our heads, ‘are they the best Manc or maybe in Northern band full stop going right now?’, it was seeing them slip so seamlessly back into the more straight-down-the-line indie rock from their first chapter of studio material that did it.
Everyone knows and loves the biggest bangers from that inaugural outing: ‘Getaway’, ‘Charlemagne’, ‘At Most a Kiss’, ‘Honey Sweet’, etc.; but it’s hard to forget just how quintessentially rock and roll tunes like ‘Blow Rose’, ‘Cut Me and I’ll Bleed’, ‘Texia’ and even some of the other deep cuts/early releases are.
Don’t get us wrong, we love how much the dressing up (musically and quite literally) they’ve done over the years as their production, creativity and experimentation has increased, but it’s always hard to beat that feeling you get when finding an artist’s first album – especially one as good as Blossoms‘.
In fairness, listening back to ‘Deep Grass’ all these years later, we’ll still remember how spacey, psychedelic and downright different that intro felt back in the day; it now feels like a fitting end to that maiden outing and the perfect jumping-off point for what has been a real sonic exploration ever since.
For a lad born in SK2 and lucky enough to have seen these lads right from the start, stuff like this will never not feel surreal to me.
Long live ‘Blossoms from Stockport‘, and roll on Songs From The Wedding Cake this October.
Georgina Pellant -
27th June 2023 
