In case you missed it, Rizzle Kicks are BACK and they’re making their return to Manchester in a big way with a massive outdoor show at Castlefield Bowl.
Named as the latest artists to join the Sound of the City (SOTC) lineup for 2025, with only a few acts having been named thus far, the British pop duo will be playing a huge sun-soaked set next summer.
The 2010s hit-makers were a regular presence in the UK charts for a good few years, releasing just two albums in 2011 and 2013 before slipping into a somewhat unannounced hiatus to work on other things.
Jordan Stephens and Harley ‘Sylvester’ Alexander-Sule have both enjoyed multiple other music projects separate from the group, as well as getting into presenting, podcasting, acting and more, so they’ve been plenty busy while they’ve been away. But now they’re back with new music on the horizon too.
MANCHESTER. WHO’S READY? FRIDAY 11 JULY 2025 ‼️
We told you that more shows are coming and we’re so buzzing to announce that we’ll be playing Castlefield Bowl this July. This is going to be a big one and we’d love to see you all there.
Confirming their SOTC festival gig on Monday, 18 November, Rizzle Kicks said on socials: “We told you that more shows are coming and we’re so buzzing to announce that we’ll be playing Castlefield Bowl this July [2025]. This is going to be a big one and we’d love to see you all there.”
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The announcement also comes not long after the pair revealed their third studio album is on the way almost 12 years on from their sophomore record, Roaring 20s.
Speaking on their return to the music scene and the upcoming release, Jordan said: “We allude to the fact that we acted off the cultural encouragement and the reality of the time. I think now we’d like to believe that we’ve distanced ourselves from those just through experience.”
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The new Rizzle Kicks sound touches on sobriety and paternity,“not just with Harley becoming a father and all the growth that comes with that role, but also in a larger sense as we get older we feel a responsibility to share our wins and our failures”, added the 32-year-old.
Entitled Competition is for Losers, the new studio LP is set to release on 14 February next year just before their official tour gets fully underway in March. Stephens and Sule played their first show together in nearly a decade at KOKO in Camden earlier this month and are eager to get back to business as usual.
Their other Manchester date, which was already announced, is set to take place on 19 March at the O2 Ritz and sold out – along with all the other shows – in just 15 minutes. Wow.
For those fans dying to be at their Castlefield Bowl gig on Friday, 11 July, you can pre-order Competition is for Losers to access pre-sale from 10am this Thursday.
General admission tickets will be available from the same time on Friday (22 November).
Issuing a call-out to the die-hard Rizzkle Kickers, lovingly referred to by the band as the #tunesquad, they said: “You already know the drill, tickets are going to go fast. LET’S DO THIS.”
Featured Images — Blacksocks (press Images supplied)
Audio
Unknown Mortal Orchestra at the Albert Hall Manchester – groovy, hazy and effortlessly cool
Clementine Hall
Unknown Mortal Orchestra at the Albert Hall proved exactly why they’ve built such a cult following over the past decade.
Formed in 2010 by frontman Ruban Nielson, the band first broke through with their scrappy, lo-fi self-titled debut and since then, they’ve become known for their signature blend of psychedelic rock, funk, and warped pop.
I first saw the band back in 2023 at Glastonbury, and yes sorry I am one of those annoying people that bring it up all the time.
They’re the perfect band to close your eyes, sway your head and tap your foot to – and that’s exactly what the crowd were doing in unison last night at the Albert Hall.
Image: The Manc Group
From the second they stepped on stage, there was no rush – just that signature hazy groove met with enough stage lights to sink a ship.
You could barely see them on stage, but that made it even cooler. And you can only imagine how gorgeous the Albert Hall looked with hundreds of spotlights in different colours whizzing all over it.
Early tracks simmered and pulled us in before the band stretched out into crowd pleasers like ‘Multi-Love’ and ‘Hunnybee’. What an absolute tune by the way.
Image: The Manc Group
There wasn’t much crowd interaction but, again, there didn’t need to be. They let the music do the talking and by treating us to some of the most epic guitar solos we’ve ever heard (no, seriously), we’ll forgive them for not talking to us.
Each song melted into each other as the band oozed effortless charm and talent throughout the almost two hour set, which is no mean feat.
Of course, a sea of phones shot up for ‘So Good at Being in Trouble‘, their most popular track which prompted a harmonious audience singalong. Not very harmonious by me, admittedly.
It was a fantastic ending that left the audience feeling united by the laidback brilliance of Unknown Mortal Orchestra, and I hope they don’t leave it too long to come back this time.
Review | Leon Thomas at Manchester Academy – ‘Mutts Don’t Heel’ but this gig healed me
Thomas Melia
American singer-songwriter Leon Thomas visited Manchester Academy last night, performing hits from his deluxe album to a sold-out crowd of more than 2,600.
One year after an exclusive London MUTT Live date, Mr Thomas returns to the UK with the ‘MUTTS DON’T HEEL’ Tour, venturing to five cities, including the music capital of the North: Manchester.
The night started off just how it should’ve done with ‘HEEL’, as the audience were welcomed by the drum-loop and a chill atmosphere from the start.
Now, it wouldn’t be a Leon Thomas gig without at least one Ty Dolla $ign collaboration making the setlist, and there’s plenty to choose from with a new one dropping just over a month ago, ‘miss u 2’.
Leon Thomas performing hits at Manchester Academy (Credit: Audio North)
The funk-influenced musician opted for ‘FAR FETCHED’, and the audience was in the palm of his hand. No matter which of the four link-ups he chose, it was always going to go down well – Manchester never disappoints.
Leon didn’t even have to ask the crowd to bring more energy; they already matched him. When he sings, “For someone who don’t ask for favours, I’ve done way too many favours”, on ‘PARTY FAVORS’, he really meant it.
Last year, Leon Thomas dropped PHOLKS, a project which saw him exploring old-school funk and soul sounds even further and ‘Just How You Are’ had even the shyest dancer pulling out a little two step.
This isn’t the only hit that sent the crowd into a frenzy; ‘Baccarat’ and its impressive psychedelic guitar solo had jaws literally falling to the floor at Manchester Academy.
His songs might not be dramatic or extravagant, but they don’t need to be. Leon’s artistry prevails when he’s softly singing, and you’re still able to detect each instrument.
Leon Thomas brought the MUTTS DON’T HEEL Tour to Manchester Academy (Credit: The Manc)
‘Breaking Point’ is an easy-listening soul track that had all 2,600 Leon Thomas fans in our feelings as we realised we were coming to the end of a phenomenal concert.
And of course, ‘Mutt’ – his biggest single to date: a bouncy and swag-filled number that sticks in your head for weeks on end – sounded even better when backed by a live band as I discovered last night.
There was some insane musicality, distinct bangers and impeccable live arrangements that elevated the original studio recordings. Maybe ‘Mutts Don’t Heel’, but Leon Thomas definitely healed me.
He wasn’t the only cool cat playing last night either:
Danny Jones -
18th November 2024 
