In a gig we waited seven years for, Sampha proved he is the master of his craft.
Celebrating his second album, LAHAI, Mercury Prize-winner Sampha headlined his first Manchester show in nearly seven years last night.
And it was well worth the wait.
As one of only two UK stops on his 2024 tour, we felt extremely lucky to watch the UK breakout star take to the stage at Aviva Studios.
Taking place in the formidable warehouse space, excitable crowds flocked in a circular motion to secure their spot around the stage.
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For such a vast space, performing in-the-round created a real sense of intimacy that wouldn’t have been made possible in any other venue.
Image: Supplied
Gazing onto the stage filled with electronic keyboards, synthesisers and drums – the anticipation to see someone who’s since grown to be a global icon since last in the city was truly immense.
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But we didn’t have to wait long as the London-born singer songwriter plunged us straight into the deep end with emotive hit Plastic 100°C.
An honest reflection of both love and fear, Sampha and his incredible band had us enamoured from the very start and we knew we were in for a great night.
His new album, LAHAI, shows just how much he’s grown since first breaking out on the music scene back in 2017.
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From what was first heart-wrenching meditations of discovery now had sounds of acceptable and joy throughout, and truly it was a joy to hear.
Making his way through the album we of course were treated with tender ballad (No One Knows Me) Like The Piano, and even as the first chords were struck there was a communal sigh amongst the audience.
There were most definitely some wet eyes amongst the crowd as Sampha wistfully opened up his heart to us.
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But it wasn’t all melancholy meditations, Sampha and his crew jumped around the stage interacting with the audience, at one point communally banging a drum in the centre of the stage.
The new tracks took unexpected twists and turns, introducing flavours of jazz, soul, rap, dance and jungle which the band and himself merged seamlessly with their already mastered R&B genre.
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Highlights included the vocally layered Suspended and piano-heavy Dancing Circles, both of which I’m sure many of us played through our speakers as soon as we got in (myself included).
Ending triumphantly with Blood On Me, the lights turned red on Aviva Studios as we danced as a singular and were reminded just what a talent Sampha truly is.
And we left hoping he wouldn’t leave it another seven years until he comes back.
In a statement shared today, the Co-op Live said it has been ‘undertaking an extensive protocol of testing critical procedures to ensure all areas are ready for fans’.
It said that the shows are being rescheduled to ensure they can ‘run safely’.
The 23,500-capacity arena said this will give them ‘the extra time we need to continue testing enhanced emergency communications thoroughly’.
The Black Keys will now perform on 15 May, and Peter Kay on 23 and 24 May.
As for the Bolton-born comedian, he sounds somewhat in disbelief himself:
My apologies once again but unfortunately the Co-op Live still isn’t ready and so, as yet, remains untested for a large-scale audience. Consequently, they are having to reschedule my two shows yet again (I know I can’t believe it either).
Co-op Live’s statement reads: “Since making the difficult decision to postpone the live shows at Co-op Live due to take place this week, we have been undertaking an extensive protocol of testing critical procedures to ensure all areas are ready for fans.
“To ensure that we can run all shows safely, regretfully we have now had to take the decision to reschedule the planned The Black Keys and Peter Kay shows.
“Both The Black Keys and Peter Kay have graciously agreed to reschedule their shows. The Black Keys will now perform on 15 May 2024, and Peter Kay will now perform on 23 and 24 May 2024.
“All tickets remain valid and ticket holders will be contacted by their point of purchase. Refunds will be available for those who can no longer attend.
“We deeply appreciate the impact this will have on excited fans, and sincerely apologise for the inconvenience that this change will undoubtedly cause.
“Rescheduling Peter Kay and The Black Keys will give us the extra time we need to continue testing enhanced emergency communications thoroughly.
“This is vital to satisfy the rigorous set of guidelines and protocols that are necessary for a venue of this size to ensure that our fans, artists and staff have the safest experience possible.”
Co-op Live boss resigns just days before venue’s official opening
Daisy Jackson
The boss of Co-op Live, Manchester’s enormous, ground-breaking new arena, has resigned from his position just days before the venue is set to open.
The enormous music-first arena has been taking shape beside the Etihad Stadium for several years, and was due to welcome its first official audiences this week, but has been hit with last-minute challenges.
And now Co-op Live‘s boss Gary Roden has quit the mammoth project, with the news of his resignation announced late Thursday evening.
Oak View Group, which Co-op Live is part of, said in a statement that they would like to ‘thank Gary for his help bringing the UK’s newest arena to live entertainment fans’.
Stepping into his shoes as interim general manager will be Rebecca Kane Burton, who previously ran the U.K.’s highest-grossing venue, London’s The O2 arena.
Gary has previously come under fire for saying that some grassroots music venues ‘poorly run’ – a statement that OVG has now distanced itself from.
A separate statement said that ‘neither Co-op Live nor Oak View Group share the sentiment expressed by former Co-op Live General Manager Gary Roden regarding the grassroots industry’.
It continued: “As OVG Chairman and CEO Tim Leiweke has repeatedly stated, Co-op Live remains committed to grassroots music in Manchester and beyond, including teaming up with Mayor of Greater Manchester Andy Burnham on the Artist of the Month campaign, and as a founding partner of Beyond The Music.
“Co-op Live also donates over £1m a year to the Co-op Foundation to support communities and empower young people to take social action through its new Young Gamechangers fund.
“Oak View Group and Co-op Live remain happy to meet with grassroots organisations once the venue is fully operational.”
Co-op Live boss Gary Roden speaking at the launch of Co-op Live just days before he resigned. Credit: The Manc GroupInside Co-op Live in Manchester
The news of the venue’s boss stepping down comes at a time when all eyes are on Co-op Live, the opening of which has been delayed.
The venue did host a test event with Rick Astley last weekend, but even that faced difficulties, with thousands of tickets cancelled to reduce capacity just hours before showtime.
It’s now set to officially open this Saturday 27 April with a performance by rock group The Black Keys.
The full statement from OVG about Gary’s resignation said: “Gary Roden has decided to resign. We’d like to thank Gary for his help bringing the UK’s newest arena to live entertainment fans and wish him the best for the future.
“Rebecca Kane Burton has been named Interim GM, effective today. Rebecca is a seasoned veteran of venue management and live entertainment in the UK having served as VP/GM of The O2 from 2012-2016 and CEO of LW Theatres from 2016-2021.
Clementine Hall -
16th February 2024 
