In a gig we waited seven years for, Sampha proved he is the master of his craft.
Celebrating his second album, LAHAI, Mercury Prize-winner Sampha headlined his first Manchester show in nearly seven years last night.
And it was well worth the wait.
As one of only two UK stops on his 2024 tour, we felt extremely lucky to watch the UK breakout star take to the stage at Aviva Studios.
Taking place in the formidable warehouse space, excitable crowds flocked in a circular motion to secure their spot around the stage.
ADVERTISEMENT
For such a vast space, performing in-the-round created a real sense of intimacy that wouldn’t have been made possible in any other venue.
Image: Supplied
Gazing onto the stage filled with electronic keyboards, synthesisers and drums – the anticipation to see someone who’s since grown to be a global icon since last in the city was truly immense.
ADVERTISEMENT
But we didn’t have to wait long as the London-born singer songwriter plunged us straight into the deep end with emotive hit Plastic 100°C.
An honest reflection of both love and fear, Sampha and his incredible band had us enamoured from the very start and we knew we were in for a great night.
His new album, LAHAI, shows just how much he’s grown since first breaking out on the music scene back in 2017.
ADVERTISEMENT
From what was first heart-wrenching meditations of discovery now had sounds of acceptable and joy throughout, and truly it was a joy to hear.
Making his way through the album we of course were treated with tender ballad (No One Knows Me) Like The Piano, and even as the first chords were struck there was a communal sigh amongst the audience.
There were most definitely some wet eyes amongst the crowd as Sampha wistfully opened up his heart to us.
Image: Supplied
But it wasn’t all melancholy meditations, Sampha and his crew jumped around the stage interacting with the audience, at one point communally banging a drum in the centre of the stage.
The new tracks took unexpected twists and turns, introducing flavours of jazz, soul, rap, dance and jungle which the band and himself merged seamlessly with their already mastered R&B genre.
ADVERTISEMENT
Highlights included the vocally layered Suspended and piano-heavy Dancing Circles, both of which I’m sure many of us played through our speakers as soon as we got in (myself included).
Ending triumphantly with Blood On Me, the lights turned red on Aviva Studios as we danced as a singular and were reminded just what a talent Sampha truly is.
And we left hoping he wouldn’t leave it another seven years until he comes back.
Old-school American rock legends Toto return to Manchester for the first time in over half a decade
Danny Jones
Yes, whether you only know ‘Africa’ or not, we refuse to let the news that American rock legends Toto are coming back to Manchester for the first time in half a decade pass you by.
The 1970s and 80s pop-rock icons are still one of the most commercially successful and beloved band groups to ever come out of the US, and that’s saying something, so it’s safe to say their return is a pretty big deal in our opinion.
Known for hits like ‘Hold The Line’, ‘Rosanna’, ‘I’ll Be Over You’, oh, and of course ‘Africa’, they’ve always firmly been in that category of bands that you know way more of their songs than you think.
Set to land at the equally legendary AO Arena early next year, the venue is kicking off its 2025 calendar of shows in style.
🎉 TOTO announce their upcoming 2025 tour, which see's the group head to Manchester's AO Arena on Tuesday 4th February 2025. 🎸 The tour also features a Special Guest performance from Christopher Cross! ✨
Now active for nearly half a century (albeit across a total of three spells and numerous different lineups when it comes to live performances) their longevity is up there with some of the very biggest and best names in music.
With a whopping total of 14 studio albums to their name, well over 40 million albums sold worldwide since 1977 and an estimated 1,253,376 daily streams of ‘Africa’ on Spotify alone, they’ve done it all.
Beyond that, they’re littered all over movie soundtracks, influenced countless acts across the globe that came after them and were probably at least one of your relatives’ favourite bands at one point or another.
Polishing off their ‘Dogs of Oz’ tour for the remainder of 2024, the LA-formed outfit will be taking a short break before gearing up for a world tour consisting of 20 tour dates and just four here in the UK.
Fortunately, one of them just so happens to be in Manchester on Tuesday, 4 February. Phew.
It may only be guitarist and singer Steve Lukather left when it comes to original members, but it’s still great to see them going strong.
It’s also been five whole since they last played Manchester at Bridgewater Hall, so to experience the veterans back on an arena stage will be special, to say the least.
Better yet, with fellow contemporary Christopher Cross – best known for ‘Sailing’, ‘Ride Like The Wind’ and ‘Never Be the Same’ – joining them as a special guest, this is set to be a real throwback show that fans are sure to lap right up.
Tickets for Toto at the AO Arena go on sale this Friday, 13 September at 10am. Be ready to ‘Hold The Line’ and grab yours HERE. See what we did there?…
Consumer group urges Oasis and Ticketmaster to refund fans hit by ‘in demand’ ticket pricing
Emily Sergeant
Ticketmaster is being warned that its ‘in demand’ pricing system for Oasis tickets could be in breach of consumer law.
Which? is now calling on the Manchester band and the ticket website to refund fans.
In case you’ve been living under a rock, Oasis are reforming for a run of shows in the UK and Ireland next year, but the massively long-awaited reunion tour has faced controversy following Ticketmaster’s use of ‘in demand’ pricing – which came into effect when tickets to the gigs went on sale on Saturday 31 August.
Ticketmaster’s ‘in demand’ pricing is where prices surge if demand for tickets is high.
After waiting in a lengthy virtual queue, many Oasis fans had a nasty shock at the checkout when they found tickets were significantly more expensive than they’d expected them to be.
Now, consumer group Which? says it believes Ticketmaster’s lack of transparency around its ‘in demand’ pricing could have breached consumer law, and is calling on the company to “do the right thing” and refund the difference to fans who paid more than the expected face value for tickets.
Which? says it saw evidence that fans were shown one ticket price when they were queuing for tickets, only to have has that price taken away at the last second and replaced with a far higher – and unexpected – ticket price when the page reloaded.
In one example, the cost of standing tickets – which was originally advertised for £151.25 – had surged to £337.50 each, due to this ‘in demand’ pricing.
This meant that four standing tickets, which is the maximum amount of tickets one person could secure in one order, would have cost an eye-watering £1,400 once the service and order processing fees were included.
The Consumer Protection from Unfair Trading Regulations (CPRs) protect consumers from unfair or misleading trading practices, and it’s this that Which? believes Ticketmaster’s lack of transparency around its ‘in demand’ pricing for the Oasis concerts could have breached, as many fans were not informed about the price increase until after they had tried to add cheaper tickets to their baskets.
“Under the CPRs, when advertising a product, traders must not mislead consumers with how prices are presented or leave out key pricing information that might be needed to make an informed decision about a purchase,” Which? said in a statement.
The Competition and Markets Authority (CMA)is also investigating whether Ticketmaster’s sale of Oasis tickets may have breached consumer law, and if this is found to be the case, this when would enable fans to seek refunds and compensation from both Ticketmaster, and Oasis themselves.
When Which? contacted Ticketmaster, the company said: “We are committed to cooperating with the CMA and look forward to sharing more facts about the ticket sale with them.”
Clementine Hall -
16th February 2024 
