In a gig we waited seven years for, Sampha proved he is the master of his craft.
Celebrating his second album, LAHAI, Mercury Prize-winner Sampha headlined his first Manchester show in nearly seven years last night.
And it was well worth the wait.
As one of only two UK stops on his 2024 tour, we felt extremely lucky to watch the UK breakout star take to the stage at Aviva Studios.
Taking place in the formidable warehouse space, excitable crowds flocked in a circular motion to secure their spot around the stage.
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For such a vast space, performing in-the-round created a real sense of intimacy that wouldn’t have been made possible in any other venue.
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Gazing onto the stage filled with electronic keyboards, synthesisers and drums – the anticipation to see someone who’s since grown to be a global icon since last in the city was truly immense.
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But we didn’t have to wait long as the London-born singer songwriter plunged us straight into the deep end with emotive hit Plastic 100°C.
An honest reflection of both love and fear, Sampha and his incredible band had us enamoured from the very start and we knew we were in for a great night.
His new album, LAHAI, shows just how much he’s grown since first breaking out on the music scene back in 2017.
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From what was first heart-wrenching meditations of discovery now had sounds of acceptable and joy throughout, and truly it was a joy to hear.
Making his way through the album we of course were treated with tender ballad (No One Knows Me) Like The Piano, and even as the first chords were struck there was a communal sigh amongst the audience.
There were most definitely some wet eyes amongst the crowd as Sampha wistfully opened up his heart to us.
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But it wasn’t all melancholy meditations, Sampha and his crew jumped around the stage interacting with the audience, at one point communally banging a drum in the centre of the stage.
The new tracks took unexpected twists and turns, introducing flavours of jazz, soul, rap, dance and jungle which the band and himself merged seamlessly with their already mastered R&B genre.
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Highlights included the vocally layered Suspended and piano-heavy Dancing Circles, both of which I’m sure many of us played through our speakers as soon as we got in (myself included).
Ending triumphantly with Blood On Me, the lights turned red on Aviva Studios as we danced as a singular and were reminded just what a talent Sampha truly is.
And we left hoping he wouldn’t leave it another seven years until he comes back.
The White Hotel is a go-to haunt for Mancs seeking a late-night (or indeed, all-night) dance, with a packed programme of music running year-round.
The independent arts venue opened inside a former garage in Salford, just outside Manchester city centre and in the shadow of HMP Manchester.
Not only has The White Hotel defined Greater Manchester’s modern nightlife scene, but it’s become known globally as one of the best underground nightclubs on the planet.
Known for its raw DIY atmosphere and boundary-pushing line-ups, the Salford venue up there among the UK’s most respected club spaces.
But despite ‘continuing to draw full houses’, The White Hotel will close in January, according to The Guardian.
Ben Ward told the paper that the venue has found itself in a flood-risk zone, saying: “Basically, it’s a swamp.”
He added that it was better ‘to go out on our own terms, long before we became a museum’.
When The White Hotel opened in 2015, they planned to stick around for a year, then move to LA – but now a decade on, it’s cemented itself on Manchester’s club scene.
The area where The White Hotel stands will become a wetland park.
Neither artistic director Austin Collings nor Ward are ‘sentimental about losing the premises’, The Guardian wrote, quoting Ward as saying: “It’s come as a surprise that it’s lasted this long anyway.”
Festival-goers urged to stop taking wheelie bins full of booze
Daisy Jackson
Festival-goers have been warned not to take wheelie bins full of alcohol to festivals with them this summer.
The warning has come ahead of this year’s Download Festival, which takes place next month and kicks off the summer’s biggest run of festival dates.
But a major train operator has said there have been incidents in the past of passengers trying to travel to festivals with wheelie bins and luggage trolleys.
Passengers have had to be reminded that wheelie bins are not permitted on board, and they should instead only carry as much luggage as they can comfortably carry.
The warning comes from East Midlands Railway, one of the key services that will whisk people to Download Festival between 10 and 14 June.
Customers returning from the festival are also encouraged to use boot-cleaning brushes provided at stations to help remove mud before boarding trains.
Philippa Cresswell, customer experience director at East Midlands Railway, said: “We’re encouraging customers to travel light.
“Last year, some festive goers tried to board services with wheelie bins or festival trolleys full of beer. While it might seem like a great idea for getting your supplies to the festival, it just isn’t safe or possible to bring them onboard train services.”
Festival-goers urged to stop taking wheelie bins full of booze
EMR has also warned customers to plan journeys in advance, with engineering work taking place at various locations on the Midland Main Line, near where Download Festival takes place.
She continued: “We’re advising customers travelling to Download Festival to plan their journeys in advance and be aware that essential engineering work will affect services across the weekend.
“As a result, some services will be reduced or amended, and passengers should check before they travel and allow extra time.”
Clementine Hall -
16th February 2024 
