Listen, we here at The Manc and Audio North have been to a fair few gigs in our day, and heavy ones at that – we’re fortunate to have a fair few happy headbangers in our office – but we’re not sure many things encapsulate a proper rock show like seeing Frank Carter and the actual Sex Pistols.
You know, as you do…
When we first heard that the legendary punk band were not only back on tour over 16 years after their last handful of festival sets (and nearly in their 70s, by the way) but bringing the ex-Gallows and current Rattlesnakes frontman along for the ride, it felt like we’d be asked one of those dream lineup questions.
As the literal godfathers of the genre and entire movement that changed the face of music here in the UK and all over the world, there are very few people who could even attempt to fill the shoes of Johnny Rotten, but at times it genuinely felt like there’d never been anyone else other than Frank f***ing Carter.
Limited-run shows like these are obviously always going to be special and watching the last remaining Sex Pistols members play their iconic Never Mind The Bollocks album in full to what we can only describe as one of the most mixed crowds you’ll ever come across.
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Now, we’re fully aware that the Pistols pre-date us by some way and, of course, there were A LOT of dads and old punk-rockers with multi-coloured mohawks to be seen, but much like we’re hoping with those upcoming Oasis reunion gigs, there were a lot of young fans filling out the front rows.
But no matter what age group they belonged to, the Manchester crowd did us proud as it always does and even at some of the rowdiest metal gigs we’ve been to in the past, we have never seen so much crowd-surfing, circle pits and all-round chaos.
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It was nothing short of utterly delightful and, we have to say, a lot of the thanks has to go ‘Franky Boy’, as he was affectionately referred to throughout the show.
Once again, I don’t think we can overstate how hard it is to follow in the footsteps of arguably one of the greatest albeit controversial frontmen of all time, but somehow the 40-year-old made it look effortless.
Frank Carter is born to play the Rotten role and the Sex Pistols are better for it. (Credit: Audio North)
Actually, that’s a lie: if you’ve ever seen Frank Carter live you’ll know how much energy goes into those sets and we think of ‘blood, sweat and tears’ performances, he’s pretty much the epitome of it.
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Nevertheless, what we’re trying to say is that these now-legendary one-offs/revival/comeback shows, whatever you want to call them, simply couldn’t have happened without him – certainly not at this level, anyway. In fact, we’d go so far as to say he was born to play this role.
You could tell the boys know it too; not only have they put their faith in him but you can tell they’ve already struck a lifelong friendship, as they beckoned their lead singer back from the mosh multiple times by simply saying, “Frankie baby, we miss you.”
The man himself has made no secret of how much of a dream come true being chosen for this tour. He recently wrote to his followers: “In case anyone was wondering what it’s like to share the stage with these three legends… Pure joy.”
He went on to add, “It’s not lost on me how lucky I am to be up here and I cherish every moment of it… Every single show feels special and I am having the time of my f***ing life” – and so were we. Frank actually spent what felt like half of the gig in the crowd and you just don’t get over moments like that.
He can scream in our faces any day.Unreal energy from start to finish.We’re not sure where Manchester ranks on the current tour for Frank Carter and the Sex Pistols, but it’s bloody high on our best of 2024.
It has to be said too that Paul Cook, Steve Jones and Glen Matlock don’t seem like they’ve missed one single beat even after all this time.
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In terms of the tunes that went the hardest, we’re still not over the pure surrealness of hearing those opening notes of ‘Holidays in the Sun’, ‘No Feelings’ and ‘God Save the Queen’ were obvious favourites but it will surprise absolutely no one to hear that ‘Anarchy in the UK’ was the perfect closer.
We limped out of Manchester Academy with a couple of bruises to show for it and probably smelling like a bin fire, but if you’re asking us whether nearly losing a tooth whilst hugging a dozen random blokes in leather and/or denim was worth it, yes, it absolutely was.
In fact, rather than pretend this is much of an actual muso review (that doesn’t feel very Sex Pistols or particularly punk) we’ll go one further and declare that as possibly the most raucous gig we’ve ever been to – and it’s all Frank Carter’s wonderful f***ing fault.
The Pogues announce Manchester gig on first tour since death of frontman Shane MacGowan
Danny Jones
The Pogues have announced their first UK tour since the death of former frontman, Shane MacGowan, with Manchester one of just half a dozen cities chosen.
Nearly a full year on from his death at just 65, the Anglo-Irish favourites best known for their eternal Christmas classic, ‘Fairytale of New York’, are gearing up for their first outing since their iconic lead singer’s passing as a celebration of his life and their seminal second album.
It’s been 13 years since their last headline tour shortly before their split and it will be 40 years since the release of Rum Sodomy and the Lash by the time they hit the road along with special guests.
Safe to say it’ll be an emotional series of shows for everyone involved.
The Pogues return in 2025 for their first UK Tour since 2012 to celebrate 40 years of Rum Sodomy & the Lash Ft James Fearnley, Jem Finer, Spider Stacy & special guests. Tickets go on sale 9:30am Fri 22 Nov. Sign up at https://t.co/PxhZ8bnwBA by 5pm on 19 Nov for presale access ⚓️ pic.twitter.com/hFACjdf7yc
Revealing just six shows here in the UK, the long-standing band are set to play their sophomore release in full as well as a selection of their greatest hits.
The tour will feature remaining original members James Fearnley, Jem Finer, and Peter Richard ‘Spider’ Stacy, as well as a series of support that are yet to be confirmed.
Speaking on the upcoming dates, The Pogues said: “After the uproarious bash which was the 40th anniversary of our first record, Red Roses for Me, in 2024, we wanted to do it again, but with Rum Sodomy & the Lash.”
The music veterans are remaining tight-lipped about who they’re bringing along but they have promised their selections have been “thoughtfully chosen”.
With MacGowan, lead guitarist Philip Chevron (2013), bassist Darryl Hunt (2022) and long-time collaborator Kirsty MacColl (2000) now having passed away, the band will be roping in plenty of help on vocals and instrumentation.
Even though the gigs themselves will be coming at the of next spring, you can rest assured you’ll get to hear your beloved festive ballad.
Kicking off the tour in Leeds, The Pogues will play their first Manchester show in over a decade – and without Shane MacGowan front and centre – at the O2 Apollo on Wednesday, 7 May 2025.
Featured Images — Press Images (supplied)/Mordac (via Flickr)
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Khruangbin at the O2 Apollo Manchester – a masterclass on how to be really, really cool
Clementine Hall
Khruangbin, meaning ‘airplane’ in Thai, is a rather fitting name for a group who take their fans on a voyage across genres and styles through their funky, melodic tones.
Their second night in Manchester was no exception, as the first snow of the season began to fall outside the audience was psychedelically transported to sun-soaked places with Khruangbin’s celestial and enchanting melodies.
The set was laid back and minimal, featuring three arched windows and a white staircase that the band members travelled up and down smoothly throughout.
It’s fair to say that bassist, Laura Lee Ochoa, might just be one of the coolest people we’ve ever laid our eyes on.
Khruangbin in Manchester. (Credit: The Manc Group)
Sporting sequin black trousers that twinkled under the stage lights and a matching sequin headband, we’ve already started planning our Christmas party looks accordingly.
Accompanied by guitarist Mark Speer, both were of course wearing their iconic chunky black fringed wigs that shimmied side to side with every key change and with every understated, choreographed movement.
The first half of the evening was dedicated to their latest album, A La Sala. It’s a chilled album that features Ochoa’s soft vocals drifting over soothing drum work and ambient guitar.
With every track, the colour scheme of the windows behind them changed and Ochoa pinpointed each bass line with a point of the toe, a dip in her step, a quick turn of the head. The entire audience were left completely mesmerised, united in a syncopated head bop from the start.
Khruangbin’s psychedelic tones left us in a magical trance, and so the second half which featured more funky tracks from the trio was very much welcomed.
Playing fan favourites such as ‘White Gloves and People Everywhere (Still Alive)’, the audience couldn’t help but throw a few shapes and so did Ochoa and Speer.
Their choreography was so carefully considered and in synch, even their sips of water were in perfect harmony.
Encore songs ‘Evan Finds the Third Room’ and ‘Maria Tambien’ showed off quintessential guitar-driven Khruangbin melodies, providing the perfect end to their final night in Manchester.
Seeing Khruangbin live is a very unique experience, let alone in a venue like the O2 Apollo; I entered with an amateur knowledge of their songs and left eager to deep-dive into their vast catalogue.