Listen, we here at The Manc and Audio North have been to a fair few gigs in our day, and heavy ones at that – we’re fortunate to have a fair few happy headbangers in our office – but we’re not sure many things encapsulate a proper rock show like seeing Frank Carter and the actual Sex Pistols.
You know, as you do…
When we first heard that the legendary punk band were not only back on tour over 16 years after their last handful of festival sets (and nearly in their 70s, by the way) but bringing the ex-Gallows and current Rattlesnakes frontman along for the ride, it felt like we’d be asked one of those dream lineup questions.
As the literal godfathers of the genre and entire movement that changed the face of music here in the UK and all over the world, there are very few people who could even attempt to fill the shoes of Johnny Rotten, but at times it genuinely felt like there’d never been anyone else other than Frank f***ing Carter.
Lots of legs wheeling into the air, lots of circle pits, lots of sweat. (Credit: The Manc Group)
Limited-run shows like these are obviously always going to be special and watching the last remaining Sex Pistols members play their iconic Never Mind The Bollocks album in full to what we can only describe as one of the most mixed crowds you’ll ever come across.
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Now, we’re fully aware that the Pistols pre-date us by some way and, of course, there were A LOT of dads and old punk-rockers with multi-coloured mohawks to be seen, but much like we’re hoping with those upcoming Oasis reunion gigs, there were a lot of young fans filling out the front rows.
But no matter what age group they belonged to, the Manchester crowd did us proud as it always does and even at some of the rowdiest metal gigs we’ve been to in the past, we have never seen so much crowd-surfing, circle pits and all-round chaos.
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It was nothing short of utterly delightful and, we have to say, a lot of the thanks has to go ‘Franky Boy’, as he was affectionately referred to throughout the show.
Once again, I don’t think we can overstate how hard it is to follow in the footsteps of arguably one of the greatest albeit controversial frontmen of all time, but somehow the 40-year-old made it look effortless.
Frank Carter is born to play the Rotten role and the Sex Pistols are better for it. (Credit: Audio North)
Actually, that’s a lie: if you’ve ever seen Frank Carter live you’ll know how much energy goes into those sets and we think of ‘blood, sweat and tears’ performances, he’s pretty much the epitome of it.
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Nevertheless, what we’re trying to say is that these now-legendary one-offs/revival/comeback shows, whatever you want to call them, simply couldn’t have happened without him – certainly not at this level, anyway. In fact, we’d go so far as to say he was born to play this role.
You could tell the boys know it too; not only have they put their faith in him but you can tell they’ve already struck a lifelong friendship, as they beckoned their lead singer back from the mosh multiple times by simply saying, “Frankie baby, we miss you.”
The man himself has made no secret of how much of a dream come true being chosen for this tour. He recently wrote to his followers: “In case anyone was wondering what it’s like to share the stage with these three legends… Pure joy.”
He went on to add, “It’s not lost on me how lucky I am to be up here and I cherish every moment of it… Every single show feels special and I am having the time of my f***ing life” – and so were we. Frank actually spent what felt like half of the gig in the crowd and you just don’t get over moments like that.
He can scream in our faces any day.Unreal energy from start to finish.We’re not sure where Manchester ranks on the current tour for Frank Carter and the Sex Pistols, but it’s bloody high on our best of 2024.
It has to be said too that Paul Cook, Steve Jones and Glen Matlock don’t seem like they’ve missed one single beat even after all this time.
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In terms of the tunes that went the hardest, we’re still not over the pure surrealness of hearing those opening notes of ‘Holidays in the Sun’, ‘No Feelings’ and ‘God Save the Queen’ were obvious favourites but it will surprise absolutely no one to hear that ‘Anarchy in the UK’ was the perfect closer.
We limped out of Manchester Academy with a couple of bruises to show for it and probably smelling like a bin fire, but if you’re asking us whether nearly losing a tooth whilst hugging a dozen random blokes in leather and/or denim was worth it, yes, it absolutely was.
In fact, rather than pretend this is much of an actual muso review (that doesn’t feel very Sex Pistols or particularly punk) we’ll go one further and declare that as possibly the most raucous gig we’ve ever been to – and it’s all Frank Carter’s wonderful f***ing fault.
LF System, DJ Paulette and Turno announced as headliners for ‘The Drop’ music series
Thomas Melia
A returning music series is taking place in Manchester again and it’s bringing together even more great DJs for some fantastic live sets.
Titled ‘The Drop’, this music celebration is the mastermind of Skiddle and Headstock, who have collaborated to raise funds to support the music industry and mental health awareness.
Both the leading organisations put music at the forefront of what they do with Skiddle as a UK-based online ticket platform and Headstock, a hugely important music and mental health social enterprise.
‘The Drop’ is a monthly event series created to raise funds for several charities that exist to support the mental health of people working in the music industry.
Credit: Publicity Picture (Supplied)
This all-new event has support from The Warehouse Project, one of the leading nightlife and music entertainment spots not just in Manchester but the UK, bringing in acts from all over the world.
There are lots of music-tailored companies getting involved too including our very own music counterpart, Audio North.
Currently, there are three big headliners that have just been announced and these acts are certainly music champions in the dance music scene, featuring LF System, DJ Paulette and Turno.
LF System has reached incredible heights thanks to their unforgettable tune ‘Afraid To Feel’, which has now racked up nearly 500 million Spotify streams globally since its release in 2022.
Manchester music legend and Haçienda queen, DJ Paulette has also seen huge success with her mind-blowing mixes and soundtracking various music events.
The final headliner to be announced so far is Turno, who has played out to crowds of 10,000 at WHP and is respected for his eclectic drum and bass beats.
DJ Paulette is always lifting our energy no matter where she goes.Turno is about to bring some drum and bass bangers.LF System are ready to show off some well-crafted mixes.Credit: Publicity Pictures (Supplied)
‘The Drop’ kickstarts on 27 March for the Spring season with international DJ and producer Turno from 6:30-11pm, with sets happening every month following, tickets are already available.
Read more:
Moovin Festival announces 2025 lineup for much-loved Stockport event
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Three iconic Manchester bands nominated to join the legendary Rock & Roll Hall of Fame
Following on from this is the sensational LF System are taking over with a coffee table set joined by some special yet-to-be-announced guests on 24 April – tickets HERE.
Finally, DJ Paulette will be bringing those massive rave bangers and combining it with her usual charismatic energy on 15 May – grab your tickets now.
Cage the Elephant at Manchester O2 Apollo – as electric, explosive and energetic as ever
Daisy Jackson
Candlelit dinners, intimate moments, cosy nights in – OR, for a few thousand of us, a Valentine’s Day spent putting our eardrums to the test and watching a slender rock star wriggle about for two hours.
I know which I’d choose, any day of the week, because despite a five-year break from touring, Cage the Elephant remain one of the most electrifying live acts on the planet.
And frontman Matt Shultz still remembered to get us flowers, flinging dozens of red roses into the audience. What a romantic.
The six-piece, formed back in 2006 in Kentucky, are back in town for the first time since early 2020.
In that time, Shultz experienced a medication-induced psychotic breakdown, something he’s spoken publicly about and that he addresses on stage, saying he feels ‘grateful’ to be back performing.
Cage the Elephant have got a new-ish album with them in Neon Pill, but they don’t give it much weight in the setlist, which is mostly filled with songs from Tell Me I’m Pretty, Melophobia and Social Cues.
For long-time fans of the band this is a relief.
It’s hard to beat their tracks like Trouble with its zig-zagging bass, the surprisingly moving Cigarette Daydreams which has an entire room belting along, and the slow-build, semi-Western anthem that is Ain’t No Rest for the Wicked.
They get off to a very strong start, firing through Broken Boy, Cry Baby and Spiderhead before they pause to say hello to a crowd that’s been suitably loosened up by the glam-grunge sound of Sunflower Bean, the New York outfit whose lead, Julia Cumming, is either teetering on fiercely high platforms or otherwise thrashing her bass from her knees.
As usual with Cage the Elephant’s staging, most of the kit is crammed into a third of the stage. You need A LOT of space for a firecracker frontman like Matt Shultz, not to mention his guitarist brother Brad.
I can only imagine how chaotic their house was growing up, but they’re the most entertaining siblings in rock n roll and yes, I’m aware how inflammatory that sentence is on a Manchester page.
There’s even a guitar smash towards the end from Brad, which I didn’t think was a thing we were still doing. In this economy!?
The energy they bring to the O2 Apollo is never-ending, like during Mess Around when it seems that Matt might wriggle out of his own skin, Cold Cold Cold where he gets so giddy he can’t keep both feet on the ground, and Sabretooth Tiger which is intensely lively.
The hardest working person in the crew is the poor fella trying to keep Matt spotlit as he judders and slinks back and forth across the stage.
Cage the Elephant clearly LOVE Manchester, even enquiring about the status of Big Hands (yep, still thriving).
And by the time we hit the encore, wrapping up with Come A Little Closer, it’s pretty clear this crowd loves them right back.
Cage the Elephant setlist
Broken Boy Cry Baby Spiderhead Too Late to Say Goodbye Good Time Cold Cold Cold Ready to Let Go Neon Pill Social Cues Halo Mess Around Trouble Ain’t No Rest for the Wicked Skin and Bones Rainbow Telescope House of Glass Sabertooth Tiger Encore: Back Against the Wall Shake Me Down Cigarette Daydreams Come a Little Closer