40 years – that’s how long Simply Red have been putting out hit after hit and helping to build Manchester’s legacy as one of the world’s greatest musical cities.
They’re often overlooked when people put together a list of the best bands from our city (they’re not even on our own Top 30 list which is, quite frankly, a huge oversight on our part), but on this Saturday night, back on home turf and celebrating four decades, it’s hard to deny their impact.
This 40th anniversary tour was announced absolutely ages ago (the Co-op Live didn’t even exist yet) and you can feel that anticipation simmering in the audience.
It’s not exactly a gigantic production or build-up before Simply Red take to the stage – the music playing through the venue speakers just sort of turns off at 9pm on the dot and 20,000-odd people sit together in awkward silence until Mick Hucknall shows up a while later.
A VT of a young Mick in 1985 plays as he walks out.
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“I want to be a great singer” says VT Mick.
And as present day Mick launches into the bluesy Sad Old Red, he proves beyond doubt that he has achieved just that.
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His is a distinctive voice and one for the ages, especially here in his hometown.
“Thank you for creating me, Manchester,” he tells us, to rapturous cheers.
Simply Red on stage at Co-op Live in ManchesterSimply Red return to Manchester on their 40th anniversary tour
The rest of the band are mostly lined up neatly on one platform, in tight session musician style – brass, percussion, keys – only breaking free to perform the odd clarinet solo, while their frontman sashays across the rest of the stage in an incredibly snazzy jacket.
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The setlist is in loosely chronological order, which means it’s not long before Simply Red lure everyone onto their feet for Money’s Too Tight To Mention, their breakout 1985 single.
The hits all have similar effect – we sing so loud to If You Don’t Know Me By Now that he accuses us of coming after his job. For Stars, everyone flings their arms overhead and belts it out as best we can.
Fairground is like a very tame carnival, with whistles and maracas in the percussion section, and a slutty little samba step from Mick.
Holding Back the Years is a really, really boring song to end on though. There, I said it – someone had to.
It’s a grateful and engaged crowd at Co-op Live – there are couples dancing in the aisles, groups of pals shimmying, parents and grown-up children looking nostalgic (if you took a snapshot of Block 113 you’d see a mother and daughter wiping away a tear to For Your Babies… oh yeah, that’s me and my mum).
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Simply Red always sell out arenas in this city, their city, and probably always will. See you at their 50th?
Tickets for the remainder of Simply Red’s tour are on sale HERE.
Featured image: The Manc Group
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The Strokes at Co-op Live, Manchester – actually very hard to explain
Daisy Jackson
Manchester has waited a long, long time for this – The Strokes back on stage in our city.
I’ve been a fan of the band for as long as I can remember, but have never managed to catch them live, partly because they’ve left it TWENTY YEARS between shows here.
But back they are, with an enormous gig at the Co-op Live on their Reality Awaits tour.
The Strokes are known as one of the most solid indie bands of the 2000s, going triple platinum with their debut album Is This It and releasing massive anthems like Last Nite, Reptilia, and Someday.
They’re also known as a bit of an unpredictable live act – some will say they’re one of the best on the circuit, others will say they’re disappointing, and it really can depend on the night.
What they’re not known for is their audience interaction, so when frontman Julian Casablancas tries to have a bit of a chat with the audience, we all sort of stare blankly back at him. He’s speaking to us? What do we do?
“Wow, tough crowd,” he says, which is the first time I’ve ever heard anyone describe a Manchester audience as tough.
Then he turns back to drummer Fabrizio Moretti and says: “This is f*cking hideous, let’s play some songs.”
The setlist seems to get a shake-up every couple of shows, which is a nice surprise for us – and apparently also Julian, who regularly pops over to ask his bandmates what’s up next.
It doesn’t really matter that he’s not done his homework, because the second that drum kicks in, along with the impeccable guitar work of Schiltz, Fraiture and Hammond Jr., he snaps into action.
It’s impressive that their songs still have such singalong quality when Casablancas enunciates like a man with a dislocated jaw. For certain songs he’s so incoherent that if you weren’t a fan you’d walk in this room and wonder what the f*ck was going on.
But then, that’s sort of why us The Strokes fans love them so much. There’s a calamitous beauty to the work they put out and it’s so fun to belt out some words, even if they’re not the right ones.
I was hoping that seeing it live would sell that divisive new album, Reality Awaits, to me, but it didn’t. It’s too autotuney, too languid, and too often the victim of everyone’s toilet breaks.
Their earlier tracks still land best in a live setting, especially Reptilia, an absolute juggernaut in their back catalogue.
Rollercoaster set and tricky crowd interactions aside, we all had a great time – I’m just not sure I could say the same about Julian Casablancas.
Sam Fender describes his own ticket prices as ‘b*llocks’ and demands change for fans
Daisy Jackson
Sam Fender has kicked off about ticket prices for his own tour, ahead of his huge stadium summer next year.
The Geordie star announced his Proper Massive stadium tour last week, which will visit some of the UK’s biggest venues including The O2 in London, Etihad Stadium in Manchester, and St James’ Park in his home city of Newcastle.
But after ticket prices for the tour were announced, Sam Fender surprised us all by joining in with a moan about how expensive they were.
He described the ticketing strategy for his tour as ‘b*llocks’ and said he was ‘not happy’ with ticket prices.
And proving just how much sway an artist can have on ticket prices, Sam Fender then demanded that things be redone.
Sam first appeared in the comments on Gavin Davis’ Instagram account, which frequently shares tour leaks and ticket prices.
There, he wrote: “I’m not happy with these prices, they’re getting changed. It got inflated well more than I’d had in mind, it should only be inflated in relation to the cost of putting the show on.
“The standing will not be split as well, I had no idea about it. I have no idea how this was normalised in gigs.
“It’s bollocks and it won’t be happening on this tour.”
Then later, on his own Instagram stories, Sam Fender posted: “I’ve managed to get Front Standing tickets removed from the UK stadium tour. Whoever buys a standing ticket gets as much chance as anyone to be at the front.
“No more £120 standing tickets either.
“Costs are astronomical compared to two years ago, I can’t control the venue and ticketing fees, that’s a sad reality of today’s industry.
“This is gonna be the biggest and best show we’ve ever put on. Can’t wait to see everyone on the road next summer!”
The ticket prices for the Proper Massive tour are now confirmed by Sam Fender himself as being £85 for GA standing, and £55/£75/£95 for seats.
Daisy Jackson -
28th September 2025 
