40 years – that’s how long Simply Red have been putting out hit after hit and helping to build Manchester’s legacy as one of the world’s greatest musical cities.
They’re often overlooked when people put together a list of the best bands from our city (they’re not even on our own Top 30 list which is, quite frankly, a huge oversight on our part), but on this Saturday night, back on home turf and celebrating four decades, it’s hard to deny their impact.
This 40th anniversary tour was announced absolutely ages ago (the Co-op Live didn’t even exist yet) and you can feel that anticipation simmering in the audience.
It’s not exactly a gigantic production or build-up before Simply Red take to the stage – the music playing through the venue speakers just sort of turns off at 9pm on the dot and 20,000-odd people sit together in awkward silence until Mick Hucknall shows up a while later.
A VT of a young Mick in 1985 plays as he walks out.
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“I want to be a great singer” says VT Mick.
And as present day Mick launches into the bluesy Sad Old Red, he proves beyond doubt that he has achieved just that.
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His is a distinctive voice and one for the ages, especially here in his hometown.
“Thank you for creating me, Manchester,” he tells us, to rapturous cheers.
Simply Red on stage at Co-op Live in ManchesterSimply Red return to Manchester on their 40th anniversary tour
The rest of the band are mostly lined up neatly on one platform, in tight session musician style – brass, percussion, keys – only breaking free to perform the odd clarinet solo, while their frontman sashays across the rest of the stage in an incredibly snazzy jacket.
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The setlist is in loosely chronological order, which means it’s not long before Simply Red lure everyone onto their feet for Money’s Too Tight To Mention, their breakout 1985 single.
The hits all have similar effect – we sing so loud to If You Don’t Know Me By Now that he accuses us of coming after his job. For Stars, everyone flings their arms overhead and belts it out as best we can.
Fairground is like a very tame carnival, with whistles and maracas in the percussion section, and a slutty little samba step from Mick.
Holding Back the Years is a really, really boring song to end on though. There, I said it – someone had to.
It’s a grateful and engaged crowd at Co-op Live – there are couples dancing in the aisles, groups of pals shimmying, parents and grown-up children looking nostalgic (if you took a snapshot of Block 113 you’d see a mother and daughter wiping away a tear to For Your Babies… oh yeah, that’s me and my mum).
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Simply Red always sell out arenas in this city, their city, and probably always will. See you at their 50th?
Tickets for the remainder of Simply Red’s tour are on sale HERE.
Featured image: The Manc Group
Audio
Unknown Mortal Orchestra at the Albert Hall Manchester – groovy, hazy and effortlessly cool
Clementine Hall
Unknown Mortal Orchestra at the Albert Hall proved exactly why they’ve built such a cult following over the past decade.
Formed in 2010 by frontman Ruban Nielson, the band first broke through with their scrappy, lo-fi self-titled debut and since then, they’ve become known for their signature blend of psychedelic rock, funk, and warped pop.
I first saw the band back in 2023 at Glastonbury, and yes sorry I am one of those annoying people that bring it up all the time.
They’re the perfect band to close your eyes, sway your head and tap your foot to – and that’s exactly what the crowd were doing in unison last night at the Albert Hall.
Image: The Manc Group
From the second they stepped on stage, there was no rush – just that signature hazy groove met with enough stage lights to sink a ship.
You could barely see them on stage, but that made it even cooler. And you can only imagine how gorgeous the Albert Hall looked with hundreds of spotlights in different colours whizzing all over it.
Early tracks simmered and pulled us in before the band stretched out into crowd pleasers like ‘Multi-Love’ and ‘Hunnybee’. What an absolute tune by the way.
Image: The Manc Group
There wasn’t much crowd interaction but, again, there didn’t need to be. They let the music do the talking and by treating us to some of the most epic guitar solos we’ve ever heard (no, seriously), we’ll forgive them for not talking to us.
Each song melted into each other as the band oozed effortless charm and talent throughout the almost two hour set, which is no mean feat.
Of course, a sea of phones shot up for ‘So Good at Being in Trouble‘, their most popular track which prompted a harmonious audience singalong. Not very harmonious by me, admittedly.
It was a fantastic ending that left the audience feeling united by the laidback brilliance of Unknown Mortal Orchestra, and I hope they don’t leave it too long to come back this time.
Review | Leon Thomas at Manchester Academy – ‘Mutts Don’t Heel’ but this gig healed me
Thomas Melia
American singer-songwriter Leon Thomas visited Manchester Academy last night, performing hits from his deluxe album to a sold-out crowd of more than 2,600.
One year after an exclusive London MUTT Live date, Mr Thomas returns to the UK with the ‘MUTTS DON’T HEEL’ Tour, venturing to five cities, including the music capital of the North: Manchester.
The night started off just how it should’ve done with ‘HEEL’, as the audience were welcomed by the drum-loop and a chill atmosphere from the start.
Now, it wouldn’t be a Leon Thomas gig without at least one Ty Dolla $ign collaboration making the setlist, and there’s plenty to choose from with a new one dropping just over a month ago, ‘miss u 2’.
Leon Thomas performing hits at Manchester Academy (Credit: Audio North)
The funk-influenced musician opted for ‘FAR FETCHED’, and the audience was in the palm of his hand. No matter which of the four link-ups he chose, it was always going to go down well – Manchester never disappoints.
Leon didn’t even have to ask the crowd to bring more energy; they already matched him. When he sings, “For someone who don’t ask for favours, I’ve done way too many favours”, on ‘PARTY FAVORS’, he really meant it.
Last year, Leon Thomas dropped PHOLKS, a project which saw him exploring old-school funk and soul sounds even further and ‘Just How You Are’ had even the shyest dancer pulling out a little two step.
This isn’t the only hit that sent the crowd into a frenzy; ‘Baccarat’ and its impressive psychedelic guitar solo had jaws literally falling to the floor at Manchester Academy.
His songs might not be dramatic or extravagant, but they don’t need to be. Leon’s artistry prevails when he’s softly singing, and you’re still able to detect each instrument.
Leon Thomas brought the MUTTS DON’T HEEL Tour to Manchester Academy (Credit: The Manc)
‘Breaking Point’ is an easy-listening soul track that had all 2,600 Leon Thomas fans in our feelings as we realised we were coming to the end of a phenomenal concert.
And of course, ‘Mutt’ – his biggest single to date: a bouncy and swag-filled number that sticks in your head for weeks on end – sounded even better when backed by a live band as I discovered last night.
There was some insane musicality, distinct bangers and impeccable live arrangements that elevated the original studio recordings. Maybe ‘Mutts Don’t Heel’, but Leon Thomas definitely healed me.
He wasn’t the only cool cat playing last night either:
Daisy Jackson -
28th September 2025 
