Music and mental health social enterprise, Headstock, has partnered with leading ticketing platform Skiddle, to create an exciting new event series, ‘The Drop’ – and local production duo Solardo are taking the stage for the launch night.
The DJ duo from Manchester, best known for pumping out irresistible house beats, have just announced their first Drop event, set to perform an intimate show at The Yard on Thursday, 10 October.
Known for igniting dancefloors wherever they go, Solardo has played in iconic clubs and wowed at festivals all over the world, including Glastonbury, Tomorrowland, Creamfields, Ultra and Burning Man.
For one night only, 300 lucky people will be able to experience the electric vibes of the duo at this new event in Manchester.
Credit: Press Images (supplied)
The Drop is a monthly house music event, designed to elevate the mood of partygoers and raise both awareness and funds for mental health charities.
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Aptly named, ‘The Drop’ obviously refers to the climactic moment in electronic dance music where a track’s crescendo releases a wave of euphoria – a really fitting metaphor for the event’s mission: to raise spirits and support mental well-being.
Each month, The Drop will welcome some of the world’s most renowned DJs for an early evening rave, with proceeds supporting the music industry and local mental health charities, chosen by the featured artists. This first one just happens to be Solardo and the cult favourite Cheetham Hill venue.
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The series will highlight house and electronic dance music’s ability to stimulate feelings of joy, and the 9pm finish gives you a chance to continue your night out or head home for a well-deserved rest.
The proceeds from Solardo’s gig will go to Music Minds Matters, a national charity that puts positive mental well-being, centre stage in the music industry and supports the UK music community’s mental health through a 24/7 confidential helpline, peer support and specialised online sessions.
Supporting Solardo are fellow Mancunian breakthrough double act: Shimrise.
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Yelena Lashimba and Latoya Reisner bring high-energy performances and take an electrifying twist on house music, infusing percussion, bass and nostalgia into their sets.
If you’ve heard even a little bit of their stuff, you’ll be just as excited to hear these two as Solardo.
Taking the stage from 6pm onwards, they’ll be getting things warmed up before the main event. It’s honestly going to be such a good party atmosphere.
Atheer Al-Salim, founder of Headstock, shared the inspiration behind the series:
“At Headstock, we believe passionately in the power of music and shared experience to positively impact our mental and emotional well-being. The Drop is an embodiment of this belief and an amazing shared experience for house music fans.
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“We are excited to partner with Skiddle to launch a new event series which exists to remind people just how powerful music can be to lift our mood and brighten our day.
“It’s very fitting that we’re kicking things off on World Mental Health Day with Solardo – raising money for Music Minds Matter. This forms part of Headstock’s long-term commitment to support the mental health of those working within the music industry.”
Get ready to grab your tickets HERE because it’s going to be an unforgettable night, especially if comes even remotely close to the Solardo sets we’ve grown accustomed to. That drop really is just the best feeling, isn’t it?
Government to introduce price cap on ticket touts and launch consultation on dynamic pricing
Danny Jones
The UK government are finally set to install a price cap on re-sale tickets for touts and open an official consultation on the growing trend of dynamic pricing.
If you’ve bought a ticket to a live music show over the past year or so, you’ll have noticed that ticket prices in general are on the up – particularly if purchased from a reseller, in which case you might have paid through the nose for the privilege.
Not only does ticket touting remain a prevailing problem in the industry, with tonnes of tickets for big shows, especially, being snapped up in bulk or by bots and listed for re-sale before you’ve even added them to your basket, but the advent of this new dynamic pricing lark has made things even harder.
You only have to look at the controversy and chaos surrounding Oasis’ reunion tour, which ultimately saw some fans paying significant amounts more for practically the same ticket just a few days later in what many dubbed as ‘fraud’ and even ’emotional blackmail’.
Justin Timberlake at Co-op Live Manchester was one of countless gigs where ticket prices fluctuated. (Credit: The Manc Group)
Tackling resellers head-on
Knowing full well that people will go to extreme lengths to try and see the musicians and artists they love so dearly – in some cases being backed into a corner as the final figure displayed on the screen when they checkout suddenly jumps up – the modern ticketing industry is severely broken.
With all that in mind, the government are now looking to enact more stringent measures on resellers, by announcing a new price cap on tickets put back up for sale which is set to be introduced (hopefully) in the very near future.
Targeting sites infamous for inflating re-sale costs such as Viagogo, StubHub and others, the bill published on Friday, 10 January proposes a price cap of face value plus 10-30% but no more, with an obvious aim to keep that number as low as possible.
According to the current figures, touts reportedly cost music fans alone more than £145 million in extra re-sale fees when purchasing tickets every year – a frankly ridiculous sum. There will always be tickets ending up on re-sale sites, that’s unavoidable, but a price cap could seriously improve the situation.
The Manc music legends themselves claim they had little control over the situation.
Down with dynamic pricing
Labour, who were voted into power back in July, are also set to try and combat dynamic prices, which essentially sees gigs and events set people back more or less depending on how the popular ticket sales have been up to that point, market trends and general demand. An initial review was called for last year.
Put simply, the more people want to attend a gig, platforms like Ticketmaster feel they are able to jack up their margins even after the initial price point has been established. The European Commission has been investigating these methods since September 2024.
Although it is still unclear as to the exact time scale of when these changes will come in, Labour MP Chris Bryant told NME that although they are still in the early stages, it is “now just a matter of how the government takes action.” And that’s where you come in.
The consultation is also crucially public, with the calling for people to submit their evidence on current pricing practices and continue engaging in the discussion throughout the progress. New Year’s Resolution: let’s curb ticket touts as much as we possibly can.
The AO Arena is giving away FREE tickets for a year to celebrate 30 years in Manchester
Daisy Jackson
The AO Arena has announced it’s giving away free tickets for a year to celebrate its 30th anniversary in Manchester.
The iconic music venue has welcomed the biggest names in the world in its three decades, with millions of us making memories for life inside its huge space.
And now you could win VIP tickets for an entire year, simply for sharing those memories with the AO Arena.
Fans who submit their old photos, videos and tickets will be in with a chance to win tickets to all the shows coming up in 2025 – which already includes massive gigs like Kylie Minogue, Katy Perry and Busted vs McFly.
AO Arena wants to dig deep into ‘first gig’ nostalgia territory, using fan-submitted snaps to build a collection of Manchester memories.
Were you in the same room as Taylor Swift, did you party like it was 1999 (because it was) with Spice Girls, did you cry over the sight of Gary Barlow or cry laughing with Peter Kay?
Britney Spears and Beyonce are among the names who have performed at AO Arena in its 30 year history. Credit: Supplied
Whatever your AO Arena memories are, you can share them before the end of the month to be entered into the competition to win VIP tickets for the year.
One overall winner picked at random will get the ultimate VIP experience, including access to a premium suite and The Beautiful North, as well as access to The Mezz with panoramic views of the main stage.
The 30th birthday campaign has been inspired by Adele’s monumental When We Were Young performance at Glastonbury, and all these memories will be projected around the arena before every performance.
You can submit your footage and enter the competition via the AO Arena website HERE.
Emily Johnson -
26th September 2024 
