This region has produced some of the greatest songwriters of all time; it’s just straight-up facts, and now the brand-new digital docuseries entitled Manchester:Unplugged is set to spotlight that treasured truth online.
Created by StreamGM – the non-profit digital streaming service dedicated to showcasing and supporting the music, nightlife, and culture of Greater Manchester, which evolved from the all-important ‘United We Stream’ project back in lockdown – this is just as much a hometown celebration as it is a show.
They’re the same team behind the Spill The Sound series presented by Louise Schofield, and given they’re now a few seasons deep into old-school music telly, we’d wager this new programme is going to be a similar success.
Getting underway on Thursday, 4 September, the very first episode of Manchester:Unplugged is nearly here. Keep reading to find out more.
The new show is filmed at various familiar venues, such as The Freemount and Bay Horse Tavern in NQ. (Credit: StreamGM)
Put in the simplest terms, this new series is all about our many marvellous Manc lyricists and the best of local and contemporary songwriting.
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The new free-to-watch online documentary series uncovers the stories behind the songs that make Manchester one of the world’s greatest cities for music.
Available via the streaming platform itself as well as uploaded directly to YouTube, each 10-minute episode follows the journey of one song born in the region, from the spark of an idea to the creative process of writing, recording, release and its eventual impact on us listeners.
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Better yet, the show is filmed in iconic and grassroots local venues, rehearsal rooms, pubs and creative spaces and more, all portrayed at their cinematic best, blending stripped-back performances with intimate interviews from the artists reflecting on their work.
With a focus on both the city’s rising stars and its more established names,Manchester: Unplugged captures the energy of the city’s diverse and constantly evolving scene, while staying rooted in its ever-growing history and heritage.
The Covasettes after their performance at New Century Hall. (Credit: Supplied)
Speaking on the new project, producer Laura Graham told The Manc: “Manchester: Unplugged is about more than music, it’s about memory, place, and the moment and reason why a song was brought to life.
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“Each episode is a personal narrative by the songwriter. At its core, it’s about meaning and connection: between artist and audience, song and place, past and present.
Ticketmaster agrees to change ticketing procedures following Oasis dynamic pricing controversy
Emily Sergeant
Ticketmaster has agreed to change its ticketing procedures following the ‘dynamic pricing’ controversy over Oasis reunion tour tickets.
After a lengthy investigation, the Competition and Markets Authority (CMA) has secured formal commitments from Ticketmaster, known as ‘undertakings’, to make sure fans have the information they need when they spend their hard-earned cash to see the artists they love.
The leading ticketing platform will now be required to make it clear to fans what they will get for their money, and give more information about different ticket prices.
These undertakings require Ticketmaster to tell fans 24-hours in advance if a tiered pricing, or dynamic pricing, system is being used, and provide more information about ticket prices during online queues, helping fans anticipate how much they might have to pay.
Ticketmaster will also now have to ensure that tickets are described accurately, and do not give the impression that one ticket is ‘better’ than another when that is not the case.
We’ve secured undertakings from #Ticketmaster to provide customers with more pricing information + make sure ticket descriptions are clear.
And finally, the ticketing platform will have to provide regular reports to the CMA to show how it has implemented the undertakings.
As mentioned, the CMA investigation comes following widespread concerns about the Oasis Live ’25 tickets sale.
Two areas were identified as needing investigating following the sale.
The first being that Ticketmaster did not tell fans waiting in lengthy queues that standing tickets were being sold at two different prices, and that prices would jump as soon as the cheap tickets sold out.
The second being that Ticketmaster sold some ‘platinum’ tickets at almost 2.5 times the price of ‘standard’ tickets, and all without sufficient explanation that these offered no additional benefits over some ‘standard’ tickets in the same areas of the venue.
Ticketmaster has agreed to change its ticketing procedures following the Oasis dynamic pricing controversy / Credit: The Manc Group
“Fans who spend their hard-earned money to see artists they love deserve to see clear, accurate information upfront,” explained Sarah Cardell, who is the Chief Executive of the CMA.
“We can’t ensure every fan gets a ticket for events as popular as the Oasis tour, but we can help ensure that next time an event like this comes along, fans have the information they need, when they need it – and the changes we’ve secured will give fans more information about prices and clear descriptions of exactly what they are getting for their money.
“If Ticketmaster fails to deliver on these changes, we won’t hesitate to take further action.”
Featured Image – Simon Emmett (Press Picture)
Audio
Tame Impala announces massive Manchester gig on new tour
Clementine Hall
Tame Impala is heading out on a huge arena tour, with a massive gig right here in Manchester.
Oh Kevin, it really is great to have you back.
In just a few weeks on Friday 17 October, Tame Impala (Kevin Parker) will release his fifth studio album titled ‘Deadbeat’.
And today, he’s announced a major European and UK tour to go alongside it.
The dates kick off in Porto, Portugal on Saturday 4 April and wrap in Dublin, Ireland on Wednesday 13 of May.
He’ll be stopping off in Manchester near the end of the tour, bringing his synth sounds to the Co-op Live Arena on Friday 8 May.
Image: Publicity Picture
As well as a show at the Co-op Live in Manchester, Tame Impala will perform in London, Birmingham and Glasgow.
Kevin Parker has emerged as one of the most influential voices of the last decade, renowned for carving out a distinct sound all of his own and transcending genre-bending sonic landscapes.
Playing every instrument and acting as writer, producer, mixer and engineer on his projects, it’s not hard to see why he’s been nominated for four GRAMMY awards with one win for his collaboration with Justice on 2024’s “Neverender.” In his home country of Australia, he’s racked up an impressive 13 ARIA Awards and 27 Nominations.
Artist pre-sale begins Wednesday 1 October at 9am BST with the general on-sale taking place on Friday 3 October at 9am BST and you can buy yours HERE.
Tame Impala Deadbeat Tour 2026:
4th Apr – Super Bock Arena – Pavilhão Rosa Mota – Porto, Portugal
5th Apr – MEO Arena – Lisbon, Portugal
7th Apr – Movistar Arena – Madrid, Spain
8th Apr – Palau Sant Jordi – Barcelona, Spain
10th Apr – LDLC Arena – Lyon, France
12th Apr – Inalpi Arena – Turin, Italy
13th Apr – Unipol Arena – Bologna, Italy
14th Apr – Hallenstadion – Zurich, Switzerland
16th Apr – Olympiahalle – Munich, Germany
18th Apr – PreZero Arena – Gliwice, Poland
20th Apr – O2 Arena – Prague, Czechia
23rd Apr – Barclays Arena – Hamburg, Germany
25th Apr – Royal Arena – Copenhagen, Denmark
26th Apr – Avicii Arena – Stockholm, Sweden
27th Apr – Unity Arena – Oslo, Norway
29th Apr – Uber Arena – Berlin, Germany
30th Apr – Festhalle – Frankfurt, Germany
1st May – PSD Bank Dome – Dusseldorf, Germany
3rd May – Accor Arena – Paris, France
4th May – Ziggo Dome – Amsterdam, Netherlands
5th May – AFAS Dome – Antwerp, Belgium
7th May – The O2 – London, United Kingdom
8th May – Co-op Live Arena – Manchester, United Kingdom
9th May – Utilita Arena Birmingham – Birmingham, United Kingdom