And now the group will be performing in Manchester on 21 October, at the O2 Apollo.
The news follows the reformed band’s headline appearance at London’s Mighty Hoopla festival and days ahead of their appearance at Glastonbury Festival.
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They announced: “We’re so excited to come full circle and announce our own headline UK tour! We’ll be hitting the road in October and November – can’t wait to see you all there. Tickets on-sale 1st July, pre-sale signup link in bio.”
Tickets will go on sale on 1 July, and you can sign up for pre-sale access here.
Featured image: Publicity picture
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Eurovision 2024 final to be screened live in cinemas across Greater Manchester
Emily Sergeant
The grand final of the Eurovision Song Contest is to be screened live in cinemas across Greater Manchester next month.
Following the success of the first-ever live streams of Europe’s biggest party onto the big screen when it was held on British soil in Liverpool last year, cinemas up and down the UK are set to come together once again to celebrate 2024’s edition of the major night in the music calendar by hosting the ultimate viewing events.
The epic Eurovision Song Contest Grand Final on Saturday 11 May will be broadcast live on BBC One, and streamed into more than 100 cinemas nationwide – including several in Greater Manchester.
Hosted by CinemaLive, the live stream events will allow Eurovision fans to gather under one roof and be “united by music” to share in the unbeatable experience of celebrating the brightest and boldest music party of the year on the big screen.
Eurovision 2024 final to be screened live in cinemas across Greater Manchester / Credit: Cinema Live | Krists Luhaers (via Unsplash)
You may remember that Sweden is hosting Eurovision this year, following the Scandinavian country’s well-deserved victory at the 2023 contest with the song ‘Tattoo’ performed by Loreen.
But thanks to these live stream events, you won’t need to make the trip to Malmö to get in on the action, as you’ll just need to nip down to your nearest participating cinema instead.
Not only will the long-awaited final of the show be streamed live onto the big screen in 5.1 surround sound, but fans are invited to bring their Eurovision parties from the front room to the cinema instead, as organisers say fancy dress is “heavily encouraged” as are enthusiastic sing-alongs too.
The Eurovision Grand Final will be in Cinemas on May 11, 2024! Get your tickets now! https://t.co/4KBeOZ6DT7
Speaking ahead of the event next month, John Travers from distributors CinemaLive, said: “We’re delighted to be working with the BBC to bring Eurovision’s grand final live into cinemas across the UK for the second year in a row.
“We want audiences to enjoy themselves, so come along in groups, get your fancy dress on, and join together to enjoy this incredible occasion on the big screen”.
Tickets are now live and available to book at your local cinema here.
Some of the participating Greater Manchester cinemas include Vue Manchester Printworks, Everymans in Manchester city centre and Altrincham, The Light in Stockport, and Cineworld in Didsbury, among others.
Featured Image – Nick Robinson (via BBC)
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Novo Amor brings a studio-perfect production and performance to Manchester’s New Century Hall
Danny Jones
Friday night’s gig at New Century Hall was one of those where you’re so stunned by the show that you’re left wishing the act in front of you was Manc so you could claim them as you’re own – but sadly Novo Amor is a Welshman and we had to give him back.
The stage name for the highly impressive multi-instrumentalist and producer, Ali John Meredith-Lacey, in truth seeing him for the first time here in Manchester proved that the Novo Amor really is the sum of many talented parts.
Much like Bon Iver in that sense and in style, sound and approach to making music, for without Justin Vernon and co. there would be no Novo, one of our first worries was that he would be unable to carry over the level of production and sound design heard on the albums to the stage performance.
That’s where his full band came in, who ensured not only that the whole thing sounded virtually studio-perfect but took a step beyond what we ever thought we’d get to hear at a Novo Amor gig. And it all started with Ed Tullet performing under his own stage name Lowswimer for the opening act.
Lowswimmer supporting Novo Amor in Manchester (Credit: The Manc Audio)
Anyone who listens to Novo will likely be aware of the little sub-group of artists that all swim in the same circle, from Ali himself to the likes Gia Margaret, Sean Carey (part of Bon Iver) and Yvette Young, to Hailaker – Tullet being one-half opposite Jemima Coulter – as well as Lowswimmer and several others.
He might have only played a handful of songs with only a guitar, including a couple of beautiful Hailaker tracks, but it was more than enough to leave an impression of the very sincere artist who clearly has a massive influence on all of those around him.
Explaining that this would be his second to last show perform with Novo Amor due to health issues and the general toll of touring, having helped write, record, produce and play the bulk of music ever put out under that name since day dot, it was a fittingly sombre and intimate warm-up.
However, even in delivering the more stripped-back set we were already half expecting from the headliner, we almost managed to get both sides of this little mini-music community: the quieter acoustic stuff where big vocals moments are left to shine, and they did, as well as the real deal.
There was even a moment when tiny embers began to flicker as if you were listening to the guitar around a campfire.
When Ali and the rest of his band finally walked out on stage, with Ed himself receding back into what looked to be the more comfortable position just outside of the spotlight, it suddenly dawned on us that it wouldn’t just be a few folky guitars and some nice piano playing.
After the Lowswimmer’s ironically low-lit stage had somehow managed to hide a quietly better-budget backdrop, the stage suddenly began to light up as Novo Amor wandered on to pick up their instruments and play and from here on out we were just as captivated by the lights and effects as we were the music.
Be it thin but sharp white lines tracing the borders of light boxes like a weird game of snake; solid blocks of electric blues, warm yellows and moody reds appearing on perfectly-timed musical cues or dots delicately twinkling into a slow-moving constellation, each song felt like an experience.
Not sure we’ll ever get over seeing this track being introduced in such a stunning way and in a venue as eye-catching as New Century:
Novo Amor stuns Manchester with ‘Same Day, Same Face’, fresh from his new album Collapse List at New Century.
Similar to Ed when he was busy tuning his guitar, Ali let on that his talent lies in bringing these intricately built-up tracks to life not only in record form but in translating them for the live shows too, choosing to ask ChatGPT for some ‘on-stage banter in the style of Novo Amor’ to fill the gaps.
Truthfully, as much as both parties said they were ‘not good at this kind of stuff’, he did a good job at handling the short lulls between songs by letting people ask questions, daft or not, as well as making sure water got to those feeling faint in the hot room. Everyone was fine, don’t worry.
In fact, when one girl seemingly passed out nearer to the front of the crowd as he came towards the end of fan favourite Halloween (you have no idea how gorgeous that song sounds with a full room of people singing it back, by the way), he still managed to check on her whilst quietly playing the outro. A total pro.
Those were the three key letters here in every sense the more we think about it; be it the effortless professionalism in recreating what you hear in your headphones down to the tee and then some live, or the production levels and simple but striking set design behind them, it was verging on surreal.
We might not have been anticipating such a put-together set and overall level of production both in terms of sound and the often mesmerising visuals but we don’t know why, because we absolutely should’ve.
This is what you get when you put a group of extremely talented musicians and multi-instrumentalists together in one place. They might make highly complex, heavily layered and often delicate sounds with electronics and technology playing a big role, but they also know how to ramp it up for an audience.
All we can pray is that the next time Novo is back in Manchester he brings at least one half of Hailaker along again and maybe a surprise showing from another corner of this collective.
A special shout-out has to go to Ed as well; we have no shame in admitting that watching Ali looking on at his long-term creative partner and mate with a smile as he signed off his time with the live band by belting out the final tune had us welling up.
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Novo Amor might not be from Manchester but we want him back soon.
Daisy Jackson -
23rd June 2022 
