Last night we had to bid an emotional farewell to one of the true GOATS of the rock and pop-punk scene, and also a big part of our childhood and adolescence, as Co-op Live Arena hosted Sum 41 for their last-ever Manchester show on their final world tour.
Sum 41 have been going since 1996, which for those who’ve always had a penchant for thrashy guitars, pounding drums, devil horns and bleach-blonde haircuts, probably explains why they’ve managed to play a part in many people’s youth and formative music years over multiple generations.
The Canadian outfit announced their split after 27 years back in May 2023, much to the heartbreak of their fans all over the globe, but we’d like to think of this conclusion not as a break-up but more of a long goodbye, as by all accounts the members left on stage still have a lot of love for each other and us.
Put simply, they’ve just come to a natural conclusion and after the best part of three decades of jumping up and down, shredding guitar solos, touring the world and some very well-known ups and downs, they’re tired – but thankfully not so exhausted that they couldn’t give us one last party. Exhibit A:
Now, if you’re thinking this was just the crescendo and that they saved the best songs, lights and effects for last, you’re dead wrong.
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All Killer, No Filler was Sum 41’s highly-anticipated debut way back in 2001 and even to this day, with eight studio albums to their names, a cult favourite 1998 demo tape and a compilation album of their Solid Gold Hits, that title still sums up – pun obviously intended – what they’re all about.
Even with members coming in and out of the band, record label rivalry, frontman Dereyck Whibley’s very widely publicised battle with boozing, his path to reaching an incredible 10 years of sobriety and alarming revelations in his new memoir, they never put out a bad record despite the ups and downs.
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Whibley, 44, said as much on stage too; we lost count of how many times he ended one of their many standout tracks by shouting “STOP!” and a sudden cut to black but also the number of moments in which he paused to reminisce and say thank you to the Sum 41 family.
For a man who literally paid £41,000 (of course) to get back his first guitar decades after it was stolen from his house, brought it out on stage, and played the oldest of the old Sum 41 tracks to a delighted Manchester crowd inside the Co-op, taking the time to be nostalgic clearly means a lot to him and us.
Some start.Lots of bells and whistles.Our review of the final ever Sum 41 live show in Manchester. (Credit: The Manc Group)
Whether it was old favourites like ‘The Hell Song’ and ‘Motivation’, the ever-underappreciated middle years of ‘Underclass Hero’ or their heavier metal era, their first-ever EP Half Hour of Power or their most recent and still celebrated singles like ‘Dopamine’ and ‘Landmines’, it all felt intensely reflective.
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It also surprised us just how much of their music we retained even after all this time, as we’re not going to pretend that we’ve been across every release over nearly three full decades of their career, but one thing we will tell you is that no matter how old their audience has grown they haven’t forgotten the words.
More importantly, we loved that although there was a mixed-age crowd and even some very young kids in the stands clearly brought along by the parents who grew up on this stuff, as far as we could tell the main mosh pit was full of late 20s to 30-somethings rolling back the years just like the band on stage.
In a current music moment where a fair few bands have recently cancelled shows or the entire remainder of their tours due to fatigue and various other reasons, there was something about a bunch of middle-aged men still dressed as punks and giving every last ounce of their energy on their umpteenth gig that brought a smile to our faces.
Deryck is still fit and fighting.Pyros instantly improves any rock show.Vocals didn’t disappoint even after all this time, guitar and drum solos were on point and who doesn’t love fire?
For this particular music fan, Sum 41 is genuinely one of the earliest music memories I can recall: sitting cross-legged in front of a big old Panasonic box telly with my brother and watching the iconic ‘In Too Deep’ video and both nodding our heads to that timeless riff as if to confirm it was the coolest thing ever.
Seeing them live at the end of their journey felt super emotional and rather full circle too. I have no interest in rolling out in the ‘it’s not a phase’ meme on this occasion and I won’t dare spoil much more of this very special show in case you’re heading to another date, just make sure you stick in there until the very end as you’ve done so faithfully for all these years.
Sum 41 managed to turn their Co-op Live debut but final Manchester gig from a bittersweet goodbye that we’d been dreading for months into a fond farewell where we had to remind ourselves, ‘Don’t be sad it’s over, just be glad that it happened’ and that we were alive to be part of it.
On that note, we have nothing left to say other than ta-ra, thank you for the memories and for playing such a big role in so many people’s early years spent dreaming of being a rockstar.
The Sum 41 live audience made it a night to remember.There were some very real tears around us.We hope to see you again someday.
Ticket requests are now officially open for Harry Styles’ one-night-only Manchester gig
Emily Sergeant
The time has come – the ticket request system for Harry Styles’ one-night-only gig in Manchester is now live.
In case you hadn’t heard, it was announced on Wednesday evening after much speculation that Harry Styles would be making a return home to Manchester for a one-night-only ‘intimate’ gig at Co-op Live to celebrate the release of his fourth studio album next month.
Styles is set to share Kiss All The Time. Disco, Occasionally with the world on Friday 6 March – and it’s that very same night he’ll be taking to the stage in Manchester.
Although little is known about what to expect at the gig, the poster for the event does state that there’ll be a ‘special performance of the album’, so it seems fair to say that Manchester will be the first to hear the new set of songs in full live.
And if all of that wasn’t exciting enough as it is, the tickets are only £20 per person.
But, of course, there is a bit of a catch, as this isn’t your regular online queuing up for tickets scenario, this is a ‘ticket request’ system instead.
So, like us – and literally every other fan in the vicinity of Greater Manchester and beyond this week – you’re probably wondering what a ‘ticket request’ system is… what does it look like? How does it work? Basically, what the heck is it? Well, we’ve done a bit of digging around to get to the bottom of it so you’re not left too much in the dark.
According to Ticketmaster’s website, if an artist is running a ticket request, they’ll invite fans to request tickets so you don’t have to compete in a first-come, first-served sale.
This means you can take your time to review the available options and request the right tickets for you.
All you need to do is tell Ticketmaster which shows you’re interested in, the type of ticket you want, and your payment details. Then, if the tickets you request can be fulfilled, your card will be charged and you’ll get emailed instructions to access them in the Ticketmaster App.
Unfortunately, as much as we’d love it to be the case for everyone, submitting a request doesn’t guarantee you tickets – it really is just luck of the draw.
To request tickets, you’ll need to follow these three simple steps:
Select which shows you’re interested in and the type of ticket you want
Add your payment details
Harry Styles ticket requests are now live / Credit: Johnny Dufort (Publicity Picture)
Ticketmaster will then send you a summary email that details the tickets you’ve requested. Your card won’t be charged at this time, but they may charge a temporary £1 authorisation to your card to validate your request.
A maximum of two tickets per person can be requested, which has been set to allow for as many fans as possible to get tickets.
Now, here’s the crucial part – you will need to submit your request for tickets while the window is open until Sunday 8 February at 11pm GMT. After the request window closes, you’ll get a second email by 11:59pm GMT on Tuesday 10 February confirming whether or not your request has been fulfilled.
All that’s left to do now is provide you with the link here and send you on your way… oh, and may the odds be ever in your favour.
Featured Image – Wikimedia Commons
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The story behind Sâlo: the rising Georgian-born Salford artist set be one of the region’s next stars
Danny Jones
We always love stories of people moving to Manchester to be more creatively engaged, but tales of entire families relocating here for a better life and art being born out of it is something truly special – and besides her obvious talent, that’s what has attracted us and plenty others to Sâlo.
This up-and-coming Salfordian artist may have been born around the border between Eastern Europe and Western Asia during a particular fraught time for her country, but she’s been raised and moulded like so many of us by this city’s rich music culture and wider artistic heritage.
She came to the UK with her family as a baby, with her parents fleeing poverty and lingering friction in Georgia following the collapse of the Soviet Union in the 90s, and their journey as asylum seekers eventually brought them here to the North West.
It was clear from a young age that Sâlo (short for Salome) had a gift for the piano, but it was when her family moved to the Greater Manchester area that her own interest in genres and styles began to develop. Here’s a little snippet of her recent performance at the stunning Stoller Hall.
This short video was taken from her feature in a recent episode of Manchester: Unplugged, the web series by StreamGM that launched just last year and spotlights local songwriters.
Honing in on one of her newest releases, ‘Set Me Free’, which taps into that pure love for the keys.
While this clip shows a stripped-back version of the fully-fledged electronic studio version, with production playing a key role in defining her sound, she blends everything from classical music and jazz to neo-soul as well as drum and bass.
You hear the phrase ‘genre-bending’ thrown around a lot these days, but if this mid-20s star in the making isn’t the epitome of that term, then we don’t know who is.
Speaking more about her background in the short documentary film, which aired on YouTube this week, she talks about her first memory of visiting Forsyth Music Shop in Manchester city centre, and the inspiration behind the track in question.
You watch the Sâlo episode of Manchester: Unplugged in full here.
Detailed in the description of the newest edition of the online show, “Classically trained from the age of four, Sâlo’s journey runs through some of Manchester’s most important music spaces”, including time spent at the RNCM and Chetham’s School of Music and more.
As for the tune itself, not only do the lyrics revolve around a difficult patch in a personal relationship – this being one of the first times she felt like she’s fully opened up and not held back on letting people know what she’s speaking about – but it’s also the first track she’s produced and mixed entirely on her own.
Painstakingly mastered from a small studio at home, she almost “fell out of love” with the song altogether, but getting back to that simple joy of playing piano helped revive her passion for it.
With a stunning voice, natural musical talent when it comes to her instrument, and a great blend of different analogue and digital influences, Sâlo is definitely one to watch moving forward.
Danny Jones -
29th October 2024 
