The 20 longlisted festivals for the Favourite Festival of the Year award at the inaugural Nordoff and Robbins Northern Music Awards (NMAs) have been announced.
Some of the biggest music events from across the north of England have been selected, with The Manc’s audience completing the list this week.
Among those up for the title are huge names like Kendal Calling, Leeds Festival, Parklife, Creamfields North and Bluedot, plus smaller locally-loved festivals such as Highest Point and Moovin Festival.
After 19 festivals were selected by the NMA’s panel of music industry professionals judges, it was over to you to pick the 20th.
And we can now reveal that you’ve clubbed together to nominate Right to Roam festival in Bolton to complete the Festival of the Year Award shortlist.
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You can cast your vote below to choose the overall winner of the award.
The Nordoff and Robbins Northern Music Awards will be the first of its kind to celebrate the northern music scene, and will take place on 30 November at Aviva Studios, the home of world-renowned Factory International.
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The performance-packed show, headlined by Special Recognition Award winner Melanie C, will kickstart a new chapter in celebrating diverse talent from the North of England, year after year. Tickets will be on sale soon – sign up for early bird access.
After the inaugural event, the awards will be hosted in a different northern city every year and will continue to recognise the breadth of musical talent across the north of England.
The Northern Music Awards have been created by the UK’s largest music therapy charity Nordoff and Robbins, to raise awareness of their transformative work and fundraise for more music therapy provision throughout the region, including the opening of a new dedicated music therapy centre which will open next year, in Salford.
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Awards categories range from Newcomer of the Year to Artist of the Year, Band of the Year, DJ of the Year, Disruptor and the Northern Music Award.
A special Music and Culture for Wellbeing award will showcase outstanding and innovative creative arts provision in the North, that uses music and culture to support and connect with people that face health, wellbeing and socio-economic challenges.
We here at The Manc will be proud sponsors of the Favourite Festival of the Year category.
Kristen MacGregor-Houlston, head of brand partnerships at The Manc, said: “We at The Manc are incredibly excited and proud to be sponsoring the Favourite Festival award at the Northern Music Awards.
“It is a fantastic opportunity to really champion the awesome festivals we have across the North of England. We have always been proud supporters of Northern music talent and events and we are thrilled that Nordoff and Robbins are bringing these awards to Manchester in November.”
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Festival-goers urged to stop taking wheelie bins full of booze
Daisy Jackson
Festival-goers have been warned not to take wheelie bins full of alcohol to festivals with them this summer.
The warning has come ahead of this year’s Download Festival, which takes place next month and kicks off the summer’s biggest run of festival dates.
But a major train operator has said there have been incidents in the past of passengers trying to travel to festivals with wheelie bins and luggage trolleys.
Passengers have had to be reminded that wheelie bins are not permitted on board, and they should instead only carry as much luggage as they can comfortably carry.
The warning comes from East Midlands Railway, one of the key services that will whisk people to Download Festival between 10 and 14 June.
Customers returning from the festival are also encouraged to use boot-cleaning brushes provided at stations to help remove mud before boarding trains.
Philippa Cresswell, customer experience director at East Midlands Railway, said: “We’re encouraging customers to travel light.
“Last year, some festive goers tried to board services with wheelie bins or festival trolleys full of beer. While it might seem like a great idea for getting your supplies to the festival, it just isn’t safe or possible to bring them onboard train services.”
Festival-goers urged to stop taking wheelie bins full of booze
EMR has also warned customers to plan journeys in advance, with engineering work taking place at various locations on the Midland Main Line, near where Download Festival takes place.
She continued: “We’re advising customers travelling to Download Festival to plan their journeys in advance and be aware that essential engineering work will affect services across the weekend.
“As a result, some services will be reduced or amended, and passengers should check before they travel and allow extra time.”
Review | PinkPantheress turns O2 Victoria Warehouse into one huge party on first night in Manchester
Emily Johnson
There was a point during Pinkpantheress’ set at O2’s Victoria Warehouse where you almost forgot you were watching someone perform an album that barely stretches past the 20-minute mark.
Instead, night one of two Manchester shows felt like one huge club night curated by one of the most exciting British artists around right now.
From the second you walked into the venue, greeted by an army of plaid, the world of PinkPantheress (real name Victoria Beverley Walker, for those who didn’t know) completely took over.
The stage itself mirrored that energy too, with a two-tier setup that allowed her to constantly move around the space, appearing and disappearing throughout the night alongside outfit changes, dramatic lighting and eventually, a pair of angel wings.
Backed by her dancers and DJ Joe, the entire show felt slick, immersive and miles away from the early days of PinkPantheress nervously clutching onto her handbag on stage like a comfort blanket. Ironically, the handbag did make a brief appearance during the evening.
It’s a reminder of just how much her performances have evolved – and evolve they have.
What could have easily been a short and simple set instead became a fully realised live show, complete with extended dance sections, rave-inspired moments, drum solos and seamless transitions that made the whole thing feel bigger than the music alone.
There’s also something undeniably British about a PinkPantheress show: the UK garage influences, the fashion, the awkward humour, and the understated confidence all combined into something that felt distinctly hers.
At one point, she paused to laugh: “It’s hot in this venue, f*** me,” which summed up the sweaty chaos of the night perfectly.
At one point, she joked that the last time she was in Manchester, she made it all the way to the final stage of Pointless, before being told she was now “too famous” to go on the show – a perfectly PinkPantheress anecdote that had the crowd laughing immediately.
By the end of the set, O2 Victoria Warehouse felt less like a gig venue and more like the best house party you’ve ever accidentally ended up at.
And with another Manchester show still to come, it’s safe to say the party isn’t over just yet.