In the world’s biggest band, every week offers its own new dose of pandemonium.
Festivals. Fights. Flings. Flights.
When you’re a rockstar, each seven-day period is more intense, thrilling and exotic than the last.
That’s why no two pages in the story of Oasis are the same.
Throughout the nineties and noughties, this group of Mancunian rascals were overindulgent, grandstanding superstars who practised what they preached; living a hard and fast lifestyle that served as a perfect visual accompaniment for their self-produced soundtrack of roaring guitars and crashing symbols.
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But in their two decades at the top, no week of Oasis mania was ever more definitive than this one: The first seven days of October.
This was the week that propelled the band beyond the island of tea and scones onto the international stage. And it was also the week that would ultimately mark the end.
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It all started on October 2, 1995.
The scene was set for Britain’s most exciting up-and-coming band to justify the hype – as Oasis’ sophomore album, What’s The Story (Morning Glory)? was carefully placed on shelves around the UK.
Once those store doors opened, nothing was ever the same again.
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What’s The Story was snapped up by more than 345,000 fans in its first week – spending 10 weeks at number one in the UK charts.
One glance at the tracklist reveals why.
Roll With It, Wonderwall, Don’t Look Back In Anger, Some Might Say, She’s Electric, Champagne Supernova.
The record was packed with anthemic earworms created to stand the test of time – enjoying constant airplay, analysis and mimicry for twenty-five years and counting.
When What’s The Story landed in shops, Oasis achieved superstar status.
Fast-forward almost exactly thirteen years, and another similar scenario was unfolding.
It’s October 6, 2008, and for the seventh time in history, legions of Oasis supporters are swarming to stores for a another new release – an album the group has titled Dig Out Your Soul.
Fans didn’t know it at the time, but they’d never queue for an Oasis album ever again.
Dig Out Your Soul signalled the end.
In the same week the world watched Oasis swagger into the spotlight, we would also soon hear their swansong.
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An epic 18-month promotional tour of Dig Out Your Soul proved to be the tipping point for the two Gallagher brothers.
The pair had quarrelled over the cancellation of a show at V Festival (Liam citing laryngitis, Noel calling bullshit and said his brother had a hangover) before pulling the plug on a performance in France seconds before stepping out on stage.
By the time they’d reached the Rock En Seine festival in August 2009, tensions were as high as they’d ever been, with the two siblings already travelling separately to shows.
Just before the Paris gig, a blazing row culminated in Liam “wielding a guitar like an axe”.
The pair were interrupted by a sudden knock at the door that cut through the chaos: It was their five-minute warning to prepare for the gig.
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Instead of using these 300 seconds to make his way to the stage, Noel spent them inside his car.
It was during those few moments he decided that was that.
Oasis was done.
A message on the band’s website, written by Noel, eventually appeared stating: “It is with some sadness and great relief…I quit Oasis tonight. People will write and say what they like, but I simply could not go on working with Liam a day longer.”
And that was that. The band was gone, and the two brothers remain at loggerheads a decade down the line.
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Rumours of a reunion have been a weekly occurrence in the eleven years ever since, but a reconciliation has always been just out of reach.
The post-Oasis years have given birth to bands Beady Eye and High Flying Birds, and whilst there’s never really been any sight of a sincere olive branch, Noel has seemingly ignored impromptu tweets by Liam asking to give things another go, if only for a one-off gig.
The band’s’ closer, Dig Out Your Soul, is often lost within the footnotes of Oasis trivia today; bundled beneath the glory days of What’s The Story, origin tales of debut Definitely Maybe, and the drug-addled anecdotes of Be Here Now.
But DOYS is sort of remarkable in how it holds up as such a solid piece of work despite the growing turbulence going on behind the scenes.
Fittingly, the very last words to appear on an Oasis album are “soldier on” – an apt description of the brothers’ fruitless attempts to persevere through an upcoming tour fraught with tension; which would ultimately bring about the band’s demise.
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You could frown at the Oasis timeline and spend hours trying to decide which dates to circle as being the most definitive moments in the band’s history.
But no single week is more fascinating than this one.
This was when we got the best and last of Oasis.
In ‘95, the leap to glory. In ‘08, the unknowing goodbye.
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Gig tickets, signed merch and more up for grabs in important Headstock charity fundraiser
Daisy Jackson
Some huge music-related prizes have been announced as part of a major charity fundraising campaign for the music industry.
Headstock, a Manchester-based music and mental health social enterprise, is running a Crowdfunder campaign with prizes including tickets to huge arena shows, signed merch, and loads more.
Headstock has announced the campaign to raise funds for the support of MUSIC 85258, a 24/7 confidential text support service launched last year to support those working in the music industry.
The text support service is run in partnership with Music Minds Matter and delivered by Shout.
Headstock’s mission since its inception has been to deliver music-led solutions to tackle the growing mental health crisis, both within the music industry and beyond.
The dedicated mental health text support service has already drummed up loads of support, including being signposted back-of-house in key venues like the AO Arena, Co-op Live, and Warehouse Project.
Now, Headstock is running a fundraiser campaign to keep this vital service thriving, pulling together some major prizes across multiple prize draws.
These prizes have been donated by local Manchester bands and venues, and include VIP Parklife tickets, VIP to shows at the AO Arena and Co-op Live, season passes for WHP, and signed merch from the likes of Elbow, Courteeners and New Order.
To enter each prize draw, make a donation to the Crowdfunder – the bigger your donation, the more entries you will receive.
You can see all the prizes up for grabs and make a donation below – or you can just donate to Headstock HERE.
All the prizes in the Headstock fundraiser
Aitch – A pair of tickets to see Aitch’s headline show at Mayfield Depot + 4x signed albums – HERE
Parklife – 2x pairs of VIP tickets to Parklife 2026 – HERE
All money raised will be donated to mental health charity, Shout, who deliver MUSIC 85258 – a free, confidential and 24/7 text support service for anyone working within the music industry.
MUSIC 85258 is a de-escalation service for anyone working in the music industry who is struggling with their mental health. It is a partnership between Headstock, Music Minds Matter and Shout, with Mental Health Innovations providing the underlying service through Shout’s network of trained volunteers. To use the service, anyone that is struggling simply needs to text the word “MUSIC” to 85258 to connect with a volunteer for in-the-moment support.
Richard Ashcroft announces all-North West lineup of support acts for Alexandra Palace headliner
Danny Jones
Wigan’s finest, Richard Ashcroft, has announced an all-North-Western lineup for his upcoming headline show at ‘Ally Pally’.
The former Verve frontman is not only riding a fresh wave of popularity thanks to supporting Oasis on their incredible Live ’25 world tour, but also recently released his long-awaited new album, Lovin’ You.
Not just a Manc music icon but one of the biggest names to have come out of his borough, specifically, the legendary lyricist is finally getting more like the kind of recognition he deserves, and is making sure to pay that exposure forward in the best way possible.
He could have picked from all manner of big British acts as supports at Alexandra Palace, but Richard Ashcroft has chosen to keep flying the regional flag by picking a group he’s spent the last few months with, as well as a fellow Greater Manchester act.
That’s right: as well as signing up Liverpool’s very own Oasis Live ’25 openers, Cast, as one of the warm-up acts, the 54-year-old has also chosen another native Wigan artist in the form of The Lathums to join him for the momentous headline show.
Much-loved not only in their hometown but across Manchester and beyond, the indie favourites – who also released their latest studio LP, Matter Does Not Define, back in February – the young band are only getting better and becoming more established as time goes on.
Having already played the likes of the AO Arena here in Manchester and booked numerous big festival slots of the past few years, we reckon you can pretty much bank on them headlining this historic and bucket list venue for themselves in the future.
In terms of Cast, the scousers continue one of the busiest years for touring in their career by supporting ‘King Richard’, having followed up supporting ‘LG’ in 2024 to both Gallagher brothers over the summer.
As for Ashcroft himself, we’re glad to see him back releasing new music, and can confirm his seventh record is a great listen.
By no means our favourite, but just a taste of his latest sound.
Now, if you were wondering why we’re talking about this show over any of the other gigs (namely the Northern ones) on his upcoming UK run, it’s because most of the tour has now sold out.
His Co-op Live date was obviously the first to go, with Cardiff’s Principality Stadium going shortly after, and extra dates being added in the likes of London, Liverpool and over in Leeds.
If you do happen to be in the capital already or are willing to make a trip to London for the show, there are still some tickets left for Richard Ashcroft at Ally Pally in July 2026.
Cannot wait to hear how this sounds in that storied room: