Without music, there is no Manchester as we know it because the buzzing atmosphere in our great city was built by roaring guitars, scratching vinyls, shimmering strobe lights and booming microphones.
It’s no secret that the coronavirus (COVID-19) pandemic has flipped life as we once knew it on its head, and the satisfying, rhythmic hum that once used to echo through the city air on a daily basis has been ground to a halt over the past couple of months.
Not only has it been sorely missed by Mancunians, but it’s also come at an unfortunate cost.
Live music in Manchester and across the UK is on life support and the industry needs our help. Without it, 30-50% of the live music workforce will become unemployed, 90% of grassroots venues will close, and the industry will lose at least £900 million.
A coalition of live music artists, venues, concerts, festivals, production companies and industry figures successfully launched the campaign last month to highlight the importance of the sector to the UK’s economy and it’s recieved widespread support on social media.
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Today we join together once again with our friends & colleagues in the music industry to call for action to help protect the live music industry. Please show your support and share the message #LetTheMusicPlaypic.twitter.com/wMx6eEG951
We're proud to continue supporting the #LetTheMusicPlay campaign, highlighting the importance of the live music sector to the UK Government. We need to protect our venues, our workforce, and the infrastructure and companies that make up this business. pic.twitter.com/K8pZSfzqwQ
Today we once again join together with our friends and colleagues in the music industry to call for action to help protect the live music industry. Please show your support and share the message #LetTheMusicPlaypic.twitter.com/CE1GwEWDne
Let The Music Play is hoping to achieve the following three aims:
A clear conditional timeline for reopening venues without social distancing.
An immediate comprehensive business and employment support package and access to finance.
Full VAT exemption on ticket sales.
And they’re working – but the fight is still a long way from over yet.
After witnessing the traction that this campaign has been gaining over the past couple of weeks, and with the intent to keep the conversation continuing, it prompted us to begin reflecting. Here at The Manc, we always want to know where you stand and in this case, we want to experience the wonders of our city’s live music culture through your eyes.
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A chance to fondly reminisce.
So, we took to our social platforms this week – Facebook, Twitter and Instagram – to ask you, our loyal audience of Mancunians – ‘What’s your favourite Manchester gig memory?.
Live music is a staple in Manchester and the entire industry needs our help getting through this crisis. Show your support and share your favourite moments with us 🙌 #LetTheMusicPlaypic.twitter.com/lddpG83bDS
We received hundreds of replies to our question across all social platforms, so we unfortunately haven’t been able to include every single one in this article. Instead, we chose to feature a few that seemed to resonate the best with our audience and received the most interactions overall.
Are you keen to have your say? Do you have a different view? Got a musical memory you’d like to share?
Well, there’s still time to chip in, so make sure you head on over to The Manc on Facebook, Twitter and Instagram to take part, leave your thoughts and discuss with other Mancunians in the same position as you.
Don’t forget to follow The Manc Audio – @TheMancAudio on Instagram – for all the latest musical news in Manchester.
Find out more and keep supporting the #LetTheMusicPlay campaign here.
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Alison Moyet has announced a huge European tour, including multiple Northern dates in the UK
Danny Jones
Seasoned British singer-songwriter and pop legend Alison Moyet is coming back to Manchester and more after announcing an extensive run of 2026 EU, UK and IE tour dates.
No rest for the wickedly talented and long adored.
Alison Moyet last visited Manchester in February last year, playing the stunning Bridgewater Hall in support of her latest album, Key, the 10th studio LP of her solo career.
However, now the 64-year-old artist and music veteran is set to play songs from her eighth record, the minutes, as well astracks from her days with Yazoo and more across Europe.
NEW: @alisonmoyet is headed on tour! Playing songs of Yazoo, including cuts from the minutes & Other, with a date at #O2ApolloManchester Fri 16 Oct.
— O2 Apollo Manchester (@O2ApolloManc) March 9, 2026
Moyet (real name Geneviève Alison Jane Ballard) formed Yazoo with ex-Depeche Mode member Vince Clarke in 1981, releasing two albums and becoming one of the most influential British groups of the time.
While clashes on multiple fronts saw the synth-pop duo ultimately break up in ’83, a handful of Yazoo hits like ‘Only You’, ‘Don’t Go’ and ‘Situation’ have continued to crop up in the Basildon-born artists over the years.
Once nicknamed ‘Alf’ as a youth – the same title she gave to her seminal debut album, released the year after the split – the young ‘tomboy’, turned teen punk, then synth, soul and pop act has experimented with everything from electronica to printmaking.
Put simply, she remains just as much of a creative force today as she was back then.
2025 saw her first full headline tour in eight years, playing shows not just here and over in Ireland, but across the mainland continent, Australia and New Zealand.
This current calendar will also see her touring with fellow 80s icons The Human League and Soft Cell on their ‘The Generations Tour’ in the summer – but by the autumn, she’ll be rolling back the years and working through her own back catalogue.
As you can see, as well as coming to Manchester’s O2 Apollo, other dates to see Alison Moyet live in the North this October include the Empire Theatre in Liverpool, Sheffield‘s City Hall, Buxton, Blackpool and several others.
Speaking on the upcoming tour, Alison said: “Many years touring the same pool of songs, and I am keen for a palate refresher.
“Specifying which years I will be fishing from, too, I think, is a grand way to serve potluck for specific tastes. No bones…” Ever the wordsmith.
The domestic pre-sale window here opens at 10am this coming Wednesday, 11 March, with general admission tickets going live at the same time the following Friday (13 Mar); you can get ready to grab yours right HERE.
Oh, and if you were wondering how her live performances sound these days, look no further than her recent Isle of Wight slot.
Featured Images — Publicity picture (supplied)/Hinnerk Rümenapf (via Wikimedia Commons)
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A special The Smiths reissue was cancelled due to a dispute between Morrissey and Johnny Marr
Danny Jones
According to some new information, a special reissue of The Smiths’ debut album was reportedly abandoned due to disagreements between Morrissey and Johnny Marr.
Since the Gallagher brothers have buried the hatchet, guess someone’s got to keep the Manchester music feuding alive.
Yes, as per a high-profile source from Rough Trade, ‘Moz’ and Marr couldn’t settle on one key issue which would have seen the self-titled first Smiths LP re-released for their label and indie record store’s 50th anniversary.
Speaking on the German music podcast, Vinyl &…, one of Rough Trade’s European bosses revealed that aside from not exactly being chummy these days, the band’s two most famous members couldn’t agree on what the album artwork would be.
Whack on English subtitles to see what was said.
Yes, that really was the main sticking point, apparently.
Curt Keplin, who is the managing director for Rough Trade’s EU presence, said that The Smiths were a big part of their golden jubilee/half-century celebrations.
Sadly, The Smiths’ inaugural outing then had to be pulled from the plans at the last minute, with the ‘Smooth Operator’ herself, Sade, taking their place.
Initially set to fly the flag for the 1984 retrospective, Keplin said: “Actually, The Smiths were supposed to be included, but Johnny Marr and Morrissey couldn’t agree on how the packaging should look. So, things remain relatively difficult between those two.”
‘Difficult’ is probably putting it mildly, with Morrissey having long since accused his former bandmate, lead guitarist and co-songwriter turned solo artist, of controlling key rights that could see him tour as The Smiths without him.
He went on to add: “You first have to find an artist who is basically open to it and thinks it’s great and then gives us the rights – or rather, the label then says, ‘Ok, this is now being repressed in a different colour, in new packaging’, and so on and so forth.”
The anniversary stuff first began being compiled last summer, with 2026 being the start of a year-long schedule of limited edition vinyl releases and more – but unfortunately, The Smiths aren’t looking like they’ll be part of it.
While it may seem slightly petty to some, more than anything, it’s probably just symptomatic of the simmering resentment between the two that still remains.
However, fans of either or both have still been treated to Morrissey‘s latest and divisive drop, Make-Up Is a Lie, and Johnny Marr will be coming back to town for a massive homecoming gig at Castlefield Bowl.