The UK’s largest indoor techno experience is coming to Warehouse Project (WHP)in Manchester this autumn.
Promising huge headline sets from techno giants 999999999, Reinier Zonneveld and Vladimir Dubyshkin, the giant techno event will run for 12 hours across four separate stages at Depot Mayfield.
Returning to the city this autumn for its third edition, XXL will take place on Saturday 7 October from 5pm to 5am and is being hosted by WHP in partnership with Teletech and Lo-Fi.
Further DJ sets at the all-day and night party will come from the likes of Kobosil, I Hate Models, DJ Heartstring, KI/KI, blk., Nina Kraviz, Paula Temple b2b SNTS, Shlømo b2b Sara Landry, Adrián Mills, Azyr, Basswell, Billy Does, blk., Charlie Sparks, Cloudy, CLTX, DJ Hyperdrive, Faster Horses, HØLEIGH, Krl Mx, LESSSS, Lucia Lu, Mac Declos, Malugi, Nico Moreno b2b DYEN, OGUZ and more.
Image: WHP
Image: WHP
The news follows the announcement from Warehouse Project about its opening season parties as it gears up to return to its home at Depot Mayfield this September.
ADVERTISEMENT
Kicking things off on 15 September will be a special show from Australian house music DJ Sonny Fodera with friends, followed by a return of ground-breaking Repercussion Festival which marks the official opening of the new season on 16 September.
The day and night party will run across the entire expanse of Depot Mayfield, covering eight unique stages, including the intimate Star & Garter pub and an immense street party on neighbouring Temperance Street.
ADVERTISEMENT
Read more:Lewis Capaldi breaks Glastonbury silence and confirms indefinite break from touring
For the first time, Repercussion will also extend onto the deserted train lines that sit upon the rooftop of the Depot, with two brand new spaces being brought to life: a rooftop takeover celebrating 25 years of Rush Hour and a cinema specially programmed by i-D magazine.
Repercussion’s vast line-up showcases dance music in all its forms. Bicep will be debuting their brand-new Chroma (AV/DJ Set) show at the event.
ADVERTISEMENT
Moderat also return to Manchester for their first live show in the city since 2016, and Kerri Chandler brings his super rare Reel-To-Reel set-up to Manchester for the very first time. Also in town are Jon Hopkins, TSHA (Live), Biig Piig and many more.
The following week on Saturday 23 September, the Worry About Henry x Metropolis sees the largest Drum & Bass event ever at Warehouse Project break out across the entire Mayfield complex, with over 100 artists from across the DnB spectrum, including Hybrid Minds, Wilkinson, Hedex, Bou and many more.
On Friday 29th September, long-time electronic party crew Kaluki returns for a special birthday show and label showcase. Jamie Jones, Joseph Capriati, Hot Since 82, Solardo, Chris Stussyand more lead the proceedings for this season opener.
As we embrace the Autumn season, Saturday 30 September, sees the seminal ‘Welcome to the Warehouse’ show return for a six-stage takeover with various influential artists.
ADVERTISEMENT
This year, Welcome to the Warehouse features the likes of Honey Dijon, The Blessed Madonna, Mall Grab, Job Jobse, Sherelle, Saoirse, and more revealed below.
Sam Kandel, Co-Founder of Warehouse Project said: “Before last year’s WHP run ended, we had already started on our plans for 2023.
“Now we can’t wait to get back into Depot Mayfield, where we are making significant production changes for this year, all to be revealed when we kick off in September.”
Florence and the Machine at Co-op Live Manchester – tickets, setlist, and more for UK tour
Thomas Melia
Florence and the Machine have visited Manchester before… but this UK tour marks their Co-op Live debut.
The ‘Dog Days Are Over’ because London-based band Florence and the Machine are returning to the music capital of the North – Manchester.
The band has played in our city many times over the years, including staple venues like Manchester Academy and AO Arena, but now they’re taking to the stage of the 23,500 capacity Co-op Live for the first time in their career this month.
With this current run of shows titled Everybody Scream Tour, you can expect this arena gig to be a spectacle or… ‘Spectrum’ (there’s more puns coming).
So, grab the ‘Girl With One Eye’, ‘Jenny of Oldstones’, and the ‘Queen of Peace’, and get ready to ‘Howl’ out all of Florence and the Machine’s bangers.
Florence and the Machine are coming to Co-op Live, Manchester on 20 February / Credit: Autumn de Wilde (Supplied)
Florence and the Machine UK tour dates
Fri 13 Feb – Liverpool, UK – M&S Bank Arena
Sat 14 Feb – Sheffield, UK – Utilita Arena
Mon 16 Feb – London, UK – The O2
Tue 17 Feb – London, UK – The O2
Fri 20 Feb – Manchester, UK – Co-op Live
Mon 24 Aug – Edinburgh, UK – Royal Highland Showgrounds
Fri 28 Aug – Leeds, UK – Bramham Park
Sun 30 Aug – Reading, UK – Richfield Avenue
Tickets
Anyone wanting to see this stellar act in all their glory when they play their latest arena show in Manchester can find some seats left HERE.
There’s even a handful of premium seating options on offer, where you can ‘Shake It Out’ in style feeling like a ‘King’ HERE.
Setlist
Everybody Scream
Witch Dance
Shake It Out
Seven Devils
Big God
Daffodil
Which Witch
Cosmic Love
Spectrum
Never Let Me Go
Music By Men
buckle
King
The Old Religion
Howl
Heaven Is Here
Sympathy Magic
One of the Greats
Dog Days Are Over
Free
And Love
What are the stage times for Florence and the Machine in Manchester?
UK act Florence and the Machine are playing various arena and festival shows this year / Credit: Autumn de Wilde (Supplied)
Co-op Live has a strict curfew of 11pm, meaning as much as we want to sing until there’s ‘No Light, No Light’, at least we’ll be tucked up in bed before the early hours.
Anyone attending can expect the doors to open at 6:30pm, with a kick-off time expected to be 7:30pm, and support from self-proclaimed alternative-indie ‘Good Girl’ Paris Paloma.
How to get to Co-op Live
Tram
For those of you heading to Co-op Live, you’ll be glad to know it’s right next door to a rather famous big blue stadium and its integrated Metrolink stop.
Head along the light blue or orange lines directly to the Etihad Campus or Ashton-under-Lyne, and you can get off the tram literally spitting distance from the arena. You can find the full map HERE.
Trams run frequently on the Ashton-Eccles line to the Etihad stop, with services leaving every six minutes from the city centre and until 1:00am on Fridays and Saturdays.
Bus
You can find the full list of bus routes HERE, with the one in closest proximity to the venue being the 53 bus, which runs from Cheetham Hill through to Higher Crumpsall, Old Trafford and Pendleton, leaving just a two-minute walk to Co-op Live. You also get free Bee Network travel with any valid event ticket.
If you’re driving, there is limited parking available at the venue, but this must be pre-booked ahead of time, and there are designated drop-off areas.
The postcode is M11 3DU, and you can follow the signs towards the wider Etihad Campus as you get closer; directions to the adjacent drop-off points will also be signposted.
Keep in mind that congestion on the roads close to the stadium is expected to gather around two hours prior to any event, so if you are travelling on the road, these are the suggested times they provide on event day, though estimates will obviously vary:
Alan Turing Way (both directions): plan an additional 20 minutes into any journey by road.
Hyde Road (eastbound): expect an additional 15 minutes to be added to your journey.
Mancunian Way (westbound): plan for an extra 10 minutes of travel time.
There are also three park-and-ride facilities near Co-op Live, but be advised that the Velopark and Holt Town stops will be closed post-event to help safely manage crowds:
Ashton West (Ashton line) – 184 spaces and 11 disabled spaces
Ladywell (Ashton-Eccles line) – 332 spaces and 22 disabled spaces
Walk/cycle
ADVERTISEMENT
Lastly, Co-op Live is only a half-hour stroll from Manchester Piccadilly, and you could even walk along the canal all the way to the front door if you fancy taking the scenic route.
Greater Manchester now also offers the option to hire bikes on the Beryl app, with riders able to locate, unlock, get to their destination and then safely lock up the bike all through an easy-to-use app. There are hire points just near the south-west corner of the Etihad Stadium on Ashton New Road.
For more information on all travel options, you can check out the enhanced journey planner.
Featured Images – Press shots (supplied via Autumn de Wilde)
Audio
Gig review | DMA’s have Manc in their DNA, whether they know it or not
Danny Jones
Yes, we saw the crowds in Brixton, Leeds and so on, and they were also box office, no doubt – and we’re sure there’s plenty of bias coming in here – but DMA’s final night in Manchester was just magnificent on every level.
Still managing to bring a real Friday feeling even though it was a Sunday night following the protracted Valentine’s celebrations, when most were already dreading the inevitable Monday blues (morning, all), it felt like the perfect way to close out a weekend with everyone’s first love: music.
During a period when we’re all encouraged to be a little bit more sincere and spread pure positivity, seeing the sea of happy, smiling faces watching DMA’s on night two at the O2 Victoria Warehouse was just the injection we needed.
For starters, you can’t ask for much more than getting to hear not only Hills End from start to finish but ‘Lay Down’ live twice in one night. The limbs were just as mad the second time around, if not even more.
To quote a fan speaking in the comments under this video, for some, it was beyond good: “The best gig I’ve been to in my 45 years on this planet”, apparently.
Quite the bold statement, and while we’re not sure we’re quite ready to be so superlative just yet, hearing them play their debut album from cover to cover on its 10th anniversary did make for a perfect set and an “unreal night” as we’ve heard and seen so many remark in the hours since the gig.
One person wrote, “If the next album is good, these will be absolutely huge”, while another declared that they’re “the greatest on Earth” already.
Whatever point on the scale you land on, pretty much everyone almost universally agrees that their first record is still their best, even with all the bangers they’ve put out since.
One of the best moments of the entire nostalgia trip was when they bookended the show with ‘Timeless’ and played their usual extended outro with multiple repetitions of the chorus and a proper breakout, letting their instruments do the talking in a fast, frenetic flurry as the crowd thrashed around.
DMAs never let you down when it comes to a performance, and neither do Manc crowds.
One of those where you saw way more arms in the air than phones. (Credit: Audio North)
And maybe that’s just it, as far as bands that come to this region and do well, the Sydney trio are one of the VERY best, vouched for by pretty much every mate and regular gig-goer whose opinion you trust implicitly; you can certainly add us onto that list.
Maybe it’s somehow to do with some of those Melbourne roots, too, as we’ve often heard the parallels drawn between the two cities, and they even asked if there was anyone in from ‘Melbs’ between songs – there was a notable cheer – or maybe it’s just some kind of uncalculable magic we can’t understand.
Either way, besides the ongoing rise of Aussie rock and Anzac bands doing very well around the UK in general, there is something very special about this particular indie outfit’s connection with the North West and Manchester, specifically.
Johnny, Tommy and Matt have all themselves cited it as a ‘second home’ throughout their career, having hit the ground running and finding a cult following here right from the off.
In fact, they admitted that the full touring band still regularly flies into Manchester first whenever they’re heading to the UK. Love that.
‘Olympia’ and ‘Silver’ were also big standouts beyond the Hills End part of the setlist. (Credit: The Manc)
Perhaps labelling them part of the ‘Britpop revival’ is a bit reductive, but it certainly hasn’t done them any harm thus far, and conversely, it’s definitely done them plenty of favours here in Greater Manchester.
They’re not just adopted Brits who understand our history as a nation of audiophiles; they get our crowds and this city’s culture down to a tee.
Put simply, either through blind luck or divine intervention from the music gods, DMA’s are Mancs by proxy, and whether or not that means anything to them, it sure as sh*t means a whole lot to us.
Here’s to HE10, and we can’t wait for the next celebration in whatever form it comes.
Georgina Pellant -
27th June 2023 
