One of the most popular city centre venues is back with another edition of its new music festival this May bank holiday weekend.
In case you missed it, award-winning Spinningfields bar and one of the city’s best-loved sun traps, The Oast House, has launched a brand-new music festival, and it kicked-off for the first time over the extended Easter bank holiday weekend, with a full day of tunes provided by local musicians throughout the one-day event.
And now, it’s back once again for the upcoming May bank holiday on Sunday 1 May.
The festival, which is named ManiFest, takes over The Oast House’s large outdoor terrace area, with a dedicated stage set up.
Set to run from 1pm right through until 10pm in the evening, a packed roster of acts are lined up to perform on Sunday, including bands, solo artists, and duos, all taking to the stage throughout the day, with interludes provided by a number of resident DJs.
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The Oast House says that festival-goers can expect a “party atmosphere” and sounds of rock, pop, soul, R&B, funk, disco and blues – with headline acts and full artist lineups set to be announced over the next week.
The event is not ticketed, and is free to attend on a first come, first served basis.
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ManiFest is taking over The Oast House’s large outdoor terrace every bank holiday weekend this spring and summer / Credit: The Oast House
Given the fact that the event is not tickets and knowing how popular The Oast House is on most weekends in general, the venue is recommending that people get there early to avoid disappointment.
If the tunes weren’t enough of a draw as it is, The Oast House’s unique street food menu will also be on offer to try out throughout the weekend for those looking to line their stomachs during the festival, which has a wide range of signature dishes such as the Northern Poutine, Crispy Chicken Burger, and the famous Hanging Kebabs.
Some of the vegan options on the menu include Cauliflower Wings, Salt and Pepper Fries, and the Plant Based Gyro Wrap.
Festival-goers can expect a “party atmosphere” provided by a packed lineup of local musicians / Credit: The Oast House
Festival-goers will also get a glimpse at a new street art mural by Northern artist Sam Porter, which was unveiled earlier this month to celebrate the launch of the new festival, and has seen iconic Manchester scenes painted onto the inside of The Oast House stage.
ManiFest is set to return to The Oast House on each bank holiday weekend throughout the spring and summer.
More details of individual events will be released in due course on The Oast House website.
Featured Image – The Oast House
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The K’s kick off Manchester’s BRITs Week celebrations early with jam-packed intimate gig
The Manc
If you were ‘Hoping Maybe’ to see The K’s at some point this year, this is your sign do it, as the rising indie band did not let the occasion of playing an intimate BRITs-backed gig get to them – they were buoyed by it.
Beloved city centre venue Gorilla was overflowing for The K’s last night, hosting an unreal small-cap set as part of Brits Week ‘26 for a very important cause: War Child.
Perfectly teed up by fellow nearby band, Florentenes from Bolton, The K’s took to a familiar stage many years on from their debut, and instantly had the crowd ready and raring for an hour of pure tunes and some very, very sweaty brows.
Earlestown’s finest certainly carried that Northern charm and energy throughout the whole night; their indie and almost nostalgic lyrical storytelling has you moshing one minute, whilst grasping your mate and ascending into live music heaven the next. There really aren’t many feelings like it.
Sobbing and swaying in the vast ocean of shoulders whilst screaming the lyrics to ‘Helen. Oh I’, I questioned how any compliment will ever compare to launching “thousand ships every time” from a kiss.
The K’s were yearning before Wuthering Heights made it vogue (again).
Musically, the band were seamless and a well-oiled machine, and so were the audience as they wholeheartedly echoed every lyric back at the lads and bounced it off the walls.
The K’s have come a long way since their first visit to Gorilla (Credit: Lucy Wagstaffe)
Every primary school assembly proudly led us to this moment, and it did not disappoint, displaying their increasingly seasoned and successful career, which I can only imagine is going to go from strength to strength this year.
I don’t think we even one more fan could have squeezed one more passionate fan into Gorilla on the night; it was heaving with people and pride; the sweat dripping down the walls indicated things are big for these local lads, and we couldn’t be prouder.
They are another prime example of shining a deserving light on Northern artists! And having the 2026 BRIT Awards up here with us is a testament to that.
Featured Images — Lucy Wagstaffe (supplied via War Child UK)
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Florence + The Machine at the Co-op Live, Manchester – the star has never been better
Clementine Hall
Florence + The Machine make a triumphant return to the stage in a thrilling exploration of female rage.
When you think of Florence Welch, you can’t help but picture her barefoot complete with flower crown and bouncy skirts racing around the stage in a fairy-like fashion.
And yes whilst she still is this, the band’s new era is suddenly a lot darker and haunting with their new album Everybody Scream exploring topics of loss and grief.
Florence and her coven-like quartet of dancers did not leave the stage once throughout the 21-track setlist, but not once did it feel tired.
Image: The Manc
The album’s title track kicked off the show before transitioning into fan-favourite anthem Shake It Out.
Florence’s voice is just as recognisable as ever, as is her long auburn hair that she swishes with her as she strides up and down the stage alongside her flowing sleeves.
Beneath the powerful vocals, the haunting atmosphere grew stronger as Seven Dials and Which Witch saw the dancers, coined as ‘the witch choir’, crawling up and down the stage in a Michael Jackson Thriller-style fashion.
Daffodils saw Florence interact with the crowd – embracing a woman pressed to the front of the barrier sporting a bright yellow flower crown.
It’s clear to see how much their music means to so many, and being at a Florence gig you feel as though you’re really part of something special.
A highlight came half way through the two-hour spectacle, as Florence dedicated Never Let Me Go to her sister in the crowd who she stated was “clever enough to marry a man from Manchester”.
Image: The Manc
We couldn’t agree more Florence.
Spectrum (Say My Name) really ignited a fire in the crowd, the entire arena was up and moving to the iconic track.
Her most vulnerable moment of the night comes as she returns for the encore, when she sings You Can Have It All which is written about her near-fatal ectopic pregnancy she experienced in 2013.
It’s raw and haunting, and we feel every note as she summons the strength to perform a song so revealing.
Of course, as the first two notes of Dog Days Are Over the crowd erupts into chaos.
Florence asks us to put our phones down, “you won’t get a good video and if you’re holding your phone, you can’t move” she states, and so we did what we were told.
It’s proof of the power that Florence holds over her audience, and from then on we were left to dance with complete abandon as the show ended in a feeling of pure joy and euphoria.
Emily Sergeant -
21st April 2022 
