There’s just over a week to go until The Lumineers take to the stage at the AO Arena, and the pandemic-enforced hiatus from the live music scene can’t have ended quickly enough for the band.
For Wesley Schultz and Jeremiah Fraites, who started performing together way back in 2005, it’s the live circuit where The Lumineers really come to life.
According to Wes, the audience is ‘like another instrument’.
Ever since releasing their self-titled debut album in 2012 – and that ever-present, chart-topping single Ho Hey – the audiences have flocked to their shows, singing and chanting every word right back at the band.
Nowhere, Wes says, is quite like a Manchester audience.
ADVERTISEMENT
“You’re all pretty rowdy!” he told The Manc during a chat this week.
“It’s some of the most rowdy, fun audiences you can find anywhere. I like audiences that aren’t worried about being overly polite – it’s like it’s uninhibited and that lends itself well to music.
ADVERTISEMENT
“For us, the audience is like another instrument. If we ever put out a live album you’ll hear a lot of the audience, because they’re singing with us and they’re adding things, and energy.
“So many of my favourite records growing up had that presence, that electricity.”
Obviously, for much of the last two years, bands like The Lumineers have lost this stage time, as the pandemic forced gigs to be cancelled for months on end.
ADVERTISEMENT
Their last tour, the III World Tour, was cut short because of Covid.
“I think we feel like we have unfinished business,” Wes said.
“We feel like we have a lot left to express that wasn’t.
The Lumineers. Credit: Danny Clinch
“And then you combine that with all of the pent-up emotion from the last two years that is gonna be out there on full display on stage.
“I think you’re going to see some of the best live music you’re ever going to see because bands, including us, have been just dying to get back out there.
ADVERTISEMENT
“There’s just been a lot of solitary confinement in everyone’s life and I think these concerts are, for those of us who don’t go to organised religion, this is our church.
“This is our way of feeling community and it’s a beautiful thing.”
That band-to-audience connection is something Wes and Jeremiah have tried to hang on to, even as their following has grown.
It’s a desire that will be tested on the 2 March when The Lumineers take to the stage at their AO Arena gig – the second time they’ve performed at the enormous venue.
The Lumineers in 2016 with Manchester United kits on. Credit: Facebook, The Lumineers
Wes continued: “There’s a desire to connect, no matter the size of the room. It’s supposed to feel like you’re at a house show, even if it’s an arena.
ADVERTISEMENT
“We’re supposed to feel like we’re sharing some secrets together.
“We’ve been so lucky to move up and play bigger venues, but it presents a whole new set of challenges because really what you’re going after is the thing you started with – you know that really beautiful connection you’d have with an audience if you were playing in someone’s living room.
“You’re trying to have that same experience in a big room, and I hope we’ve got better at that over the years.”
Wes said he remembers the arena dates were more than a little daunting at first.
“I remember we didn’t know what was going to happen but it went really well, and we were like ‘I can’t believe that worked’,” he laughed.
ADVERTISEMENT
Credit: AO Arena
“That’s the essence of being in a band – you have all these hopes but it’s like, the whole thing is kind of a wild ride, including playing this arena.”
The Lumineers are touring off the back of their fourth studio album, Brightside, and that means plenty of new material to join the likes of Ho Hey, Ophelia, and Gloria.
As with most musicians, the pair are enjoying testing out their new songs with a crowd at long last.
Wes said: “A.M. Radio’s been really fun to play live, it has a really anthemic chorus and the audience has been singing it back to us.
“That, and there’s a song off the record called Birthday that we actually made to entertain ourselves, and even people who’ve never heard it will join in screaming ‘IT’S ALRIGHT, IT’S ALRIGHT’ – they get it right away, there’s something really immediate.
ADVERTISEMENT
“I like it when people are putting their arms around each other, especially complete strangers, because that’s what we all need right now.
The Lumineers’ most recent album, Brightside.
“We need that celebratory mood and I think music was meant to bring people together.
“That’s what I love about music – when you see total strangers high-fiving, singing together, there’s some unification.
“I just love that about live music, it short-circuits all of our defences and leaves us more open.”
The Lumineers have chart-topping albums and huge world tours under their belts, but the thing they’re most proud of is much more wholesome than accolades.
ADVERTISEMENT
“Beyond anything, Jer and I will have been doing this for 10 years in April, and I’m most proud of the fact that we’ve managed to stay excited and having fun.
“I think the risk is that people lose that edge of childlike wonderment that keeps you going and doesn’t make things look formulaic.
“For me, I’m most proud of us for still being on the ball – still really wanting to play this music and being excited, like kids.
“It’s been 10 years and for me it’s the most positive sign that we’re still like little school kids. It’s a good feeling.”
ADVERTISEMENT
And what’s left on his bucket list? It’s something we can surely all agree with – “I really want to have a tequila with Bruce Springsteen.”
The Lumineers will perform at Manchester’s AO Arena on 2 March. You can get tickets through the venue or at Eventim here.
Featured image: Danny Clinch
Audio
The Stone Roses’ Gary ‘Mani’ Mounfield has died aged 63
Daisy Jackson
Tributes are pouring in for Gary ‘Mani’ Mounfield, after it was announced that the Stone Roses legend has died at the age of 63.
The bassist, who was also part of Primal Scream, was born in Crumpsall and has been one of Manchester’s most beloved musical figures ever since finding fame in the 1980s.
Mani’s brother Greg broke the news this afternoon, writing on Facebook: “IT IS WITH THE HEAVIEST OF HEARTS THAT I HAVE TO ANNOUNCE THE SAD PASSING OF MY BROTHER GARY MANI MOUNFIELD. RIP RKID.”
Mani’s wife Imelda also passed away in late 2023 after a battle with bowel cancer, for which the pair had raised money and awareness since her diagnosis.
That included a huge star-studded fundraising party where Mani and Imelda raised more than £100k for The Christie and local NHS charities.
Mani and Imelda shared twin sons, who were born in 2012.
Tributes are now flooding in for Mani, especially from those who have also been a part of the Manchester music scene.
Stone Roses frontman Ian Brown posted on X: “REST IN PEACE MANi X”
Rowetta shared a photo with Mani and Imelda and wrote: “Back with your Imelda, Mani. Going to miss you so much. All my love to the boys, the family & all those who knew & loved him.”
Tim Burgess of The Charlatans fame said: “I shared this photo a week or so ago on Mani’s birthday. It never failed to bring a smile to my face – and that was exactly the same for the man himself.
“One of the absolute best in every way – such a beautiful friend. Love you Mani x x. Never to be forgotten”
Shaun Ryder wrote: “RIP Mani – my heartfelt condolences to his twin boys and all of his family X”
Reverend and the Makers shared: “My heart is broken. Found out this morning and just felt low as it gets all day.
“Mani was my musical hero and just a lovely genuine human. When my Dad died , he offered me the warmest and best advice. No fuss, privately, straight up and always available to everyone.
“I’m a bit ill myself at the minute and not ashamed to say I shed at tear at the news. See on the next one mate.
“A true legend of the game. RIP”
Echo and the Bunnymen wrote: “I’m absolutely gutted to hear the news about Mani, who I have always loved and always will love, deeply and forever. Like a brother.
“I am in shock to be honest. Please tell me I’m just having a bad, bad dream. My thoughts and feelings and Mani, love to all of his family from me. Mac Bunnyman Xxx”
Featured image: Paul Husband
Audio
Honey Dijon and Mix-stress on Homobloc, Manchester nightlife and more
Danny Jones
We sat down at Manchester’s iconic Star and Garter with the legendary Honey Dijon and Manchester’s own, Rebecca Swarray aka, Mix-Stress for an exclusive interview ahead of Homobloc 2025 to talk about all things queer culture, house music, and the future of clubbing.
From Chicago to Manchester, the pair reflected on the roots of the scene, finding joy in dark times, and why the dancefloor remains a sacred space.
Put simply, it was fascinating to see the pair dive deep into the culture.
Sharing a drink in the historic Manchester city centre pub, here’s how the chat between Mix-Stress and Honey went down…
Mix-Stress meets Honey Dijon – the interview
‘Every time I play Manchester, it’s just always a vibe’
Mix-Stress (MS): Welcome toThe Star and Garter. Manchester and Homobloc obviously holds a special place, and you’ve played here a few times. Can you tell me about any sets that stand out that are staying with you over the times you’ve visited here?
Honey Dijon (HD): I always have a great time when I play Manchester. Every time I play Warehouse Project, it’s just always a vibe. The crowd is just so enthusiastic and so fun and just so up for it. And Manchester and Chicago have a long history with house music, so it’s always fun to come here and represent. It doesn’t matter where, when or how – all my sets here have been incredibly fun.
‘So much has changed over the years – it feels like a different century’
MS: This will be your fourth time playing Homobloc in December. You played in 2019 when it started, then two post-pandemic shows. What do you feel has evolved over the years, musically, spiritually or sonically?
HD: So much has changed over the years. I mean, pre-pandemic, it was such a different world. It feels like it was a different century, actually, and we had no idea what we were going into.
At that time, we were just coming from the MeToo movement and the lack of diversity in dance music, so there was all this political awareness around club culture, which was really great – because so many voices that started this global movement have been queer people, people of colour, a lot of women.
The funny thing about diversity is about who’s having that conversation, because my friends and what I grew up with have always been diverse. So it was a different landscape.
During lockdown, there was a shift. If you were like an 18-year-old kid, there were two or three years where you couldn’t experience anything except online. That’s when this major shift happened – things became much more corporate, much more sanitised, and more about metrics and numbers.
There was less focus on, in my opinion, the heart of it – and it became big business. What I try to do as an artist is remind people whose shoulders I stand on and where I learned my craft, and to bring people together from all walks of life. There’s a new generation coming through, but it always goes back to the house.
MS: We’ve seen dancefloors across the world put out safe spaces policies. What does a ‘safe space’ mean to you today, and how do you create that energy?
HD: I try to play music that uplifts and celebrates. I think, with just the artist that I am, I try to make everyone welcome. It’s about joy, celebration, and release. Dancefloors are sacred spaces in a lot of ways, and I think through the music vibrationally that I play and what I speak on, it attracts a certain crowd.
For me, safe spaces aren’t just about not being harassed – it’s about being able to show up as yourself without being judged.
A safe space is where all feel welcome, where people can be free and not judged or harassed based on gender or sexuality. Dancefloors do what government and religion can’t – they bring people together from all walks of life to celebrate through music.
As the world moves further right, these spaces are becoming more important than ever. None of us are free until all of us are free – so I try to do that through my work, through the music and what I speak on.
‘Look into the darkness, but don’t stare at it.’
MS: The world is heavy right now – historically and currently. Where do you find joy, and how do you filter that into what you do?
Honey Dijon always gives an insightful interview.
HD: Where do I find joy? Turn off the internet. Be aware. I love this quote from RuPaul: “Look into the darkness, but don’t stare at it.” That really resonates with me.
Music is powerful – that’s why far-right governments fear art and music, because there’s so much power in it. I find joy in love, in freedom of expression, and in self-autonomy. Those are the things I try to facilitate through my art and through my music.
‘If Homobloc was a fragrance…’
MS: IfHomobloc was a fragrance, what would be the concoction?
HD: Armpit, asshole, and lip gloss.
If that isn’t an advert for a memorable night at Depot Mayfield, then we don’t know what is.
You can see the full lineup for Homobloc 2025 and grab your tickets to see Honey Dijon in Manchester and plenty more rightHERE.