‘Tidal wave of redundancies’ coming for ‘forgotten’ Manchester music industry, claims Nightlife Adviser
Rishi Sunak's latest support scheme will replace furlough from November 1, but according to members of the Manchester music sector, these new measures do not protect employees.
The Chancellor has been accused of ‘turning his back’ on music and nightlife in Britain – with key figures in Manchester responding in dismay to his new winter economy package.
Speaking in the House of Commons on Thursday (24 September), Rishi Sunak said his latest package – which involves subsidising wages of staff working fewer hours than normal – aimed to prevent mass redundancies in a challenging economic climate.
The new support scheme will replace furlough from November 1, but according to members of the Manchester music sector, these new measures do not do enough to protect employees.
The Chancellor admitted he “could not save every job”, and the music industry is concerned they will continue to be hit hardest.
According to nightlife representatives, the music sector has been left “forgotten”.
Sacha Lord, the Nighttime Economy Adviser for Greater Manchester, responded in detail to the Chancellor’s statement on Twitter, predicting that the lack of support would result in “a tidal wave of redundancies” nationwide.
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“While these new financial aid measures are helpful, they do not go far enough to keep many businesses viable…” commented Lord.
“At the start of the crisis, the Chancellor assured us he would stick by all businesses, but today has turned his back on this commitment. Live Music Venues, Nightclubs, Musicians, Performers, Freelancers, Events. All forgotten.
“In hospitality alone, there are 900,000 workers still on furlough, and a further 1.3million people across the UK work within the nightclub industry. For many operators, it will be easier to remove these individuals from payrolls completely than go under.”
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The Parklife and Warehouse Project founder added: “We need reassurance that the workers who will inevitably be out of work will be able to claim benefits easily and quickly, that they can apply for retraining schemes, grants and initiatives where possible, and that their mental health will be supported throughout this time.
“Those caught in the midst of local outbreaks, including the hospitality operators in Bolton who have been forced to close, will undoubtedly suffer and the local lockdown support packages will not be enough to maintain their survival.”
The government also announced a Bounce Back Loan Scheme (BBLS) as part of the winter package – which “enables smaller businesses to access finance more quickly during the coronavirus outbreak.”
However, this has also gone down like a lead balloon with local performers.
Hacienda legend Graeme Park called the government response “absolutely disgraceful”.
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Speaking directly to the Chancellor, the DJ asked: “Why should I take out a ‘bounce back loan’ when my main source of income has completely disappeared? How do I pay it back when I receive zero financial support from the government and my sector remains closed?”
The Music Venue Trust has also denounced the government package, with CEO Mark Davyd claiming that “no part” of the sector is in a position to take advantage of the latest support.
“The new job support programme is built around the premise of returning to work, and employers returning to some level of income arising from that work to support those workers,” said Davyd.
“The government has made it clear that it does not believe that the time is right for the live music industry to return to work, and where limited events, under substantial restrictions, are permitted, the income generated is insufficient to meet any of the government targets for employer contributions.
“Bluntly, no part of the live music industry is in a position to pay 55% of its employees salaries in order to access the government support which is entirely conditional on doing that.”
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Fontaines D.C. announce massive gig at Manchester’s Aviva Studios as part of UK tour
Danny Jones
Irish post-punk pioneers Fontaines D.C. have just announced a brand new UK and Ireland tour ahead of their new album later this year and leading new arts and live entertainment venue, Aviva Studios, has been selected for their massive Manchester date.
The Dublin powerhouses have emerged as one of the most exciting acts on the planet for our money, combining everything from new wave, alternative and often grungey guitars, to more classic rock and even indie sounds, making them one of the most instantly recognisable sounds on the modern scene.
With all that being said, we cannot wait for their return to Manchester and what will no doubt be one of the biggest and best gigs Aviva Studios has seen yet.
Fontaines D.C. roll up to 0161 in Fall 2024 and they’ll have a brand new album under their belt to boot.
Home to Factory International, which kicked off an incredible debut calendar of cultural events last year, Aviva Studios is already proving to be an impressive addition to the Manc skyline, especially now it’s coaxing names like Fontaines D.C. to come and perform there over other gig spaces.
As for the band themselves, they dropped the lead single entitled ‘Starburster’ this week and it proved to be quite the sea change for often fast, frantic and no-nonsense five-piece. If you haven’t heard it yet, strap in and get ready to be over-exhaling out loud non-stop for the next hour – you’ll see what we mean.
With their fourth record Romance set to release on 23 August, we think it’s fair to say this new record – the first with new producer James Ford (Blur, Arctic Monkeys) – is off to a much more experimental start than their heavily acclaimed 2019 debut, Dogrel.
Set to take the stage in Aviva Studios’ Warehouse space on Friday, 29 November, Fontaines’ Manchester date is part of a new run of shows announced as part of their full European which kicks off in June.
Heading back from the continent in August and starting off the UK leg in Wolverhampton on 20 November, it’ll be a fast and furious nine-show run culminating with a homecoming concert in Dublin.
Tickets for all headline dates go on general sale at 10am next Friday, 26 April and for first access to presale, fans can pre-order the album by 3pm on 23 April.
Masked Manchester rapper Meekz bursts back with surprise gig in Piccadilly Gardens with JD
Charlie Watkinson
Local rap sensation Meekz is back, if you hadn’t noticed – he burst back onto the scene last week with a surprise gig with JD in Piccadilly Gardens.
The masked Manchester rapper is celebrating the release of his latest single Mini Me’s – and a handful of Mini Meekz posters appeared around town, pasted there by artist collective Pattern Up (then swiftly removed) last week.
Meekz continues to impress with his latest release, a track that’s quickly gaining popularity.
True to form, Meekz delivers not only sonically but visually, teaming up once again with KC Locke to create a stunning music video.
Their collaboration underscores the significance of music videos, reaffirming their lasting impact in the industry.
The video pays homage to their previous work, particularly ‘Like Me’, while also pushing boundaries with a post-apocalyptic CGI rendition of Manchester, reminiscent of scenes from GTA and Marvel movies.
This innovative approach demonstrates the remarkable synergy between Meekz and KC Locke, marking a new pinnacle in their collaborative efforts.
Following the premiere, Meekz treated fans to a memorable performance in Piccadilly Gardens, organised with JD, where he made a grand entrance by gifting miniature Air Max 95’s to his fans before taking the stage atop a large storage container.
I had the opportunity to speak with Meekz after the premiere, where he shared insights into his upcoming tape, ‘Tru’, slated for release on 24 May.
Additionally, he hinted at exclusive news related to GTA/GTA 6, leaving fans eagerly anticipating his future endeavours.
It’s clear that Meekz continues to innovate and redefine the game with each new project, and we’re excited to see what he has in store next.
KC Locke said: “In the time that the mainstream media is writing articles about the decline of the music video industry, swords and eagles are here to make a stand and show not only are music videos here to stay but they are more important than ever.
“This is a testament to community, bound by a shared vision, we rise and rise again, together, for the culture.”