This past weekend, people online began pulling together to try and find a fan after they stole a drum from a major music artist’s concert at the AO Arena on Sunday night.
When you say the words, “I’ll never forget that gig”, it usually means you had a really great night and, for this fan in particular, we think it’s fair to say that they be forgetting this night anytime soon – you know, many because they took a piece of the set home with them.
That’s right, following Twenty One Pilots’ massive Manc gig at AO Arena as part of their ongoing world tour, some fans were practically frothing at the mouth as the alternative duo did what they do best.
In fact, one individual clearly loved the concert so much that they just had to claim a keepsake, to such an extent that they want as far as steal band member Josh Dun’s drum directly from the stage.
As far as merch and memorabilia go, that might just be the biggest souvenir we’ve ever seen someone swipe from a rock show.
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In terms of the night itself, the highly anticipated return to Manchester was a huge success, with the band playing out to flurries of red, orange, yellow and black, thanks to fans sporting the same colours as Twenty One Pilots‘ latest album cover, Clancy.
In the video, the drum – which features the band’s logo on a red-splattered drumhead in the Clancy aesthetic – can be seen being carried out of the venue by a fan from the general standing floor area.
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As a result, not only did people on social media quickly begin sleuthing and trying to find the drum thief, but they’re also questioning why fans near the culprit weren’t doing more to get it back to the band.
One user wrote, “Ok but like I would have stopped her?” while another commented, “So I was scared to even take too much confetti with me and she casually STOLE THE DRUM??”
The fan who originally uploaded the video online aid in a subsequent post, “Guys, please, don’t put us to blame for not stopping her, we did all we could but literally no one around us cared about it.” They went on to add: “You’re not putting the blame of her stealing the drum on us, I’m sorry but I’m not having it.”
As you can see, the instrument was eventually located, with Twenty One Pilots’ videographer Sax uploaded a picture to his Instagram profile along with the caption, “We have the drum”, thanking fans for all their efforts in helping track down its whereabouts.
Featured Image –Ashley Osborn (publicity picture /@tillitaint (via X)
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The K’s kick off Manchester’s BRITs Week celebrations early with jam-packed intimate gig
The Manc
If you were ‘Hoping Maybe’ to see The K’s at some point this year, this is your sign do it, as the rising indie band did not let the occasion of playing an intimate BRITs-backed gig get to them – they were buoyed by it.
Beloved city centre venue Gorilla was overflowing for The K’s last night, hosting an unreal small-cap set as part of Brits Week ‘26 for a very important cause: War Child.
Perfectly teed up by fellow nearby band, Florentenes from Bolton, The K’s took to a familiar stage many years on from their debut, and instantly had the crowd ready and raring for an hour of pure tunes and some very, very sweaty brows.
Earlestown’s finest certainly carried that Northern charm and energy throughout the whole night; their indie and almost nostalgic lyrical storytelling has you moshing one minute, whilst grasping your mate and ascending into live music heaven the next. There really aren’t many feelings like it.
Sobbing and swaying in the vast ocean of shoulders whilst screaming the lyrics to ‘Helen. Oh I’, I questioned how any compliment will ever compare to launching “thousand ships every time” from a kiss.
The K’s were yearning before Wuthering Heights made it vogue (again).
Musically, the band were seamless and a well-oiled machine, and so were the audience as they wholeheartedly echoed every lyric back at the lads and bounced it off the walls.
The K’s have come a long way since their first visit to Gorilla (Credit: Lucy Wagstaffe)
Every primary school assembly proudly led us to this moment, and it did not disappoint, displaying their increasingly seasoned and successful career, which I can only imagine is going to go from strength to strength this year.
I don’t think we even one more fan could have squeezed one more passionate fan into Gorilla on the night; it was heaving with people and pride; the sweat dripping down the walls indicated things are big for these local lads, and we couldn’t be prouder.
They are another prime example of shining a deserving light on Northern artists! And having the 2026 BRIT Awards up here with us is a testament to that.
Featured Images — Lucy Wagstaffe (supplied via War Child UK)
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Florence + The Machine at the Co-op Live, Manchester – the star has never been better
Clementine Hall
Florence + The Machine make a triumphant return to the stage in a thrilling exploration of female rage.
When you think of Florence Welch, you can’t help but picture her barefoot complete with flower crown and bouncy skirts racing around the stage in a fairy-like fashion.
And yes whilst she still is this, the band’s new era is suddenly a lot darker and haunting with their new album Everybody Scream exploring topics of loss and grief.
Florence and her coven-like quartet of dancers did not leave the stage once throughout the 21-track setlist, but not once did it feel tired.
Image: The Manc
The album’s title track kicked off the show before transitioning into fan-favourite anthem Shake It Out.
Florence’s voice is just as recognisable as ever, as is her long auburn hair that she swishes with her as she strides up and down the stage alongside her flowing sleeves.
Beneath the powerful vocals, the haunting atmosphere grew stronger as Seven Dials and Which Witch saw the dancers, coined as ‘the witch choir’, crawling up and down the stage in a Michael Jackson Thriller-style fashion.
Daffodils saw Florence interact with the crowd – embracing a woman pressed to the front of the barrier sporting a bright yellow flower crown.
It’s clear to see how much their music means to so many, and being at a Florence gig you feel as though you’re really part of something special.
A highlight came half way through the two-hour spectacle, as Florence dedicated Never Let Me Go to her sister in the crowd who she stated was “clever enough to marry a man from Manchester”.
Image: The Manc
We couldn’t agree more Florence.
Spectrum (Say My Name) really ignited a fire in the crowd, the entire arena was up and moving to the iconic track.
Her most vulnerable moment of the night comes as she returns for the encore, when she sings You Can Have It All which is written about her near-fatal ectopic pregnancy she experienced in 2013.
It’s raw and haunting, and we feel every note as she summons the strength to perform a song so revealing.
Of course, as the first two notes of Dog Days Are Over the crowd erupts into chaos.
Florence asks us to put our phones down, “you won’t get a good video and if you’re holding your phone, you can’t move” she states, and so we did what we were told.
It’s proof of the power that Florence holds over her audience, and from then on we were left to dance with complete abandon as the show ended in a feeling of pure joy and euphoria.
Thomas Melia -
12th May 2025 
