Tyler, The Creator is heading out on an absolutely massive world tour, with an arena show planned for Manchester.
The alternative hip-hop legend has announced his Chromakopia World Tour for 2025, in support of his forthcoming album of the same name.
The massive tour will stop in Manchester at the new Co-op Live arena, as well as other UK gigs in Birmingham, Glasgow and London.
Tyler, The Creator has announced the tour hot off the back of the release of Noid, the first single and music video from the new album.
The last time he performed in Manchester, he was headlining Parklife 2022 with a blistering set that was a clear festival highlight.
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Since releasing his debut album in 2011, and now with his seventh album on the way, he’s won two Grammy Awards plus an MTV VMA, as well as earning a reputation as one of the most influential figures in hip-hop.
The new Tyler, The Creator tour will feature special guests Lil Yachty and Paris Texas, and will span North America, Europe, the UK and Ireland, Australia and New Zealand.
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Tickets for Tyler, The Creator at Co-op Live in Manchester will go on sale on Friday 1 November at 10am.
UK and Ireland tour dates for Tyler, The Creator
17 May – Birmingham, UK @ Utilita Arena Birmingham 19 May – London, UK @ The O2 21 May – London, UK @ The O2 24 May – Dublin, IE @ 3Arena 27 May – Manchester, UK @ Co-op Live 30 May – Glasgow, UK @ OVO Hydro
Review | Snow Patrol roll back the years at Co-op Live for a mini-Manc’s first gig
Danny Jones
This weekend we enjoyed a new kind of live music experience: rediscovering the joy of listening to a childhood favourite by watching it through the eyes of the next generation – that was how we witnessed a fully-fledged arena return to Manchester for Snow Patrol at Co-op Live.
And it was special for lots of reasons.
Taking a little one to their first gig is something you’ll never forget and sharing a new-found connection with a band that you loved when you were their age is one of those magical things about music that we’re eternally grateful for.
You might assume the Snow Patrol crowd one skews a little older for the most part but we were pleased to see there were more than a few kids and teenagers donning tour tees, looking wide-eyed at the sheer size of the Co-op Live arena, and singing the words back better than Gary Lightbody at times.
Sees the sign: ‘Race you there!’ (Credit: Audio North)
Yes, the Belfast-born frontman made a few mistakes on the night, but it did add a rather laid-back quality to what many acts might have found a daunting performance: playing a sell-out night to around 23,500 fans inside the enormous state-of-the-art venue.
But, obviously, there wasn’t even a whiff of nerves from these lads.
You don’t get to have been around for this long and become as successful as they are without being able to relax on stage and lean into those idiosyncratic perfections that feel more like private moments shared between the artist and the crowd.
The young lad sat watching it with us certainly got a kick out of it and though we might not have been able to cover his ears in time to censor some light but ever-charming swear words (it always sounds better in Irish, don’t you think?), it made for some nice banter between him and the crowd.
Big props must go to Johnny McDaid on the keys too, who besides having written for the likes of Ed Sheeran, Robbie Williams, Alicia Keys, Biffy Clyro and countless others over the years, also managed to impress by playing the majority of this entire tour after having trapped his hand in a train door. OUCH.
Credit: The Manc Group
Not only was that little interlude up there with one of the most applause-worthy parts of the entire show, but we were always pretty blown away by what we saw, as we all as what we heard.
Be it watching a digital tree come to life, shed its leaves and then fall as petal confetti, two sheer semi-opaque paper-thin screens swirl to create the album cover art for their latest album, or kicking the gig off with ‘Take Back The City’ as a multicoloured skyline appeared behind them, it was all pretty incredible.
We even got to hear a personal favourite of ours, ‘Set Fire To The Third Bar’, complete with a virtual performance from the voice that truly makes the song: Martha Wainwright.
It was in moments like this when we turned to see a 10-year-old’s face not quite sure of what it was seeing but an open-mouthed expression confirming they were finding it as stunning as we were.
We thoroughly enjoyed going through the back catalogue and working our way right up to plenty of the songs from The Forest Is The Path – which Gary himself firmly believes is their best work yet when we interviewed him – but it was as visually stunning as it was to the gorgeous sonically.
Up there with one of the prettiest gig snapshots in our memory.Not quite a hologram but very cool nonetheless.The production levels are always top-tier at Co-op Live but the Snow Patrol set was much more impressive than we expected.
Both proved to be a brilliant way to see the contemporary rock, indie and alternative veterans, but there’s something about giving them a stage as big as this that reminds you of just how much they deserve it.
Last but not least, thanks to Co-op Live not just for having but for creating a little boy’s memory that he’ll never forget.
Biig Piig brings home the bacon at Manchester’s New Century Hall
Clementine Hall
After releasing her long-awaited debut album, Biig Piig delivered an electric performance at one of the city’s coolest venues.
Oversized satin bomber jacket slipping off her shoulders, Biig Piig aka Jessica Smyth, wasted no time jumping around the stage to an audience equally as energetic.
The Irish artist’s headline tour is in celebration of her debut album 11:11, but the night was scattered with tracks from her prolific seven-year discography.
Biig Piig has two methods to her madness which she effortlessly switches between. Her chilled-out atmospheric songs inspired by R&B and jazz alongside her club dance tracks with heavy drops and mesmerising synth.
Throughout the night we were treated to both, receiving a masterclass in finding the balance between the two.
“You guys have filled out this room. I love Manchester there is so much energy”, she says just moments after opening with track ‘4am’.
“I’m out and I’m back and I’ve missed you”, she pleads to the crowd whilst parading up and down the stage adorned with hot pink strobe lights.
Her band, which features a bassist/saxophonist and drummer, adds nice bits of detail to her songs, specifically ‘Roses and Gold’ which won itself a groovy sax solo which was met with rapturous applause.
Moments later she picks up the pace with a few welcomed dance party throwbacks, ‘Sunny’ had everyone two-stepping along with her whilst flirty ‘Favourite Girl’ transformed the venue into an underground dance party.
Ending the night with a bang was ‘Kerosene’ for which she got the crowd to get low on the ground and bounce together as one, a request which can often prove risky but one which was pulled off without hesitation.
It was clear to see the fun that Jessica, her band, and the crowd were having throughout the hour-long show.
But what’s even clearer is Biig Piig’s path to the top of dance music stardom.
Daisy Jackson -
23rd October 2024 
