One of the UK’s most popular new club events and pioneering ‘day rave’ is returning to Manchester this New Year’s, featuring founders Jon and Vicky McClure, as well as some very special guests.
The Line of Duty star and Reverend and the Makers frontman started the parent-friendly event back in January of this year as an alternative day out for those looking to have a party and still manage an early bedtime. Since then it’s gone on to become a real phenomenon and is only getting bigger.
With Vicky swapping UK dramas and crime thrillers for the discotheque and ‘Big Jon’ switching lanes from his usual rock, indie and alternative roots to favour timeless dance tracks to still get people up on their feet, Day Fever has gone down a storm all over the country.
With their first year coming towards a close, they now look set for arguably their biggest day rave to date as Day Fever will be hosting a special New Year’s Eve for their final hurrah of 2024 right here in Manchester city centre – and no, you don’t need to be able to stay up until midnight.
The two McClures – unrelated, by the way, they just share a name and a fantastic taste in music – and the rest of their crew will be partying between 3-8pm for a much more tame and friendlier night (day) out, commanding the decks alongside some other special guests.
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Not only does this alternative way to party promise a more responsible curfew, meaning clubbers don’t have to worry about missing the last train home but it’s also geared towards over 30s whilst still being super inclusive.
This day-time clubbing event is designed to reminisce on the old days and all those dance-filled memories of evenings spent out on the tiles, just minus the late-night finish – and hopefully the hangover but that’s down to you really, isn’t it?
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In their words: ‘There’s no dress code, no egos—just pure positivity’; there’s nothing we love to hear more than the sweet relief of not having to get dolled up for a big night when we just can’t be bothered.
With New Century Hall hosting the Day Fever once again for their first-ever NYE party here in Manchester, along with two other events being held simultaneously in Edinburgh and Birmingham, you can get all your partying done way with plenty of time to get cosy in bed before the calendar turns over.
Just in time to watch Jools Holland’s famous Annual Hootenanny, as they put it.
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Jon McClure and Vicky’s co-star, Martin CompstonVicky McClure leading the dance routines
This is guaranteed to be an evening to remember for everyone in attendance, especially when you’re joined by stars of stage and screen who will be powering you through with some proper dance bangers as they have done all year long.
The New Year’s Eve party isn’t just the last dance of the year either, it’s also effectively the prequel to next year’s raft of shows as Day Fever has already announced more than a dozen big dates in January and February.
This batch of 2025 dates sees the gang taking on lots of other cities, including North West neighbours Liverpool, Sheffield, Leeds and Hull over in Yorkshire, two Newcastle shows and plenty more.
So, if you’re feeling those clubbing blues, that pesky seasonal affective disorder or just still not booked up for NYE 2024, why not make the most of this day-time opportunity?
Tickets for both the New Year’s Eve and the rest of their 2025 events are available on the official Day Fever website HERE.
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Oh yeah, and help get Rev to Christmas number one – it’s for a good cause and they deserve it!
Tame Impala at Co-op Live, Manchester – lasers, lights, and a bit of a hangover
Daisy Jackson
The coolest man in the southern hemisphere has finally made his way back up north, for his first Manchester gig in a decade.
That cool man in question is Tame Impala, the music project of what-the-hell-can’t-he-play multi-instrumentalist Kevin Parker.
Sure, last year’s single release ‘Dracula’, and then its remix re-release with K-pop megastar Jennie, may have propelled Tame Impala up towards the top of the UK singles chart for the first time, but he’s got almost two decades-worth of music to dig through beyond that too.
It’s a hefty discography and it leads to a setlist that seems to almost peak about six times.
‘How could it possibly get better than this?’ we seem to ask as he plays The Moment, Elephant, Dracula, and Let It Happen pretty early on – but better it does indeed get.
It doesn’t seem to matter whether he’s up on the main space-ship-esque stage surrounded by lasers and lights, or sat on the floor of the B Stage playing around with a keyboard, Tame Impala has an irresistible, enchanting charisma. A lot more charisma that you’d expect from a man called Kevin.
Early on, he confesses that he’s quite severely hungover from last night’s show, where he had Dua Lipa (he wrote and produced her Radical Optimism album) as a surprise guest.
But you can see the hangover clear from his eyes in real time as 23,500 Mancs scream in his face. Which might not sound like a likely hangover cure, but who am I to argue with the evidence in front of me?
Although Kevin writes, produces, and records his music solo, he’s got half a dozen musicians up on the main stage with him, which looks like a convoluted space ship that fires confetti out of its thrusters (FOUR TIMES!).
With revolving lights, dancing lasers, and a metal grid base spewing out dry ice, it’s really one hell of a production.
It’s a light show designed to give us all a glimpse of his synesthesia (meaning he sees colours when he hears music (Billie Eilish has it too)) – essentially, if you couldn’t hear a thing and could only see the stage, you can still tell exactly what song is playing.
Still, when he saunters straight through the crowd to his smaller stage to mix tracks solo – no lasers, just a few lamps – flopping down onto a tangle of wires like a mad magpie building himself a nest, it’s a chance to remember this guy’s composing prowess.
A lot of the songs performed tonight are almost orchestral in their complexity, so that the whole show merges into one thundering, bewitching night of dancing and being blasted in the face by confetti.
It’s genius.
So can you not leave it another decade before you come back, Kevin?
Kahiki Soundhouse – the new Mint Lounge site is living up to the old name and its live music legacy
Danny Jones
If you went out in town back in the day (pretty much any time from the late 90s to the 2010s), or indeed have sampled a Funkdemia over the past couple of decades, chances are you tried or at least heard of Mint Lounge – but did you know it’s been replaced by a new kid on the block, Kahiki?
Kahiki Soundhouse, to give it its full name, is the new live music venue bar that has opened up the old basement space on Oldham Street in the Northern Quarter.
In truth, it’s now more of a classic lounge than ever before.
The large open-plan floor, which used to be filled with people standing/two-stepping inside a fairly barebones club room with no air conditioning, has now been traded up for a stylish space lined with plush padded seats, classy low-lit tables perfect to share a glass or two over, and lots of new features.
Perhaps the biggest change is that the old soundbooth/stage area that used to be way at the back has now been swapped for a central 360° podium that changes up each night.
It really is the star of the all-week-round Kahiki show, if you ask us.
This also means that no matter where you are in the main venue (there are other rooms, but we’ll get to that), be it tucked in a booth to the side, at the bar, or even ‘behind’ whoever’s playing, you’ll have a virtually unobstructed view of what’s happening from noon until night.
Seriously, thanks to their already jam-packed schedule, the reviews aren’t just off to a great start only a few days in, but people have been turning up in the early evening and staying well into the early hours of the next day.
They’ve got duelling pianos, live bandaoke, acoustic nights and straightforward DJ sets for those who still fancy a taste of the previous vibe.
Kahiki’s maiden Manchester city centre venue definitely harks back to the good times had in the Mint Lounge days, but the team, who possess decades of experience between them, have combined a retro feel almost more akin to 1960s speakeasies, cocktails and evening venues.
It’s no secret that clubbing and the UK nightlife scene have changed quite a bit since the pandemic, but these guys look to have found that perfect blend of more relaxed seating, along with plenty of room to get up and boogie; there’s even a raised mini-stage/dance cage for your main character moments.
Better still, if you do want something a little bit away from the crowds of punters that are continuing to make this one of the liveliest new additions to NQ, they also have adjustable karaoke rooms where bi-folding doors can make room for up to 50 of you and your lot to party in privacy.
Let’s just say the spirit of the Lounge is alive and well in the Soundhouse.
Just one corner of KahikiYour podium awaitsOne of the smaller karaoke rooms
Thomas Melia -
17th December 2024 
