Manchester is a music city through and through, especially when it comes to the live scene, but one question we hear time and time again is ‘Where should I go before and/or after a gig?’
In fairness, if you’re from the area or have lived here long enough then you’ll have your answer or certainly a few tried and tested go-to places but, for anyone still new to Manchester, there’s some serious concerted effort that goes into planning these things. Get it?
Seriously though, you’ll be pleased to know that not only do we boast some of the best acts to have ever come out of the UK and some of the best venues to watch live music in the country, but we also have some of the best spots to enjoy yourself before and after seeing your favourite artists.
You’ll never need to wonder where to go before or after a gig in Manchester again.
10 of the best pre and post-gig bars and venues in Manchester
1. Big Hands
A top-tier choice either before or after any Manchester gig. (Credit: The Manc Group)
First up on our list is a long-standing favourite among students and gig-goers alike: Big Hands, a.k.a. one of the coolest little boozers you’ll find anywhere in the city centre. It also happens to be right near all the Manchester Academy venues, which is handy.
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With decent prices catering to those gigging on a budget along the busy university strip of Oxford Road, a lovely dimly-lit aesthetic complete with gig posters galore; a rooftop garden terrace adorned with twinkly lights and plenty of plants, it’s a pure vibe in here.
They also hold live music and DJ set nights of their own, as well as currently serving up great Italian street food from Rizzo’s – formerly T’arricrii) – like pizza by the slice and their famous arancini, it’s quite simply one of our happy places.
In a number two is a twofer of sorts because we love them both as much as each other really, but if you’re looking for some solid scran and pre-gig fuel on the cheap, then Bunny Jackson’s is the answer.
Comfortably the best dive bar on the planet, the playlist in here is literally undefeated if you like rock, pop-punk, emo and some good old-fashioned Americana. They also regularly host afterparties following live shows and even the likes of Olivia Rodrigo, The 1975 and more have sampled the goods.
The only thing it has over its sister site Junior Jackson’s or the new country-style karaoke bar (both in Northern Quarter) is the 25p wings. In fact, we’ve got the perfect plan: Bunny’s before the gig, karaoke after and Junior’s well into the small hours.
In at number three is another Manc music institution and arguably one of the most important venues of the past two decades or so that has given so many big names their start. It also happens to be a great place for before and after a gig in Manchester.
Should you be starting your pre-concert ritual super early, you can grab breakfast, brunch or pizza all the way up until 2pm, as well as some pretty darn good coffee too, but the reason to head here is to soak up the history and culture literally dripping from the walls – oh, and boogie until 2am, of course.
With artwork and Stanley Chow prints to be studied, as well as that warm red, orange and yellow paint scheme, we always feel welcome walking in here. It may have had a tough time keeping the doors open over the past couple of years, but live music lovers have kept it alive and will continue to do so.
4. New Century
What’s better than a bar right near the venue you’re going to? How about one big bar within an even bigger food hall that’s already inside the same building as the concert?
New Century Hall only opened back in 2022 but it’s fast become not only one of our favourite live music spaces in the entire city – with that spring floor, top-notch sound system and stunning psychedelic illuminated disco ceiling – but it’s also the perfect place to go beforehand too.
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With so many independent vendors inside serving up everything from pizza, parmos; Japanese, Vietnamese and plenty of other cuisines on offer, not to mention a great beer, wine and cocktail selection, this stylish 60s-inspired room is right below the venue itself and we love it from top to bottom.
5. Stage and Radio
Similar to fellow Northern Quarter fave Night and Day, Stage and Radio on the other side of the district feels like the equivalent for fans of electronic, dance music and DJ in general.
It acts as a bar in the afternoon and early evening, perfect for pre-drinks especially come happy hour, but by nighttime it hosts a wide range of its own shows, welcoming up-and-coming artists.
The star of the show, however, is the club room in the basement which serves up some seriously good late-night shows, so whether you’re just heading downstairs after a chiller on the ground floor or looking to rave into well into the next day, you won’t go far wrong with this gaff.
From EDM and clubbing to the old-school rock and roll haunt that is The Salisbury, which is arguably one of the very places that comes to mind when we think of where we like to go before and/or after the game, a gig and pretty much any other event to be honest. We’re big fans.
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Full of rockers of all ages all either queuing up for the bar or the jukebox, Little Ireland’s little gem of a boozer is much more than just a pub, it’s one of the most well-trodden haunts on Oxford Rd to be found nearby and for very good reason: it’s mint.
Whether you like heavier stuff or just want a good boozer to get ready for a night of tunes, it’s well worth a go. They also have a somewhat secret outdoor area out back that not everyone stumbles across and their in-house New York pizza, Dough161 (fantastic name), isn’t just decent – it’s genuinely up there.
7. Grand Central
In a very similar vein to The Salisbury, next door or rather right in front of one rock pub is another recently renovated bar popular among students, those who enjoy the alternative scene and loved by a fair few of us here at The Manc.
No, we’re not asking you to imagine NYC or turn back to before Manchester Central was even called the GMEX, Grand Central is the name of the longstanding bar that promises a few things: cheap drinks, great music and now plenty of live performances too.
The name is fitting too given the central location for anyone travelling in the city, hence why it’s often heaving. We’ve also got a soft spot for another neighbour known for its Northern Soul nights, so if either or both of the last two suggestions are too busy you can always try Thirsty Scholar.
If you cross the road and make your way to Charles Street, just a few short minutes away you’ll find a multi-purpose venue that YES, with food, drink, music and more sprawling across four storeys.
You can do it all here. There are gigs in the Pink Room on the first floor, official artist afterparties and club nights down in the basement; bloody good butties from Micky’s and booze as well as dancing, pizza and tonnes more on the ground floor, plus a beautiful rooftop terrace. Something for everyone.
Students regularly pack this place out too but don’t worry, the various deals are available to everyone and you’ll find it busy with people pretty much all day and night – including our very own Will.
9. Rebellion
This is another one that we’d probably put in the post-gig column but Rebellion just opposite Deansgate Locks is arguably one of the most underrated music-related venues in Manchester.
It’s another city centre venue that (not so) quietly hosts some of the rowdiest nights you’ll come across; you’ll sometimes hear the noise booming from the walls on a walk home from a night out and we’ll admit it’s drawn us in on more than one occasion.
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We always remember bumping into local alt-rock and indie icons Everything Everything in here and losing our minds, so it gets bonus points for that interaction alone.
And finally, it’s possibly the very first shout we make on where to go most certainly AFTER a proper rock show, Satan’s Hollow is a haven for metalheads emos, goths – whatever arbitrary label you want to throw our way.
All we know is that if you like heavy music, we’re not telling you to go here, we’re considering it a Manc rockers rite of passage if you’ve still got the energy to headbang post-gig.
Tucked away behind Gay Village and strictly cash-only entry, what goes on behind these tall, demonic-looking gates stays behind them and we promise it’s better to leave it to your imagination and just enjoy the carnage once you’re in there.
An unmissable Whitney Houston tribute event is returning to Greater Manchester
Thomas Melia
A much-adored and cherished Whitney Houston tribute show is returning to Greater Manchester later this year for not one but two different shows, each channelling the charisma and energy of the pop legend.
To celebrate the 10th anniversary of the phenomenal theatre production, ‘Queen of the Night’, the show is visiting a multitude of stages and venues all across the UK.
0161 had to receive at least one date on this tour, partly due to being the music capital of the North and also due to the fact that this is a city many fans of the 80s diva will forever hold close to their hearts.
Houston played her final ever concert performance of her career here in this very city back in 2010, taking up residence in AO Arena for two nights of world-renowned ballads and mesmerising live vocals.
This tribute show is set to include some of the diva’s biggest and much-loved hits like ‘I Will Always Love You’, ‘How Will I Know’ and ‘The Greatest Love of All’, the audience is sure to be singing along.
Adenike Adewale is taking on the role of the American R’n’B Pop singer and is no stranger to the stage or TV, featuring on The Voice in 2021 where she sang a Whitney classic, making it to the semi-finals.
Fast forward to 1 June and the tour returns to Greater Manchester and legendary city centre space, Bridgewater Hall: an incredible room more than fit for renditions of the powerhouse vocalist.
A pair of stunning venues, two stunning shows and one incomparable voice.
It’s not only our lovely region the Queen of the Night experience will be visiting; our friends over at The Hoot have plenty of nearby opportunities to sing along too, with Yorkshire dates in Hull, Halifax, Harrogate and Bradford to name a few.
I’m definitely saving all my love for when this show visits us later this year in March, and after I buy out the front row for all my friends I’ll certainly relate to the smash 1993 single ‘I Have Nothing’.
Tickets are on sale already now – you can grab yours HERE.
Better Man has bombed at the box office – but is the Robbie Williams biopic any good?
Danny Jones
So, Robbie Williams’ biopic Better Man has been out for a little while now and the question on many people’s lips – you know, apart from ‘why is he a monkey?’ – is, quite simply, is it any good?
Many of you may have already seen it, others may have absolutely no interest in hearing about Robbie‘s already well-publicised exploits (be they in ape form or otherwise), or maybe you’ve just been waiting to hear whether it’s any good before heading out to the cinema.
Well, if you’re judging it purely by the current headlines circulating online, you’d be forgiven for thinking it’s absolute rubbish. So far, Better Man has ‘tanked’ at the box office, making just over $1 million compared to a budget of nearly $110m (£90.8m).
However, given how pivotal the US viewing figures are, a big chunk of the commercial disappointment has come down to Americans largely not knowing who Robbie Williams even is and it’s no surprise that it’s done a little better here in the UK – though still not stellar. But again, ticket sales aside, is it good?
Better Man – Review
I wasn’t sure a (very good) CGI monkey Robbie Williams film was going to be any good either based solely on the trailer, but they nailed it.
*Once again, some spoilers ahead – though it is his life story, so we’re not really spoiling anything…
I’ll start this off by admitting that for all his foibles and controversies of the years, I am a Robbie fan; his music was always on in my house as a kid and well into my teens. Being born in the mid-90s, he was probably one of the first big pop stars to ever enter my world.
Growing up obsessed with football too, a charismatic, mainstream rock and roll-spirited figure in the mainstream who also loved the beautiful game and even took influence from chants heard around the grounds in his songwriting always made him extra appealing to me.
All that is just to say that I’m fully aware there’s probably some bias here, so I’ll still try to be as impartial and ‘objective’ as you can be with a film review. But back to the point, the short answer is yes: it’s good – very good, in my opinion.
If you’re similarly fond of the frenetic, funny and ferocious showman, you’ll obviously have a vested interest in looking back on his career thru a (somewhat simian) Lens, but even if you’re not, I still think you can get a lot of of the film and a greater insight into a captivating life story.
Monkey see, monkey do—make me sad, very sad…
This scene (among many) had us welling up. (Credit: Paramount Pictures)
For starters, put simply: as daft as it may seem, the monkey thing does work. It may come across like a strange gimmick when you first see the trailers but it doesn’t take much digging to realise that there’s quite a well-thought-out three-pronged approach behind it.
One of the first things the 50-year-old singer said on the press tour for this film is that he’s always felt “unevolved” and it’s something that’s brought up a couple of times in the film itself, so making him an ape rather than a modern Homo sapien is one way to way to communicate that.
Plus, not only does it obviously make any sad moments – and there are a lot of them – even more emotional and tear-jerking, especially during the scenes during Robbie’s childhood, but it also plays into the sad reality that he’s felt like a performing monkey for the majority of his life.
When you stop and think about the reasoning behind it feels a lot more considered than on first impression, and it certainly helps you empathise and, more importantly, sympathise with the troubled character you’re seeing on screen.
Robert vs Robbie
A very clever movie poster to boot.
And that’s pretty much the rub right there: this was always going to be at least a somewhat self-indulgent watch, not just because it’s a biopic but because it’s Robbie and that’s what his persona is about – but it is and always has been a performance in every sense of the word and the film does a great job of trying to distinguish ‘Robbie’ from Robert.
From seeing the origins behind being given that name specifically, his younger years and affectionate albeit mostly fraught relationship with his father; how the boom of Take That engulfed his entire world and even more so once he went solo, as well as the version of himself he’s shown to the world for last three decades, it’s clear he’s often struggled to find the line between the two himself.
It’s also very important to state the cheeky, cocksure Robbie Williams you were expecting to watch the rise of throughout this biopic has wrestled with a much lower opinion of himself than you could ever imagine. It’s a driving force behind the film and manifests in all manner of problematic and unpleasant ways, just as it did in real life. You see him see a lot of them in the crowd throughout the duration, in fact.
Because for anyone who isn’t aware, a lot of Robbie’s experiences are problematic and unpleasant; the early days as a boyband commodity, his substance abuse, struggles with mental health and beyond are all laid bare on screen in fairly graphic detail at times. A lot of the situations these issues spring from would feel hard to believe were it not for the fact it’s a true story with very little embellishment, if at all.
Manchester references are a bonus
One of the things that did stand out as a particularly surreal aspect of the film was the handful of references to Robbie’s intersection with Mancunian culture, which simultaneously felt familiar and somehow like going back in time to peep behind the curtain at a world that very few saw first-hand.
Again, the behind-the-scenes examination of how Take That transpired and those very dangerous, inappropriate and frankly unlawful series of events in nightclubs over on the likes of Canal Street feels like a fever dream (as it did for Robbie).
Perhaps the biggest buzz we got was the not-so-surprise appearance by the Gallagher brothers and ‘The Robster’s obsession with Oasis. The look is exactly what you’d expect and Liam‘s accent might not be perfect but it still gave us a thrill without feeling like pointless lip service.
All that being said, is the much-talked Robbie biopic a good enough film to warrant popping out to the pictures? Well, I’d certainly say so. Not only are the visuals and the CGI itself pretty flawless, but the motion capture is done so well that it never felt like I was taken out of the film at any point – even the very particular Stoke and Cheshire accents of Robbie and Gary Barlow are very convincing.
We knew there was going to be lots of humour too but there’s also a lot of impressive stuff the director does that I wasn’t expecting.
One of those is the transitions: there are lots of clever tonal switches done with great camerawork and effects (particularly during one driving sequence and some of the flashback frames) and they really do help covertly shift the mood so some of the darker moments don’t give you full on whiplash.
And lastly, the director’s fingerprints can be felt all over the movie as Michael Gracey’s The Greatest Showman pedigree certainly makes sections of the film feel more like a musical than I was expecting – but in a good way. Big bold cabaret choreography fitting of the man himself.
After all, we all know most Robbie tunes are bangers but seeing them brought to life in these new and interesting ways really does make Better Man a better film than we’d even hoped for and it’s certainly good enough to be performing a lot better than it is at the box office right now. Maybe give it a go.
As far as I’m concerned, big stunning set pieces like this are just the tip when it comes to what makes the Robbie biopic a good film.
Danny Jones -
15th November 2024 
