The battle to ‘save’ Manchester’s iconic Night & Day Cafe seems to have finally come to an end, with a lengthy court battle wrapping up last month.
The historic venue has helped launch the careers of countless bands and played host to intimate gigs from the likes of Ed Sheeran, Arctic Monkeys, Wet Leg, James Bay and Elbow.
A couple of years ago though, a ‘new resident’ in the neighbourhood filed a noise complaint.
And then Night & Day Cafe was slapped with a Noise Abatement Notice by the council.
And then they took the whole thing public, and the row rumbled on and on and on.
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The resident unwittingly at the heart of the media storm (some very famous faces were rallying behind the venue) said that the music was so loud it could ripple their toilet water, Jurassic Park-style.
In a lengthy piece recently published by The Mill, previous residents came forward and backed them up, saying that the flat was ‘uninhabitable’ and a ‘living nightmare’.
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That piece also revealed that Matty Healy, frontman of The 1975, at one time came forward and offered to buy the flat for cash to put an end to the whole thing.
The 1975’s Matty Healy reportedly made a cash offer to buy the flat involved in the Night & Day Cafe noise row. Credit: Instagram
But three years after the noise complaint row hit headlines, Night & Day Cafe has been granted permission to continue operating as a gig venue and nightclub, with a few conditions that should end the back-and-forth between them and their neighbours.
Manchester City Council has maintained throughout the ordeal that it has had no intention of shutting down the Oldham Street venue, saying that the Noise Abatement Notice was issued as a ‘last resort’ after months of negotiating and compromising.
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After three years of public statements and court hearings and occasional celebrity endorsements, it looks like Night & Day Cafe can finally go back to what it does best.
And if you also got lost in the whole storyline along the way, here’s a little refresher of what happened and when (it goes back a full decade…)
Night & Day Cafe’s noise row as it happened
January 2014 – Night & Day is first hit with a Noise Abatement Notice, with thousands (including Johnny Marr, Frank Turner and Tim Burgess) signing a petition to have it removed.
September 2014 – Night & Day is allowed to remain in operation, on the condition that owners meet with residents every three months and to discuss any issues.
August 2020 – A man buys a Northern Quarter flat that neighbours Night & Day Cafe. The world is still under lockdown restrictions and live music is all-but non-existent.
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July 2021 – Restrictions lift and this iconic venue springs back to life with its first event. The noise is so loud inside the neighbouring apartment, the toilet water ripples, Jurassic Park-style. The residents file their first complaint, and meet with the owners of Night & Day to discuss a solution.
November 2021 – After multiple complaints, and multiple meetings with the venue’s bosses, Manchester City Council serves Night & Day with its Noise Abatement Notice. The council received hundreds of noise complaints that year – this was the only one that resulted in a NAN (the rest were sorted out by venues without council involvement).
November 2021 – Night & Day goes public with its Noise Abatement Notice and launches a petition to have the NAN removed. It gains almost 100,000 signatures and is shared by many famous faces in the music industry.
November 2021 – The resident at the centre of the row speaks to the MEN, saying their issue is with the club nights (not the gigs) and that he’s spent thousands of pounds trying to insulate his flat from the noise.
November 2021 – Local artist Paul Hallows, who works under the name himHallows, creates a series of tongue-in-cheek free posters about the whole situation.
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October 2022 – Night & Day pushes its petition to have its NAN removed again, as the venue says its future ‘still hangs in the balance’. It claims that complying with the requirements of the abatement notice ‘would effectively ruin Night & Day’s business’.
November 2022 – Night & Day heads to court for the first time, with celebrities rallying around the venue. Jeremy Pritchard from Everything Everything, Elbow’s frontman Guy Garvey, and Matty Healy from The 1975 all lend their support.
November 2022 – Manchester City Council confirms it’s had five complaints from four different flats – not just the one at the centre of the row.
December 2022 – Blossoms perform at the venue to mark one year to go until the opening of the Co-op Live Arena. They have #SaveNightandDay posters plastered to their equipment.
Summer 2023 – Matty Healy pops up to the flat and tries to buy flat for cash, according to reports in The Mill. The sale fell through because The 1975 were sued for a large sum, after Matty kissed his bandmate on stage in protest of Malaysia’s anti-LGBTQ+ laws.
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January 2024 – Night & Day heads back to court for a three-day hearing. There were several other court appearances over this timeline, but to be honest, we’ve lost track too. They said again ‘the source of the problem is that when the adjoining building was converted from warehouse to flats, no consideration was given to the pre-existing live music venue’.
March 2024 – It all wraps up quickly at Manchester Magistrates’ court, and the NAN is upheld. Night & Day can remain open, but will have to compromise.
The legendary Hulme community pub The Old Abbey Taphouse has been reborn
Daisy Jackson
The closure of The Old Abbey Taphouse was a real blow for Hulme and the surrounding university district area; the community pub was a bit of a local institution thanks to its grassroots music and inclusive atmosphere.
But now it appears that the spirit of the venue lives on, under the new name of The Abbey.
Some of the city’s most experienced independent operators – who have been behind venues like YES and The Deaf Institute, and music promoters Now Wave – will be the new custodians of this beloved local landmark.
The pub, which closed early last year, has now been carefully and lovingly restored ahead of its big relaunch, which will start in true Manc vision with an exclusive opening night gig.
The Abbey is reborn. (Credit: The Manc Group)
The vision for its new chapter will be ‘Old Pub, New Music’, creating a new home for grassroots live music and emerging artists.
There’s also affordable, hearty pub grub, including Pieminister pies, and a huge range of beers from local breweries and beyond.
Bringing The Abbey back to life are a core team of four: Ruth Hemmingfield, Wesley Jones, Jonathan Wickstead and Gareth Butterworth.
Ruth, Jon and Wesley are co-owners of YES; Ruth previously launched and programmed landmark Manc venues including The Deaf Institute, Gorilla and Albert Hall; while Wesley and Jonathan, through Now Wave, promote hundreds of independent gigs and live events each year.
As for Gareth, he’s the founder of the multi-venue festival Manchester Psych Fest, meaning that all of them have plenty of hospitality, late-night, live music and events experience between them.
The team behind The Abbey pub. Credit: Piran Aston
The rear of the site of The Old Abbey Taphouse will be extended to create a new dedicated live music and events venue, while the cherished beer garden is given a facelift with new decking and its own bar.
The Abbey has stood in Hulme since the 1890s, playing an important role in the area’s heritage – this is where activist Len Johnson managed to overturn the shameful ‘colour bar’ policies of the 1940s.
Its restoration and relaunch are part of the flourishing Manchester Science Park development.
Matthew Pazos, Senior Retail Commercial Manager at Bruntwood SciTech, said: “Ruth, Wesley and Jonathan are the perfect custodians to breathe new life into The Abbey.
“Their reputation for running independent spaces in Manchester, alongside their live music expertise, will ensure this much-valued pub once again becomes a beating heart for Hulme and the wider neighbourhood.
“The reopening of The Abbey will create an inclusive new hub that welcomes everyone – from the Hulme locals who have looked after the pub over the years, to the Manchester Science Park community, university students, and the many residents and workers across the Oxford Road Corridor.
“We are delighted that such a culturally significant and important pub is set to open its doors once again.”
Ruth from the new Abbey team commented: “We love a good pub. With The Abbey, we’re excited about bringing a brilliant old pub back to life, protecting what people loved about it, and creating something special: a great local, alongside a vital grassroots music venue for the area.
“We’re honouring the pub’s history while building its future.”
Gig review | Lola Young’s Manchester comeback – A joyous return to stage at the O2 Apollo Manchester
Kristen MacGregor-Houlston
The excitement in the air is palpable in the O2 Apollo Manchester, the crowd is itching for her to make her way onto stage and is chanting her name – Manchester has missed you, Lola Young.
After an extended hiatus since she collapsed at the All Things Go festival in New York last September, Lola is back on a short tour to find her feet again. Whilst Manchester isn’t officially the first show, it is the headline performance for her comeback.
Lola’s break had come at a pivotal moment, with her third studio album, I’m Only F***ing Myself (2025), earning huge acclaim, performances across the globe, and endorsements from the likes of Elton John for her talent.
After cancelling all of her shows ‘for the foreseeable future’, Lola asked fans for their forgiveness, writing in an emotional statement: “I really hope you’ll give me a second chance once I’ve had some time to work on myself and come back stronger.”
Tough to handle for anyone, let alone a young rising artist.
It was clear to everyone that her hard work on herself had paid off, as this was a different Lola Young from the one I saw at Glastonbury last year: there was a calmness to her – she seemed more centred and more confident.
That calmness, however, did not mean a lacklustre performance: she is still a powerhouse; her stage presence is just magnetic, and it is clear to see how loved she is by her fans. The energy in the room didn’t falter the entire time she was on stage.
She kicked things off with ‘Sad Sob Story’, a song about moving on from a toxic relationship, which seemed fitting as she steps away from the drama and difficulties of last year into a fresh start. A wall-shaking opening number that set the scene for what was to follow with the rest of the show.
As part of her healing journey, Young stated that she has decided to write something special and specific for each show to tell herself if she’s worried or doubting her ability.
She shared her Manchester mantra with us: “When you are connected, when you express what you feel is true to you, when you open yourself up and share your very unique experience, remember you are electric… Those who want to listen will lean in, no matter your volume.”
Although she was clearly introspecting, she was also speaking to her audience, her fans, and expressing gratitude for them still being there. Shouts of support echoed out through the venue, her fans truly loving and supporting her as they have since day one, perhaps more so than ever.
Her performances of songs like ‘Big Brown Eyes’, ‘Not Like That Anymore’ and ‘Conceited’, showed just how much fun Lola was having on stage, being back and being surrounded by people who truly loved her.
At times, the crowd were singing along so loudly and passionately that she laughed and told the audience, “I can’t even hear myself in my own ears.” She had to occasionally take moments to step back and take it all in, seemingly overwhelmed with joy at the outpouring of love being reflected back to her.
Her band were also a stand-out, sharing in her energy and passion. It is clear that Young and her band could easily fill huge arenas with their talent and fervour, but this more intimate venue just seemed correct.
Lola continued to prove throughout the night why she was so deserving of her BRIT Award for ‘Breakthrough Artist of the Year’, and her Grammy nominations for ‘Best New Artist’ and ‘Best Pop Solo Performance’.
Her vocal talent, emotional depth and electric stage presence were showcased in songs like ‘why do i feel better when i hurt you?’, ‘Post Sex Clarity’ and the incredible ‘You Noticed’, showing an extremely vulnerable side to her that had many audience members tearing up.
We saw all sides of Young during this show, with her iconic songs ‘One Thing’, ‘d£aler’ and ‘Messy’ practically blasting the roof off of the O2 Apollo Manchester.
The fans could hardly contain themselves, screaming the lyrics back at her – it was truly a night to remember for everyone.
With another night in Manchester due to popular demand, Lola promised to be back soon. Could it be a bigger tour, bigger venues, new music?
Who knows, but for now we’re just glad to see her healthy and have her back in our lives again.
Daisy Jackson -
10th April 2024 
