This morning the iconic Manchester party series The Warehouse Project (WHP) has revealed its final show for its 2023 season.
The final show is an absolute corker, seeing the series conclude with a curated show from Leeds-born, Manchester-bred record producer, DJ, and songwriter Nia Archives on Friday 8 December.
The BBC Music Introducing Artist of the Year has put together a belting line-up, bringing together the likes of Shy FX, Skream, underground UKG and Asian revivalist Yung Singh, a debut Special Request B2B Clipz, and more for the series’ final show of the season.
Awarded BBC Music Introducing Artist of the Year last year, Nia Archives is set to return this season with her very own debut curated show at The Warehouse Project, UP YA ARCHIVES.
Image: Nia Archives
Image: Nia Archives
No stranger to the Depot Mayfield domain, Nia Archives released a spooky ‘Off Wiv Ya Headz’ remix of Yeah Yeah Yeah’s ‘Heads Will Roll’ earlier this year which was born out of her Halloween set at The Warehouse Project last season.
ADVERTISEMENT
A true champion of the DIY spirit and one of dance music’s most exciting prospects, Nia Archives is set to bring her unique sonic palette to the warehouse – taking over the three stages of Depot, Concourse, and Archive.
Joining Nia on the nightwill be the UK’s finest and freshest talents across DnB, jungle, dubstep, and UKG – including the likes of Shy FX, Skream, Yung Singh, Interplanetary Criminal, salute, a special debut b2b set from Clipz and Special Request, and more announced below.
Commenting on her first UP YA ARCHIVES at The Warehouse Project, Nia Archives, said: “Am so buzzin to curate ‘UP YA ARCHIVES’ at The Warehouse Project in December!!
“Manchester is a special place to me and am so gassed I’ve got to book so many of ma favourite artists + DJ’s to play alongside me, can’t wait! Tickets on sale Friday @ 10am!!”
ADVERTISEMENT
The Warehouse Project and Sports Banger collaboration
Image: Sports Banger
The Warehouse Project has also announced this morning that it has joined forces with London’s independent label and provocateur Sports Banger, which has taken the party and fashion scenes by storm since its conception in 2013.
This 2023 season marks an exciting collaboration as founder, curator, and raver Jonny Banger has designed a capsule collection for WHP23 merchandise.
The Sports Banger x WHP23 merchandise will drop as a limited run featuring heavyweight hoodies and crewneck t-shirts.
Clothing will be available to purchase on-site from this weekend, Friday 29 September, at WHP merchandise stall across the remaining shows this season. Some proceeds from the sales will go to charity partners – Manchester South Central Foodbank and Mad Dogs Homeless Project.
This year also sees Sports Banger embark on a new project as the genre-defying, boundary-breaking fashion collective is set to publish an illustration book Sports Banger: Lifestyle of the poor, rich & famous to celebrate the irreverent brand’s first ten years featuring archive images and essays. The book is due for release on October 26.
Commenting on the collaboration, the man behind Sports Banger, Jonny Banger, said: “This is an exciting project for us, to collaborate with one of the UK’s long-standing club series.
“We look forward to launching the first capsule collection for WHP23 which features some core Sports Banger designs with a nod to The Warehouse Project and its home city Manchester.”
Featured image – Nia Archives
Audio
The K’s kick off Manchester’s BRITs Week celebrations early with jam-packed intimate gig
The Manc
If you were ‘Hoping Maybe’ to see The K’s at some point this year, this is your sign do it, as the rising indie band did not let the occasion of playing an intimate BRITs-backed gig get to them – they were buoyed by it.
Beloved city centre venue Gorilla was overflowing for The K’s last night, hosting an unreal small-cap set as part of Brits Week ‘26 for a very important cause: War Child.
Perfectly teed up by fellow nearby band, Florentenes from Bolton, The K’s took to a familiar stage many years on from their debut, and instantly had the crowd ready and raring for an hour of pure tunes and some very, very sweaty brows.
Earlestown’s finest certainly carried that Northern charm and energy throughout the whole night; their indie and almost nostalgic lyrical storytelling has you moshing one minute, whilst grasping your mate and ascending into live music heaven the next. There really aren’t many feelings like it.
Sobbing and swaying in the vast ocean of shoulders whilst screaming the lyrics to ‘Helen. Oh I’, I questioned how any compliment will ever compare to launching “thousand ships every time” from a kiss.
The K’s were yearning before Wuthering Heights made it vogue (again).
Musically, the band were seamless and a well-oiled machine, and so were the audience as they wholeheartedly echoed every lyric back at the lads and bounced it off the walls.
The K’s have come a long way since their first visit to Gorilla (Credit: Lucy Wagstaffe)
Every primary school assembly proudly led us to this moment, and it did not disappoint, displaying their increasingly seasoned and successful career, which I can only imagine is going to go from strength to strength this year.
I don’t think we even one more fan could have squeezed one more passionate fan into Gorilla on the night; it was heaving with people and pride; the sweat dripping down the walls indicated things are big for these local lads, and we couldn’t be prouder.
They are another prime example of shining a deserving light on Northern artists! And having the 2026 BRIT Awards up here with us is a testament to that.
Featured Images — Lucy Wagstaffe (supplied via War Child UK)
Audio
Florence + The Machine at the Co-op Live, Manchester – the star has never been better
Clementine Hall
Florence + The Machine make a triumphant return to the stage in a thrilling exploration of female rage.
When you think of Florence Welch, you can’t help but picture her barefoot complete with flower crown and bouncy skirts racing around the stage in a fairy-like fashion.
And yes whilst she still is this, the band’s new era is suddenly a lot darker and haunting with their new album Everybody Scream exploring topics of loss and grief.
Florence and her coven-like quartet of dancers did not leave the stage once throughout the 21-track setlist, but not once did it feel tired.
Image: The Manc
The album’s title track kicked off the show before transitioning into fan-favourite anthem Shake It Out.
Florence’s voice is just as recognisable as ever, as is her long auburn hair that she swishes with her as she strides up and down the stage alongside her flowing sleeves.
Beneath the powerful vocals, the haunting atmosphere grew stronger as Seven Dials and Which Witch saw the dancers, coined as ‘the witch choir’, crawling up and down the stage in a Michael Jackson Thriller-style fashion.
Daffodils saw Florence interact with the crowd – embracing a woman pressed to the front of the barrier sporting a bright yellow flower crown.
It’s clear to see how much their music means to so many, and being at a Florence gig you feel as though you’re really part of something special.
A highlight came half way through the two-hour spectacle, as Florence dedicated Never Let Me Go to her sister in the crowd who she stated was “clever enough to marry a man from Manchester”.
Image: The Manc
We couldn’t agree more Florence.
Spectrum (Say My Name) really ignited a fire in the crowd, the entire arena was up and moving to the iconic track.
Her most vulnerable moment of the night comes as she returns for the encore, when she sings You Can Have It All which is written about her near-fatal ectopic pregnancy she experienced in 2013.
It’s raw and haunting, and we feel every note as she summons the strength to perform a song so revealing.
Of course, as the first two notes of Dog Days Are Over the crowd erupts into chaos.
Florence asks us to put our phones down, “you won’t get a good video and if you’re holding your phone, you can’t move” she states, and so we did what we were told.
It’s proof of the power that Florence holds over her audience, and from then on we were left to dance with complete abandon as the show ended in a feeling of pure joy and euphoria.
Georgina Pellant -
27th September 2023 
