This morning the iconic Manchester party series The Warehouse Project (WHP) has revealed its final show for its 2023 season.
The final show is an absolute corker, seeing the series conclude with a curated show from Leeds-born, Manchester-bred record producer, DJ, and songwriter Nia Archives on Friday 8 December.
The BBC Music Introducing Artist of the Year has put together a belting line-up, bringing together the likes of Shy FX, Skream, underground UKG and Asian revivalist Yung Singh, a debut Special Request B2B Clipz, and more for the series’ final show of the season.
Awarded BBC Music Introducing Artist of the Year last year, Nia Archives is set to return this season with her very own debut curated show at The Warehouse Project, UP YA ARCHIVES.
Image: Nia Archives
Image: Nia Archives
No stranger to the Depot Mayfield domain, Nia Archives released a spooky ‘Off Wiv Ya Headz’ remix of Yeah Yeah Yeah’s ‘Heads Will Roll’ earlier this year which was born out of her Halloween set at The Warehouse Project last season.
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A true champion of the DIY spirit and one of dance music’s most exciting prospects, Nia Archives is set to bring her unique sonic palette to the warehouse – taking over the three stages of Depot, Concourse, and Archive.
Joining Nia on the nightwill be the UK’s finest and freshest talents across DnB, jungle, dubstep, and UKG – including the likes of Shy FX, Skream, Yung Singh, Interplanetary Criminal, salute, a special debut b2b set from Clipz and Special Request, and more announced below.
Commenting on her first UP YA ARCHIVES at The Warehouse Project, Nia Archives, said: “Am so buzzin to curate ‘UP YA ARCHIVES’ at The Warehouse Project in December!!
“Manchester is a special place to me and am so gassed I’ve got to book so many of ma favourite artists + DJ’s to play alongside me, can’t wait! Tickets on sale Friday @ 10am!!”
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The Warehouse Project and Sports Banger collaboration
Image: Sports Banger
The Warehouse Project has also announced this morning that it has joined forces with London’s independent label and provocateur Sports Banger, which has taken the party and fashion scenes by storm since its conception in 2013.
This 2023 season marks an exciting collaboration as founder, curator, and raver Jonny Banger has designed a capsule collection for WHP23 merchandise.
The Sports Banger x WHP23 merchandise will drop as a limited run featuring heavyweight hoodies and crewneck t-shirts.
Clothing will be available to purchase on-site from this weekend, Friday 29 September, at WHP merchandise stall across the remaining shows this season. Some proceeds from the sales will go to charity partners – Manchester South Central Foodbank and Mad Dogs Homeless Project.
This year also sees Sports Banger embark on a new project as the genre-defying, boundary-breaking fashion collective is set to publish an illustration book Sports Banger: Lifestyle of the poor, rich & famous to celebrate the irreverent brand’s first ten years featuring archive images and essays. The book is due for release on October 26.
Commenting on the collaboration, the man behind Sports Banger, Jonny Banger, said: “This is an exciting project for us, to collaborate with one of the UK’s long-standing club series.
“We look forward to launching the first capsule collection for WHP23 which features some core Sports Banger designs with a nod to The Warehouse Project and its home city Manchester.”
Featured image – Nia Archives
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The Strokes at Co-op Live, Manchester – actually very hard to explain
Daisy Jackson
Manchester has waited a long, long time for this – The Strokes back on stage in our city.
I’ve been a fan of the band for as long as I can remember, but have never managed to catch them live, partly because they’ve left it TWENTY YEARS between shows here.
But back they are, with an enormous gig at the Co-op Live on their Reality Awaits tour.
The Strokes are known as one of the most solid indie bands of the 2000s, going triple platinum with their debut album Is This It and releasing massive anthems like Last Nite, Reptilia, and Someday.
They’re also known as a bit of an unpredictable live act – some will say they’re one of the best on the circuit, others will say they’re disappointing, and it really can depend on the night.
What they’re not known for is their audience interaction, so when frontman Julian Casablancas tries to have a bit of a chat with the audience, we all sort of stare blankly back at him. He’s speaking to us? What do we do?
“Wow, tough crowd,” he says, which is the first time I’ve ever heard anyone describe a Manchester audience as tough.
Then he turns back to drummer Fabrizio Moretti and says: “This is f*cking hideous, let’s play some songs.”
The setlist seems to get a shake-up every couple of shows, which is a nice surprise for us – and apparently also Julian, who regularly pops over to ask his bandmates what’s up next.
It doesn’t really matter that he’s not done his homework, because the second that drum kicks in, along with the impeccable guitar work of Schiltz, Fraiture and Hammond Jr., he snaps into action.
It’s impressive that their songs still have such singalong quality when Casablancas enunciates like a man with a dislocated jaw. For certain songs he’s so incoherent that if you weren’t a fan you’d walk in this room and wonder what the f*ck was going on.
But then, that’s sort of why us The Strokes fans love them so much. There’s a calamitous beauty to the work they put out and it’s so fun to belt out some words, even if they’re not the right ones.
I was hoping that seeing it live would sell that divisive new album, Reality Awaits, to me, but it didn’t. It’s too autotuney, too languid, and too often the victim of everyone’s toilet breaks.
Their earlier tracks still land best in a live setting, especially Reptilia, an absolute juggernaut in their back catalogue.
Rollercoaster set and tricky crowd interactions aside, we all had a great time – I’m just not sure I could say the same about Julian Casablancas.
Sam Fender describes his own ticket prices as ‘b*llocks’ and demands change for fans
Daisy Jackson
Sam Fender has kicked off about ticket prices for his own tour, ahead of his huge stadium summer next year.
The Geordie star announced his Proper Massive stadium tour last week, which will visit some of the UK’s biggest venues including The O2 in London, Etihad Stadium in Manchester, and St James’ Park in his home city of Newcastle.
But after ticket prices for the tour were announced, Sam Fender surprised us all by joining in with a moan about how expensive they were.
He described the ticketing strategy for his tour as ‘b*llocks’ and said he was ‘not happy’ with ticket prices.
And proving just how much sway an artist can have on ticket prices, Sam Fender then demanded that things be redone.
Sam first appeared in the comments on Gavin Davis’ Instagram account, which frequently shares tour leaks and ticket prices.
There, he wrote: “I’m not happy with these prices, they’re getting changed. It got inflated well more than I’d had in mind, it should only be inflated in relation to the cost of putting the show on.
“The standing will not be split as well, I had no idea about it. I have no idea how this was normalised in gigs.
“It’s bollocks and it won’t be happening on this tour.”
Then later, on his own Instagram stories, Sam Fender posted: “I’ve managed to get Front Standing tickets removed from the UK stadium tour. Whoever buys a standing ticket gets as much chance as anyone to be at the front.
“No more £120 standing tickets either.
“Costs are astronomical compared to two years ago, I can’t control the venue and ticketing fees, that’s a sad reality of today’s industry.
“This is gonna be the biggest and best show we’ve ever put on. Can’t wait to see everyone on the road next summer!”
The ticket prices for the Proper Massive tour are now confirmed by Sam Fender himself as being £85 for GA standing, and £55/£75/£95 for seats.
Georgina Pellant -
27th September 2023 
